#Samaveda

[drcpanda12]

New Post has been published on https://www.knewtoday.net/the-vedas-sacred-scriptures-of-hinduism/

The Vedas: Sacred Scriptures of Hinduism

The Vedas are the ancient and revered scriptures of Hinduism, embodying the spiritual wisdom and religious practices of the ancient Indian civilization. Composed in Vedic Sanskrit, these texts have been passed down through generations for thousands of years and continue to hold immense significance in Hindu religious and philosophical traditions.

The word “Veda” originates from the Sanskrit root “vid,” which means knowledge or wisdom. Thus, the Vedas are often regarded as a divine revelation, representing the profound insights and eternal truths perceived by ancient seers and sages.

Believed to have been composed between 1500 and 500 BCE, though their oral tradition may extend even further back in time, the Vedas consist of four main collections known as Samhitas. These collections are the Rigveda, Yajurveda, Samaveda, and Atharvaveda. Each Samhita serves a distinct purpose, encompassing hymns, prayers, rituals, and philosophical discourses.

The Rigveda, the oldest and most significant of the four, contains hymns dedicated to various deities, celebrating cosmic forces and natural phenomena. It offers a glimpse into the religious and social life of the ancient Vedic society.

The Yajurveda focuses on the performance of rituals and sacrifices, providing detailed instructions and verses to guide priests during religious ceremonies. It emphasizes the importance of correct recitation and the proper execution of rituals for spiritual attainment.

The Samaveda centers around melodies and chants derived from the Rigveda. It is primarily concerned with the musical aspects of rituals, elucidating the power of sound and rhythm in invoking divine energies.

The Atharvaveda encompasses a diverse range of hymns, spells, and incantations. It addresses practical aspects of life, including healing, protection, and averting misfortunes. It also delves into philosophical and ethical teachings.

Additionally, the Vedas comprise supplementary texts known as Brahmanas, Aranyakas, and Upanishads. The Brahmanas provide ritualistic explanations, the Aranyakas serve as texts for hermits and seekers in forest retreats, while the Upanishads delve into profound metaphysical and spiritual concepts, exploring the nature of reality, self, and ultimate truth.

The Vedas hold a central position in Hinduism and are regarded as the foundational scriptures upon which the diverse branches and philosophies of Hindu thought have been built. They have influenced religious rituals, philosophical schools, and ethical principles throughout history, shaping the religious practices and beliefs followed by millions of Hindus worldwide.

Today, the Vedas continue to inspire seekers of wisdom, offering profound insights into the nature of existence and guiding individuals on their spiritual journeys. They stand as a testament to the ancient heritage and rich spiritual legacy of Hinduism, inviting contemplation, devotion, and the pursuit of eternal truth.

Rigveda

The Rigveda is the oldest and most important collection within the Vedas, consisting of hymns and prayers composed in Vedic Sanskrit. It is considered one of the oldest religious texts in the world, with origins dating back more than 3,500 years ago.

Structure and Contents:

The Rigveda is divided into ten books, known as Mandalas, and contains a total of 1,028 hymns, or Suktas, attributed to different sages and seers known as rishis. These hymns are addressed to various deities, such as Agni (the god of fire), Indra (the king of gods and the god of thunder and war), Varuna (the god of cosmic order and justice), and many others.

The hymns in the Rigveda are written in poetic and metaphorical language, often using intricate metaphors, symbolism, and allegories. They express deep reverence for nature, cosmic forces, and the divine, seeking blessings, protection, and guidance from the gods.

Themes and Significance:

The Rigveda covers a wide range of themes and topics, including creation myths, praises to the gods, nature worship, cosmology, ethical values, social order, and the importance of rituals. It reflects the religious and social practices of Vedic society, providing insights into their beliefs, rituals, and worldview.

The hymns of the Rigveda offer a glimpse into the religious and spiritual experiences of the ancient Vedic seers. They express a sense of wonder and awe towards the natural world, seeking to understand the mysteries of existence and the relationship between humanity and the divine.

Philosophical Teachings:

While the Rigveda is primarily a collection of hymns, it also contains philosophical insights and contemplative reflections. Some hymns explore the nature of reality, the concept of Brahman (the ultimate reality), and the pursuit of knowledge and truth. They discuss philosophical questions regarding the origins of the universe, the nature of existence, and the purpose of human life.

Influence:

The Rigveda has had a profound influence on Hindu religious, social, and cultural practices. Its hymns and rituals form the foundation of the Vedic sacrificial ceremonies and have shaped the development of Hinduism over the centuries. The concepts and ideas found in the Rigveda have influenced subsequent Hindu scriptures, philosophical schools, and religious practices.

The Rigveda is not only a religious text but also a significant literary and historical document. It provides valuable insights into the early Vedic civilization, its language, social structure, and religious practices. Scholars and researchers continue to study and interpret the Rigveda to deepen their understanding of ancient Indian culture and religious traditions.

Overall, the Rigveda stands as a testament to the ancient wisdom, poetic brilliance, and spiritual quest of the Vedic seers, offering a profound glimpse into the religious and philosophical thought of the time and contributing to the rich tapestry of Hindu spirituality.

Yajurveda

The Yajurveda is one of the four main collections of the Vedas, the ancient scriptures of Hinduism. It is primarily focused on the performance of rituals and sacrifices, providing instructions, formulas, and verses for priests to follow during religious ceremonies. The Yajurveda is written in Vedic Sanskrit and is considered a crucial guidebook for priests or “yajurvedis” to carry out sacrificial rites.

Structure and Contents:

The Yajurveda is divided into two main branches or versions: the Krishna Yajurveda (Black Yajurveda) and the Shukla Yajurveda (White Yajurveda). The Krishna Yajurveda contains prose and verse portions mixed together, while the Shukla Yajurveda consists primarily of prose sections. Both versions contain rituals and formulas for the performance of sacrifices, but they differ in arrangement and presentation.

The Yajurveda contains hymns and mantras, referred to as “Yajus,” which are recited during various stages of sacrificial rituals. These mantras are precise and formulaic, serving as instructions for the priests regarding the actions to be taken, the offerings to be made, and the recitation of prayers and invocations.

