I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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random hc but. crowley being a plague doctor in the 16th/17th century bc he's supposedly "tempting people into death" but he can never, ever bring himself to actually do that so he ends up soothing their pain as best as he can and comforting them in their last moments. one night, after he held a little girl's hand as she passed away, he sits down at the banks of the river thames, with his plague mask discarded on the dirt, and he starts out over the water with tears in his eyes, wondering what the fuck is actually the point? it's not the first time he's asked himself the question nor the first plague he witnessed but, here, now after personally witnessing hundreds of deaths every day, he really wonders what actually is the point of him? why does he exist and why should he keep existing. why does he get to live when so many others don't? how is that fair? how is any of it fair? that's how aziraphale finds him, as he just got back from an assignment somewhere or other and hears crowley is in town, so he discreetly looks for him and finds him there, sitting in the dirt, now with his head in his hands, his shoulders silently shaking and is obviously immediately worried but doesn't know how to comfort him or what's allowed so he just sits beside crowley and watches him try to pull himself together. aziraphale's heart breaks, he put what happened together from the mask and the robes and he obviously knows about the bubonic plague but was convinced it was hell's doing and couldn't have even imagined crowley was out there everyday, helping people under the guise of hurting them. is he surprised? no, of course not but it still hurts to see crowley like this. but he's afraid to cross their unspoken rules so he quietly waits crowley out. he watches the water and doesn't dare look at crowley as he lifts his head and takes a few shaky breaths in. after a few minutes of breathing, crowley croaks out "her name was mary" and nothing else, and aziraphale understands, god he understands. it's one of the things they never speak about after it happens but aziraphale can't forget the night he sat with crowley for hours, till the sun came up, as he cried about a death of one little girl. he holds it close to his chest and never, ever forgets.
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Hello Internet Stranger looking up G Gundam on Tumblr dot com!
This is an idea for a fic set in an Alternate Universe involving Queer Non-Canon Relationships between the characters of the series.
If you are not looking for this content please scroll on.
If you ARE looking for this content - and you're ok with reading my and other's Headcanons for this Alternate Universe I've haphazardly spun up -
Then go ahead and feel free to:
Check The Tags Of This Post For The Pairings
and click the Read More below!
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Ended up outlining a completely different fic as a Segway for an explanation instead of making progress on the Royal Flush Haunted Honk AU's Clown Motel Fic like I wanted to but uh....
For y'all's review for the AU: A Prequel Outline - Divorce Saga Domon
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Hey real quick - I'm thinking of maybe changing the timeline to 2 years post canon as opposed to 3 years and change post canon.
The reason being: I had a thought that this scene could either be part if the fic or if it's getting to big then it could be a stand alone tie-in prequel fic as part of this AU but - like
Immediately Post Divorce Domon Needs Space and runs off. As one does. And he runs to Earth because he just wants to Get Lost for a while.
He has Argo smuggle him out to avoid detection.
Argo has Andrew help stow Domon in a storage hanger of a Neo Canadian supply ship that's returning to the US - they have trade often enough and share agricultural resources - which leads to Domon ending up in New York when he hits Earthside pavement.
He's privately worked on his English the last couple of months and after being dropped in New York with a different hairstyle, outfit, and accent he's unrecognizable.
He considers making his way west to get some solitude in the wilderness, but something about that initial plan feels off now that he's on the ground.
Chibodee is also Earthside for a special series of prize fights aimed at raising charitable appeal for the US in the eyes of Neo Americans.
Domon decides to hit up Chibodee for a fight on a day between matches hoping it'll clear his head and give him the clarity to decide on a course of action. What ends up happening is an unexpected heart to heart via blows and a breakdown.
Domon is happy for Rain and Kyoji, and he knows it's not true; but he feels like he lost a piece of himself when his relationship with Rain fell apart.
Domon's instinct is to run after that but Chibodee knows this city and Domon doesn't hide out for long before Chibodee drags him back to his place to stay and just "Chill out and breathe. You don't have to be anyone but yourself here. You can take as long as you need to find out what everything changing means for you." Friends and teammates stick together.
