#Sang beom Kim

[genevieveetguy]

Decision to Leave (Heojil kyolshim), Park Chan-wook (2022)

#Park Chan wook #Seo kyeong Jeong #Tang Wei #Park Hae il #Go Kyung Pyo #Teo Yoo #Lee Jung Hyun #Yong woo Park #Ji yong Kim #Yeong wook Jo #Sang beom Kim #2022

[somanykdramas]

WEDDING IMPOSSIBLE

GENRES: Comedy, Romance

SUMMARY: An actress plans to fake-marry her best friend but ends up going from enemies-to-lovers with his brother.

THIS SHOW HAS EVERYTHING: Lonely house dogs, lazy workdays, day trips to Busan, bus trips to undefined countrysides, acting contracts, bratty step siblings, thumb drives full of secrets, and a lot of running while holding hands.

HOT TAKE: This show could have taken a really earnest look at how people come to terms with their identity, their future, and how that intertwines with family expectations. Instead, it was a masterclass in vapid, stubborn chaebol power struggles, a vacuum of romantic chemistry, and never getting to the fucking point.

I kind of hate every character in this show? There was no real personal development for anyone, so they just came off as not really acting for their own benefit OR the benefit of others. The main plot's pacing was all over the place, there were too many unappealing sub-plots, and everything got conveniently tied up in an unsatisfying bow during the last 15 minutes of the series.

#wedding impossible #jeon jong seo #moon sang min #kim do wan #kwon hae hyo #kim soo jin #kim kwang gyu #kim beom #lee soo hyuk #song sang eun #korean drama #kdramadaily #kdramanetwork #kdramas #kdramasource #kdrama #hot take

[speakingparts]

DECISION TO LEAVE

헤어질 결심

Park Chan-Wook, 2022

#park chan wook #decision to leave #korean film #great directors #great cinematography #great editing #asian movies #cinema #movie #film #asian film #asian cinema #korean movies #korean cinema #Kim Ji-yong #noir #Kim Sang-beom #Park Hae-il #Tang Wei #Lee Jung-hyun #Go Kyung-Pyo #alfred hitchcock #rear window #vertigo #procedural #HeEojil Gyeolsim #헤어질 결심

[stuff-diary]

Twinkling Watermelon

TV Shows/Dramas watched in 2023

Twinkling Watermelon (2023, South Korea)

Directors: Son Jung Hyun & Yoo Beom Sang

Writer: Jin Soo Wan

Mini-review:

I loved Twinkling Watermelon so so much. This drama made my Mondays and Tuesdays for eight weeks. The story might not be groundbreaking, but it's incredibly well-written and fun. I was afraid the plot would be too simple to make it through 16 one-hour episodes, but it never dragged at all. There was always something to look forward to, and many of the twists caught me by surprise. On top of that, the writer gave us two fantastic love stories. Seriously, both of them are among the best I've seen in a K-drama. But the real focus of the show is the friendship between all the main characters, and its portrayal of youth was really heartwarming and nostalgic. And the whole cast was incredible too, they absolutely delivered at every turn. The only flaw I can point out is that the representation wasn't perfect, and they should've hired at least some deaf actors. Besides that, I don't have any complaints. I might go as far as saying this is one of my favorite dramas of all time, and I'm gonna miss it so much.

#twinkling watermelon #son jung hyun #yoo beom sang #jin soo wan #ryeoun #go yoon hwan #choi hyun wook #seol in ah #shin eun soo #choi won young #seo young hee #bong jaehyun #kim joo ryoung #ahn do kyu #yoon jae chan #lee su chan #lee ha min #go doo shim #lee suk hyeong #lee so yeon #kim tae woo #lee soo min #oh heejun #koo junhoe #k drama #dramedy #music #sign language #2023 tv shows and dramas

[giftrashlord-007]

sunshine personified🔆

#kim bum #kim beom #kim sang bum #kdrama #kactor #korean actor #kactor gifs #kdrama actor #userkngld #tana creates

[randomblog-things]

cute fox playing games on his phone 🥹

#tale of nine tailed #tont #lee rang #kim beom #kim sang bum #kdramadaily #kdramas #kdramanetwork #kdrama #kdramasource #tvn

[shinkoxyagami]

Question!!!!!!!!!

So we were told Yeon was reincarnated as a human thanks to my boy Rang's sacrifice......

How the hell he got with Ji ah? 💀

Cause if was reborn as a human to a human family, he had to AGE....... so that he could reach 30 years old, but ......

Wouldn't Ji ah be a damn grandmother by then? 💀

You're telling me he was reincarnated as a grown adult?💀 that's... smart I guess?!! XD

Boy oh boy, I can't help ,but feel frustrated over the way Rang is going......... he is now about to witness his love life go downhill as well. He's so lucky.....