Themes and Significance:

The Yajurveda emphasizes the importance of correct pronunciation and the precise execution of rituals. It provides detailed descriptions of various rituals, including the preparation of altars, the kindling of sacred fires, the offering of oblations, and the chanting of specific mantras. The rituals outlined in the Yajurveda were performed as acts of devotion, seeking blessings, and establishing a harmonious relationship between humans and deities.

The Yajurveda also contains philosophical and moral teachings. It emphasizes the interconnectedness of all beings and the importance of living in harmony with the natural and cosmic order. It highlights the concept of dharma (righteousness) and encourages ethical conduct, social responsibility, and spiritual growth.

Influence:

The Yajurveda has played a significant role in shaping Hindu religious practices and rituals. It served as a practical guide for priests in performing sacrifices and ceremonies, ensuring that rituals were carried out with precision and adherence to tradition.

While the Yajurveda is primarily concerned with rituals, it also contains philosophical insights and contemplations on the nature of the universe, the relationship between the divine and the mortal, and the pursuit of spiritual enlightenment. These philosophical aspects have contributed to the development of Hindu philosophy and provided a foundation for later texts, such as the Upanishads.

The teachings of the Yajurveda continue to be influential in contemporary Hindu rituals, especially in the performance of religious ceremonies, including marriages, fire sacrifices, and other religious rites. Its mantras and rituals are still recited and followed by priests and practitioners in traditional Vedic ceremonies.

In summary, the Yajurveda is a crucial Vedic text that provides detailed instructions and formulas for performing rituals and sacrifices. It holds significance in preserving ancient Vedic traditions, promoting ethical values, and guiding practitioners in their spiritual journey and devotion to the divine.

Samaveda

The Samaveda is one of the four main collections of the Vedas, the ancient scriptures of Hinduism. It is primarily focused on the musical aspects of rituals and sacrifices, containing a collection of melodies and chants derived from the Rigveda. The Samaveda is written in Vedic Sanskrit and is considered the earliest known musical text in the world.

Structure and Contents:

The Samaveda consists of a compilation of melodies and chants, known as Samans, which were sung during Vedic rituals. These chants are derived from the hymns of the Rigveda but are set to melodic patterns and rhythms. The melodies were sung by a group of priests called the Samavedins, who were responsible for the musical aspects of the rituals.

The Samaveda is organized into two main sections: the Purvarchika (First Archika) and the Uttararchika (Later Archika). The Purvarchika contains melodies from the Rigveda, while the Uttararchika comprises additional melodies specific to the Samaveda. Each section is further divided into chapters and subsections.

Themes and Significance:

The Samaveda places great importance on the musical recitation of the Vedic hymns. It focuses on the precise chanting of the mantras, the correct pronunciation of syllables, and the modulation of the voice to create a melodic and rhythmic flow. The melodies and chants of the Samaveda were believed to have a profound impact on the mind, invoking specific energies and facilitating the connection between humans and the divine.

The Samaveda also highlights the power of sound and its ability to evoke spiritual experiences. It emphasizes the concept of Nada Brahman, the divine essence manifesting as sound vibrations. The Samaveda recognizes that the musical recitation of the Vedic hymns can lead to a transcendental experience, helping individuals attune themselves to cosmic harmony and experience a sense of unity with the divine.

Influence:

The Samaveda has had a significant influence on the development of Indian classical music and its spiritual dimension. The musical patterns and techniques found in the Samaveda served as the foundation for the melodic structures and ragas in Indian classical music. The concept of using sound as a means of spiritual elevation and self-realization is a core principle in Indian music and can be traced back to the Samaveda.

The Samaveda’s emphasis on the power of sound and its connection to the divine has also influenced the practice of chanting and mantra recitation in Hinduism. Chanting sacred verses and mantras is considered a potent spiritual practice, believed to have transformative effects on the mind, body, and spirit.

While the Samaveda may not be as widely studied or practiced as the other Vedas, its musical and spiritual legacy continues to resonate in Hindu traditions. Its melodies and chants are occasionally performed in religious ceremonies and festivals, preserving the ancient musical heritage and the profound spiritual significance of sound in the Vedic tradition.

In summary, the Samaveda is a Vedic text dedicated to the musical recitation of Vedic hymns. It highlights the power of sound, melodies, and chants to create a sacred atmosphere and facilitate a connection with the divine. Its influence can be seen in the development of Indian classical music and the continued practice of chanting in Hindu rituals and spiritual disciplines.

Atharvaveda

The Atharvaveda is one of the four main collections of the Vedas, the ancient scriptures of Hinduism. It is distinct from the other Vedas in terms of its content and style. While the other three Vedas (Rigveda, Yajurveda, and Samaveda) primarily focus on hymns, rituals, and chants, the Atharvaveda includes a compilation of hymns, spells, and incantations for practical purposes.

Structure and Contents: The Atharvaveda is divided into twenty books, known as Kandas, and contains a total of 730 hymns or Suktas. These hymns are attributed to various rishis (seers) and are written in Vedic Sanskrit. The Atharvaveda is believed to be a later addition to the Vedic texts, likely composed around 1000 BCE.

Unlike the other Vedas, the Atharvaveda incorporates a broader range of topics and addresses practical aspects of life. It includes hymns and spells for healing, protection, exorcism, fertility, prosperity, and averting misfortunes. The hymns also touch upon social and ethical issues, as well as philosophical and metaphysical themes.

Themes and Significance: The Atharvaveda encompasses a diverse array of themes and rituals. Some of the prominent themes found within the Atharvaveda include:

Healing and Medicine: The Atharvaveda contains numerous hymns and spells for healing ailments, both physical and mental. It includes prayers and incantations for curing diseases, invoking the healing powers of various deities and natural elements.

Protection and Averting Evil: The Atharvaveda includes spells and rituals for protection against evil forces, black magic, and negative energies. These hymns and incantations aim to shield individuals, homes, and communities from harm and ill fortune.

Social and Domestic Life: The Atharvaveda addresses various aspects of domestic and social life. It provides guidance on marital relationships, childbirth, family harmony, agriculture, and general well-being.

