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killjoy-prince · 2 months
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House M.D. but it's when Wilson says House's name
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birrdify · 13 days
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Heya!, Soni here!, I am not sure if you take requests, but, I'd love to see your Kinito interacting with mine!; (USB!Kinito)!! alsoooo, I really adore the way you draw your kinito :O!!, they are freaking adorable, just a little pink gumball guy!! Since I really like your artstyle a lot!!, one artist to another!! Also, also, make sure to take plenty of breaks and drink water, or I will throw cheese at you, this is a threat!!! >:) /pos
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aaand a very messy doodle ;
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soni check tags pretty please i have many kind words to sa-
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grimalkinmessor · 10 months
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Light's end has always bothered me for multiple reasons (the biggest of which is it not actually being his fault that he lost therefore robbing me of a greater poetic justice but you can't win 'em all), but I think one nobody really talks about is that,,,Light wasn't afraid to die.
Well—he WAS, at the beginning, but part of the reason I'm so obsessed with his relationship with Ryuk is because Ryuk's existence was a constant threat to Light's life. And yet Light never once seemed afraid of him, or tried to cozy up to him, or even attempted manipulate Ryuk into doing things for him. Sure, he bribed him sometimes into going along with his plans, but he was friends with Ryuk. Or—as close to friends as I assume a Light Yagami and a Shinigami can get.
But before Light meets Ryuk, he 100% believes that he's going to die. His frenzy those first few days can be attributed not to any moral righteousness, but to a desperate sort of resignation. Light thinks that he's sold his soul after killing those first two men, so instead of destroying the Death Note, he immediately sets out to make as big of an impact as possible. He wants to go out with a bang! He wants to be remembered! Light is afraid of death in those first days—but he also comes to terms with it somewhere between killing Otoharada and Ryuk showing up. He was ready to go with Ryuk quietly if he was there to take his life or his soul.
But then—he learns that he's not going to die.
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The face of a boy excited and relieved.
Light learns that there are no consequences to using the Death Note.
THIS is when he starts getting cocky, when he starts to actually convince himself of all that moral stuff he spouts.
But he's still not afraid of death.
Oh he's afraid of being caught, for sure, and after L humiliated him on live television, he might've even been afraid of execution. Because he'd seen firsthand just how quickly L could turn the tables on him, how he could make Kira look foolish. And Light definitely does not want to be remembered as foolish.
I don't think Light was afraid of actually DYING though, because when Ryuk says "You know I could just kill you", Light laughs. Literally laughing in the face of death. Light KNOWS that Ryuk will eventually kill him, but as long as he goes down the way he wants—on HIS terms—it's fine. Ryuk claiming that he'd be the one to finally end Light might've even been a relief, considering how Light's mind works. A god can only be killed by another god, etc. etc. 'Killed By A Real-life Shinigami' sounds metal as FUCK. Top-tier way to die if you're as much of a gloryhound as Light.
And one thing that irks me is that—the five year gap kind of,,,,takes that, from Light. Light spends so long on top of the world with no real challenge that by the time that Near and Mello show up, he's far more arrogant than he was when he was up against L. Light is, once more, afraid of death. He's lost that tolerance he built up in those pivotal first few days, and he goes out, not in a blaze of glory like he wanted, but clawing and pleading to live like a dog.
Light lost his recklessness, his impatience, his acceptance of the inevitable because he believed that he could now change the inevitable—all somewhere in that five year time skip.
This makes him less likely to get caught, yes, but it also takes away that—that teenage dauntlessness that he had at the beginning. Pre-skip Light feared L and L alone. Only the idea of being caught by someone who could truly tear him down frightened him. Not even death compared.
And I suppose that Light's spiralling at the end is a sort of poetic justice in this case?? But it's not the one I wanted.
I wanted Light's recklessness to blow up in his face. I wanted his carefully curated plans ruined by his own impatient hand. I wanted him to go down much as he probably first intended—in a blaze of glory. I wanted his fall to be explosive and terrifying to the audience. A moral of the story that shoots you right in the chest and really makes you think.
Instead he was reduced to just,,,,another criminal, begging for his life.
Which, yes, I suppose, is also a message in and of itself (all evil figures throughout history have only ever been human, have only ever been men that bleed red at the end of the day, and nothing they've ever done or said will change that), but I also find that....exceedingly boring.
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briviting · 1 year
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antwerp real
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pizza-feverdream · 6 months
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i do love me some experimenting with colors and shading techniques while also playing dress up with your oc's with funny poses and outfits you found on pinterest
(refs i used) (plus the color palette)(if the colors look different it's because when i upload my art to google photos it wildly messes them up)(and i do my best to correct them but they still may be different)
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idaten-jump · 4 months
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https://drive.google.com/drive/folders/15GjiUnYQzT557Tax9J9ZvZvt79aT2P5k?usp=drive_link please share this link it have idaten jump episode 1 to 3 , 5, 7, 8, 11, 12 , 13, 15, 16 in english organized by Mr. H
Thank you so very much for sharing this with us! It is much appreciated!
