Hope y’all don’t mind if I make another one of these posts
Morganatic Idol-focused singing roles (A3!'s not singing related but there's so much music that I might as well include it). Note that not all the roles are included.
round 0 (yes, we are starting at 0 just like computers do) will start on march 2 at 12pm EST. the round will be spread out across 4 days to avoid a shadowban, and posts will be tagged as #round 0. the matchups were randomized, so sorry about that! matchups in text form are under the cut:
match 0: Ami Enan (Lupin III Part 5) vs. Harold Finch (Person of Interest)
match 1: Barbara Gordon (Batman) vs. Saburo Yamada (Hypnosis Mic)
match 2: Hackerman (Kung Fury) vs. Piconjo (Newgrounds)
match 3: Lain Iwakura (Serial Experiments Lain) vs. Dr. Alphys (Undertale)
match 4: Sollux Captor (Homestuck) vs. Lucyna Kushinada (Cyberpunk: Edgerunners)
match 5: Breanna Casey (Leverage: Redemption) vs. Saeyoung "707" Choi (Mystic Messenger)
match 6: Motoko Kusanagi (Ghost In The Shell (1995)) vs. Bentley Wiseturtle (Sly Cooper)
match 7: Kururu (Keroro Gunsou) vs. Mei Hatsume (Boku no Hero Academia)
match 8: Nomi Marks (Sense8) vs. Tulip Olsen (Infinity Train)
match 9: Tae Joon "Crypto" Park (Apex Legends) vs. Penny (Pokémon)
match 10: Tux the Penguin (GNU/Linux) vs. Hieronymous "The" Hacker (Cyberchase)
match 11: Elliot Alderson (Mr. Robot) vs. Koushiro "Izzy" Izumi (Digimon Adventure)
match 12: Vanessa A. (Five Night's at Freddy's: Security Breach) vs. Chihiro Fujisaki (Danganronpa: Trigger Happy Havoc)
match 13: Donatello Hamato (Rise of the Teenage Mutant Ninja Turtles) vs. Aloe Cookie (Cookie Run: OvenBreak)
match 14: Monika (Doki Doki Literature Club!) vs. Edward Wong Hau Pepelu Tivruski IV (Cowboy Bebop)
match 15: Spock (Star Trek) vs. Roxy Lalonde (Homestuck)
match 16: Rita (The Penumbra Podcast) vs. Futaba Sakura (Persona 5)
match 17: Entrapta (She-Ra and the Princesses of Power) vs. Mickey Smith (Doctor Who)
match 18: Idia Shroud (Twisted Wonderland) vs. Alter Ego (Danganronpa: Trigger Happy Havoc)
match 19: Urushihara Hanzo (The Devil is a Part-Timer!) vs. Alec Hardison (Leverage)
match 20: Root (Person of Interest) vs. Tali'Zorah nar Rayya (Mass Effect)
match 21: Katie "Pidge" Holt (Voltron: Legendary Defender) vs. Penelope Garcia (Criminal Minds)
match 22: Carla Dosa (The Hex) vs. Nicole the Holo-Lynx (Sonic the Hedgehog)
match 23: Dendy (OK K.O.! Let's Be Heroes) vs. Toshiko "Tosh" Sato (Torchwood)
match 24: Yasuho Hirose (JoJo's Bizarre Adventure: JoJolion) vs. Ezekiel Jones (The Librarians)
match 25: Ritsuko Akagi (Neon Genesis Evangelion) vs. Felicity Smoak (Arrow)
match 26: Robert "Bob" Johansson (We Are Legion (We Are Bob)) vs. Maya Ibuki (Neon Genesis Evangelion)
match 27: Neo (The Matrix) vs. Trinity (The Matrix)
match 28: James T. Kirk (Star Trek) vs. Player Bouchard (Carmen Sandiego (2019))
match 29: Shiang Sun (Shin Megami Tensei: Liberation Dx2) vs. Raimu "Rhyme" Bito (The World Ends With You)
match 30: Susie (Kirby) vs. Miles "Tails" Prower (Sonic the Hedgehog)
match 31: Mikado Ryuugamine (Durarara!!) vs. Fuuka Yamagishi (Persona 3)
Who Is Higuchi Ichiyou? (Spoilers if you haven’t fully watched/read Bungou Stray Dogs)
Higuchi Ichiyou, a port mafia member and the one who commands the Black Lizards. She isn’t respected by the mafia, she isn’t useful to the mafia ability wise but why is she here?
Let us begin from the beginning.
Who is the real life Higuchi Ichiyou?
She was born on May 2, 1872 in a nagaya (row house) on the premises of the Tokyo prefectural office (present Chiyoda Ward, Tokyo Prefecture) in Uchisaiwaicho, Ichi shoku, Daini daiku, Tokyo-fu (Tokyo Prefecture). Her real name was Natsu HIGUCHI. Her father was Tamenosuke (Noriyoshi) HIGUCHI and her mother was Ayame, the fifth daughter of the Furuya family; Ichiyo was their second daughter. She had an older sister (Fuji) and two older brothers (Sentaro and Toranosuke), and was followed by a younger sister (Kuni). Making Higuchi Ichiyou the fourth child.
Her father, Noriyoshi, was a peasant in Nakahagiwara Village, Yamanashi County, Kai Province (present Koshu City, formerly Enzan City). Her grandfather seems to have been familiar with creative writings such as haikai (seventeen-syllable verse) and keisho (the most important documents in Confucianism); it is said that Noriyoshi preferred academics to farming and, as his marriage with Ayame was not permitted, they practically eloped to Edo. Noriyoshi began as a servant in the Bansho shirabesho (a government-run Western studies education and research institute) and, by good fortune, became a jikisan (immediate retainer) of the bakufu (Japanese feudal government headed by a shogun) by buying a kabu (a right to become doshin) of doshin (a low-ranked official) in 1867. After the Meiji Restoration, he became a low-level official and acquired the status of shizoku (a family or person of samurai ancestry), but was dismissed in 1876. After that, he made a living by working as a real estate broker and similar things.
As a young child, Ichiyo was raised in a family of moderate means, and she enjoyed reading from the time she was small; she read kusazoshi (illustrated story books) and it is said that she read through "Nanso Hakkenden" (a story of eight samurai and a princess of the Satomi family in the Nanso region) by Bakin KYOKUTEI when she was seven years old. In 1877, she entered Hongo Shogakko (Hongo Elementary School), but could not continue because she was too young, so she enrolled in Yoshikawa Gakko (Yoshikawa School), which had been established privately by Tomikichi YOSHIKAWA. In 1881, Toranosuke, her second older brother, set up a branch family and apprenticed himself to an earthenware painter. The family moved to Okachimachi, Shitaya Ward in the same year, so in November, she transferred to Seikai Gakko, a private school, in Ueno Motokuromoncho. She graduated from the fourth grade of the advanced course at the top of her class, but left the school without advancing to the upper grades. It is said that this was because her mother, Ayame, believed that studies were unnecessary for women.
On the other hand, it is said that her father, Noriyoshi, recognized his daughter's literary talent and let her learn waka from his acquaintance, Shigeo WADA. In 1886, she entered the waka school 'Haginoya,' run by Utako NAKAJIMA, through an introduction by Choan TODA, an acquaintance of her father from the days of the Tokugawa shogunate. In this school, besides waka, she studied classic literature and Japanese calligraphy of the Chikage school; dynastic style literature, such as The Tale of Genji, was the motif of Ichiyo's early works. During her time at Haginoya, Ichiyo met her close friends Natsuko ITO and Tatsuko TANABE and gave lectures as an assistant teacher. At that time, Haginoya was a waka school attended by the wives and daughters of the former regime's privileged classes - such as court nobles, former roju (senior councilor of the Tokugawa shogunate), and former domain lords - and of the Meiji government statesmen and military personnel. Although Ichiyo was shizoku, since her family had been farmers, she was treated as a commoner; she became introverted, and senior pupils from the upper social class called her 'monotsutsumi no kimi' (literally, close-natured person). When the first annual New Year's opening ceremony since Ichiyo had entered the school drew near, the topic of conversation among the well-bred young ladies turned to clothing and festive dress, well beyond the range in which the daughter of a low-class government official could compete. However, she quashed her feelings of inferiority and attended the ceremony wearing old clothes that her parents had borrowed.
Ichiyo's family moved frequently; Ichiyo moved twelve times in her life. In 1888, Sentaro, the first son and head of the family, died; Ichiyo inherited the family and became its head, with her father as guardian. In 1889, Noriyoshi's attempt to establish an association of draying contractors failed, and he died in July of the same year.
Ichiyo's engagement to her fiance, Saburo SHIBUYA, was cancelled. It is said this was due to the fact that, although the Higuchi family was left with a large amount of debt after Noriyoshi's death, Saburo HIGUCHI required a large amount of yuinokin (betrothal [gift] money). At the age of 17, Ichiyo was forced to support her family as its head and, in 1890, she lived in the house of the Nakajima family as a Haginoya apprentice. In September of the same year, she moved to Kikuzaka, Hongo (Bunkyo Ward, Tokyo Prefecture) and, along with her mother and younger sister, was obliged to live a hard life doing needlework and araihari (washing, stretching and drying various parts of kimono). It is said, however, that Ichiyo herself tended to disdain labor, and that the needlework and araihari were conducted by her mother and younger sister.
As Ichiyo's nearsightedness made her bad at detail work, she searched for other ways to earn income. When she learned that Kaho TANABE, a pupil in the grades ahead of her, had obtained a large manuscript fee for her novel "Yabu no Uguisu" (literally, Bush Warbler in a Thicket), Ichiyo made up her mind to write novels. At the age of 20, she wrote 'Kareobana Hitomoto' (Withered Grass). She used her pen name 'Ichiyo' for the first time in an essay written that same year. In order to make a living as a novelist, she also studied under Tosui NAKARAI, who reported on novels for the Asahi Shimbun, frequented a library, and published her first novel 'Yamizakura' (literally, Cherry Blossom in the Dark) in the first issue of the magazine 'Musashino,' presided over by Tosui. Afterwards, Tosui continued to take care of Ichiyo, who lived in dire poverty. Gradually, Ichiyo began to have amorous feelings for Tosui. However, a scandal about their relationship spread (although both were single, the customs of the time did not approve of such associations between a man and a woman without the intent to marry), and so she severed relations with Tosui. As if to emphasize the end of her relationship with Tosui, she published "Umoregi" (literally, Buried Wood), an idealistic novel in the style of Rohan KODA; it was completely different from her previous works, and it became the one that made her career.