Ethical and Philosophical Teachings: Alongside the practical spells and rituals, the Atharvaveda includes hymns that explore ethical values, righteous conduct, and philosophical reflections. It delves into the nature of reality, the meaning of life, and the pursuit of spiritual knowledge.

Influence:

Atharvaveda’s practical approach and focus on everyday concerns have made it relevant in diverse aspects of Hindu culture and society. Its spells and rituals are still practiced by certain communities and individuals seeking remedies, healing, and protection. Some of the practices and beliefs associated with traditional folk medicine and folk rituals in India can be traced back to the Atharvaveda.

The philosophical and ethical teachings found within the Atharvaveda have also contributed to the development of Hindu thought and spirituality. The ethical principles and reflections on the nature of existence continue to inspire philosophical inquiry and spiritual contemplation.

While the Atharvaveda is sometimes considered distinct from the other Vedas due to its content and style, it remains an essential part of the Vedic tradition. Its inclusion in the Vedas testifies to the rich and diverse tapestry of ancient Indian wisdom and showcases the practical and spiritual dimensions of Vedic knowledge.

In summary, the Atharvaveda stands apart from the other Vedas with its hymns, spells, and incantations for practical purposes. It addresses healing, protection, social life, and philosophical reflections. The Atharvaveda’s influence can be seen in healing practices, rituals, and philosophical contemplations that continue to resonate in Hindu culture and spirituality.

#AncientIndianCivilization #Atharvaveda #Hinduism #HinduTraditions #Philosophy #ReligiousTexts #Rigveda #Rituals #SacredScriptures #Samaveda #SpiritualWisdom #Vedas #VedicSanskrit #Yajurveda

[jaiminiofficial]

Vedic Literature » Veda, Upanishads, Vedang, Puran, Ramayan

Vedic Literature » Veda, Aranyak, Upanishads, Vedang, Puran, Ramayan Vedic Literature » Veda, Aranyak, Upanishads, Vedang, Puran, Ramayan Rigveda Veda Means Knowledge. It Shows The Arrival And Settlement Of Aryans.  Rigveda Has 10 Mandalas, 1028 Verses (1017 Suktas And 11 Valakhilyas) And About 10,600 Mantras.  The Rigveda Contains A Compilation Of Prayers Composed In The Memory Of Gods Like…

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#Aranyak #Atharvaveda #Brahmin #Mahabharat #Puran #Puranas #Ramayan #Ramayana #Rigveda #Samaveda #Upanishads #Upveda #Ved #Vedang #Vedic Literature #Yajurveda

[munindramisra]

#samaveda #sama #veda #upanishad #upanishads #invocation #peace #chant #hinduismbook #munindramisra

SAMA VEDA: Upanishad Invocation & Peace Chant

https://youtu.be/2CYYop_bOuU

#hinduism #munindra #english #rhyme #sanatan #dharma #munindramisra #books #upanishad #hinduismbook #veda #samaveda #sama #invocation #peace #chant #Youtube

[4veds]

Sam-Veda in Hindi Translation with Meaning of Each Word

Read the full article

#samaveda #samavedahindi #samavedahindime #samavedainhindi #samavedameaning #samavedawrittenby #samved #samveda

[vistaslearning]

#class 7 kannada #heat class 7 #samaveda #NCERT SCIENCE #Youtube

[meluhha]

challenging the ego & need for wealth & materiality that defined and defines brahmins + upper castes - these types of thoughts did not come out of vedic aryavarta but in opposition to it

Now, a man talks only when he talks with truth, hence you should seek to perceive the truth (Satya, सत्य). A man must first perceive before he speaks the truth, so it is perception/comprehension (Vijñana, विज्ञान) that you should seek to understand. A man must first think before he perceives, so it is thinking/thought (Mati, मति) that you should seek perceive. A man must first have faith before he thinks, so it is faith (Śraddhā, श्रद्दधा) that he should seek to perceive. A man must first produce before he has faith, so it is production/growing forth (Nististhati, निस्तिष्ठति) that you should seek to perceive. A man must first act before he produces, so it is action (Krti, कृति) that you should seek to perceive. A man must first attain well-being before he acts, so it is well-being (Sukham, सुखं) that you should seek to perceive. Now, well-being is nothing but plenitude/limitlessness (Bhuman, भूमानं). There is no prosperity in scarcity. So, it is plenitude that you should seek to perceive. Where a man sees, hears, or discerns no other thing — that is plenitude. Plenitude is based on one's own greatness or maybe it's not based on greatness. Cattle, slaves, farms & houses, etc - these are what people here call greatness. But I don't consider them that way, for they are all based on each other. Plenitude & 'I' are indeed the same, and is the north, south, east, west & extends over the whole world. A man who sees it this way, thinks about it this way, and perceives it this way; a man who finds pleasure in the self, who dallies with the self, who mates with the self, and who attains bliss in the self — he becomes completely his own master; he obtains complete freedom/autonomy (Svaraj, स्वराज्) of movement in all the worlds.

— Chandogya Upanishad 7.16-7.26

#upanishads #magadhi #buddhist #buddhism #jainism #jain #hindu #hinduism #samavedas #ancient history #history #indus valley #melakam #meluhha #tamil #dravidian

[mask131]

A fantasy read-list: A-2

Fantasy read-list

Part A: Ancient fantasy

2) Mythological fantasy (other mythologies)

Beyond the Greco-Roman mythology, which remained the main source and main influence over European literature for millenia, two other main groups of myths had a huge influence over the later “fantasy” genres.

# On one side, the mythology of Northern Europe (Nordic/Scandinavian, Germanic, but also other ones such as Finnish). When it comes to Norse mythology, two works are the first names that pop-up: the Eddas. Compilations of old legends and mythical poems, they form the main sources of Norse myths. The oldest of the two is the Poetic Edda, or Elder Edda, an ancient compilation of Norse myths and legends in verse. The second Edda is the Prose Edda, so called because it was written in prose by the Icelandic scholar Snorri Sturluson (alternate names being Snorri’s Edda or the Younger Edda). Sorri Sturluson also wrote numerous other works of great importance, such as Heimskringla (a historical saga depicting the dynasties of Norse kings, starting with tales intermingled with Norse mythology, before growing increasingly “historically-accurate”) or the Ynglinga saga - some also attributed to him the Egil’s Saga.

