Big TW for pet loss
Hey, clangen tumblr and those who just enjoy the silly cats on this blog. I know it's been a little bit of time since my last update, but unfortunately during the past few months, I have been caring for my closest friend, Comet.
She's been my best friend for 15 whole years, and on February 9th of 2024, I'm sad to say that she has passed. I won't lie when I say that this is one of the hardest posts I've ever made, but I want to continue this blog in her honor. Normally, I have a terrible habit of just letting projects like this slip by me and gather dust; however Comet was meant to play an integral part within the blog to immortalize her, and I refuse to let something meant just for her to go to waste.
I want to thank you all first of all for being such an amazing community. I've genuinely had so much joy come of this blog, and it pains me that I let it go stagnant for as long as I have. There are 568 of you now, which is so extremely wild to me; but I hope that from now on, you can all love Comet as much as I did, even if as a memory.
I hope to return to posting content both here and on my main, @mxssacre , but for now I still need time to grieve and come to terms with the loss of someone that was so incredibly intertwined with everything I've done since I was 9 years old.
Thank you for everything Comet, my heart, my soul, my love.
More of my favorite photos of her beneath the cut.
It's hard to choose favorites out of the thousands of photos I've taken of her over the years, but I hope these do her justice to show what an amazing being she was. I hope you're hunting your toy mice in the stars, Comet.
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the difference between zosopp and sanuso (romantic OR platonic) is that Usopp is Zoro's specialest little guy and Zoro is someone Usopp hangs out with and looks up to and hides behind when things get scary, but Sanji and Usopp are best friends. They horse around, they beat each other up, they confide their worst fears trying to one up each other. Usopp hides behind Sanji sometimes, sure, but idk, Sanji's weaknesses are more obvious (bugs, fighting women, etc) so there are times when Usopp has to stand in front of Sanji too, yknow?
Like, how do I say this, all the crewmates are equal- Usopp and Zoro are equals- but with Sanji it feels like more... comradery? Zoro's a rock in a terrible storm- even rocks tend to get weathered and chipped and worn down, but they overall stay strong and steady. He has trouble being vulnerable and there are times when the burden he's placed on himself to keep the crew safe is crushing his chest. Usopp would help with that and be very understanding, but the point I'm trying to get with that is that those moments are few and far between. So I feel like Usopp, especially after Water 7, would take Zoro's lead on something like that, and keep most of his worries to himself or only talk about them sparingly unless they're really bad and/or he can't hide them.
Sanji is like a tree in a storm; he can be strong, yes, but it feels like he bends and sways with the storm, and has more obvious breaking points. He can relate more to Usopp's struggles rather than resorting to blunt honesty that might border on callous like Zoro. And while, with Zosopp, I tend to think of scenarios with Zoro being blunt like that as a good thing- because sometimes when you're spiraling, it's nice to have someone say exactly what's great about you and shoot down all your worries with straight facts that you can't argue with- I can also see this as being a bad thing. Anxiety can really twist up your brain sometimes, you know? And despite the words, the tone could still mess someone up if they're already feeling like a burden on others in some way.
With Sanuso it's a lot more understanding and thoughtful words. It's distractions and comfort food and patience- the kind reserved for Usopp- until Usopp talks about whatever's troubling him. Compared to Zosopp, it doesn't take as long for Usopp to open up, since he's done the same thing to Sanji at times and it's more familiar to him to talk and commiserate with Sanji about his worries and doubts and such. However, there are times stuff like this has absolutely no effect and Sanji will end up at a loss, no idea what to do or how to help over the course of several days with Usopp being quiet and keeping his distance, and he'll end up working himself up about it which will only serve to make Usopp feel worse and. yeah. bit of a vicious cycle with them.
So it's like. Usopp can be weak with both of them, but since I see Sanji as the type of guy who'd be more open with his worries (at least compared to Zoro), there's less of a need to 'perform' and be his best self around him. He's comfortable around Zoro, yes, but he is constantly wanting to show that he won't be a problem to him. On the other hand, while he's more open with Sanji, and Sanji with him, they tend to relate a bit too much with each other and they both have issues with causing trouble for others and being 'deserving of love' so failed attempts at consoling one hurts the other and creates an unpleasant cycle of misery and avoidance before some other crewmate (Zoro) tells them to quit being stupid and just fucking talk to each other.