So Domon spends a few weeks with Chibodee sparring and hanging out in New York. Chibodee does a frankly awesome job at containing his feelings because he's focusing on Domons feelings and being a good friend first and foremost. Whatever he's feeling can wait until after Domon is done going though it.
There's a bit of a twinge in Domon's heart as he leaves that he can't really place.
After he returns to Neo Japan and gets settled back into life with his family, The Dreams start.
They're mainly set in New York. Small things first like noticing Chibodee's smile and his eyes. Then sparring sessions that begin to turn lurid.
He thought these kinds of dreams would stop after he was married.... he doesn't know what to do about this.
I just figure it gives more clarity and sense of time for the journey from Comphet Marriage Dissolution to Feelings to Confession. Idk.
But I got stuck on a bit and then had this thought and needed to get it down before I lost it and it was so long it made sense to make it its own post as opposed to several replies.
The Maize and Clown Motel will probably still be 3 years and change post canon for clarification.
@thedragonchilde @amplexadversary @youreaclownnow
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Alicent after her husband damns her children, the ones he forced onto her, the ones she carried and birthed and loved and spent her whole life protecting. after he leaves her, dying a pathetic death, leaving her and her children alone in the world, even more than he had before. after her children are robbed from her, meeting fates promised to them at birth, ones she tried so hard to change. after being left to roam an empty keep, the sounds of her children's antics now long gone. after hearing her own cries echo in the septs, but never reaching the gods, rattling the walls of her chambers, yet falling on deaf ears. Alicent after she decides she will be king, in her eldest's stead, she will weild her own sword in place of her most trusted friend and closest son, she will fill the world with her words like her daughter had, she will take revenge as she sees fit as her youngest had:
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The disrespect this show gets on a daily basis, from the production to the network(s) to even the pirates who prefer to rip shows like *checks notes* Big Brother Canada (same group)...
I wouldn't be calling them out if I hadn't done this myself, by the way. People who have never ripped a damn thing can stay in their lane. I have earned my stripes, I'm not someone who wants to talk shit about those who do this, and I understand the process involved. The webrips are a different story, as they are uploaded by Amazon whenever. The HDTV rips should be uploaded on time, shortly after the network airs the show, and it's the same process as it always has been to rip them. Uploading HDTV rips after the webrips has no value whatsoever, unless someone cares that much about the promo, which of course CityTV doesn't care enough to upload themselves, proving once again what a shitty network they are.
Hudson and Rex has an international fanbase, it shouldn't be so difficult to be able to watch it as an international fan in 2024.
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why didn’t lovechild!au geralt ever go looking for jaskier?
That is a good question! I think there are various things at play.
First there is Ciri – which he did take in shortly after they separated. Since I took wild hunt Ciri for this story (when they meet later) this does change her age quite drastically. It deages her quite a bit (if Milek is around 14 and she is ~24) that means Geralt took her in when she was nine. And I think that does change things. His focus was on her.
Then there is Yennefer – I think she wanted to encourage him to look out for Jaskier, but she is also majorly pissed at him. I feel like their dynamic changes a lot because she is aware of Milek. (It’s way cooler, for a start.) It’s not her intention but... Geralt feels even worse because of that? She makes him feel like he did something unforgiveable. Which makes avoidance a bigger topic on his side.
And after a while… I dunno. When Yen and Geralt had that talk on the dragon hunt, that this life they lead doesn’t fit and work with a baby – Geralt was not wrong. And I feel like, with time, and what Ciri goes through too, Yen comes to realize that it might be better if he doesn’t know (for now). So maybe she doesn’t outright discourage him to look out for Jaskier, but… She certainly is not encouraging that idea. (it’s messy.)
There is part of Geralt that feels like. Jaskier will come back when he feels ready (he always did) and if he goes out to find him, he isn’t welcome. It doesn’t help that Jaskier is suddenly very hard to find. Geralt wants to respect his wish to not be found.
(little does he know).
And then there is also A LOT of plot happening.
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