Other “tales of the North” include, of course, Beowulf, one of the oldest English poems of history, and the most famous version of the old Germanic legend of the hero Beowulf ; the Germanic Völsunga saga and Nibelungenlied ; as well as the Kalevala - which is a bit late, I’ll admit, it was compiled in the 19th century, so it is from a very different time than the other works listed here, but it is the most complete and influential attempt at recreating the old Finnish mythology. 

# On the other side, the Celtic mythologies. The two most famous are, of course, the Welsh and the Irish mythologies (the third main branch of Celtic religion, the Gaul mythology, was not recorded in texts). 

For Welsh mythology, there is one work to go: the Mabinogion. It is one of the most complete collections of Welsh folktales and legends, and the earliest surviving Welsh prose stories - though a late record feeling the influence of Christianization over the late. It is also one of the earliest appearances of the figure of King Arthur, making it part of the “Matter of Britain”, we’ll talk about later.

For Irish mythology, we have much, MUCH more texts, but hopefully they were already sorted in “series” forming the various “cycles” of Irish mythologies. In order we have: The Mythological Cycle, or Cycle of the Gods. The Book of Invasions, the Battle of Moytura, the Children of Lir and the Wooing of Etain. The Ulster Cycle, mostly told through the epic The Cattle-Raid of Cooley. The Fianna Cycle, or Fenian Cycle, whose most important work would be Tales of the Elders of Ireland. And finally the Kings’ Cycle, with the famous trilogy of The Madness of Suibhne, The Feast of Dun na nGed, and The Battle of Mag Rath. 

Another famous Irish tale not part of these old mythological cycles, but still defining the early/medieval Irish literature is The Voyage of Bran. 

# While the trio of Greco-Roman, Nordic (Norse/Germanic) and Celtic mythologies were the most influential over the “fantasy literature” as a we know it today, other mythologies should be talked about - due to them either having temporary influences over the history of “supernatural literature” (such as through specific “fashions”), having smaller influences over fantasy works, or being used today to renew the fantasy genre.

The Vedas form the oldest religious texts of Hinduism, and the oldest texts of Sanskrit literature. They are the four sacred books of the early Hinduist religion: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. What is very interesting is that the Vedas are tied to what is called the “Vedic Hinduism”, an ancient, old form of Hinduism, which was centered around a pantheon of deities not too dissimilar to the pantheons of the Greeks, Norse or Celts - the Vedas reflect the form of Hinduist religion and mythology that was still close to its “Indo-European” mythology roots, a “cousin religion” to those of European Antiquity. Afterward, there was a big change in Hinduism, leading to the rise of a new form of the religion (usually called Puranic if my memory serves me well), this time focused on the famous trinity of deities we know today: Brahma, Vishnu and Shiva.

The classic epics and supernatural novels of China have been a source of inspiration for more Asian-influenced fantasy genres. Heavily influenced and shaped by the various mythologies and religions co-existing in China, they include: the Epic of Darkness, the Investiture of the Gods, Strange Tales from a Chinese Studio, or What the Master does not Speak of - as well as the most famous of them all, THE great epic of China, Journey to the West. If you want less fictionized, more ancient sources, of course the “Five Classics” of Confucianism should be talked about: Classic of Poetry, Book of Documents, Book of Rites, Book of Changes, as well as Spring and Autumn Annals (though the Classic of Poetry and Book of Documents would be the more interesting one, as they contain more mythological texts and subtones - the Book of Changes is about a divination system, the Book of Rites about religious rites and courtly customs, and the Annals is a historical record). And, of course, let’s not forget to mention the “Four Great Folktales” of China: the Legend of the White Snake, the Butterfly Lovers, the Cowherd and the Weaver Girl, as well as Lady Meng Jiang.

# As for Japanese mythology, there are three main sources of information that form the main corpus of legends and stories of Japan. The Kojiki (Record of Ancient Matters), a chronicle in which numerous myths, legends and folktales are collected, and which is considered the oldest literary work of Japan ; the Nihon Shoki, which is one of the oldest chronicles of the history of Japan, and thus a mostly historical document, but which begins with the Japanese creation myths and several Japanese legends found or modified from the Kojiki ; and finally the Fudoki, which are a series of reports of the 8th century that collected the various oral traditions and local legends of each of the Japanese provinces.

# The Mesopotamian mythologies are another group not to be ignored, as they form the oldest piece of literature of history! The legends of Sumer, Akkadia and Babylon can be summed up in a handful of epics and sacred texts - the first of all epics!. You have the three “rival” creation myths: the Atra-Hasis epic for the Akkadians, the Eridu Genesis for the Sumerians and the Enuma Elish story for the Babylonians. And to these three creation myths you should had the two hero-epics of Mesopotamian literature: on one side the story of Adapa and the South Wind, on the other the one and only, most famous of all tales, the Epic of Gilgamesh. 

# And of course, this read-list must include... The Bible. Beyond the numerous mythologies of Antiquity with their polytheistic pantheons and complex set of legends, there is one book that is at the root of the European imagination and has influenced so deeply European culture it is intertwined with it... The Bible. European literary works are imbued with Judeo-Christianity, and as such fantasy works are also deeply reflective of Judeo-Christian themes, legends, motifs and characters. So you have on one side the Ancient Testament, the part of the Bible that the Christians have in common with the Jews (though in Judaism the Ancient Testament is called the “Torah”) - the most famous and influential parts of the Ancient Testament/Torah being the first two books, Genesis (the creation myth) and Exodus (the legend of Moses). And on the other side you have the exclusively Christian part of the Bible, the New Testament - with its two most influential parts being the Gospels (the four canonical records of the life of Jesus, the Christ) and The Book of Revelation (the one people tend to know by its flashier name... The Apocalypse). 

#read-list #fantasy #fantasy read-list #mythology #mythologies #celtic mythology #norse mythology #japanese mythology #chinese mythology #mesopotamian mythology #books #references #book references #sources

[sabakos]

Other historical-critical conspiracy theories I think are probably true but can't prove:

Moses is not only not a historical person (not controversial), but the entire Joseph-Moses tradition is post-exilic. Isaac and Jacob are unrelated hero cult figures, and Abraham was invented as a syncretism after the fall of the "Northern" Kingdom.