Ichiyo became acquainted with Toson SHIMAZAKI and Tokuboku HIRATA, both of whom were well-versed in European literature; having come into contact with naturalistic literature, Ichiyo published multiple works including 'Yuki no Hi' (literally, Snowy Day) in 'Bungakukai.'
Her former fiance, Saburo SAKAMOTO (the Saburo SHIBUYA mentioned above) had become a prosecutor; around this time, he proposed to her, but she refused him. In order to relieve her straightened circumstances, she opened a variety shop which sold cleaning implements and penny candy in Shitaya Ryusenji-cho (present Ryusen 1-chome, Taito Ward), but closed the shop in May 1894 and moved to Maruyama Fukuyama-cho, Hongo Ward (present Nishikata 1-chome). Her experience on this occasion later became the subject of 'Takekurabe,' her representative work. She continued writing. In December, she published 'Otsugomori' (literally, New Year's Eve) in 'Bungakukai' and the next year, in 1895, 'Takekurabe' was published in seven installments, beginning in January.
Between the two works, she published 'Yuku Kumo' (literally, Going Cloud), 'Nigorie,' 'Jusanya' and others; the period from 'Otsugomori' to 'Uramurasaki' (literally, Purple on the Verso) is called her 'miraculous 14 months.'
In 1896, when 'Takekurabe' was published in its entirety in 'Bungei Kurabu,' it won great acclaim from Ogai MORI, Rohan KODA and others; Ogai MORI praised Ichiyo very highly in 'Mezamashigusa,' and many members of 'Bungakukai' began to visit her. In May, she published 'Warekara' (literally, From Myself), and 'Tsuzoku Shokanbun' (literally, Popular Epistle) in "Nichiyo Hyakka Zensho" (literally, The Daily Encyclopedia). Ichiyo had advanced tuberculosis and, when she was diagnosed in August, it was judged hopeless. On November 23, she died at the age of 24 years and 8 months. Ichiyo's life as a novelist lasted only a little over 14 months and in 1897, the year following her death, "Ichiyo Zenshu" (literally, The Complete Collection of Ichiyo's Works), and "Kotei Ichiyo Zenshu" (literally, The Revised Complete Collection of Ichiyo's Works) were published.
Her grave was in the annex temple of Tsukiji Hongan-ji Temple, the Higuchi family's ancestral temple, and was later moved to the Wadabori byosho (mausoleum) of Nishihongan-ji Temple in Izumi, Suginami Ward. Her homyo (posthumous Buddhist name) in Jodo Shinshu sect (the True Pure Land Sect of Buddhism) is Choshoin Shaku Myoyo. Literary materials including handwritten manuscripts and other related materials are kept by the Museum of Modern Japanese Literature and Yamanashi Kenritsu Bungakukan (literally, Yamanashi Prefectural Museum of Literature). Since November 2004, her portrait has been used on the Bank of Japan's five thousand yen note.
Now that we know her real life counterpart lets review her anime/manga self.
As a mafioso, Higuchi proves ruthless and fearsome, not shying away from killing her targets. When confronted by the enemy, she has a distant atmosphere to herself, often strictly no-nonsense and showing little sympathy for them. Quick to act, she seldom tolerates disrespect and detests those who underestimate Port Mafia.
However, Higuchi's personality, as her boss and she herself notes, is rather unfit in the Port Mafia. Beneath her tough exterior, she is easy to upset, hesitant, and quick to question herself. She even contemplated leaving several times, despite the inevitable hardships defection foretold. As a result, her subordinates seldom show her respect, many following her orders out of fear of Akutagawa's wrath. An impulsive spirit also leads her to tend toward drastic measures, consequently going against orders.
Her biggest weakness is her intense, bordering obsessive loyalty to Ryunosuke Akutagawa, whom she obeys almost unconditionally. She often insists on filling in for Akutagawa, worried about his poor health. Unfortunately, her loyalty is met with a frustrated Akutagawa's abusive and harsh treatment, often being called "unnecessary" to him. Nonetheless, Higuchi remains loyal to him. Her instinct to tell Akutagawa everything she knows ends up a key component to luring Akutagawa to the Guild's Moby Dick. However, Higuchi makes up her weaknesses for having a strong resolve, and she refuses to turn away when allies, especially Akutagawa, are in danger.
Thankfully, her determined and honest nature earns her Black Lizard's respect. She proves reliable and incredibly brave, even if her judgment is easily clouded under pressure. Even if questioning her position in the mafia, Higuchi shoulders its burdens and responsibilities to this day, understanding its vital role in Yokohama's safety. She also makes it a point to not be unnecessarily cruel to her opponents, acting strictly professional in Akutagawa and Port Mafia's names.
Her composure can often waver. Sometimes she is cool-headed and intimidating, other times easily unsettled and stressed out. Ultimately, she seems to excel more in covert operations than the frontlines, as a tendency to panic leaves her wide open in battle.
Higuchi however has some...strange relationship with the boss however. And this is mostly with what was already established above that the real life Mori Ougai had praised her work which made her very popular. So far in the anime there are three people who Mori Ougai seems close with;
Fukuzawa Yukichi, Yosano Akiko and Natsume Soseki.
Ogai MORI (February 17, 1862 - July 9, 1922) was a novelist, critic, translator, playwright, surgeon of the Imperial Army and Bureaucrat (Senior Official First Class). He was also Army Surgeon General (equivalent to Lieutenant General), Shoshii (Senior Fourth Rank), Order of Merit Second Class, Ko Third Grade, Doctor of Medical Science and had a doctorate in Literature. He is considered one of the great writers of the post-First World War Period ranked alongside Soseki NATSUME. His real name was Rintaro. He was born in Tsuwano Domain, Iwami Province (present Tsuwano-cho, Shimane Prefecture). He graduated from the University of Tokyo, Faculty of Medicine.
Shiyo Ho was born as the third daughter of Soshichi HO (father) and Tsune (mother) who ran a long-established Japanese confectionery shop 'Surugaya' in Kaino-cho, Sakai City (present-day Kaino-cho, Sakai Ward), Osaka Prefecture. One of her real brothers was Hidetaro HO who later became an electrical engineer. Shiyo entered a school of Sinology (the study of the Chinese classics) at the age of nine and also learned koto (a long Japanese zither with thirteen strings) and shamisen (a three-stringed Japanese banjo). After entering Sakai Girl's School (present-day Osaka Prefectural Senyo Senior High School), she devoured the Japanese classics such as "The Tale of Genji." In addition, she said, under her elder brother's influence, 'by the time I was twelve or thirteen, my greatest pleasure was reading literary magazines "Shigaramisoshi" (and later its successor "Mezamashigusa") and "Bungakukai" as well as novels by Koyo OZAKI, Rohan KODA, and Ichiyo HIGUCHI' ("Myojo" May 1906).
Around the age of twenty she started contributing her poems to magazines while she helped her family business. After participated in the Kansai Young Men's Literary Society, in 1900, she became acquainted with a waka poet Tekkan YOSANO at a poetry reading held at a Japanese-style hotel in Hamaderakoen and contributed her poem to "Myojo," an in-house magazine of Shinshisha (New Poetry Society) founded by Tekkan. In the following year she left her home and moved to Tokyo, and published her first poetry anthology "Midaregami" (Tangled hair) that expressed female sensuality in open fashion with which she established her style as a romantic poet. Later she married Tekkan.
In September 1904, she published a poem "Kimi Shinitamou koto nakare" (Thou Shalt Not Die) in "Myojo." In 1911, she contributed a poem that started with 'Yama no ugoku hi kitaru' (The day comes when a mountain moves) to the first issue of "Seito," the first female literary magazine in Japan. In 1912, Akiko followed Tekkan and moved to Paris, France. Ogai MORI helped her to raise money for going abroad with his wide range of literary works and large circle of contacts, and he also proofread "Shinyaku Genji Monogatari (New Translation of The Tale of Genji)" on behalf of Akiko to which he wrote the preface. On May 5, 1912, the Yomiuri Shimbun started a series of articles entitled 'Atarashii Onna' (New Women) with an article on Akiko's voyage to Paris, and on the following day the newspaper reported her departure (some 500 people including Raicho HIRATSUKA saw her off). The following June issue of the "Chuo koron" magazine ran a feature story on Akiko. On May 19, Akiko arrived in Paris via the Trans-Siberian Railway; during four months up to her leaving to Japan from Marseille, France on September 21, she visited England, Belgium, Germany, Austria, and the Netherlands and so on.
The same like Higuchi Ichiyou, Fukuzawa was praised for his work and put on the Japanese bill. Fukuzawa is respected and is still friends with Mori as evident in season 3 episode 9 where he said after leaving Lucy “I’m going to visit an old friend”.
Despite the many things Fukuzawa witnessed Mori do (which includes mentally abusing Yosano to have her ability of usage for the mafia) Fukuzawa still sees Mori as a friend and that is seen back with how Mori and Fukuzawa fought.
They both went for the more vital points of their body. Making their death quick and painless so that one cannot suffer compared to the other. Even when Pushkin was caught, the two had one brain cell in that moment and both punched the virus ability user.
Why are Fukuzawa, Yosano and Natsume relevant you might ask? Well, let’s address the elephant in the room.
Let’s dissect season 1 episode 11 first (chapter 14 in the manga.)
We begin with how Mori Ougai is introduced, which is through Higuchi. After the failure that is capturing Atsushi and selling them for 4 billion yen/dollars Higuchi reports to Mori about their failure. This scene made me, a fan of the irl Mori Ougai’s work, open my eyes and ears to see how the two interact:
Higuchi: “I’m truly sorry for this.”
Mori: “Maybe he’ll never regain consciousness.”
Higuchi: “No way!”
Mori: “Don’t worry. You two have done you’re best. It’s true that you failed in the assault of the armed detective agency, erred during the capture of the man-tiger and sank the freighter along with our cargo. But you’ve done your best, and that’s all that mattered. Making effort is the most important. Results only come second, isn’t that right?”
Higuchi: “....”
Mori: “Oh, yeah. The trafficking company Akutagawa destroyed during the mission...the Remnants of Karma Transit seems to be recruiting. They’re probably planning to take revenge on Akutagawa.”
Higuchi: “what?”
Mori: “Listen, Higuchi-kun. The mafia is essentially an economic body that uses violence as its currency. It doesn’t matter at what got sunk or who got killed but if that violence is returned to us, all our expenses will become liabilities.”
Higuchi: “How could you call those liabilities? They were the fruits of of Akutagawa-senpai’s efforts up until now!”