*heads empty, thinking about how I wanted to be in that cute dogs position. (The one Rang stole and dissappeard for some unknown reasons.. )

#totnt 1938 #totnt #tale of the nine tailed fox #tale of the nine tailed #tale of the nine tailed 1938 #kim bum #kim sang beom #lee rang #lee brothers #lee yeon #lee dong wook

[k-star-holic]

Ma Dong-Seok, 'CrimeCity3' crank...Lee Joon-hyuk and Lee Beom-soo and Kim Min-jae confirmed

Source: k-star-holic.blogspot.com

#South Korea #Ma Dong-Seok #The Outlaws #Lee Beom-soo #Yoon Kye-sang #Senior superintendent #Kim Min-jae #Lee Joon-hyuk

[korelist]

LAW SCHOOL // KDRAMA DİZİ YORUMU

UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.

İmdb: 8 Benim Puanım: 8

Drama: Law School

Hangul: 로스쿨

Director: Kim Suk-Yoon

Writer: Seo In

Date: 2021

Language: Korean

Country: South Korea

Cast: Kim Myung-Min, Lee Jung-Eun, Ahn Nae-Sang, Kim Beom, Ryoo Hye-Young, Lee Soo-Kyung, Ko Yoon-Jung, David Lee

Diziye başladıktan yaklaşık 1 saat sonra çok net bir şekilde “How to Get Away with Murder” havasını alıyorsunuz... İki dizinin çok ortak noktası ve benzerlikleri olması bu havayı güçlendiriyor. Tabi ki dizilerin birbiri ile alakası yok ama ister istemez benzeştiriyorsunuz. Kore dizilerinin tatlı ilişkileri, tesadüfleri, yanlış anlaşılmaları, küçüklükten tanışıklıkları gibi gibi klişelerin hiç birisi bu dizide yok. Dizinin konusu ve çizgisi tek bir şeye odaklanmış. Bence çok da güzel olmuş. Türkiye’de çok fazla Kore sineması bilinmediği için bizim haberimiz olmamış ama yayınlandığı dönem dünya çapında Netflix listelerinde zirveye yerleşmiş.

“Gerçeğe ve adalete giden yol hukuktan geçer.” Diyerek başlıyor dizimiz. Konusu ise prestijli bir üniversitenin hukuk fakültesindeki öğrencilerinin etrafında dönüyor. Merkezlerinde ise, eski savcı olan üniversite profesörü Yang Jong-Hoon (Kim Myung-Min) bulunuyor. Jong-Hoon öğrencilerine ceza hukuku öğretiyor. Açık sözlü ve sivri dilli olan bu hocamız oldukça kaba olması ile ünlü. Öğrenciler onu sevmeseler bile hem saygı duyuyor hem çekiniyorlar. Hocamızın ise bu durum umurunda değil. Tek amacı adil ve katkı sağlayan insanlar yetiştirip, doğru eğitim ile topluma düzgün hukukçular kazandırmak.

Katıldıkları bir ders sırasında beklenmedik bir şekilde, eski başsavcı olan diğer bir Profesör Seo Byung-Ju (Ahn Nae-Sang) odasında ölü olarak bulunur. Bütün deliler ise Profesör Yang’ı göstermektedir. Cinayeti kimin işlediğini bulmaya çalıştığımız bir hikaye örgüsü içerisinde eş zamanlı anlatılan diğer davalar, insan ilişkileri ve karakterlerin özel hayatları önümüze seriliyor.

Profesör Yang’ın öğrencileri hocalarını aklamaya çalışırken diğer yandan izleyicinin şüphelerini de üstlerine çekiyorlar. İzlerken sürekli katilin kim olduğu ile ilgili kafanız karışıyor. Dizi ile ilgili olumsuz olduğunu düşündüğüm noktalardan biri inanılmaz karışık bir zaman çizelgesi ile başlamış olmasıydı. İzlediğiniz sahnenin hangi zamana ait olduğunu anlamakta zorlanıyorsunuz. Ve bunu ilk bölümlerde kalabalık bir kadroyu tanımaya çalışırken yapıyorsunuz. Çok fazla karakteri bir anda yüklüyorlar. Birkaç bölüm geçip karakterleri tanımaya başladığınızda dizinin içine girebiliyorsunuz. Hukuk terimleri ve davalar için söyleyecek bir sözüm yok, dizinin rengi başından belli olduğu için bundan şikayet etmeye hakkımız olduğunu sanmıyorum. Bu tarz sağlık, hukuk gibi ciddi alanlarda bir şeyler izlemeyi sevmiyorsanız hiç size göre olmayabilir.