The original readership of the two works that make up the Quran did not think they originated from Muhammad, who was a military leader. The person who wrote the more homiletic suras was aware of Christian doctrine but hadn't read the bible.

No one who wrote any of the Christian Gospels had ever been to Judea. The Marcionite versions of the Pauline Epistles and the Gospel of Luke are the originals. No one who wrote any part of the New Testament could read or speak Aramaic, and Jesus didn't speak Greek, so none of it originates with him. Pontius Pilate killed Jesus because he wanted to.

Every extra-scriptural tradition corresponding to the above three religions is pure fiction that was invented for doctrinal reasons, none of which originates from any oral tradition.

The mystery plant mention in the Vedic rituals called "Soma" is ephedra and the only reason this isn't obvious is that the Samaveda traditions originated in a place where ephedra actually grows rather than in India. It's also a stimulant which may not be compatible with the later traditions about it but fits the Vedas themselves just fine.

Prior to Adi Sankara, nobody thought of the upanishads as constituting a single body of literature. The "astika" schools are a post hoc categorization that was applied to a heterogeneous corpus of much earlier literature based on what happened to survive.

The gymnosophists that Alexander the Great encountered in india aren't Jains or Buddhists and don't correspond to any other coherent religious or philosophical group we would recognize either, none of which formally existed yet. Buddhism was formalized with the founding of the Maurya Empire, and Jainism as a coherent entity is much later.

The Homeridae were called that because they were initially formed from the sons of captives taken in war. Homer is a back-formation that was invented when the initial etymology was lost.

The Athenians greatly revised the Iliad and Odyssey for use in the Panathenaic festival to emphasize Athenian traditions, especially in the Odyssey. Most manuscripts of these poems that the Alexandrian librarians used to compile their editions originated from Athens, which means ours do too.

The philosophical dialogue format originates from Ancient Greek tragedy, which itself originates from the performances of the Homeric poems in the Panathenaea. It didn't catch on outside Athens, and fell out of favor even there as most philosophy students in the Hellenistic period were literate.

Plato's immediate successors, Speusippus, Xenocrates and Polemo, greatly revised and edited many of Plato's dialogues prior to publication. Only the 15 works cited by Aristophanes of Byzantium were initially intended by themfor wider publication. Much of the received text of these dialogues is unmarked commentary, which explains the stylometric and doctrinal differences. The other dialogues weren't published until Sulla sacked Athens.

Whoever wrote Aristotle's "esoteric" works, it wasn't him, and the reason that the later peripatetics, even the ones who knew him well, don't refer to these works is they weren't aware of any such texts by Aristotle.

Origen the Christian philosopher and Plotinus the founder of Neoplatonism were both taught by the same Ammonius of Alexandria, and the reason that Porphyry mentions an "Origen the Pagan" as one of Ammonius Saccas' students, while Origen claims his teacher was a Christian named Ammonius is that Origen lied about being a Christian.

[ugc-blog]

Literary Sources of Ancient Indian History

Ancient Indian history is a rich and diverse field of study with a wide range of literary sources that provide insights into the civilization, culture, society, and events of ancient India. Some of the prominent literary sources of ancient Indian history include:

Vedas: The Vedas are the oldest sacred texts of Hinduism and provide valuable information about the social, religious, and cultural aspects of ancient Indian society. They are divided into four main texts: the Rigveda, the Yajurveda, the Samaveda, and the Atharvaveda.

Ramayana: Ramayana is one of the two major Hindu epics, attributed to the sage Valmiki. It narrates the story of Lord Rama and provides insights into the political, social, and cultural aspects of ancient India.

Mahabharata: Mahabharata is another major Hindu epic, attributed to the sage Vyasa. It is an extensive epic that includes the famous Bhagavad Gita, which contains philosophical teachings on dharma, karma, and society. The Mahabharata also provides valuable insights into ancient Indian society, culture, and history.

Puranas: The Puranas are a collection of Hindu texts that contain myths, legends, and historical accounts of ancient India. They provide information about the genealogy of kings, dynasties, and historical events.

Arthashastra: Arthashastra is an ancient Indian treatise on politics, economics, and governance, written by the scholar Kautilya, also known as Chanakya. It provides insights into the administrative and economic systems of ancient India.

Jataka Tales: Jataka Tales are a collection of stories about the previous lives of Gautama Buddha, which provide insights into the social, cultural, and moral values of ancient Indian society.

Rock Edicts and Inscriptions: Several rock edicts and inscriptions from ancient Indian rulers such as Ashoka the Great and Samudragupta provide valuable historical information about the administration, religious policies, and social aspects of ancient India.

Sangam Literature: Sangam Literature is a collection of Tamil texts from ancient South India, dating back to the 3rd century BCE to the 3rd century CE. These texts provide insights into the social, economic, and cultural aspects of ancient South India.

Buddhist and Jain Texts: Ancient Indian history also includes important literary sources from Buddhism and Jainism, such as the Tripitaka (Buddhist scriptures) and the Jain Agamas, which provide insights into the teachings, practices, and history of these religions in ancient India.

These are just some of the prominent literary sources of ancient Indian history. The study of these texts and their interpretation by historians and scholars continues to provide valuable insights into the ancient Indian civilization and its historical development.