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maddy-ferguson · 18 days
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i'm part of the community notes community on twitter and i feel like i'm making the world a better place one helpful/unhelpful rating at a time❤️
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musical-chick-13 · 10 months
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Hey, can you re-imagine a wholy genderbent Deathnote, is too cursed?
Okay, it is SO funny that you mention this because I was talking to my Long-Distance Best Friend the other day about the fact that there is, apparently, (or at least was, at some point before the strike?) a plan to make a live-action TV series adaptation of this for Netflix. Which is...a whole other thing I don't want to get into, but ANYWAY.
The POINT is that we were talking about what would have to happen to make me have some modicum of hope that this might not be the worst idea ever (remember what happened the LAST time we did live-action Netflix DN, we got the 2017 movie no one needs to live through that again). And what I ultimately came up with was:
Every single character, except for Light and Raye, is now a woman. (Obviously this isn't wholly genderbent, but. It's close enough to this ask that I found it to still be a humorous coincidence.) I think in the hands of the right writer, it could be an interesting examination of misogyny and how baked-in that concept is to the justice system. (And I think it would lend extra context to the fact that Light was able to keep operating for so long. If the people opposing him are all women in a historically male-dominated field, they'd all have to contend with a type of professional and societal discrimination that he'll never have to, thus giving him an advantage. Also L would be a Weird Girl™, which would absolutely raise some interesting questions in terms of the scope of this character's influence and their societal perception. Also femslash Near/Mello would be canonically possible which is OBVIOUSLY the most important factor to take into consideration.)
Soichiro's difficulty in believing Light's guilt would gain an extra dimension if this character were also grappling with the societal expectations of motherhood (especially while being in a position of authority in a """masculine""" career). And Matsuda...I just think some woman, any woman, should get to shoot Light repeatedly in a fit of rage. (Also something-something calling women in the workplace idiots/making them the butt of the joke/consistently overlooking them, I think you could do something there.) I think this theoretical concept I spent way too much time thinking about really only works if, even though the major and supporting characters are women, it's still made clear that they work in an environment overwhelmingly occupied by men.
As for a FULLY genderbent story...Light as a female character is, to me, indeed an idea too cursed. I will not elaborate.
And I don't think the Shinigami experience the concept of gender in the way that we do, so tbh I'm not really sure a whole lot would change in that regard. But I do think a female Ryuk would be very funny.
Naomi being a man I think would be...not cursed, I just don't particularly enjoy it. But mainly that's because I am A Gay™, and I love thinking about women who are tough enough to have the word "massacre" as part of their nickname. :)
Misa being reimagined as a guy could be really interesting, though, given how a) the entertainment industry treats women differently from how it treats men, and b) the world at large generally expects men to react differently to trauma than women do. (Although I still very much prefer the version of Misa that serves as a deconstruction of the Manic Pixie Dream Girl). And I'd be curious to see what the viewer/reader response would be if this character were a man. (Mainly because, historically, audiences are a lot more positively receptive to extreme, unhealthy displays of devotion when they come from a male character than when they come from a female character, but this answer is already probably too long, so we don't have to talk about that.)
(Best Friend ALSO mentioned the idea of Rina Sawayama playing L, and I am now gay on a level I previously didn't ever think was possible, but we don't have to talk about that either.)
Uhhhh....TLDR, full-genderbent DN kind of cursed, but there are some really interesting ideas you could examine. (The one veto I'm gonna make is that I do not think this story works if Light is a girl, but-you guessed it-we really don't have to talk about that.)
Also, stan the stage musical for serotonin and clear skin!
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dramadaisies · 8 months
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k-drama fan finds out she's going to japan and needs j-drama recs so she can get that Language Immersion™️ and doesn't accidentally speak korean because that would be bad
like very bad
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dreemurr-skelememer · 2 years
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also ty for the big ol 23 lmao
i usually dont celebrate milestones on tumblr anymore but ive stagnated for YEARS on 22 ever since bad shit happened and i had to go on semi-hiatus
so very casual! but it means the world to me still
ty for still sticking by me in this blog, i still enjoy seeing that even if im not at my peak here anymore, a good amount of people are still enjoying the work that i do :)
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krakenshipwreck · 10 months
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Absolutely living for your thunderbirds content this post season. Thank you for your dedication to the CW universe which will live on forever with this team 😌
i know this ask is a few weeks old, but it did prompt me to put some thought into the particulars of the CW teen small town supernatural drama that is the seattle thunderbirds. here’s how i think it would shape up…
reid schaefer and dylan guenther are well established in their own separate high school spheres. reid’s a football player. not the all-american quarterback kind, though. more like a linebacker, the kind that hits hard and you give him wide berth when you see him in the lunchroom.