Çok fazla oyuncu olduğu için tek tek üzerinden geçmek zaman kaybı olacaktır. Ben izlerken bir tık ön plana çıkan iki kişiden bahsedeyim. İlki; okulda hocalık yapan eski hakim Kim Eun-Suk rolündeki Lee Jung-Eun’du. Hometown Cha-Cha-Cha, Soundtrack 1, Our Blues, Familiar Wife, Weightlifting Fairy Kim Bok-Joo, Fight for My Way, Oh My Ghost ve Mr. Sunshine gibi oldukça başarılı dizilere ismini yazdırmış bir oyuncu kendisi. Kore standartlarına uymayan proporsiyonlarına rağmen oynadığı her rolün altından başarı ile kalktı. Bu dizide de bence göz dolduruyordu. İkinci kişi ise, dizinin baş rolü sayılabilecek bir isim, Kim Beom’du. Tale of the Nine Tailed dizisinin yavru tilkisi bu dizide sınıf birincisi Han Joon-Hwi (Kim Beom) rolündeydi. Ghost Doctor dizisi ile başrolü kaldırabileceğini kanıtlamıştı. 

Konusu, kurgusu ve çekimleri ile çizgisini bozmayan yakışıklı bir dizi yapmışlar. Bir de üzerine oyunculuklarla enfes bir hale getirmişler. Özellikle müziklerini beğendiğim dizi sayısı çok az. Law school müzik konusunda tam bir profesyonellik örneği olabilir. Sahne geçişlerinde, karakterlerin tavan yaptığı noktalarda, duygu değişimlerinde bütün müzikler cuk oturuyordu. Belki sonrasında açıp dinlemek için çok uygun değillerdi ama dizi ile bir bütün hale gelmişti. Bütün sahnenin duygusunu zirveye taşıyordu.

Adalet, rekabet, suç, gizem, azim, hırs ne ararsanız vardı. Tek bir şey eksikti. Bittiğinde nasıl üzüldüm anlatamam. Dizide çift yoktu. Aşk vardı ama hep arka planda kaldı. Bastırıldı, örselendi. Joon-Hwi (Kim Beom)‘nin aşık halleri inanılmaz sevimliydi. Dizi bittiğinde o aşkın devamını görememiş olmak beni çok büyük hayal kırıklığına uğrattı. Birçok dizideki çiftten çok daha mükemmel bir ikili izleyebilirdik.

Kısaca dikkat çeken çalışma grubunun üzerinden de geçeyim. Kang Sol A(Ryoo Hye-Young), bölüme zar zor girmiş fakir bir aileden gelen en normal karakterdir. Diğerlerine yetişmek için ekstra ekstra çabalamak zorundadır. Kang Sol B(Lee Soo-Kyung) ise aynı isme sahip tam tersi bir karakterdir. Hırslı, yüksek notlar alan ve zengin bir aileden gelen soğuk bir kızdır. Seo Ji-Ho(David Lee), hep yavru köpek gibi üzgün bakışları olan sürekli bir şeylere canı sıkkınmış gibi dolaşan kendi halinde bir çocuktur. Jeon Ye-Seul (Ko Yoon-Jung) ortalama bir öğrencidir. Güzelliği ile ön plandadır. Yoo Seung-Jae(Hyun Woo) öğrenciden çok öğretim görevlisi gibi görünen aklı başında ağır başlı bir karakterdir. Min Bok-Ki(Lee Kang-Ji) çalışma grubunun maskotu gibidir. Hareketli eğlenceli bir öğrencidir. Jo Ye-Beom(Kim Min-Seok) öğretmenlerin gözüne girmeye çalışan ama onu sivriltecek bir özelliği olmayan silik bir karakterdir.

Ve kötü karakterlerden biri olan savcı Jin Hyeong-U (Park Hyuk-Kwon) oyunculuk anlamında göz dolduran bir diğer isimdi. Dikkat çeken 2 isim var demiştim ama dizi birçok iyi oyuncuya ev sahipliği yapmayı başarmış görünüyor. Park Hyuk-Kwon’u birçok dizide yan rollerde izledik. Something in the Rain, Where Stars Land ve en son Reborn Rich dizileri bunlardan sadece birkaçı.

Sonuç olarak, dizi beni tatmin etti. Çok keyif alarak merakla izledim. Bu tarz dizilerden sıkılmıyorsanız kesinlikle izlemelisiniz.

OST:

Lee Seung Yoon - We Are

Safira K - X type 1

Raven Melus

BAŞKA NELER VAR ?

FOTOĞRAFLAR

#Law School #kdrama #dizi #inceleme #eleştiri #yorum #Kim Myung-Min #Lee Jung-Eun #Ahn Nae-Sang #Kim Beom #Ryoo Hye-Young #Lee Soo-Kyung #Ko Yoon-Jung #David Lee

[drrav3nb]

The Nature of Do-young and Dong-soo's Relationship

To start, I want to bring up how Do-young himself categorises their relationship, comparing it to Moon Sang-guk and Kim Jae-yeol.

This in itself is interesting because it shows just how aware and conscious he is of how closely they mirror their enemies. But what's even more interesting is the framing of this moment and this scene in general. Do-young and Dong-soo are sitting down, side by side, equal in height and distance. But does this mean that their relationship is now balanced? No and this is enforced by Do-young's answer to Dong-soo's question.