Mori: “Indeed. Akutagawa-kun is highly capable. His violence is outstanding even in the mafia. **But what about you?** “
Higuchi: “....”
Mori: “Higuchi-kun. Have you ever wondered whether this job is really suited for you?”
From what we have seen so far, Mori doesn’t seem angry at her actions. In fact, he seems more disappointed but with a hint of worry. Knowing real life mafia bosses, Higuchi would either get fired or tortured for her failures, yet she is here standing without any injuries. This is the most seen in the anime where Higuchi clearly is talking back to Mori, talking back to the king of the underworld.
The next scene is with the Black Lizards.
Tachihara: “This bastard Gin is always put onto sneaky jobs like infiltration and assassinations. Slitting the throats of families and friends on the higher ups order is quite a usual task. If he had meant it, you wouldn’t even have the time to gape.”
Higuchi: “Did the boss say he wanted me dead?”
Hirotsu: “Not yet, but who knows what will happen in the future.”
Higuchi: *cold face* “So you have come here to mock me?”
Hirotsu: “We’re only here to warn you to stay alert. If I were you I would come up with an insurance plan before the hitman starts closing in. The higher ups aren’t the only ones who are after your head. You and Akutagawa are the Guerrilla Squad directly under the boss’ command, giving you the authority to mobilize us in the combat squad, so your technically our superiors. However we don’t obey you out of your authority, but out of fear and respect for Akutagawa’s ability. Higuchi-kun, now that Akutagawa is out of action what power do you posses to make us obey you?”
Throughout the whole entire scene they say that Higuchi, despite her position as their superior, has not much authority over them. The only reason why they follow her is because she is under Mori’s direct order, so she and Akutagawa are second closes to Mori next to the executives.
Yet why is she here if she isn’t that important to the mafia according to the Black Lizards?
In the next page we see that she is against Mori’s order. Higuchi is going against Mori’s orders. This is a giant red flag because she is directly not following Mori’s order; this is enough to get executed under mafia rules yet she isn’t. How? How is she allowed to go through with this?
Let’s look further:
“But the only reason I never actually did it...”
“It’s not easy to break away from the mafia, but it’s not impossible.”
Let’s take the first sentence. She never finished it. She never said the reason why she never left. All we see is her remembering Akutagawa. This could mean one of two things; 1, she is in love with Akutagawa and wants to protect him or 2. She admires him for him using his ability more efficiently compared to her.
You might be asking, how did we go from Akutagawa to Higuchi’s ability? That’s simple.
Let’s remember Tachihara for example. At first we thought he wasn’t an ability user like Gin but it was later on revealed that his ability, Midwinter Memento, allows him to manipulate metal. While it has nothing in common, the name and the ability itself, this can be the same for Hirotsu.
Which means that authors have abilities, and Higuchi Ichiyou isn’t just some author. She is the first ever female author that got so high as being on a yen bill. So her not having an ability is rather suspicious.
Not only that but let’s look at how the novel 55 minutes describes her:
The novel described Akutagawa as an ability user, how would Higuchi not be described as a non-ability user? Because she is an ability user.
Which brings us back to the first take. Many mafioso’s would get in trouble for going against Mori’s word. With Higuchi it is differently; in season 1 episode 11 you see that Higuchi was talking to Mori on a rather even note, her eyes shined a few times which means that she appreciates the praises but she still went against his word by saying “Akutagawa has done so much to be considered a liability.” She talked back against the boss, that would be considered a punishment in the underground yet Mori kept her. This is also shown in the manga where in the mall, Higuchi talked once again back against him but Mori warned her as if she was a child that wants to know more about her birthday present.
Compare this to how he talks to Hirotsu; a mafioso who is longer in the mafia compared to Mori.
He talked back to him and he got a glare and was questioned “what do you want to say?” In a threatening type of way. Knowing Mori, it isn’t because of the former boss because Mori doesn’t care about him anymore nor is it about Dazai taking his place, that is his main goal.
My theory is that Higuchi’s ability is that big of a liability that she is Mori’s secret weapon.
In season 1 episode 11 she keeps saying “it is difficult to leave the mafia but the reason I stayed is because...”
She never finished her sentence. She never told the full reason why she stayed. In the manga we are shown that she isn’t respected, that subordinates walk over her. Yet even with these facts, Higuchi isn’t fired.
She also says “it is difficult to leave the mafia but it isn’t impossible”
That is a lie because as we have seen with Kyōuka it is impossible. How does Higuchi have such privilege? Because Mori knows she will come back. The reason why in her monologue it showed Akutagawa is because she admires him for being able to control Rashoumon, the same way how Atsushi finds Akutagawa amazing for being able to control Rashoumon.
Mori favors her, and this is shown in a panel in Wan where Higuchi does an impression of Mori when he is with Elise yet instead of being angry at Higuchi, Mori directs his glare to Chuuya and Tachihara. There is also a chapter where Tachihara, Higuchi, Akutagawa and Gin destroyed the Black Lizard hideout but instead of punishing Higuchi (who was the source of the accident) he punished them all.
Let’s look at another thing; how close is Higuchi with Mori?
Season 2 episode 8 where Mori was stabbed by Fyodor. It was brief but we see Higuchi together with the boss. Out of everyone in the mafia; Kouyou, Chuuya, Kajii hell even Akutagawa could (but he was busy looking for Nathanial) it was the least respected mafioso. Not only that but Higuchi back in season 2 gave information that the boss gave personally to Higuchi to send to Dazai.
This could have also been done by Hirotsu or Gin who know Dazai the longest. But something caught my attention. Higuchi said “I researched your history.” This wouldn’t seem bad was it not that Mori keeps Dazai’s executive position open for him to return, so Dazai is still technically an executive. ONLY EXECUTIVES are allowed to learn the history of the other executives. Gin, Hirotsu, Akutagawa, Kajii, Chuuya and Kouyou know about Dazai because they have an actual history with him but Higuchi is an outsider of this. She is like the other mafioso who aren’t related to Dazai yet she did research on him, which isn’t allowed.
Now this might sound as if Higuchi is special but let’s look at something or more someone who also didn’t look special but actually is special; Tachihara Michizo.
On the surface, Tachihara is an arrogant, impulsive, rash individual, more than willing to solve problems through sheer brute force and his dual guns. A violent temper leads to frequent conflict between him and other mafiosi, namely Gin, whom Tachihara views as creepy and frequently insults, leading to arguments, and Hirotsu, who often shuts Tachihara's temper down by threatening him. Tachihara's self-preservation prompts him to obey Hirotsu in the end, albeit reluctantly. An apparent thirst for battle and arrogance fuels Tachihara's temper. He's often seen with a rather feral smile on his face whenever fighting. He seldom considers the weight of a mission over the rush of eliminating his targets. He shows no hesitation nor remorse in murder, in fact sometimes urging to just eliminate a troublesome person if he finds their baggage more than they're worth.
A prideful man, Tachihara despises being underestimated and belittled. This is a surefire way to get oneself shot.
His rebellious side doesn't negate how he values orders, seeing them as an utmost system. Due to this, he attempts to dissuade Higuchi from saving Akutagawa against Mori's orders, even suggesting an alternate plan that wouldn't disobey these orders. Furthermore, he maintains his composure when dragged into shopping with Elise, and tolerates her putting bows in his hair. Despite guards laughing at him, Tachihara doesn't snap. Despite his rough exterior, Tachihara is capable of thinking rationally, just not in the heat of the moment in the Port Mafia. He can recognize danger quickly and finds himself on edge over how nonchalant Mori, Kōyō, and Chūya's meeting went. Tachihara has a proficient understanding of how to deal with the enemy, alluding to a much more cunning side of his true nature.
Much of Tachihara's details of joining the Port Mafia are unknown, however, it is a ruse. His identity as the fifth Hunting Dog reveals a much more clever, driven man. Unlike Ango Sakaguchi, Tachihara always intended to infiltrate the Port Mafia, using his position in the Hunting Dogs to operate as a spy. His confrontation with Yosano is devoid of any rage, depicting a cold, blunt side as he explains his grudge against her for "killing" his brother. Regardless of who he is working for, Tachihara cares deeply for his comrades. He was first to try to stop Higuchi when she tried to save Akutagawa on her own and has been seen visibly harboring guilt for when he cut down Hirotsu and Gin for the sake of his mission as a spy. He has also been seen caring for Teruko when she showed she was heavily injured from going against a plane head-on. He's also notably patient with those who are spoiled, including letting Teruko sit on her shoulders with little protests of being her "slave" and letting Elise put a bow on his head.
Beneath a lot of Tachihara's rough and punk-like exterior is a strong sense of incompetency and inferiority compared to his elder brother who was praised as being "perfect" while he was deemed by his family as being inferior, even being questioned as to why he didn't die instead of him. These things have driven Tachihara to act out and live a life of delinquency and ruthlessness by affiliating with gang activity, but despite these things, he still couldn't shake off these negative feelings. His insecurity and desperation to escape his brother's shadow was so strong, that Tachihara took on the first "order" that allowed him to become someone "not like his brother or his opposite" and joined the Hunting Dogs and infiltrate the Mafia to get revenge on Yosano for "killing" his brother, even when he knew and acknowledged that all of it was an excuse to appease his own negative feelings.
Many didn’t think much of Tachihara next that he was a commander of the Black Lizards and just someone who is close with Chuuya in Wan, however in the current arc we learn that he is a member of the Hunting Dogs with his ability Midwinter Memento being perfect for to lure Yosano to him, and in his fight with Fukuchi we learn that Mori giving him the order to kill Fukuchi was perfect for him.
Tachihara’s ability is named after his famous poem;
*Neither pursuing nor being pursued,
I stand under a barren tree. I'm watching
my silhouette, now marooned on a spotless snow....
(My pale shadow somberly takes shape.)
I'm listening. Yes! I certainly
am listening to what my shadow sings....
In a plaintively nasal voice it sings tunes of long-gone
summer flowers never to return.
Without responding, "That's a bunting, that's a siskin,
that's a white fir
—that's me...I a siskin, I a fir...," my shadow and I
eye each other as though these statements once were true.
My shadow listens to my heart at song.
Like the hubbub of that old arrowing brook,
it listens to tears at song...on the snow.*
This poem is seen mostly how Tachihara lives in the shadow of his brother, how much he listens to what others have to say because he himself can’t find a reason to do something.
As we already had established, Higuchi Ichiyou is a famous female writer. And the characters based on the authors and their books have an ability.
However there are two (three) categories: Name based abilities and non-name based abilities.