[playwords]

Indian History

The heading might seem like a monologue to most people but Indian history is one of the topics close to my heart and it makes me hold my head high to belong to a country with such magnificent heritage. Despite being a student of Science, I’ve always felt a connection with the subject which always motivates me to peruse books and get an even bigger glimpse into the world of kings and queens, of artists and magicians, a time when people lived without the technology which has become an imminent part of the modern world today, a time when music had the power to bring rain, a time when bullock carts were the only transport available to man and a time when splendour reigned our country, the time when India was called ‘The Golden Bird’. The real reason why I'm writing this is because I feel that history is highly underrated and is a victim of generations of hatred, with literally every student crying tears of frustration as they try to memorize the names and dates on the last day of the exams, cramming everything into their minds and just writing it all out on the exam sheet, never to think of it again. But the fact remains that history is not just mugging up books as we picture when we hear the word- it’s way more than that. History is not just a subject, it's a reminder of all the great deeds that our ancestors have done, of where our roots come from and a constant lesson to us that no matter how tough things seem, there's always a solution- you just have to look for it. It all started with the Rigveda, the oldest, most pure age of ancient history when women were given an equal status to men, their activities were not constantly frowned upon and when God was worshipped with actual devotedness and not just for our selfish benefits as it is today. Following it, was the Yajurveda, then the Samaveda and finally the Atharvaveda. As the civilisations came to pass, we find that the stature of women in society continued to deteriorate before finally reducing this irreplaceable half of the society as slaves of their counterparts. Harappan and Indus Valley Civilizations have left a lasting mark on our country as we find out how intelligent and broad minded the people of those times were- the ruins a symbol of a fallen legacy. The Mauryan Empire was next up as it started the trend of conquering kingdoms and having kings and queens with Chandragupta Maurya as the founder, one of the greatest rulers India has known. The Magadha dynasty brought with it the ideas of provinces and states, of efficient management and luxurious royal lifestyle, making it one of the most remembered dynasties that we have had. The South saw its own share of royal ages as it was ruled by the Cholas, the Cheras and the Pandyas. The Gupta empire came into being soon after, one of the most ancient and prosperous ages of the country's empires. Delhi soon became a vital city of attraction for conquerers all over the world as the Delhi Sultanate was founded by Qutubuddin Aibak beginning with the Slave Dynasty, then the Khilji Dynasty, Tughlaq, Sayyid and Lodi dynasties ending only when Babur defeated Ibrahim Lodi and took on the throne of Delhi. The ever powerful Mughals then ruled Indian for many years, with Babur followed by Humayun, Akbar, Jahangir, Shah Jahan and Aurangzeb. The Mughal empire deteriorated after Aurangzeb and their mighty legacy ended with the death of Bahadur Shah Zafar at the hands of the British. The British ruled us for 150 years or so which saw some of the most challenging and revolting events in Indian history including the Partition of India, the formation of the Indian National Congress, the revolt of 1857 and expulsion of the British from India in 1947. From then onwards, India has been her own master and has flourished through hurdles and disappointments. It is my pride to have had a chance to read about our beautiful and ever inspiring culture and even more to be able to bring it out in words for you all. Its not just something to be proud of, it belongs to me and to every Indian who has the honour of being born on this soil.

#archaeology #history

[bhajanmandalilucknow]

Bhajan/Kirtan Group in Bankata Azamgarh

"Sargam Jagran Party" is the best in Jagran, Chowki, Bhajan & Sai Sandhya, Khatu Shyam Bhajan, Ladies Sangeet & all Devotee type program in Lucknow, UP, India. ☎[phone]. "Sargam Jagran Party" has been conducting Mata ki Chowki, Mata ka Jagran and Bhajan Sandya from last 10 years with lots of memories and with great success.Blessing of God and Goddess is needed to overcome every rough course of life. Everyone should conduct Mata Ki Chowki and Mata Ka Jagran to get blessing and her devine power and all the needs to be fulfilled.

Mata ka Jagran is a holy programme for all the Hindu community. In this programme all night Kirtan has been sung by the singers and Maa Durga worship has been done.

At Mata ka Jagran firstly we light Akhand jyoti of Mataji. After that Vandana is sung ( devotional song) by the singer or any other devotee who wants to sing. Bhet is offered by the devotee (red color chunni) coconut fruits and shingar matriail along with soe bheta and sweets. Then comes ardass and bhog is distributed to the people who are present there by the devotee. Short break are taken and around half an hour again we start for the further process. Lastly after Aarti and devotional song’s Lonkra and Kanjak Pooja we distribute bhog and Prasad to all and comes to the end of Jagran as an samapti.

Mata ki chowki represent the ancient culture of Hinduism society. Mata ki chowki means praising the stories of Gods life time experiences in the form of singing. It is generally sung in Sanskrit and Hindi. It is a devotional programme conducted specially for occasions like Weeding, Engagement, Birthdays, Anniversaries or during Ganpati Pooja and Navratri festivals. In Mata ki Chowki Short time kirtan is conducted in Mata Ki Chowki and it is mostly for 4 to 5 hours. Prayee devote their respect through their prayers in the form of singing. Garlands and Matajis bhet (red color chunni) coconut and shingar with bheta. After that Aarti is done by the devotee who has kept Mata Ki Chowki. Bhog Prasad to Mataji of Kher has been offered followed by Amrit Varsha and Phoolon Ki Varsha of flowers and petals. At last prasand is shared to all people who have been there as the samapti of Mata Ki CHowki.

Sai Baba is one of the most famous and kind hearted lord of Hindus and Muslims both. Hindus and Muslims both religion devotees are bending their heads on Sai’s royal court. For such kind hearted Lord, we are doing special bhajan and kirtans or Sai Sandhya. Multiple places in UP we did Sai Sandhya’s. From a long time, we providing Sai Sandhya services to our Sai devotees in Lko and other cities of UP. We know that Sai Kirtan playing a very vital role in our Sai devotee’s life, they have special affection and love towards their Sai Baba on every steps of life. We always being take care of your emotions for Sai BABA. We doing all the the work that is necessary to make your Sai Sandhya evergreen or long term memorable. We have a very simple mission that is make the event very special for our Sai devotees and they can remember us for life time therefore we always sargam Jagran party always gives their 100% in Every spiritual event. We become one of the best Jagran party in the Up. So If you are thinking about Sai Sandhya so please once contact us.