"They're like us. An attorney and a client."

By bringing up their roles in their relationship, Do-young emphasises the power dynamic in their partnership. Dong-soo is his attorney, hired by him to serve the his [the client's] needs. The same way that it may seem like Moon Sang-guk and Kim Jae-yeol have equal levels of power, it's clear who wields the sword and who buckles beneath it's weight.

This is made even more clear throughout the episode as we see Dong-soo coming up with clever plans to further the success of Do-young's business. However, unlike in previous episodes, Dong-soo receives verbal praise and recognition from Do-young, an act that pleases Dong-soo and continues to embolden him throughout the episode, leading him to make more daring moves on behalf of their joint goal.

One of these daring acts is when Dong-soo decides to visit Kim Jae-yeol in hospital in order to increase his distrust in Moon Sang-guk. However, this visit leads to Dong-soo almost losing his own life as he gets attacked by Jae-yeol's bodyguard. But while Dong-soo tries to fight him off, who comes to his rescue, who saves him from near death?

Do-young.

This singular moment bares so much significance in their relationship because this act is not only intimate, it's personal. Not only is this filmed in such a way to reflect this but Dong-soo's expression communicates just how pivotal this was!

In the past, Do-young has sent Oh-jae, his right-hand man, to save Dong-soo from a rival gang's attempts to hurt him. But for the man himself to come down from his throne and personally prevent such an attack speaks volumes. But what's interesting about this scene is their power dynamic remains unchanged. Do-young doesn't even help Dong-soo up, he looks down on him, fixing him into submission by a mere glance, a powerful gaze.

This formidable control that Do-young has over Dong-soo is shown throughout the episode. From Do-young's mere presence being a motivation for Dong-soo to brutally beat up the Family Gang's leader, and his need for Do-young's validation inspiring him to take even more dangerous risks.

But the moment that enforces this the most for me is how Dong-soo reacts when Do-young answers his phone call. Now after learning that Kim Jae-yeol's arrest was suspended, Do-young ignores Dong-soo's call earlier in the episode, punishing him for failing to achieve their plans. But later on, when Dong-soo calls him again, Do-young picks up and this is how Dong-soo reacts.

Not only was Dong-soo holding his breath as the phone was ringing, but when he hears that he's been connected, Dong-soo inhales deeply, almost out of relief, as if this mere action was a gift from God, a sign that he was back in his good graces.

This hold that Do-young has on him is even further enforced when Beom-jae warns him that the gangster is using him for his own goals, to which Dong-soo replies:

"So what? To catch Moon Sang-guk, I need Seo Do-young too."

Dong-soo acknowledges that he's being used and accepts it, the same way that he accepts Do-young's gifts, which he was given even more of in this episode! And it's this power dynamic based on validation and submission that is at the core of their relationship.

Dong-soo allows himself to be moulded into whatever Do-young desires/needs and in return Do-young gives Dong-soo special treatment, allowing him to make decisions on behalf his business and share his power. And it's these components of their partnership that keep them balanced and their relationship intact. Both of them know their roles and the mutual benefits they receive from their alliance. It's this awareness that will keep them together and help them to become stronger than their enemies. (at least I hope🥺️😭)

#hope you enjoyed this meta #i just love exploring their relationship! #it's so interesting! #evilive #evillive #biography of a villain #shin ha kyun #kim young kwang #seo do young #han dong so #kdrama #ena #genie tv

[twentysnoir]

Especial KRP — Sobrenomes Coreanos

Cansado de Lee? Kim? Seo? Song? Choi? Hwang? Park? Abaixo do "Read More" você vai encontrar alguns sobrenomes mais incomuns que pode usar em seus personagens coreanos.

Ah, A (아 - A)

Ae (애 - É)

Ban, Bahn, Van, Vahn, Pan, Pahn (반 - Ban)

Beon, Bun, Buhn, Veon, Vun, Vuhn (번 - Bón)

Beom, Bum, Buhm, Veom, Vum, Vuhm (범 - Bóm)

Bo, Vo (보 - Bô)

Bok, Vok (복 - Bôc)

Bong, Vong (봉 - Bông)

Boo, Bu, Voo, Vu (부 - Bú)

Bi, Vi, Bee, Vee (비 - Bi)

Bin, Been, Bean, Vin, Veen, Vean (빈 - Bin)

Bing, Beeng, Ving, Veeng (빙 - Bing)

Da (다 - Dá)

Dam (담 - Dam)

Dan (단 - Dan)

Dang (당 - Dang)

Dae, Dai (대 - Dé)

Dok, Dock (독 - Dôc)

Dokgo, Dokko (독고 - Docô)

Don (돈 - Dôn)

Dong (동 - Dông)

Dongbang (동방 - Dôngbâng)