(Three being a non-abilities)
Non-abilities: The Great Old Ones and Ultra-Deduction.
Name based: Beast Beneath The Moonlight, Doppo Poet, All Men Are Equal, Lemon Bomb, The Great Fitzgerald, Thou Shalt Not Die, Gone With The Wind, I Am A Cat, A Feast in Time of Plague, Anne of Abyssal Red, Moby Dick, Time Machine, Yesterday’s Shadow Tag, The Grapes of Wrath etc.
Non-name based abilities: Vita Sexualis, Midwinter Memento, Another, An Inherent Drop, Black Cat in the Rue Morgue, Little Woman, Demon Snow/Golden Demon, Flawless, Futon, Plum Blossom in Snow, Priceless Tears, Undefeated By the Rain, No Longer Human, For The Tainted Sorrow etc.
Higuchi Ichiyou’s famous short story Takekurabe (Growing Pains) could be her ability based on that Mori Ougai had praised her for it, which eventually became they key to her success;
“ * [Higuchi Ichiyō’s] ‘Growing Pains’ was acclaimed as a masterpiece, especially when the entire work was republished in a single issue of the popular magazine Bungei Kurabu in April 1896, Mori Ōgai… lavishly praised its every feature: … (Ōgai): It is not especially remarkable that this author, a member of a literary circle in which the Naturalist school is said to be enjoying a vogue should have chosen to set her story in this place [the Yoshiwara district]. What is remarkable is that the characters who haunt this area are not the brute beasts in human form - the copies of Zola, Ibsen, and the rest - presented by the assiduous imitators of the so-called Naturalist school, but human beings with whom we can laugh and cry together… . At the risk of being mocked as an Ichiyō-idolater, I do not hesitate to accord to her the name of ‘poet.’ It is more difficult to depict a person with individual characteristics than a stereotype, and far more difficult to depict and individual in a milieu than a special person all by himself. This author, who has painted the ‘local coloring’ of Daionji-mae so effectively that one might say it has ceased to exist apart from ‘Growing Pains,’ without leaving any trace of the efforts such portraiture must have cost her, must truly be called a woman of rare ability.* “
(Credit to Donald Keene, Dawn to the West.)
But what could Growing Pains do if it was actually an ability? For most we need to understand what an actual ability needs to have in common.
For this we will take For The Tainted Sorrow and see how this ability is related to gravity?
With literal names based abilities we look at Atsushu. Atsushi has the ability to transform into a white tiger. At first, he doesn't seem to have much control over the transformation, likely due to the fact, or caused by, his unawareness of his state as an Ability user. After becoming an official member of the Agency and under the influence of All Men Are Equal, he gains more control over his transformations - as shown during his second fight with Akutagawa, when he breaks the transformation on his arms to escape.
My theory is that Higuchi’s ability allows her to paralyze her enemies.
Let’s look as too why I think this and use the summary of Takekurabe as an example; The main characters are children living on the edge of Yoshiwara, the only district of Edo that was licensed for prostitution. As they grow up, they find themselves assuming their family professions and losing the freedom they enjoyed as children. Next we have Nigorie translated into English as Troubled Waters and Muddy Water, is a Japanese short story written by Higuchi Ichiyō in 1895. It depicts the fate of a courtesan in the red light district of a nameless town during the Meiji era. Nigorie centers around Oriki, the most popular courtesan at the Kikunoi, a brothel in the red light district of an unspecified town, and a group of people connected to her, during the summer Obon festival. Through her conversations with other prostitutes, and Oriki's accounts in the presence of new customer Yūki Tomonosuke, the reader learns that a previous customer, Genshichi, a futon salesman of moderate affluence, was addicted to Oriki and spent all his money at the brothel. Now that Genshichi has been reduced to the hard labor of a construction worker, forced to move with his wife Ohatsu and his young son Takichi into a smaller flat in a run-down section of town, Oriki rejects seeing him despite his pleas. Tomonosuke repeatedly questions Oriki during his visits. She reminisces about her poor upbringing, which she cites, together with her profession, as the reason for not wanting to marry, although she had contemplated the possibility. She recounts a childhood incident when she was seven years old, sent by her mother to buy rice for supper. On her way back, she slipped on the frozen ground, spilling the rice into the gutter, leaving the family starving for this day. Meanwhile, Ohatsu scolds Genshichi for his ongoing obsession with Oriki and the family's poverty, which she tries to mitigate by doing piecework. When Takichi comes home with a piece of cake, which he received as a gift from Oriki (whom he refers to as "the demon-lady"), Ohatsu angrily throws it away. Genshichi, furious about her ongoing accusations and behaviour, demands that she leaves him. Ohatsu begs him to let her stay, as she has no relatives she can return to, but finally leaves, taking their son with her. At the end of the festivities, the dead bodies of Oriki and Genshichi are found. While it seems obvious that Genshichi committed suicide by seppuku, the cause of Oriki's death stays unclear. The passerbys speculate about her fate; while one assumes a shinjū (double love suicide), another one reasons that the wounds on Oriki's body make a murder after her attempted escape more plausible. It is left to the reader to determine the true circumstance of her death.
From these famous stories we can already determine that Higuchi’s stories are centered around the concept of one-sided attraction. This is something she and Akutagawa have, a one-sided attraction. This is the most in season 3 episode 5 where Higuchi doesn’t seem to find her way of trying to confess that she loves Akutagawa or that she thinks she admires him. And what is there not to admire about Akutagawa? He has an amazing ability, he is reliable in many ways but is just stubborn. So with this in mind, Higuchi’s (if this theory is correct) ability comes in this form; Higuchi’s ability is a mix of a non-name based ability and a name-based ability. The ability of paralyzation has the meaning of that she is paralyzed by fear with job as a mafioso but also her fear of being rejected by Akutagawa and that it is the greatest liability Mori has in order to protect Yokohama-This idea comes more in mind in the manga, Chapter 41, where we briefly see Higuchi’s little sister. This may not mean much to you but Higuchi is the only confirmed character with a little sister who isn’t based on a book (Gin=Ogin and Naomi=Naomi). Which leads me to the reason why she doesn’t use her ability anymore or is restricting herself- and the second is the meaning of Growing Pains ; Growing pains are often described as an ache or throb in the legs — often in the front of the thighs, the calves or behind the knees. Growing pains tend to affect both legs and occur at night, and may even wake a child from sleep. Although these pains are called growing pains, there's no evidence that growth hurts.
There could have been an incident in which Higuchi accidentally used her ability on her little sister which resulted in her little sister being paralyzed. She could have met Mori and knowing Mori he manipulated in keeping her ability a secret and for repayment let her join the mafia. This idea is further proven with how he was with Yosano; after the death of Tachihara’s brother Mori manipulated Yosano into thinking that this is her fault, almost making her join the mafia out of guilt was it not for Ranpo.
6. Maybe Higuchi wasn’t as lucky and thought that what Morti said was true and joined the mafia out of guilt, which leads me as to why she fell in love with him. The nightingale effect; The Florence Nightingale effect is a trope where a caregiver falls in love with their patient, even if very little communication or contact takes place outside of basic care. Feelings may fade once the patient is no longer in need of care. Higuchi fell in love with Akutagawa not out of admiration but out of care for him. That guilt of not being able to take care of him could be because of her little sister and the fear that Higuchi one day paralyzes Akutagawa, as to why she isn’t using her ability. After all, this isn’t the first time there was a character who hid their ability to do things without it; Fyodor and Tachihara.
And the last thing that might confirm Higuchi’s importance is the way she acted in Wan and the Onsen drama CD. While Wan is merely a comedy it does call out the characters for their flaws and unique personalities, meanwhile the Onsen drama CD is like a filler but adds information about certain characters and their relationship; Higuchi included.
1. She stalks Akutagawa at first out of fear that other organizations might attack him, but at this point she stalks him with a mix of worry and not being capable of walking up to him.
2. She is rather open to nudity as shown that she said to Chuuya “it is my job to help Akutagawa even it means being naked” (or something along those lines).
In a certain chapter however where the Port Mafia had to disguise themselves as Mori, Higuchi was up and while she failed to look like Mori because she is very feminine she then used another tactic which is acting like Mori when he is with Elise. For most, Mori would have either glared at them and give them punishment, he glared at Chuuya and Tachihara (who were the closest next to him) instead at Higuchi. Higuchi broke many Port Mafia rules, many times she failed and has unintentionally mocked him yet she is still here.
so what do you guys think? Is this theory plausible?
Who Is Higuchi Ichiyou? (Spoilers if you haven’t fully watched/read Bungou Stray Dogs)
Higuchi Ichiyou, a port mafia member and the one who commands the Black Lizards. She isn’t respected by the mafia, she isn’t useful to the mafia ability wise but why is she here?
Let us begin from the beginning.
Who is the real life Higuchi Ichiyou?
She was born on May 2, 1872 in a nagaya (row house) on the premises of the Tokyo prefectural office (present Chiyoda Ward, Tokyo Prefecture) in Uchisaiwaicho, Ichi shoku, Daini daiku, Tokyo-fu (Tokyo Prefecture). Her real name was Natsu HIGUCHI. Her father was Tamenosuke (Noriyoshi) HIGUCHI and her mother was Ayame, the fifth daughter of the Furuya family; Ichiyo was their second daughter. She had an older sister (Fuji) and two older brothers (Sentaro and Toranosuke), and was followed by a younger sister (Kuni). Making Higuchi Ichiyou the fourth child.
Her father, Noriyoshi, was a peasant in Nakahagiwara Village, Yamanashi County, Kai Province (present Koshu City, formerly Enzan City). Her grandfather seems to have been familiar with creative writings such as haikai (seventeen-syllable verse) and keisho (the most important documents in Confucianism); it is said that Noriyoshi preferred academics to farming and, as his marriage with Ayame was not permitted, they practically eloped to Edo. Noriyoshi began as a servant in the Bansho shirabesho (a government-run Western studies education and research institute) and, by good fortune, became a jikisan (immediate retainer) of the bakufu (Japanese feudal government headed by a shogun) by buying a kabu (a right to become doshin) of doshin (a low-ranked official) in 1867. After the Meiji Restoration, he became a low-level official and acquired the status of shizoku (a family or person of samurai ancestry), but was dismissed in 1876. After that, he made a living by working as a real estate broker and similar things.