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A Gothic Tale of Two Weird Old Men: Dracula, Van Helsing, Ignorance and Obedience
So, we’ve gotten to the garlic flowers. And the first point in the novel where, on my first read, I felt a tiny prickle of recognition and unease. This section in particular made a little exclamation point pop up over my head:
"Oh, Professor, I believe you are only putting up a joke on me. Why, these flowers are only common garlic."
To my surprise, Van Helsing rose up and said with all his sternness, his iron jaw set and his bushy eyebrows meeting:—
"No trifling with me! I never jest! There is grim purpose in all I do; and I warn you that you do not thwart me. Take care, for the sake of others if not for your own." Then seeing poor Lucy scared, as she might well be, he went on more gently: "Oh, little miss, my dear, do not fear me. I only do for your good; but there is much virtue to you in those so common flowers. See, I place them myself in your room. I make myself the wreath that you are to wear. But hush! no telling to others that make so inquisitive questions. We must obey, and silence is a part of obedience; and obedience is to bring you strong and well into loving arms that wait for you.”
Now, full stop, Abraham Van Helsing means well. He’s a heroic old dude driven by goodwill—and, we can assume later, perhaps a bit of personal history with this particular malady. We’re going to see in later chapters that he is absolutely down to fight for far more than just Lucy and his protégé’s sake. Better still, he provides a great foil against the common themes that so far endanger characters who get in Dracula’s path. Skeptics are endangered because they only acknowledge the truth of the bogeyman in their midst when it’s too late while the frightened believers are too paralyzed by the threat to make a move. Van Helsing combines the Scientific with the Mystic, acknowledges both as equally important, and uses them to his advantage.
Knowledge is power and all that. Dracula really does get away with most of the shit he does half the time because his victims don’t know what they’re dealing with. (The other half of the time, it’s because he’s just bulldozing through victims on a spree, RIP Demeter crew.)
The Count is usually the one holding all the cards and using his advantages to cause harm. Van Helsing brings his own intel and uses it to help to the best of his ability.
That being said?
(Mild spoilers below)
The first time I read through Dracula—and, honestly, every time since—I can’t help picking up on how precariously close Van Helsing treads to the Count’s M.O. of manipulation and Dramatic Withholding of Information with his young charges. Granted, I can let some of it slide via the, ‘But no one would believe me if I said it was a vampire! I had to keep quiet about my reasons!’ excuse.*
*(But, sir, could you not conjure up some convincing medical-sounding bullshit?? It’s the 1890s, they would have bought anything. In fact, why was it only down to you and Jack keeping watch, Dr. Drama? There’s a whole house staff here. Yes, fine, there’s Mom with her weakheartitis, but as long as you spin it as some minor irritation that needs checking in on for updates, it should be fine. And why does Lucy have to keep quiet about the flowers? Why can’t she say it’s for her sleep? Or her health? Or a good luck charm from the doctor, it would be Terribly Rude to Be Rid of Them (read: Against every Victorian bone in hers and Mama Westenra’s body to chuck them). Anyway.)
Without giving too much away, I feel Stoker kind of tips Van Helsing’s charisma points a little too far over the edge in future scenes. Mixed up in a shitton of future The Power of Christ Compels You! overtones, there is a lot of frankly bonkers acting from the rest of the cast when it comes to interactions with/gratitude to Van Helsing for [REDACTED] reasons.
As in, characters are going to start kissing the ground this old man walks on. (metaphoric)
And kissing his hands. (Literal. Yes, Godfather style.)
Dracula was lucky to get flipped off by his Brides. Van Helsing will have these youths rally around him and Every Syllable He Breathes as if it were actual factual gospel (which some is, naturally). With a notable exception in a very livid Jonathan Harker when we get to [REDACTED]. Shout out once more to Bram Flakes for accidentally making this solicitor man Spicy+ after certain events.
Most of me wants to believe Van Helsing’s effect on the others is just Bramarama Stoker pouring all his personal fantasies of being the Lauded and Heroic Professor Doctorman (who happens to share his name, no big deal, ha ha) into this character while the others sing his praises.
But the lit critic in me sees an uncomfortable amount of parallels between Dracula’s casual arcane actions, gaslighting and coercing with Jonathan and Van Helsing’s likewise casual mysterious measures, corralling, directing, and borderline mesmerizing the rest of the cast to follow his lead exclusively, with or without offering the full details of the situation, as we see with Lucy. He’s a good man and an interesting character, but there are Some Scenes that make me wonder if he isn’t using some kind of lowkey hypnotism to make things run a little smoother in the vampire hunter brigade.
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