Deung (등 - Dûng)

Deungjeong, Deungjung (등정 - Dûngdjóng)

Eogeum, Uhgeum, Ugeum (어금 - Ógûm)

Eun (은 - Ûn)

Eum (음 - Ûm)

Hak, Hahk (학 - Rác)

Hae (해 - Ré)

Hyeong, Hyung, Hyoung (형 - Rióng)

Ho, Hoh (호 - Rô)

Hwa, Hwah (화 - Ruá)

Hwangmok (황목 - Ruangmôk)

Hwangbo (황보 - Ruangbô)

Hoo, Hu (후 - Ru)

Ja, Jah (자 - Já)

Jeom, Jum (점 - Djóm)

Je, Jeh (제 - Djê)

Jegal, Jekal (제갈 - Djegál)

Jeo, Juh (저 - Djó)

Jong (종 - Djông)

Jwa, Joa, Jua (좌 - Djuá)

Jeung (증 - Jûng)

Kangjeon, Kangjun, Gangjeon, Gangjun (강전 - Gangdjón)

Ka, Ga (가 - Ga)

Kal, Gal (갈 - Gal)

Kam, Gam (감)

Kan, Gan (간 - Gan)

Kae, Gae (개 - Gué)

Kyun, Kyeon, Kyoun, Gyun, Gyeon, Gyoun (견 - Guión)

Kyung, Kyeong, Kyoung, Gyung, Gyeong, Gyoung (경 - Guióng)

Kye, Gye (계 - Guiê)

Kok, Gok (곡 - Gôc)

Kwan, Gwan (관 - Guân)

Kwok, Gwok (궉 - Guóc)

Kyo, Gyo (교 - Guiô)

Kuk, Guk, Kook, Gook, Kuck, Guck (국 - Guc)

Kung, Koong, Gung, Goong (궁 - Gung)

Kwok, Gwok, Kweok, Gweok (궉 - Guóc)

Keun, Geun (근 - Gûn)

Keum, Geum (금 - Gûm)

Ki, Gi, Kee, Gee (기 - Gui)

Kil, Gil (길 - Guil)

Lin, In, Rin, Leen, Een, Reen (인 - In)

Man, Mahn (만 - Man)

Mangjeol, Mangjul (망절 - Mangdjól)

Mae (매 - Mé)

Maeng (맹 - Méng)

Myung, Myeong, Myoung (명 - Mióng)

Mo, Moh (모 - Mô)

Mok, Mock (목 - Môc)

Myo (묘 - Miô)

Moo, Mu (무 - Mu)

Mubon, Moobon (무본 - Mubôn)

Muk, Muck, Mook, Moock (묵 - Muc)

Mi, Mee (미 - Mi)

Nan (난 - Nan)

Namgoong, Namgung, Namkoong, Namkung (남궁 - Namgung)

Nang (낭 - Nang)

Nae (내 - Né)

Noi, Nwe (뇌 - Nê)

Ok, Ock (옥 - Ôc)

On, Ohn (온 - Ôn)

Ong (옹 - Ông)

Pan, Pahn (판 - Pan)

Paeng (팽 - Péng)

Pyeon, Pyun, Pyuhn (편 - Pión)

Pyeong, Pyung, Pyuhng (평 - Pióng)

Po, Poh (포 - Pô)

Pyo (표 - Piô)

Pung, Poong (풍 - Pung)

Pi, Pee (피 - Pi)

Pil, Fil, Peel, Feel (필 - Pil)

Ra, La, Rah, Lah (라 - Lá)

Ran, Lan (란 - Lan)

Rang, Lang (랑 - Lang)

Ryeo, Ryuh, Lyeo, Lyuh (려 - Lió)

Roe, Loe, Roi, Loi, Rwe, Lwe (뢰 - Lê)

Sa, Sah (사 - Sá)

Sakong, Sagong (사공 - Sagông)

San, Sahn (산 - San)

Sam, Sahm (삼 - Sam)

Sang, Sahng (상 - Sang)

Seomun, Seomoon, Suhmun, Suhmoon, Sumun, Sumoon (서문 - Sómún)

Seonu, Seonwu, Seonwoo, Seonoo, Sunu, Sunwu, Sunwoo, Sunoo (선우 - Sónú)

Seob, Sub, Seop, Sup, Suhb, Suhp (섭 - Sób)

Sobong (소봉 - Sobông)

Soo, Su (수 - Su)

Sun, Soon (순 - Sun)

Seung (승 - Sûng)

Si, Shi, Xi, See, Shee, Xee (시 - Xi)

Tak, Tahk (탁 - Tác)

Tan, Tahn (탄 - Tan)

Tang, Tahng (탕 - Táng)

Tae (태 - Té)

Uh, Eo, Eoh (어 - Ó)

Wan, Wahn (완 - Uán)

Wang, Wahng (왕 - Uáng)