As a young child, Ichiyo was raised in a family of moderate means, and she enjoyed reading from the time she was small; she read kusazoshi (illustrated story books) and it is said that she read through "Nanso Hakkenden" (a story of eight samurai and a princess of the Satomi family in the Nanso region) by Bakin KYOKUTEI when she was seven years old. In 1877, she entered Hongo Shogakko (Hongo Elementary School), but could not continue because she was too young, so she enrolled in Yoshikawa Gakko (Yoshikawa School), which had been established privately by Tomikichi YOSHIKAWA. In 1881, Toranosuke, her second older brother, set up a branch family and apprenticed himself to an earthenware painter. The family moved to Okachimachi, Shitaya Ward in the same year, so in November, she transferred to Seikai Gakko, a private school, in Ueno Motokuromoncho. She graduated from the fourth grade of the advanced course at the top of her class, but left the school without advancing to the upper grades. It is said that this was because her mother, Ayame, believed that studies were unnecessary for women.
On the other hand, it is said that her father, Noriyoshi, recognized his daughter's literary talent and let her learn waka from his acquaintance, Shigeo WADA. In 1886, she entered the waka school 'Haginoya,' run by Utako NAKAJIMA, through an introduction by Choan TODA, an acquaintance of her father from the days of the Tokugawa shogunate. In this school, besides waka, she studied classic literature and Japanese calligraphy of the Chikage school; dynastic style literature, such as The Tale of Genji, was the motif of Ichiyo's early works. During her time at Haginoya, Ichiyo met her close friends Natsuko ITO and Tatsuko TANABE and gave lectures as an assistant teacher. At that time, Haginoya was a waka school attended by the wives and daughters of the former regime's privileged classes - such as court nobles, former roju (senior councilor of the Tokugawa shogunate), and former domain lords - and of the Meiji government statesmen and military personnel. Although Ichiyo was shizoku, since her family had been farmers, she was treated as a commoner; she became introverted, and senior pupils from the upper social class called her 'monotsutsumi no kimi' (literally, close-natured person). When the first annual New Year's opening ceremony since Ichiyo had entered the school drew near, the topic of conversation among the well-bred young ladies turned to clothing and festive dress, well beyond the range in which the daughter of a low-class government official could compete. However, she quashed her feelings of inferiority and attended the ceremony wearing old clothes that her parents had borrowed.
Ichiyo's family moved frequently; Ichiyo moved twelve times in her life. In 1888, Sentaro, the first son and head of the family, died; Ichiyo inherited the family and became its head, with her father as guardian. In 1889, Noriyoshi's attempt to establish an association of draying contractors failed, and he died in July of the same year.
Ichiyo's engagement to her fiance, Saburo SHIBUYA, was cancelled. It is said this was due to the fact that, although the Higuchi family was left with a large amount of debt after Noriyoshi's death, Saburo HIGUCHI required a large amount of yuinokin (betrothal [gift] money). At the age of 17, Ichiyo was forced to support her family as its head and, in 1890, she lived in the house of the Nakajima family as a Haginoya apprentice. In September of the same year, she moved to Kikuzaka, Hongo (Bunkyo Ward, Tokyo Prefecture) and, along with her mother and younger sister, was obliged to live a hard life doing needlework and araihari (washing, stretching and drying various parts of kimono). It is said, however, that Ichiyo herself tended to disdain labor, and that the needlework and araihari were conducted by her mother and younger sister.
As Ichiyo's nearsightedness made her bad at detail work, she searched for other ways to earn income. When she learned that Kaho TANABE, a pupil in the grades ahead of her, had obtained a large manuscript fee for her novel "Yabu no Uguisu" (literally, Bush Warbler in a Thicket), Ichiyo made up her mind to write novels. At the age of 20, she wrote 'Kareobana Hitomoto' (Withered Grass). She used her pen name 'Ichiyo' for the first time in an essay written that same year. In order to make a living as a novelist, she also studied under Tosui NAKARAI, who reported on novels for the Asahi Shimbun, frequented a library, and published her first novel 'Yamizakura' (literally, Cherry Blossom in the Dark) in the first issue of the magazine 'Musashino,' presided over by Tosui. Afterwards, Tosui continued to take care of Ichiyo, who lived in dire poverty. Gradually, Ichiyo began to have amorous feelings for Tosui. However, a scandal about their relationship spread (although both were single, the customs of the time did not approve of such associations between a man and a woman without the intent to marry), and so she severed relations with Tosui. As if to emphasize the end of her relationship with Tosui, she published "Umoregi" (literally, Buried Wood), an idealistic novel in the style of Rohan KODA; it was completely different from her previous works, and it became the one that made her career.
Ichiyo became acquainted with Toson SHIMAZAKI and Tokuboku HIRATA, both of whom were well-versed in European literature; having come into contact with naturalistic literature, Ichiyo published multiple works including 'Yuki no Hi' (literally, Snowy Day) in 'Bungakukai.'
Her former fiance, Saburo SAKAMOTO (the Saburo SHIBUYA mentioned above) had become a prosecutor; around this time, he proposed to her, but she refused him. In order to relieve her straightened circumstances, she opened a variety shop which sold cleaning implements and penny candy in Shitaya Ryusenji-cho (present Ryusen 1-chome, Taito Ward), but closed the shop in May 1894 and moved to Maruyama Fukuyama-cho, Hongo Ward (present Nishikata 1-chome). Her experience on this occasion later became the subject of 'Takekurabe,' her representative work. She continued writing. In December, she published 'Otsugomori' (literally, New Year's Eve) in 'Bungakukai' and the next year, in 1895, 'Takekurabe' was published in seven installments, beginning in January.
Between the two works, she published 'Yuku Kumo' (literally, Going Cloud), 'Nigorie,' 'Jusanya' and others; the period from 'Otsugomori' to 'Uramurasaki' (literally, Purple on the Verso) is called her 'miraculous 14 months.'
In 1896, when 'Takekurabe' was published in its entirety in 'Bungei Kurabu,' it won great acclaim from Ogai MORI, Rohan KODA and others; Ogai MORI praised Ichiyo very highly in 'Mezamashigusa,' and many members of 'Bungakukai' began to visit her. In May, she published 'Warekara' (literally, From Myself), and 'Tsuzoku Shokanbun' (literally, Popular Epistle) in "Nichiyo Hyakka Zensho" (literally, The Daily Encyclopedia). Ichiyo had advanced tuberculosis and, when she was diagnosed in August, it was judged hopeless. On November 23, she died at the age of 24 years and 8 months. Ichiyo's life as a novelist lasted only a little over 14 months and in 1897, the year following her death, "Ichiyo Zenshu" (literally, The Complete Collection of Ichiyo's Works), and "Kotei Ichiyo Zenshu" (literally, The Revised Complete Collection of Ichiyo's Works) were published.
Her grave was in the annex temple of Tsukiji Hongan-ji Temple, the Higuchi family's ancestral temple, and was later moved to the Wadabori byosho (mausoleum) of Nishihongan-ji Temple in Izumi, Suginami Ward. Her homyo (posthumous Buddhist name) in Jodo Shinshu sect (the True Pure Land Sect of Buddhism) is Choshoin Shaku Myoyo. Literary materials including handwritten manuscripts and other related materials are kept by the Museum of Modern Japanese Literature and Yamanashi Kenritsu Bungakukan (literally, Yamanashi Prefectural Museum of Literature). Since November 2004, her portrait has been used on the Bank of Japan's five thousand yen note.
Now that we know her real life counterpart lets review her anime/manga self.
As a mafioso, Higuchi proves ruthless and fearsome, not shying away from killing her targets. When confronted by the enemy, she has a distant atmosphere to herself, often strictly no-nonsense and showing little sympathy for them. Quick to act, she seldom tolerates disrespect and detests those who underestimate Port Mafia.
However, Higuchi's personality, as her boss and she herself notes, is rather unfit in the Port Mafia. Beneath her tough exterior, she is easy to upset, hesitant, and quick to question herself. She even contemplated leaving several times, despite the inevitable hardships defection foretold. As a result, her subordinates seldom show her respect, many following her orders out of fear of Akutagawa's wrath. An impulsive spirit also leads her to tend toward drastic measures, consequently going against orders.
Her biggest weakness is her intense, bordering obsessive loyalty to Ryunosuke Akutagawa, whom she obeys almost unconditionally. She often insists on filling in for Akutagawa, worried about his poor health. Unfortunately, her loyalty is met with a frustrated Akutagawa's abusive and harsh treatment, often being called "unnecessary" to him. Nonetheless, Higuchi remains loyal to him. Her instinct to tell Akutagawa everything she knows ends up a key component to luring Akutagawa to the Guild's Moby Dick. However, Higuchi makes up her weaknesses for having a strong resolve, and she refuses to turn away when allies, especially Akutagawa, are in danger.
Thankfully, her determined and honest nature earns her Black Lizard's respect. She proves reliable and incredibly brave, even if her judgment is easily clouded under pressure. Even if questioning her position in the mafia, Higuchi shoulders its burdens and responsibilities to this day, understanding its vital role in Yokohama's safety. She also makes it a point to not be unnecessarily cruel to her opponents, acting strictly professional in Akutagawa and Port Mafia's names.
Her composure can often waver. Sometimes she is cool-headed and intimidating, other times easily unsettled and stressed out. Ultimately, she seems to excel more in covert operations than the frontlines, as a tendency to panic leaves her wide open in battle.
Higuchi however has some...strange relationship with the boss however. And this is mostly with what was already established above that the real life Mori Ougai had praised her work which made her very popular. So far in the anime there are three people who Mori Ougai seems close with;
Fukuzawa Yukichi, Yosano Akiko and Natsume Soseki.
Ogai MORI (February 17, 1862 - July 9, 1922) was a novelist, critic, translator, playwright, surgeon of the Imperial Army and Bureaucrat (Senior Official First Class). He was also Army Surgeon General (equivalent to Lieutenant General), Shoshii (Senior Fourth Rank), Order of Merit Second Class, Ko Third Grade, Doctor of Medical Science and had a doctorate in Literature. He is considered one of the great writers of the post-First World War Period ranked alongside Soseki NATSUME. His real name was Rintaro. He was born in Tsuwano Domain, Iwami Province (present Tsuwano-cho, Shimane Prefecture). He graduated from the University of Tokyo, Faculty of Medicine.