Any religious theme song or song related to God is refers to Bhajan which literaly means "sharing". No specific set or rules are describing for Bhajan, it is a free form of singing based on the devotee how they conduct it. According to Hinduism Bhakti, Kirtan and Bhajan all these three are connected with the vedic era specially Samaveda. Semaveda is meant to sing like a musical score which should be heard. The main motive behind conducting this Bhajan Shandya is to receive blessing of God's. Bhajan also helps to maintain possitive environment around one's selves and wish to get all their dreams fulfilled. In this singer sungs the religious song which gives the feeling to connect everyone with the God. Bhajan has been done generally at the evening time which takes max to max 3 to 4 hours. Pooja has been done by the devotee and the first stage and after that Aarti takes place and at last prasad has been distributed at last, with all this we came to the end of the Bhajan

#balajikajagran #bhajankirtan #maabhagwatikajagran #bhajansandhya #saisandhya #matakichowki #lucknow #Youtube

[betshy]

The Vedas Book and the Flow of Mind Energy

The Vedas, ancient sacred texts of Hinduism, are not just a collection of religious or philosophical teachings. They are also believed to hold powerful energy that can positively impact our mind and body. The concept of energy flow within the human body is integral to many Eastern spiritual practices, and the Vedas offer insights into how to harness this energy for greater well-being. The Vedas, which are divided into four main texts – Rigveda, Samaveda, Yajurveda, and Atharvaveda – contain hymns, prayers, rituals, and philosophical teachings that have been passed down through generations. These texts are considered to be timeless and transcendent, with the power to transform our consciousness and awaken our inner energy. One of the key teachings of the Vedas is the concept of prana, or life force energy, which flows through the body and sustains us. This energy is believed to be connected to the breath and can be harnessed through practices such as yoga, meditation, and breathwork. By attuning ourselves to the flow of prana, we can cultivate greater awareness, vitality, and clarity of mind. The Vedas also speak to the importance of maintaining a balance of energy within the body, known as prakriti. When this energy is in harmony, we experience greater health, happiness, and spiritual fulfilment. However, when prakriti becomes imbalanced, it can lead to physical and mental ailments. The Vedas offer guidance on how to restore balance through practices such as diet, meditation, and ritualistic offerings. By studying the Vedas and applying their teachings to our lives, we can tap into the profound wisdom and energy contained within these sacred texts. Through practices that align us with the flow of mind energy, we can experience greater peace, joy, and connection to our inner selves. In a world filled with distractions and stress, the wisdom of the Vedas offers a time-tested guide for navigating the complexities of life and finding inner peace. By tuning into the flow of mind energy, we can unlock our full potential and live more fully in alignment with our true purpose. Read the full article

[chaitanyavijnanam]

శ్రీ లలితా చైతన్య విజ్ఞానము - 539 - 6 / Sri Lalitha Chaitanya Vijnanam - 539 - 6

🌹. శ్రీ లలితా చైతన్య విజ్ఞానము - 539 - 6 / Sri Lalitha Chaitanya Vijnanam - 539 - 6 🌹 🌻. లలితా సహస్ర నామముల తత్వ విచారణ 🌻 ✍️. సద్గురు శ్రీ కంభంపాటి పార్వతీ కుమార్ సేకరణ : ప్రసాద్ భరద్వాజ 🍁. మూల మంత్రము : ఓం ఐం హ్రీం శ్రీం శ్రీమాత్రే నమః 🍁 🍀 110. సర్వౌదన ప్రీతచిత్తా, యాకిన్యంబా స్వరూపిణీ । స్వాహా, స్వధా, అమతి, ర్మేధా, శ్రుతిః, స్మృతి, రనుత్తమా ॥ 110 ॥ 🍀 🌻 539. 'శ్రుతిః' - 6 🌻 జీవుల యందు కూడ సంకల్పము లేర్పడును. అది ఋగ్వేద ఫలము. ప్రాణ స్పందనముగ సామగానము సాగుచుండును. అది జీవుల యందలి సామవేదము. జీవులు క్రియాధీనులై కార్యములు చేయుచుందురు. ఇది వారొనర్చు యజుర్వేదము. ఇట్లు మూడు వేదములు నిత్యము నిర్వర్తింపబడుతున్నవి. ఈ మూడింటి నిర్మలత్వమును బట్టి అధర్వ వేదముగ వారి జీవితము లేర్పడుచుండును. మూడునూ నిష్కల్మషము లైనపుడు, జీవితము దివ్య వైభవముతో కూడి యుండును. కల్మషములు హెచ్చుతగ్గులను బట్టి వైవిధ్యము లేర్పడు చుండును.

సశేషం...

🌹 🌹 🌹 🌹 🌹

🌹 Sri Lalitha Chaitanya Vijnanam - 539 - 6 🌹 Contemplation of 1000 Names of Sri Lalitha Devi ✍️ Prasad Bharadwaj 🌻 110. Sarvaodana pritachitta yakinyanba svarupini svahasvadha amati rmedha shrutih smrutiranuttama ॥110 ॥ 🌻 🌻 539. 'Shrutih' - 6 🌻

Will also forms in living beings. It is the fruit of Rigveda. The samagana goes on as the response of prana. It is the Samaveda of living beings. Living beings are driven and perform actions. This is the Yajurveda that they perform. Thus the three Vedas are performed all the time. According to the purity of these three, their lives form Atharva Veda. When all three are pure, life is full of divine splendor. Fluctuations in impurities will cause variation.

Continues...

🌹 🌹 🌹 🌹 🌹

#శ్రీ లలితా చైతన్య విజ్ఞానము #lalitha devi #lalita devi #lalitha chaitanya sahasranama contemplation #prasad bharadwaj

[the-hem]

"The Attractive Ape." Introduction to the Vajrasuchika Upanishad. The Exploration of the Mysteries of the Diamond Pointed Needle.

The Vajrasuchi Upanishad (Sanskrit: वज्रसूची उपनिषत्, IAST: Vajrasūcī Upaniṣad) is an important Sanskrit text and an Upanishad of Hinduism. It is classified as one of the Samanya (general) Upanishads, and identified as a Vedanta text.[3][2] It is attached to the Samaveda.[3]

The text discusses the four varnas also called 'caste'. It is notable for being a systematic philosophical work against the division of human beings, and for asserting that any human being can achieve the highest spiritual state of existence.

The date as well as the author of Vajrasūchi Upanishad is unclear. The Upanishad is attributed to Sankaracharya in the manuscripts discovered by early 1800s.[1][5] Sankaracharya, also known as Adi Shankara, was an Advaita Vedanta scholar, but given the Indian tradition of dedicating and attributing texts to revered historical scholars, there is uncertainty whether texts attributed to Adi Shankara were actually composed by him or in the 8th-century he likely lived in.