dylan’s a bad kid. wrong side of the tracks, bad crowd of friends, even though sometimes teachers tell him he’s too smart for all that. he and reid have an uneasy kind of peace. they don’t really like each other but they each respect that the other one’s hot shit in his own sphere. sometimes reid buys weed from dylan.
brad lambert’s the new kid in town. goes out for football and turns out to be the best kicker anyone’s ever seen. quiet kid though. keeps to himself, despite the best efforts of quarterback/captain lucas ciona to make him feel like part of the team.
somehow reid and dylan witness something fucked up and supernatural, and they don’t know what to do about it. do they tell someone? should they do something? if they pretend it never happened will it just go away, or will everything get even more fucked up?
it’s possible this happens behind the 7-eleven, during a little cash transaction. the oblivious clerk at the 7-eleven is kyle crnkovic, who graduated last year and is working this dead end job and going to community college. he’s seen some stuff on the night shift. he’s probably seen some supernatural shit but he doesn’t even realize it because the night shift at 7-E is already weird enough.
reid and dylan endure a week of simmering tension. hostile whispered conversations. narrow-eyed stares when they pass each other in the hallway. then reid notices something that makes him think brad lambert might be involved in [supernatural thing]. he pulls dylan into an empty classroom after school to tell him about it and it turns into another fight about whether they should try to do something or leave it alone.
just as voices are escalating and it seems not only possible but likely that somebody’s going to get punched, jeremy hanzel pokes his head out of the back room, where he’s been quietly working on some sort of project. he’s the kind of kid who’d usually steer clear of reid’s ominous high school meathead aura. but he couldn’t help but overhear them, and hey, are you guys talking about [supernatural thing]? because [insert information that jeremy hanzel knows about supernatural thing because he’s a sharp kid in his own overlooked way].
soon the three of them are in reid’s pickup, with jeremy directing them to an abandoned house on the outskirts of town where there are signs of [supernatural thing]. there’s a tense moment when they hear noises coming from another part of the house. who’s there? ghosts? [supernatural thing]? other kids up to no good? actually it turns out to be brad lambert.
i have no idea what the supernatural thing is, but the important part is that while they’re all investigating/combatting it, reid and dylan are each intrigued by brad lambert, and they each notice and are not pleased that the other one is intrigued by brad lambert. but brad’s really just the catalyst to set off reid and dylan’s enemies to lovers arc. or, more specifically, mutual suspicion to reluctant comrades to fervent comrades to frantically making out during an illicit kegger in the woods by the old railroad arch. something fucked up and supernatural happens while reid’s got dylan pressed up against the crumbling brick, and that sets the relationship arc back a little. also at some point in all of this reid derisively calls dylan “spicy dyl,” as is canon.
here are some other characters in this fic:
—colton dach is reid’s sidekick/best friend. he’s a defensive end on the football team. he recognizes that reid’s keeping secrets from him and getting closer to dylan and he doesn’t like it.
—kevin korchinski is a cornerback of course. comic relief, gets along with everybody. helps bridge the gap between jeremy hanzel and reid/dylan (they need jeremy’s knowledge about [supernatural thing] but he’s kinda scared of them!)
—nico myatovic, gracyn sawchyn, and sawyer mynio are twerpy little sophomores on the soccer team. they are important to the plot somehow.
—luke prokop is a first-year teacher and assistant coach who is trying very hard to establish a professional reputation and have good boundaries but also he thinks these kids have stumbled onto something with [supernatural thing] and he’s ready to support them when his colleagues dismiss their concerns.