Shiyo Ho was born as the third daughter of Soshichi HO (father) and Tsune (mother) who ran a long-established Japanese confectionery shop 'Surugaya' in Kaino-cho, Sakai City (present-day Kaino-cho, Sakai Ward), Osaka Prefecture. One of her real brothers was Hidetaro HO who later became an electrical engineer. Shiyo entered a school of Sinology (the study of the Chinese classics) at the age of nine and also learned koto (a long Japanese zither with thirteen strings) and shamisen (a three-stringed Japanese banjo). After entering Sakai Girl's School (present-day Osaka Prefectural Senyo Senior High School), she devoured the Japanese classics such as "The Tale of Genji." In addition, she said, under her elder brother's influence, 'by the time I was twelve or thirteen, my greatest pleasure was reading literary magazines "Shigaramisoshi" (and later its successor "Mezamashigusa") and "Bungakukai" as well as novels by Koyo OZAKI, Rohan KODA, and Ichiyo HIGUCHI' ("Myojo" May 1906).
Around the age of twenty she started contributing her poems to magazines while she helped her family business. After participated in the Kansai Young Men's Literary Society, in 1900, she became acquainted with a waka poet Tekkan YOSANO at a poetry reading held at a Japanese-style hotel in Hamaderakoen and contributed her poem to "Myojo," an in-house magazine of Shinshisha (New Poetry Society) founded by Tekkan. In the following year she left her home and moved to Tokyo, and published her first poetry anthology "Midaregami" (Tangled hair) that expressed female sensuality in open fashion with which she established her style as a romantic poet. Later she married Tekkan.
In September 1904, she published a poem "Kimi Shinitamou koto nakare" (Thou Shalt Not Die) in "Myojo." In 1911, she contributed a poem that started with 'Yama no ugoku hi kitaru' (The day comes when a mountain moves) to the first issue of "Seito," the first female literary magazine in Japan. In 1912, Akiko followed Tekkan and moved to Paris, France. Ogai MORI helped her to raise money for going abroad with his wide range of literary works and large circle of contacts, and he also proofread "Shinyaku Genji Monogatari (New Translation of The Tale of Genji)" on behalf of Akiko to which he wrote the preface. On May 5, 1912, the Yomiuri Shimbun started a series of articles entitled 'Atarashii Onna' (New Women) with an article on Akiko's voyage to Paris, and on the following day the newspaper reported her departure (some 500 people including Raicho HIRATSUKA saw her off). The following June issue of the "Chuo koron" magazine ran a feature story on Akiko. On May 19, Akiko arrived in Paris via the Trans-Siberian Railway; during four months up to her leaving to Japan from Marseille, France on September 21, she visited England, Belgium, Germany, Austria, and the Netherlands and so on.
The same like Higuchi Ichiyou, Fukuzawa was praised for his work and put on the Japanese bill. Fukuzawa is respected and is still friends with Mori as evident in season 3 episode 9 where he said after leaving Lucy “I’m going to visit an old friend”.
Despite the many things Fukuzawa witnessed Mori do (which includes mentally abusing Yosano to have her ability of usage for the mafia) Fukuzawa still sees Mori as a friend and that is seen back with how Mori and Fukuzawa fought.
They both went for the more vital points of their body. Making their death quick and painless so that one cannot suffer compared to the other. Even when Pushkin was caught, the two had one brain cell in that moment and both punched the virus ability user.
Why are Fukuzawa, Yosano and Natsume relevant you might ask? Well, let’s address the elephant in the room.
Let’s dissect season 1 episode 11 first (chapter 14 in the manga.)
We begin with how Mori Ougai is introduced, which is through Higuchi. After the failure that is capturing Atsushi and selling them for 4 billion yen/dollars Higuchi reports to Mori about their failure. This scene made me, a fan of the irl Mori Ougai’s work, open my eyes and ears to see how the two interact:
Higuchi: “I’m truly sorry for this.”
Mori: “Maybe he’ll never regain consciousness.”
Higuchi: “No way!”
Mori: “Don’t worry. You two have done you’re best. It’s true that you failed in the assault of the armed detective agency, erred during the capture of the man-tiger and sank the freighter along with our cargo. But you’ve done your best, and that’s all that mattered. Making effort is the most important. Results only come second, isn’t that right?”
Higuchi: “....”
Mori: “Oh, yeah. The trafficking company Akutagawa destroyed during the mission...the Remnants of Karma Transit seems to be recruiting. They’re probably planning to take revenge on Akutagawa.”
Higuchi: “what?”
Mori: “Listen, Higuchi-kun. The mafia is essentially an economic body that uses violence as its currency. It doesn’t matter at what got sunk or who got killed but if that violence is returned to us, all our expenses will become liabilities.”
Higuchi: “How could you call those liabilities? They were the fruits of of Akutagawa-senpai’s efforts up until now!”
Mori: “Indeed. Akutagawa-kun is highly capable. His violence is outstanding even in the mafia. **But what about you?** “
Higuchi: “....”
Mori: “Higuchi-kun. Have you ever wondered whether this job is really suited for you?”
From what we have seen so far, Mori doesn’t seem angry at her actions. In fact, he seems more disappointed but with a hint of worry. Knowing real life mafia bosses, Higuchi would either get fired or tortured for her failures, yet she is here standing without any injuries. This is the most seen in the anime where Higuchi clearly is talking back to Mori, talking back to the king of the underworld.
The next scene is with the Black Lizards.
Tachihara: “This bastard Gin is always put onto sneaky jobs like infiltration and assassinations. Slitting the throats of families and friends on the higher ups order is quite a usual task. If he had meant it, you wouldn’t even have the time to gape.”
Higuchi: “Did the boss say he wanted me dead?”
Hirotsu: “Not yet, but who knows what will happen in the future.”
Higuchi: *cold face* “So you have come here to mock me?”
Hirotsu: “We’re only here to warn you to stay alert. If I were you I would come up with an insurance plan before the hitman starts closing in. The higher ups aren’t the only ones who are after your head. You and Akutagawa are the Guerrilla Squad directly under the boss’ command, giving you the authority to mobilize us in the combat squad, so your technically our superiors. However we don’t obey you out of your authority, but out of fear and respect for Akutagawa’s ability. Higuchi-kun, now that Akutagawa is out of action what power do you posses to make us obey you?”
Throughout the whole entire scene they say that Higuchi, despite her position as their superior, has not much authority over them. The only reason why they follow her is because she is under Mori’s direct order, so she and Akutagawa are second closes to Mori next to the executives.
Yet why is she here if she isn’t that important to the mafia according to the Black Lizards?
In the next page we see that she is against Mori’s order. Higuchi is going against Mori’s orders. This is a giant red flag because she is directly not following Mori’s order; this is enough to get executed under mafia rules yet she isn’t. How? How is she allowed to go through with this?
Let’s look further:
“But the only reason I never actually did it...”
“It’s not easy to break away from the mafia, but it’s not impossible.”
Let’s take the first sentence. She never finished it. She never said the reason why she never left. All we see is her remembering Akutagawa. This could mean one of two things; 1, she is in love with Akutagawa and wants to protect him or 2. She admires him for him using his ability more efficiently compared to her.
You might be asking, how did we go from Akutagawa to Higuchi’s ability? That’s simple.
Let’s remember Tachihara for example. At first we thought he wasn’t an ability user like Gin but it was later on revealed that his ability, Midwinter Memento, allows him to manipulate metal. While it has nothing in common, the name and the ability itself, this can be the same for Hirotsu.
Which means that authors have abilities, and Higuchi Ichiyou isn’t just some author. She is the first ever female author that got so high as being on a yen bill. So her not having an ability is rather suspicious.
Not only that but let’s look at how the novel 55 minutes describes her:
The novel described Akutagawa as an ability user, how would Higuchi not be described as a non-ability user? Because she is an ability user.
Which brings us back to the first take. Many mafioso’s would get in trouble for going against Mori’s word. With Higuchi it is differently; in season 1 episode 11 you see that Higuchi was talking to Mori on a rather even note, her eyes shined a few times which means that she appreciates the praises but she still went against his word by saying “Akutagawa has done so much to be considered a liability.” She talked back against the boss, that would be considered a punishment in the underground yet Mori kept her. This is also shown in the manga where in the mall, Higuchi talked once again back against him but Mori warned her as if she was a child that wants to know more about her birthday present.
Compare this to how he talks to Hirotsu; a mafioso who is longer in the mafia compared to Mori.
He talked back to him and he got a glare and was questioned “what do you want to say?” In a threatening type of way. Knowing Mori, it isn’t because of the former boss because Mori doesn’t care about him anymore nor is it about Dazai taking his place, that is his main goal.
My theory is that Higuchi’s ability is that big of a liability that she is Mori’s secret weapon.
In season 1 episode 11 she keeps saying “it is difficult to leave the mafia but the reason I stayed is because...”
She never finished her sentence. She never told the full reason why she stayed. In the manga we are shown that she isn’t respected, that subordinates walk over her. Yet even with these facts, Higuchi isn’t fired.
She also says “it is difficult to leave the mafia but it isn’t impossible”
That is a lie because as we have seen with Kyōuka it is impossible. How does Higuchi have such privilege? Because Mori knows she will come back. The reason why in her monologue it showed Akutagawa is because she admires him for being able to control Rashoumon, the same way how Atsushi finds Akutagawa amazing for being able to control Rashoumon.
Mori favors her, and this is shown in a panel in Wan where Higuchi does an impression of Mori when he is with Elise yet instead of being angry at Higuchi, Mori directs his glare to Chuuya and Tachihara. There is also a chapter where Tachihara, Higuchi, Akutagawa and Gin destroyed the Black Lizard hideout but instead of punishing Higuchi (who was the source of the accident) he punished them all.
Let’s look at another thing; how close is Higuchi with Mori?
Season 2 episode 8 where Mori was stabbed by Fyodor. It was brief but we see Higuchi together with the boss. Out of everyone in the mafia; Kouyou, Chuuya, Kajii hell even Akutagawa could (but he was busy looking for Nathanial) it was the least respected mafioso. Not only that but Higuchi back in season 2 gave information that the boss gave personally to Higuchi to send to Dazai.
This could have also been done by Hirotsu or Gin who know Dazai the longest. But something caught my attention. Higuchi said “I researched your history.” This wouldn’t seem bad was it not that Mori keeps Dazai’s executive position open for him to return, so Dazai is still technically an executive. ONLY EXECUTIVES are allowed to learn the history of the other executives. Gin, Hirotsu, Akutagawa, Kajii, Chuuya and Kouyou know about Dazai because they have an actual history with him but Higuchi is an outsider of this. She is like the other mafioso who aren’t related to Dazai yet she did research on him, which isn’t allowed.
Now this might sound as if Higuchi is special but let’s look at something or more someone who also didn’t look special but actually is special; Tachihara Michizo.
