Little drawing of my first ever dnd game's first ever session... featuring the most awkward group of adventurers who ever tried to small-tallk around a campfire.
(pen and ink and stuff! You know, the usual)
(feat. characters by @fangtast and @grapplemace and @seaslugbananabread and @horrorobsessor !!!!)
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Siddal, like Ophelia, seems to have been unlucky in love. In 1860 she married Dante Gabriel Rossetti, another pre-Raphaelite artist for whom she modeled, but in 1862 she took an overdose of laudanum and died. Rossetti apparently felt he had neglected her and remorsefully buried his only complete book of poems with her. Seven years later, however, he had her body exhumed so he could publish the poems.
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Portrait, perhaps of Elizabeth Siddal (1850) by Dante Gabriel Rossetti.
Photo by Birmingham Museums Trust, licensed under CC0
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It’s Fine Press Friday!
Today we’re leaning into the drama with a 1910 edition of Poems from notorious bohemian and (unofficial) Pre-Raphaelite Brotherhood (PRB) member Christina Rossetti (1830-1894). This vellum covered, gilt stamped, 369-page tome was printed on Unbleached Arnold paper by the Villafield Press in Glasgow and published in limited run of 350 copies in London by Blackie & Son under the art direction of Talwin Morris. It features a praiseful yet cutting introduction from fellow poet, critic, and suffragist Alice Meynell (1847-1922) along with a wealth of illustrations (70 plates) by Florence Harrison (1877–1955) , an Australian illustrator of poetry and children’s books who worked extensively with Blackie & Son. Harrison’s style was inspired by the Romantic Era and the nature-worshipping, hedonistic values of the Art Nouveau and Pre-Raphaelite movements of the time. Fittingly, she also illustrated the works of fellow PRB poets William Morris (1834-1896) and Alfred Tennyson (1809-1892).
While many of the poems included are overtly devotional and express themes of purity, motifs of romantic love, limerence, melancholy, and death permeate the mood of the text as a whole. The Rossetti family, particularly Christina’s brother Dante Gabriel Rossetti (1828-1882) (poet, illustrator, painter, translator, and co-founder of the PRB) and Elizabeth Siddal (1829-1862) (artist, iconic art model, poet, and Dante’s longtime partner, muse, and eventual wife), are known for their exploits, excesses, creative legacy and influence on the culture of the era. Christina published her first poem at only 16, and Siddal posed for Millais's Ophelia at 19. The radical, passionate nature of the philosophies and lifestyle they embodied was as much a product of the intensity and privilege of their youth as of the Renaissance ideals and Victorian mores they rebelled against.
For a deeper dive on the Rossettis and their generation, check out this recent exhibition at the Tate Modern.
View another Christina Rossetti post
View another Dante Gabriel Rossetti post
View another Pre-Raphaelite post
View more Art Nouveau posts
--Ana, Special Collections Graduate Intern
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All changes pass me like a dream,
I neither sing nor pray;
And thou art like the poisonous tree
That stole my life away. –
Elizabeth Siddal, "Love and Hate"
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Just started playin a DnD game with some friends, and as my character is a creeeeeepy creepy Bard of Whispers, I decided to write him a creepy, whispery song - in honour of our session zero.
Omens
Poem by Madison Julius Cawein
Sad o'er the hills the poppy sunset died.
Slow as a fungus breaking through the crusts
Of forest leaves, the waning half-moon thrusts,
Through gray-brown clouds, one milky silver side;
In her vague light the dogwoods, vale-descried,
Seem nervous torches flourished by the gusts;
The apple-orchards seem the restless dusts
Of wind-thinned mists upon the hills they hide.
It is a night of omens whom late May
Meets, like a wraith, among her train of hours;
An apparition, with appealing eye
And hesitant foot, that walks a willowed way,
And, speaking through the fading moon and flowers,
Bids her prepare her gentle soul to die.
-
Lyrics are not by me, but everything else is >;)
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Me too, Lizzie
(A woman and a spectre by Elizabeth Siddall)
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