It is numbered 76 of 108.

The Vajrasuchi Upanishad (Sanskrit: वज्रसूची उपनिषत्, IAST: Vajrasūcī Upaniṣad) is an important Sanskrit text and an Upanishad of Hinduism. It is classified as one of the Samanya (general) Upanishads, and identified as a Vedanta text.[3][2] It is attached to the Samaveda.[3]

The text discusses the four varnas also called 'caste'. It is notable for being a systematic philosophical work against the division of human beings, and for asserting that any human being can achieve the highest spiritual state of existence.

The date as well as the author of Vajrasūchi Upanishad is unclear. The Upanishad is attributed to Sankaracharya in the manuscripts discovered by early 1800s.[1][5] Sankaracharya, also known as Adi Shankara, was an Advaita Vedanta scholar, but given the Indian tradition of dedicating and attributing texts to revered historical scholars, there is uncertainty whether texts attributed to Adi Shankara were actually composed by him or in the 8th-century he likely lived in.

It is numbered 76 of 108.

I Shall set for Vajrasuchi (the diamond needle) which pierces ignorance, rebukes the ignorant and ornaments those who have wisdom as eye.

The Smritis affirm, following the Vedas that the Brahmana (seeker of wisdom) is the most important of the four castes. It must be asked, ‘Who is a Brahmana’ – the self, body, class, knowledge, action or virtue ?

The soul is not a Brahmana because the soul is the same in all bodies past and future. The same person takes many bodies according to karma, nor is the body Brahmana – the body is the same from the Chandala (to the highest caste) being made of the five elements and is seen to have old age, death etc., alike.

There is no fixity (of colour) such as Brahmana is white, Kshatriya (soldier) is red, Vaishya (merchant) is yellow and Sudra (servant) is black; also when the father’s body is cremated, the son etc., may be guilty of killing a Brahmana.

Nor is the class a Brahmana. Then there would be many classes within the classes. Many are the great sages: Rishyasringa (does not suffer wrong) born of a deer, Kausika (fragrant resin, virtuous, loving,) of reed, Jambuka of a jackal (a seedless grape, low born), Valmiki of an ant-hill, Vyasa (the severer) of a fisher-girl, Gautama (the first one, the Buddha) of a hare’s back, Vasistha of Urvasi (blood of thigh bone), Agastya (mover of mountains) of a pot according to tradition.

These are not Brahmanas by birth but by their knowledge. Nor is knowledge Brahmana: Kshatriyas and others also have knowledge. Nor is karma: all creatures are seen to have similar karma of Prarabdha (the enterprises of nature) etc., and all creatures act being impelled by karma. Nor is a man of virtue: There are many givers of gold – Kshatriyas etc.

Shankaracharya, said to be an incarnation of Shiva was one of history’s first civil rights pioneers. He was outspoken about ending the caste system, and here he says anyone can realize the Self. He essentially says reincarnation is nonsense. How a man lives and learns determines if his life can attain to the values of the Supreme Being and contribute to society.

This made him very unpopular, so he preached in the wilderness away from his critics. He is the greatest of all Hindu sages. He translated the Bhagavad Gita, is the author of Vivekachoodamani, Atma Bodha and commented on many of the Upanishads. He is said to be the author of the Great Hindu Renaissance. His writing is studied all over the world.

The above script states the mind changes colors as it changes its identity, but certainly that does not change the body or the composition of reality. Changing the mind so it tunes into reality is the goal. To project the willy nillies of the mind onto the body or the world is the antithesis of the discovery of the Self. It denies the role of God in the making of the creation. Nothing we say, think, do, read, write, or feel is ever as Great as all that God can do.

He who preaches from the pulpit on Sunday, “How great Thou Art!” is correct. All else falls short of attempting to explain the splendor of God and how we can be a part of His Plan. One must never use the Name of God or the scriptures to defame God or dim the awe we should all feel in regards to all that He does.

Shankara identifies five “castes” within us that contribute to the Glory of God. They are body, class, knowledge, action and virtue. These we inherit from our parent, the one who teaches us about the Self, the Holy Spirit that is the same in all of us but sheds His Light through our individual thoughts and behaviors.

This parent is called a Smriti by the Upanishads. A Smriti is “the whole body of sacred tradition that is remembered by humanity.” During his life, Shankara combatted a Smriti that suggested the taking of slaves, mistreatment of women, corruption in society were decent ways of life. It was believed persons could be born into a body that was especially blessed or cursed by God and the gods and there was no way to change it except to die and try again. Shankara refutes stating all creatures have an enterprise of their own and this is the “gold” each being mines by being a Khsatriya, a “soldier of the scriptures.”

This is also found in the mantra above, composed by stringing the strange Sanskrit words together, “He who refuses what is wrong, is like a reed of fragrant resin and virtuous tactics, severs what is low born from the ant hill of the mind, achieves manhood, becomes enlightened, and finds God.”

Otherwise, much as Judaism says, man is just an attractive ape with a penchant for nonsense, death, violence, and trouble.  

[sadhnakakodiyasworld]

#vedas ##vendasonline #GodinVedas

Life is a mix of joy and sorrow, often attributed to our past misdeeds according to spiritual teachers. However, our sacred Vedas, the foundational scriptures of Hinduism, reveal a different narrative. Contrary to the notion that sorrows are irreversible karmic consequences, the Vedas explicitly proclaim that the Supreme God can absolve the gravest sins and even prolong the life of His devotee. Who truly is the Supreme God? Why have we been led astray by misinformed spiritual teachers? Sant Rampal Ji Maharaj stands as the lone spiritual guru unvieling such crucial truths from our Vedas. Explore this article to grasp the reality conveyed in our sacred scriptures, through evidence and analysis: https://bit.ly/3rZRfJD

[narayandas]

Concept of Supreme God in Holy Vedas (Rigveda, Yajurveda, Samaveda, Atharvaveda) - Jagat Guru Rampal Ji

Concept of Supreme God in Holy Vedas (Rigveda, Yajurveda, Samaveda, Atharvaveda)

#satlok #kabirisgod #sant rampal ji maharaj #kabir is real god #santrampaljimaharaj #satlokashram #india #saintrampalji #usa #vote