On the surface, Tachihara is an arrogant, impulsive, rash individual, more than willing to solve problems through sheer brute force and his dual guns. A violent temper leads to frequent conflict between him and other mafiosi, namely Gin, whom Tachihara views as creepy and frequently insults, leading to arguments, and Hirotsu, who often shuts Tachihara's temper down by threatening him. Tachihara's self-preservation prompts him to obey Hirotsu in the end, albeit reluctantly. An apparent thirst for battle and arrogance fuels Tachihara's temper. He's often seen with a rather feral smile on his face whenever fighting. He seldom considers the weight of a mission over the rush of eliminating his targets. He shows no hesitation nor remorse in murder, in fact sometimes urging to just eliminate a troublesome person if he finds their baggage more than they're worth.
A prideful man, Tachihara despises being underestimated and belittled. This is a surefire way to get oneself shot.
His rebellious side doesn't negate how he values orders, seeing them as an utmost system. Due to this, he attempts to dissuade Higuchi from saving Akutagawa against Mori's orders, even suggesting an alternate plan that wouldn't disobey these orders. Furthermore, he maintains his composure when dragged into shopping with Elise, and tolerates her putting bows in his hair. Despite guards laughing at him, Tachihara doesn't snap. Despite his rough exterior, Tachihara is capable of thinking rationally, just not in the heat of the moment in the Port Mafia. He can recognize danger quickly and finds himself on edge over how nonchalant Mori, Kōyō, and Chūya's meeting went. Tachihara has a proficient understanding of how to deal with the enemy, alluding to a much more cunning side of his true nature.
Much of Tachihara's details of joining the Port Mafia are unknown, however, it is a ruse. His identity as the fifth Hunting Dog reveals a much more clever, driven man. Unlike Ango Sakaguchi, Tachihara always intended to infiltrate the Port Mafia, using his position in the Hunting Dogs to operate as a spy. His confrontation with Yosano is devoid of any rage, depicting a cold, blunt side as he explains his grudge against her for "killing" his brother. Regardless of who he is working for, Tachihara cares deeply for his comrades. He was first to try to stop Higuchi when she tried to save Akutagawa on her own and has been seen visibly harboring guilt for when he cut down Hirotsu and Gin for the sake of his mission as a spy. He has also been seen caring for Teruko when she showed she was heavily injured from going against a plane head-on. He's also notably patient with those who are spoiled, including letting Teruko sit on her shoulders with little protests of being her "slave" and letting Elise put a bow on his head.
Beneath a lot of Tachihara's rough and punk-like exterior is a strong sense of incompetency and inferiority compared to his elder brother who was praised as being "perfect" while he was deemed by his family as being inferior, even being questioned as to why he didn't die instead of him. These things have driven Tachihara to act out and live a life of delinquency and ruthlessness by affiliating with gang activity, but despite these things, he still couldn't shake off these negative feelings. His insecurity and desperation to escape his brother's shadow was so strong, that Tachihara took on the first "order" that allowed him to become someone "not like his brother or his opposite" and joined the Hunting Dogs and infiltrate the Mafia to get revenge on Yosano for "killing" his brother, even when he knew and acknowledged that all of it was an excuse to appease his own negative feelings.
Many didn’t think much of Tachihara next that he was a commander of the Black Lizards and just someone who is close with Chuuya in Wan, however in the current arc we learn that he is a member of the Hunting Dogs with his ability Midwinter Memento being perfect for to lure Yosano to him, and in his fight with Fukuchi we learn that Mori giving him the order to kill Fukuchi was perfect for him.
Tachihara’s ability is named after his famous poem;
*Neither pursuing nor being pursued,
I stand under a barren tree. I'm watching
my silhouette, now marooned on a spotless snow....
(My pale shadow somberly takes shape.)
I'm listening. Yes! I certainly
am listening to what my shadow sings....
In a plaintively nasal voice it sings tunes of long-gone
summer flowers never to return.
Without responding, "That's a bunting, that's a siskin,
that's a white fir
—that's me...I a siskin, I a fir...," my shadow and I
eye each other as though these statements once were true.
My shadow listens to my heart at song.
Like the hubbub of that old arrowing brook,
it listens to tears at song...on the snow.*
This poem is seen mostly how Tachihara lives in the shadow of his brother, how much he listens to what others have to say because he himself can’t find a reason to do something.
As we already had established, Higuchi Ichiyou is a famous female writer. And the characters based on the authors and their books have an ability.
However there are two (three) categories: Name based abilities and non-name based abilities.
(Three being a non-abilities)
Non-abilities: The Great Old Ones and Ultra-Deduction.
Name based: Beast Beneath The Moonlight, Doppo Poet, All Men Are Equal, Lemon Bomb, The Great Fitzgerald, Thou Shalt Not Die, Gone With The Wind, I Am A Cat, A Feast in Time of Plague, Anne of Abyssal Red, Moby Dick, Time Machine, Yesterday’s Shadow Tag, The Grapes of Wrath etc.
Non-name based abilities: Vita Sexualis, Midwinter Memento, Another, An Inherent Drop, Black Cat in the Rue Morgue, Little Woman, Demon Snow/Golden Demon, Flawless, Futon, Plum Blossom in Snow, Priceless Tears, Undefeated By the Rain, No Longer Human, For The Tainted Sorrow etc.
Higuchi Ichiyou’s famous short story Takekurabe (Growing Pains) could be her ability based on that Mori Ougai had praised her for it, which eventually became they key to her success;
“ * [Higuchi Ichiyō’s] ‘Growing Pains’ was acclaimed as a masterpiece, especially when the entire work was republished in a single issue of the popular magazine Bungei Kurabu in April 1896, Mori Ōgai… lavishly praised its every feature: … (Ōgai): It is not especially remarkable that this author, a member of a literary circle in which the Naturalist school is said to be enjoying a vogue should have chosen to set her story in this place [the Yoshiwara district]. What is remarkable is that the characters who haunt this area are not the brute beasts in human form - the copies of Zola, Ibsen, and the rest - presented by the assiduous imitators of the so-called Naturalist school, but human beings with whom we can laugh and cry together… . At the risk of being mocked as an Ichiyō-idolater, I do not hesitate to accord to her the name of ‘poet.’ It is more difficult to depict a person with individual characteristics than a stereotype, and far more difficult to depict and individual in a milieu than a special person all by himself. This author, who has painted the ‘local coloring’ of Daionji-mae so effectively that one might say it has ceased to exist apart from ‘Growing Pains,’ without leaving any trace of the efforts such portraiture must have cost her, must truly be called a woman of rare ability.* “
(Credit to Donald Keene, Dawn to the West.)
But what could Growing Pains do if it was actually an ability? For most we need to understand what an actual ability needs to have in common.
For this we will take For The Tainted Sorrow and see how this ability is related to gravity?
With literal names based abilities we look at Atsushu. Atsushi has the ability to transform into a white tiger. At first, he doesn't seem to have much control over the transformation, likely due to the fact, or caused by, his unawareness of his state as an Ability user. After becoming an official member of the Agency and under the influence of All Men Are Equal, he gains more control over his transformations - as shown during his second fight with Akutagawa, when he breaks the transformation on his arms to escape.
My theory is that Higuchi’s ability allows her to paralyze her enemies.
Let’s look as too why I think this and use the summary of Takekurabe as an example; The main characters are children living on the edge of Yoshiwara, the only district of Edo that was licensed for prostitution. As they grow up, they find themselves assuming their family professions and losing the freedom they enjoyed as children. Next we have Nigorie translated into English as Troubled Waters and Muddy Water, is a Japanese short story written by Higuchi Ichiyō in 1895. It depicts the fate of a courtesan in the red light district of a nameless town during the Meiji era. Nigorie centers around Oriki, the most popular courtesan at the Kikunoi, a brothel in the red light district of an unspecified town, and a group of people connected to her, during the summer Obon festival. Through her conversations with other prostitutes, and Oriki's accounts in the presence of new customer Yūki Tomonosuke, the reader learns that a previous customer, Genshichi, a futon salesman of moderate affluence, was addicted to Oriki and spent all his money at the brothel. Now that Genshichi has been reduced to the hard labor of a construction worker, forced to move with his wife Ohatsu and his young son Takichi into a smaller flat in a run-down section of town, Oriki rejects seeing him despite his pleas. Tomonosuke repeatedly questions Oriki during his visits. She reminisces about her poor upbringing, which she cites, together with her profession, as the reason for not wanting to marry, although she had contemplated the possibility. She recounts a childhood incident when she was seven years old, sent by her mother to buy rice for supper. On her way back, she slipped on the frozen ground, spilling the rice into the gutter, leaving the family starving for this day. Meanwhile, Ohatsu scolds Genshichi for his ongoing obsession with Oriki and the family's poverty, which she tries to mitigate by doing piecework. When Takichi comes home with a piece of cake, which he received as a gift from Oriki (whom he refers to as "the demon-lady"), Ohatsu angrily throws it away. Genshichi, furious about her ongoing accusations and behaviour, demands that she leaves him. Ohatsu begs him to let her stay, as she has no relatives she can return to, but finally leaves, taking their son with her. At the end of the festivities, the dead bodies of Oriki and Genshichi are found. While it seems obvious that Genshichi committed suicide by seppuku, the cause of Oriki's death stays unclear. The passerbys speculate about her fate; while one assumes a shinjū (double love suicide), another one reasons that the wounds on Oriki's body make a murder after her attempted escape more plausible. It is left to the reader to determine the true circumstance of her death.
From these famous stories we can already determine that Higuchi’s stories are centered around the concept of one-sided attraction. This is something she and Akutagawa have, a one-sided attraction. This is the most in season 3 episode 5 where Higuchi doesn’t seem to find her way of trying to confess that she loves Akutagawa or that she thinks she admires him. And what is there not to admire about Akutagawa? He has an amazing ability, he is reliable in many ways but is just stubborn. So with this in mind, Higuchi’s (if this theory is correct) ability comes in this form; Higuchi’s ability is a mix of a non-name based ability and a name-based ability. The ability of paralyzation has the meaning of that she is paralyzed by fear with job as a mafioso but also her fear of being rejected by Akutagawa and that it is the greatest liability Mori has in order to protect Yokohama-This idea comes more in mind in the manga, Chapter 41, where we briefly see Higuchi’s little sister. This may not mean much to you but Higuchi is the only confirmed character with a little sister who isn’t based on a book (Gin=Ogin and Naomi=Naomi). Which leads me to the reason why she doesn’t use her ability anymore or is restricting herself- and the second is the meaning of Growing Pains ; Growing pains are often described as an ache or throb in the legs — often in the front of the thighs, the calves or behind the knees. Growing pains tend to affect both legs and occur at night, and may even wake a child from sleep. Although these pains are called growing pains, there's no evidence that growth hurts.