Wun, Un, Woon, Oon (운 - Un)

Wi (위 - Uí)

Ya, Yah (야 - Iá)

Yeop, Yeob, Yup, Yub, Yuhp, Yuhb (엽 - Iób)

Yeong, Young, Yung (영 - Ióng)

Ye, Yeh (예 - Iê)

Yo (요 - Iô)

Yong (용 - Iông)

Yook, Yuk (육 - Iúk)

#noir helps #krp br #names list

[speakingparts]

DECISION TO LEAVE

헤어질 결심

Park Chan-Wook, 2022

[...] Seo-rae is a Chinese woman who speaks Korean at an advanced, but not native level. Park could have inserted the occasional grammatical error into her speech, but he chose not to (in contrast to the text messages sent by her second husband in the latter part of the film, which are filled with typos to comic effect). Seo-rae's word choices are unexpected, and she speaks in a slightly archaic manner to express the fact that she learned much of her Korean by watching costume dramas on TV. The end result is dialogue that feels unusual, slightly awkward but highly expressive in its own way. I'm not sure if my translation fully captures this quality of her speech, but I tried my hardest, from the charmingly stilted (“In Korea, if a person you love gets married, does the love cease?”) to the weirdly poetic (“Because those bleeding photos are screaming wildly”).

Sometimes, discussions with the director are about what is added in translation, rather than what is lost. In one scene, Seo-rae speaks a line in Chinese to the neighborhood cat. Hae-joon records it on his phone, and runs it through a translation app which renders it as, "If you wish to give me a present, bring me the simjang of that kind detective." Simjang in Korean means “heart,” but in the sense of the bodily organ, rather than a metaphorical sense. Hae-joon is disturbed and a bit alarmed by this request, and later asks Seo-rae about it directly. She answers that it was a mistranslation; the Chinese word she spoke should be properly rendered as maeum (the metaphorical sense of the word “heart”). How does one capture all this in the English subtitles? As much as I liked the sound of the phrase, "Bring me the heart of that kind detective," it sounded too metaphorical, rather than the menacing undercurrent that the scene required. After a lengthy discussion, we decided that having the translation app confuse the words “head” and “heart” might be the least bad option. Thus the subtitle, "Bring me the head of that kind detective." "Everyone's going to think you’re referencing Bring Me the Head of Alfredo Garcia," I said to Park. A long pause followed, before he answered, "Very well." (Park is, after all, a devoted Sam Peckinpah fan.)

SOURCE

#park chan wook #decision to leave #korean film #great directors #great cinematography #great editing #asian movies #cinema #movie #film #asian film #asian cinema #korean movies #korean cinema #Kim Ji-yong #noir #Kim Sang-beom #Park Hae-il #Tang Wei #Lee Jung-hyun #Go Kyung-Pyo #alfred hitchcock #rear window #vertigo #procedural #HeEojil Gyeolsim #헤어질 결심

[mizldrizl]

Funny moments from the Evilive BTSs 3/6

Shin Jae Ha - Han Beom Jae

Kim Jung Min - Director

Kim Young Kwang - Seo Do Young

Shin Ha Kyun - Han Dong Soo

Park Sang Won - Sang Woo

Caption: It took more than six minutes to film this scene. (Dong Soo and Beom Jae try to move their legs the moment they hear the "Cut!")

Caption: It is not easy to stand up so soon with sleepy legs.

Caption: Beom Jae looks so troubled.

Caption: (But what are the cute stickers on his back?)

Shin Jae Ha: They are for the mosquitoes.

Shin Jae Ha: There are so many of them here!

Caption: (How about some celebratory barley tea after? 😄)

Kim Jung Min: Please walk more slowly!

Caption: SLOW NOW

Caption: There is no "medium" speed; only "fast" and "slow" here 🤣

Caption: The door opens and Do Young enters.

Kim Young Kwang: How about me coming in carrying a chair?

Caption: (That would've been even scarier, for sure...)

Caption: What is the strange squeaking sound??

Caption: An otter has visited!

Caption: Everyone was momentarily distracted. (Except the actors, who were busy acting and missed it.)

Shin Ha Kyun: Wow! It was not a fish, it was an otter!

Kim Young Kwang: What! I wish I saw that...

Kim Young Kwang: Everyone's fascinated by a wild animal...

Caption: ...even if the show itself is dark and bloody 😅

Kim Young Kwang: WOWWWW! 🤩

Kim Young Kwang: I just pretended I was understanding everything!

Caption: Do Young didn't get a single thing, but he applauds nonetheless. He simply might be a big fan of Dong Soo. (Even Beom Jae is laughing, looking at Do Young 😆)

Caption: Sang Woo was about to start clapping, but...

Park Sang Won: Sorry, boss.

Caption: The boss is watching each and every one of them. (You can't even clap when you feel like it in this line of business!)