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palestinalibre · 1 year
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one of my favourite memories from this year is dancing and singing at a 1d party with you guys @justalarryblog @skepticalarrie @lets-laughagain @lobosupimpa after seeing harry together 🥺❤️😭 and then achieving to drunkenly catch a flight jahsjdhd
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thinkingstoned · 7 months
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peace and love on planet earth
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you know, i appreciate the work Susan Sontag has done for people appreciating Camp and stuff but i feel like if you are still using Susan Sontag as the authority on Camp in the year of your lord 2023, using notes that were written in 1964, as if the landscape of art and our relationship to art hasn't fundamentally changed since then,,, it's like, you need to catch up babes, a lot of those points are still really relevant, i'm not saying throw it out, but like update your understandings of Camp beyond that one authoritative text that's at this point almost 60 fucking years old. Susan Sontag is not the fundamental authority on what art today is or would be considered Campy, build off of those basics, please dear gods, evolve your understanding of what Campy art today actually looks like rather than trying to apply a prescriptive label from a text that can kinda boil down to 'Camp is whatever you feel like, and you'll know it when you see it because it won't be like traditional art' because the attempt to define it is so wide, calling every non-traditional piece of art campy is fucking pointless and not how anyone is obviously using the fucking label, people are very deliberately talking about one specific feeling they get from the piece of art, and it's got very little to do with aesthetics, at least as far as TV shows are concerned (movies are a different conversation), and much more about presentation and tone and intended effects and what the whole fucking point of the piece of art actually is, which is a lot more than what is afforded to most things considered Campy, like 90% of the shit people call campy at this point is just called campy and then it's left there, because it's a "oh you can't say anything about it because it's campy" like at this point it almost functions as a conversation ender because anyone you're talking to about any aspect can just go "yeah that's meant to be that way, it's campy" and it's like. okay, where do we go from here? should the piece of art not be analyzed as a work of art? does it not deserve to be evaluated in good faith and treated like any other piece of art? i understand the urge to defend the use of the term, as like "oh we're using it because people are misunderstanding art and what it's trying to be", and as a Riverdale-truther (as in genuinely love it as a piece of art and what it says and does, it's not fucking campy i swear to god, none of you fucking know what pulp art is!), and as a TASM2 truther (best Spidey movie after ITSV, and definitely best general movie after ITSV, and i don't care what your opinion is) i understand the urge to want to defend it as camp, but like, what's the piece of art actually doing and trying to say, what are the deeper layers at play? or are you really just satisfied saying something is Campy and stopping your analysis of the piece of art there? is your soul really okay correcting someone's interpretation of a show and saying it's campy and not doing anything beyond that? what does it being campy actually change? what the fuck does it actually do for the piece of art, if the piece of art is even campy at all?
#yes i am in fact Riverdale-posting bc i saw a video essay calling Riverdale campy and talking about Susan.#james talks#anyone that tries to say 'Riverdale is good because it's bad' or 'Riverdale is supposed to be bad' is my mortal enemy actually#james rambles#DON'T READ THIS I JUST NEEDED TO GET THE THOUGHTS OUT#yes i am in fact aware i am using camp as a prescriptive label when i say don't call Riverdale campy. you're so smart. thanks for noticing!#if the implication wasn't fucking clear my point is that saying it's campy and meant to just be entertaining is doing a huge disservice—#to the actual piece of art and treating it like it's not actually trying to say and be something.#you don't have to drag people over to your side inch by inch to open their eyes! just spill your perspectives onto the floor!#the world will catch up with you someday!#you don't have to do the work of getting people to see something as campy to try to get them to see the show through a different light!#it's not even efficient bc like i said it just becomes a conversation ender bc the implication is that the analysis is inherently wrong—#because it's misunderstanding the intent in why some part of something is the way it is but like! you don't have to waste your energy—#trying to correct people (don't even try it. i am in fact deeply self aware.)!#spend more of your time trying to explain why you think it's good instead of complaining about how nobody else fucking gets it.#i get that you want more people to see what you see but that doesn't come from trying to inch them over the line bit by bit!#it comes from explaining your view and understanding of the show!#you don't have to try to convince them it's campy! just actually analyze the fucking piece of art & the people interested will flock to it!#also it's been years since i've actually read notes on camp so it's likely i've got some shit wrong bc i'm not fact-checking this rant.#but like the point isn't even really about the text but how other people use it.#and yes i'm aware this sounds inherently contradictory and incoherent. thank you for noticing. welcome to human existence.#to quote (paraphrase) Vivian Strange tho: if it exists it deserves to be analyzed.#treat every piece of art like it's worthy of analysis and respect and this goes from your fucking godfathers to your sharknados.#it goes from your fucking shawshanks to your mamma mia! to your Riverdale to your PLL to your euphoria to your whatever#anyway just really exhausting to hear people say something is Campy or meant to be bad or whatever and just stopping the convo there.#like what now girlie? where do we fucking go from here? do you have anything meaningful to contribute?
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neriyon · 9 months
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Aaaaaaaaaaaaaaaaaaaaaaaaaaa I spend literally hours setting up a new blog theme
only to discover now - after ages of work and testing and stuff - that the new theme hides tags
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scalpelsister · 10 months
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i start intensive outpatient therapy on tuesday and i could not be more upset lmao. i know its going to be good for me overall but i cant think of something i want to do less than that sjshdhdh. ALSO it runs all the way up until my birthday with my birthday being my last day (unless i get discharged early) which is just.... no good.
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