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grand high cuntress
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fashionsfromhistory · 22 days
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Brooch
Marcus & Co. (New York City, New York)
c.1900
This exquisite brooch is one of the few extant examples of plique-à-jour jewelry made by the New York firm of Marcus & Co., whose reputation at its prime rivaled that of Tiffany & Co. Herman Marcus (1828–99), a German–born and Dresden–trained jeweler, arrived in New York in 1850 and worked for a number of prestigious firms before establishing Marcus & Co. in 1892. Following his death, the company continued under the direction of his two sons, George Elder Marcus and William Marcus.
The brooch is a superb example of Marcus & Co.’s work in plique-à-jour enameling, in which the "cells" of color have no backing, allowing light to shine through the transparent enamel, thereby creating the effect of stained glass. One of the only jewelry firms of its day to succeed at this challenging technique, Marcus & Co. followed the lead of such innovative French designers as René Lalique. The sensitive 3-dimensional sculpting of the sweet pea blossoms and leaves, as well as the naturalistic coloring of the enamels, reflects the Art Nouveau aesthetic that prevailed at the turn of the century. Indeed, close parallels can be drawn with the brilliant naturalistic work of Louis Comfort Tiffany, whose oeuvre is so well represented in the Met’s collection.
The MET (Accession Number: Accession Number: 2016.107)
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watmalik · 7 days
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Nicholas Galitzine referring to Uma Thurman as his mother in law at the Met Gala 2024.
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Charles Ethan Porter (1847-1923) "Untitled (Cracked Watermelon)" (c. 1890) Oil on canvas Located in the Metropolitan Museum of Art, New York City, New York, United States
Porter was among the first African American artists to exhibit his work nationally and the only one to specialize in still lifes. The painting's subject—originally an African gourd brought to the New World by seventeenth-century Spaniards and cultivated by colonists—is significant. Porter chose to paint a watermelon, an earlier symbol of American abundance—and during the Civil War period one particularly associated with free Blacks—when it was increasingly defined by virulent stereotyping. By reclaiming the subject in artistic terms, Porter challenged a contemporary racist trope.
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rousse · 1 year
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oncanvas · 4 months
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Women Picking Olives, Vincent van Gogh, 1889
Oil on canvas 28 ⅝ x 36 in. (72.7 x 91.4 cm) The Metropolitan Museum of Art, New York City, NY, USA
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morettamask · 5 months
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Marble statue of Dionysos seated on a panther, François Duquesnoy, 1st–3rd century CE
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archaeologs · 10 months
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Cubiculum (bedroom) from the Villa of P. Fannius Synistor at Boscoreale Romanca. 50–40 BCE. Image by The Metropolitan Museum of Art.
Learn more / Daha fazlası https://www.archaeologs.com/w/cubiculum/
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the people’s princess
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fawnvelveteen · 1 year
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William S. Burroughs at the Met by Allen Ginsberg, c. 1953
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fashionsfromhistory · 21 days
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Evening Boots
1885-1890
Probably French
While the slipper and the strapped shoe were the most common choice for evening wear in the last third of the 19th century, boots did occasionally continue to appear. As with shoes, the basic evening boot was satin, either plain or featuring an embroidered vamp, usually in floral or foliate designs. Surviving examples of evening boots of the late 19th and early 20th centuries suggest, however, that those daring to wear something already outside of the ordinary often opted as well for unconventionally bold and unusual materials and trimmings. This pair of boots typifies that phenomenon: anachronistic side-lacing, novel and atypically exuberant fret and scroll motifs, and embroidery covering the entire boot, including the heel.
The MET (Accession Number: 2009.300.1477a–d)
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jstor · 4 months
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When Face ID is acting up and I have to lock in
Umberto Boccioni. Self-Portrait. 1910. Ink, wash and graphite on paper. The Metropolitan Museum of Art.
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MET Gala 2024 - "The Garden of Time" - 20 Looks
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septembergold · 2 years
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Jewish Wedding Ring. First half 14th century
German
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rosareversa · 2 years
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The Met's Digital Department has made the Museum's entire collection of more than 406,000 Open Access images easy to transport into your virtual homes and islands.
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How am I just finding out about this now!? 
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oncanvas · 2 months
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Domestic Scene, unknown German artist, circa 1775-80
Oil on canvas 18 x 14 ⅞ in. (45.7 x 37.8 cm) The Metropolitan Museum of Art, New York City, NY, USA
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