Caption: Staring at each other without saying anything makes them laugh.

Caption: Do Young failed not to laugh again, but there is a valid reason this time.

Shin Ha Kyun: I feel like I should look visibly surprised seeing him. Like, 'How has he found out??'

Kim Young Kwang: I had it under control until I saw your face!

Caption: This time, it was Dong Soo's certain look on his face that made Do Young lose it 😂

#Evilive #악인전기 #BTS

[papaya2000s]

The History of Korean male groups’ evolution over time -> Part 3.5

Before i start, i will be mentioning other Male Groups' that come after the Yeonhee Professional Orchestra (연희전문사중창단) and briefly mention the ‘Youth Member’ again, as they are similar in a way and are important in the timeline of Male Groups' weather they were the 'First' or 'Not First' Male Group to appear in Korea.

Before Liberation - 1930s

The phonographic album under discussion features the Yeonhee Professional Orchestra, recognized as Korea's pioneering male vocal ensemble, transitioning from performing hymns, cheer songs, and school songs to popular tunes. Dating back to the 1930s, a period marked by Japanese colonial rule, the sound albums produced by the Yeonhee Professional Orchestra are regarded as exceptional and scarce collectibles, adding to their allure and historical significance.

I am carried / Ha.ha.ha Album front - 나는실혀 / 하.하.하 앨범 앞면

Yonhee College Choir, formed by Yonhee College students

The 1960s saw a surge in male quartets in Korea, with groups like the Bluebells, Mellotone Quartet, Johnny Brothers, Bongbongsa Quartet, and Arirang Brothers gaining popularity. The Bluebells, known as 'Korea's first male vocal group', were a pioneer in the genre. However, the Yeonhee Professional Orchestra, a group from Yonhee College, had already made significant contributions to the music scene during the Japanese colonial period. The Bluebells played a crucial role in shaping the male quartet landscape in Korea, but it is essential to acknowledge the contributions of earlier groups like the Yeonhee Professional Orchestra in paving the way for male vocal harmony groups in the country.

Yeonhee Professional Orchestra, featuring tenor Lee In-beom, Choi Seong-du, bass Hwang Jae-kyung, and second bass Shin Young-gyun, debuted in 1932 with the release of Yeonhee College's and they released folk songs, original and adapted songs, and appeared on Gyeongseong Broadcasting Station (JODK) with Hyun Je-myeong. In April 1935, the team changed to 'Yeonjeonsa Intertwine', and their last album was composed by Hyun Je-myeong in December 1936.

Songs that they released: 1. September 1932 with the release of Yeonhee College's <Cheering Song> (응원가) and <School Song> (교가) 2. Folk songs, they also released original and adapted songs such as <I Am Carried> (나는실혀) and <Hahaha> (하하하) 3. December 1936, their last album <Lamb> (절늠발이), composed by Hyun Je-myeong.

History of domestic male vocal teams

The traces of male vocal teams in the history of Korean popular music begin with youth members singing the first song, “Hakdoga,” (학도가) released by ‘Youth Member’ in 1923. It is difficult to consider the ‘Youth Member’ specified in the album as a team name. The exact names of the members still cannot be confirmed.

In November 1925, Choi Dong-jun, Kim In-jae, Ahn Ki-young, and Jeong Seong-tae released <Let's Go for a Safe Delivery> (순산을 향해 갑시다) as a gramophone Album (SP) (Album number k579 on Nibbonohong). The names of the members were written here, but only ‘male master’ (남성 사부) was recorded without the team name. The first male vocal team to officially decide on a team name and release an album was the Yeonhee Professional Ensemble, formed by four college students from Yeonhee College.

At first, sung Hymns, School songs, and Cheer songs.

This is where it might become a bit confusing for some as it mentions other songs and Album Numbers that might not make sense to how its apart of the History Korean Male Groups, but it does is some way.

The official debut song of the Yeonhee College Choir was the Yeonhee College cheer song and school song recorded on the Columbia SP Album (Album number 40358) in September 1932 . In other words, they were not a male vocal team singing popular songs from the beginning. So, at first, the team name was written on the album as Yonhee College's quartet.

Those who sang hymns and school songs on campus released <Watermill> and <Farmer's Song> in September 1932, following <Idiot Tour of Seoul>, an adaptation of a song by foreign composer Smith, and <Let's Play>, a black folk song (Columbia Records, Album Number 40359). The folk song SP (Colombia Records, Album Number 40361) containing , was released under the same team name.

Korea’s 'First' Male Vocal Group, Yeonhee Professional Orchestra.

In April 1933, the Yeonhee Professional Orchestra released <Hahaha>, an adaptation of a song by foreign composer Crown, and <I am Silheo>, composed by Sherbone, as a sound record on Columbia Records. It is unusual that the name of the arranger, Ji Gong-bo, who is presumed to be a foreigner, is specified on the album.

I couldn't find a picture of the album only the record, as show at the top of this post.

This album is the first male vocal group in Korea, the Yeonhee Professional Singers' Intertwine, which began singing popular songs of various genres in earnest. This album tells us that they left school and began their full-fledged activities as a male vocal team. In fact, after the release of the album, there remains a photo of the Yeonhee Professional Orchestra appearing on Gyeongseong Broadcasting Radio with Professor Hyeon Je-myeong, who played the piano.

Yeonhee Professional Orchestra (1932) Members - In-beom Lee, Seong-du Choi, Jae-kyung Hwang, Young-gyun Shin (Piano Hyun Hyun-myeong) In Korean - 이인범, 최성두, 황재경, 신영균(피아노현재명)

Afterwards, in August 1933, <Song of the Wanderer> and the song <Song of Joseon> (Album Number 40450) were released, and in September 1934, the Manyo-style popular songs <Dream Janggayo> and <Goodbye> (Columbia Records, Album Number 40450) were released. 40536), and in January 1935, <My Wife Who Sleeps Not> and <Sapsalgae> were released in succession. Until this album, the team name was written as Yeonhee Professional Orchestra.

Afterwards, in April 1935, the team name was changed again to the Yeonjeonsa Orchestra, and in December 1936, they released <Lambly>, composed by Hyun Je-myeong, which cannot be found and the phonograph albums they released are evaluated as rare albums, as mentioned further up in this post.

Included Songs:

The two song that were sung by the Yeonhee Professional Orchestra.

Sources:

https://terms.naver.com/entry.naver?docId=3435260&cid=60487&categoryId=60491

https://terms.naver.com/entry.naver?docId=5680834&cid=58276&categoryId=58607

https://lyrics.aztext.net/2023/08/blog-post_58.html

https://blog.naver.com/hanjy1053002/223335966054

#kpop #boy group #20s #30s #South Korea #Korea #Old Korean Music #Music History #music #songs

[youtifulkrp]

Most wanted?

Hello !

After polling our community, we were able to produce this list:

Loona... Cho Ha-seul , Wong Kahei ; Vivi , Jeong Jin-sol , Kim Jung-eun ; Kim Lip , Jeon Hee-jin , Kim Hyun-jin , Park Chae-won ; Go Won , Choi Ye-rim ; Choerry , Son Hye-ju , Im Yeo-jin

Vixx... Cha Hak Yeon ; N , Jung Taek Woon ; Leo , Lee Jae Hwan ; Ken , Han Sang Hyuk 

Dreamcatcher...  Kim Min Ji ; JiU , Kim Bo Ra ; SuA ,  Lee Si Yeon , Han Dong , Kim Yoo Hyeon ,  Lee Yu Bin ; Dami , Lee Ga Hyeon

BTS... Kim Nam Joon ; RM , Kim Seok Jin ; Jin , Min Yoon Gi ; Suga , Jung Ho Seok ; J-Hope , Park Ji Min

Mamamoo... Kim Yong Sun ; Solar , Moon Byul-Yi  ; Moonbyul , Jung Whee In ; Wheein , Ahn Hye Jin ; Hwasa

Girls’ Generation / SNSD... Kim Tae Yeon ,  Lee Soon Kyu ; Sunny , Stephanie Young Hwang  ;  Tiffany Young ,  Kim Hyo Yeon  , Kwon Yu Ri  , Choi Soo Young ,  Im Yoon-A ,  Seo Joo Hyun ; Seohyun

Soloists... Kim Hyo-jung ; Hyolyn , Lee Chae-rin ; CL , Kim Hanbin ; B.I. , Bang Yongguk , Jessica Ho ; Jessi

BTOB... Seo Eun Kwang , Lee Min Hyuk , Lee Chang Sub , Lim Hyun Sik , Peniel Dong Shin ; Peniel , Yook Sung Jae

iKon... Song Yunhyeong ; Song , Kim Donghyuk ; DK , Koo Junhoe  ; June , Jung Chanwoo

Winner... Kang Seung Yoon ; Yoon , Kim Jin Woo ; Jinu , Lee Seung Hoon  ; Hoony , Song Min Ho ; Mino

Kard...  Kim Tae Hyung ; J.Seph , Matthew Kim ; BM , Jeon So Min , Jeon Ji Woo 

GOT7... Lim Jae Beom ; Jay B , Mark Yi En Tuan ; Mark , Wang Jackson ,  Park Jin Young , Choi Young Jae , Kunpimook Bhuwakul Bambam ; BamBam , Kim Yu Gyeom

‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ⤷ ⋆⭒˚.⋆ 𝑨𝑫𝑴𝑰𝑵 𝑵𝒀𝑿𝑿 & 𝑬𝑹𝑶𝑺

#&faq #krp #mewerp #krphq #gen krp #krpv #find krp #mewe krp #mewe rp #mewe roleplay

[kiss4chuu]

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