There could have been an incident in which Higuchi accidentally used her ability on her little sister which resulted in her little sister being paralyzed. She could have met Mori and knowing Mori he manipulated in keeping her ability a secret and for repayment let her join the mafia. This idea is further proven with how he was with Yosano; after the death of Tachihara’s brother Mori manipulated Yosano into thinking that this is her fault, almost making her join the mafia out of guilt was it not for Ranpo.
. Maybe Higuchi wasn’t as lucky and thought that what Morti said was true and joined the mafia out of guilt, which leads me as to why she fell in love with him. The nightingale effect; The Florence Nightingale effect is a trope where a caregiver falls in love with their patient, even if very little communication or contact takes place outside of basic care. Feelings may fade once the patient is no longer in need of care. Higuchi fell in love with Akutagawa not out of admiration but out of care for him. That guilt of not being able to take care of him could be because of her little sister and the fear that Higuchi one day paralyzes Akutagawa, as to why she isn’t using her ability. After all, this isn’t the first time there was a character who hid their ability to do things without it; Fyodor and Tachihara.
And the last thing that might confirm Higuchi’s importance is the way she acted in Wan and the Onsen drama CD. While Wan is merely a comedy it does call out the characters for their flaws and unique personalities, meanwhile the Onsen drama CD is like a filler but adds information about certain characters and their relationship; Higuchi included.
1. She stalks Akutagawa at first out of fear that other organizations might attack him, but at this point she stalks him with a mix of worry and not being capable of walking up to him.
2. She is rather open to nudity as shown that she said to Chuuya “it is my job to help Akutagawa even it means being naked” (or something along those lines).
In a certain chapter however where the Port Mafia had to disguise themselves as Mori, Higuchi was up and while she failed to look like Mori because she is very feminine she then used another tactic which is acting like Mori when he is with Elise. For most, Mori would have either glared at them and give them punishment, he glared at Chuuya and Tachihara (who were the closest next to him) instead at Higuchi. Higuchi broke many Port Mafia rules, many times she failed and has unintentionally mocked him yet she is still here.
Arty,do you think that you will do some sketches of the nobles of Clubs and Spades during the deck war?
Oops! I designed them a while ago! I must have forgotten to share! Sorry!
These are the nobles during the Deck Wars so for Clubs this is just a couple of years after Hyeon was kicked off the throne and Eben was made the King of Clubs
so i will be doing some updates and head cannons with my ocs since i’m being more active on this app. All of my ocs are for MHA and i have a total of 100 ocs. here is the list of them:
Akari honoka-
Arata nakamura-
Himari machiko-
Hana hinata-
Hideaki sadeo-
Itsuki tomoharu-
Kira emiko-
Kiyomi kokoa-
Kobayashi rora-
Lilly flores-
Minoru naoko-
Mistura misturu-
Nobu noburo-
Rekkusu tsuchida-
Rufu naoki-
Ringo shig-
Sakiko sayo-
Sousuke kaharu-
Waku miyabi-
Yuki yutaka-
Amestsuchi hamakawa-
Chiyo hoshi-
Hitomi mei-
Haruto tsubasa-
Izumi kazuno-
Kana koemi-
Kyoji okimoto-
Maeno abe-
Makiko souta-
Midori maui-
Michio norio-
Mitsuzuka kazetani-
Miyu toshiaki-
Ryuu norio-
Shigochiyo kumanosuke-
Takehide yaginuma-
Tama shuji-
Toya tsuneo-
Tobei katsuragi-
Tsuramatsu yoshiteru-
Akabashi genbu-
Akamatsu eiji-
Akimoto miki-
Bashira hachi-
Chikakazu adachi-
Genjiro haruki-
Harumi ayame-
Jenpei kaichi-
Karin kiyo-
Kota tetsuya-
Manami ren-
Minato ichika-
Nao miki-
Riku honoka-
Rui shichi-
Sakura akiya-
Sumiko yoroizaka-
Wakana murayama-
Yochi ayame-
Yukio kazuno-
Hachiro seito-
Hattori kaito-
Kioshi suzuki-
Kimko hairi-
Kouki asahi-
Masato kikuchi-
Mas lmai-
Saburo miki-
Suguru osako-
Hotoke zenaku-
Azami kazumi-
Danuja haruka-
Masumi kura-
Kenji seiji-
Ryuichi saturu-
Sakiko toki-
Satou takahashi-
Takara sora-
Tsuki seiki-
Yoahino shun-
Akumu chi-
Kazuna kaeke-
Minori nobuyuki-
Osamu rokuro-
Raiden sora-
Rin fuyu-
Tor yumi-
Torao yasha-
Yami kuro-
Yoru akuma-
Hideo honoka-
Yutaka miki-
Hotaru ayame-
Ito mori-
Keiko emiko-
Keita shitara-
Sato kobayashi-
Saki ayame-
Shimizu matsumoto-
Yuina honoka-
so these are all of my characters name’s some of them are still in the processes of being devolved, but feel free to request a headcannon.
p.s. ill update you guys of the characters development.
I will never not laugh at the content advisory, haha.
I like Kazuha already. Too bad he’s probably evil…
Oh, is it the day of the DRB in the series already…? Or maybe, because it’s the qualifiers, BB and MTC’s match is on a different day to FP and MTR’s.
Oh? Does Tom know Jakurai well enough to call him “Jakurai-sensei”? (<- middle ground between “Jinguji-sensei/Sensei” and “Jakurai”) Also, Tom uses “ore”.
Ooh, Iris is a motorbike rider, eh? Interesting. I thought they (<- not sure if Iris is a “she” or “he” with a really weird name) were more of a Saburo-type and didn’t bother with things like that, based on their appearance. Update: Someone on Yahoo Answers said based on Iris’s watashi, she is a woman.
Typo fixed! Good job, anime staff! Update: I’m referring to “…darkest hour is just before the down” (sic).
…bukkorosu = “f***in’ slaughter ‘em”. It’s not wrong…it’s just the subbers really like to abuse the F word for MTC. But you knew that already if you got this far…right?
This Studio Alita is probably a reference to Shinjuku Alta.
Yotsutsuji!!! That was the one big spoiler I got before watching the episode today and I’m so happy I got to see him animated!
(One of) Irihatoma and Degarashi refer to Jakurai as “Jakurai-sensei” as well. Hmm, I never noticed. Update: That’s Degarashi, because Irihatoma speaks to Jakurai alone later this ep.
There’s 50% chance I’m getting this wrong, but I’m going to go out on a limb and say Kazuha is voiced by a veteran VA…one I already know about.
Doppo calls Kazuha by his first name…That upgrade means their relationship escalated quickly (or this is a quirk of HypMic in general, since I noticed most characters are on first name basis with each other). Also, it’s cute Doppo finally has someone in his corner. No other part of the franchise has one, to my memory. Update: It might actually be “Kazuha-kun”…but I’m still surprised though. Update 2: It’s both, actually.
I’ve listened to the phrase “some random guy” several times from Hifumi’s mouth and all I can figure out is the “yatsu” at the end. (Doesn’t help my ears blocked themselves up again, although it’s less than it used to be.)
Harumi Wharf.
R? On a helicopter landing pad?
…uh oh. I was right when I thought Kazuha was going to be evil. Also, Doppler shift/effect. Update: “Doppler” is clearly a pun on “Doppo”.
Hmm? “Hey, Doppo” from “yaa”…it doesn’t have a name referred in there. It’s a small but odd thing to do. (I remember a professional translator was complaining that people with intermediate Japanese were giving them flak for translating things “wrong”, but what I do here is analysis for my future and edificiation. I’m not here to knock down pro translators’ doors and demand a refund, because I’m trying to go pro to atone for my sins as a scanlator.)
The soundtrack’s slightly sinister tone, plus the fact I figured the culprit well before Doppo did, makes me slightly scared…for MTR.
I realised they skimped on the budget…this “hot off the car chase” line seems more like an MTC line, doesn’t it…?...Yeah, it’s almost word for word for MTC in DRB+. Maybe the subbers rushed and used this translation (this link I put here) rather than their actual lyrics…? I will have to get to the bottom of this. Update: Turns out the translation is slightly different, but…yes, there is reference to a car chase in the start of Shinjuku Style. (Sorry, I don’t know every lyrics of every song off the top of my head.)
…wow, this got really Doppo-centric. I’ve never seen the leader relinquish their position when it comes to “leading into battle” before. It just goes to show the staff really do pay attention to how popular Doppo is.
Note “Doppo” means “walk alone”, roughly speaking, hence the “solitary” line.
This song is very, very faithful to its original lyrics, because I was trying to look at Hifumi’s “mixing paint” line and it pretty much matches.
Hifumi’s “my men”, LOL.
Kazuha = “one leaf”, hence the “leaves” in one of Jakurai’s lines.
I cringe every time I hear screaming coming from this episode, y’know…?
…oh dear. MTC’s plot actually bled into MTR’s.
I already knew from browsing Twitter earlier today that Kizuna was going to become FP’s today, but hearing it is another matter entirely.
Kosuke Miyoshi is Kazuha. Apparently, this guy also voiced Mashirao Ojiro (the tail guy) from BnHA, but that’s his only major role…so I was right in that I knew him, but wrong in that he was, again, a relative rookie in comparison to most.
Apparently FP’s sign is a peace sign sideways to represent an F, but…it’s just a sideways peace sign to me…
…how is Dice’s bead ornament attached to him? Is it on his hair, on his ear, on the skin behind his ear…? I was trying to replicate his outfit and got stuck on how to represent it, so I ended up opting for trying (and failing) to do a small braid on the right side.
IWGP shows up this season…it’s the song with the “hoo!” noise BB perform in this episode.
LOL, “Dead men tell no tales” is a perfect saying for MTC.
Akudama 6
Is there a movie called “Brother”…? There’s apparently one that’s the plural of that, but not that itself.
If HypMic likes the F bomb, then Akudama like the S word.
I-Is it just me or is the choreography sped up at some points in this episode…? It’s a bit disorienting to come back to.
I thought the kid was a robot…but close enough.
Oh no! Why does the teacher always have to die for the student to become stronger???
Kairaku/shugi -> pleasure/doctrine (if I didn’t somehow misunderstand the shark’s kanji combo),
The part after the ED looks a little too long…keep watching.
The Japanese says “Lost Children”, but the English says “The City of Lost Children”, probably referring to this French sci-fi film.
I7 s2 6
I like how Gaku is taking special offence to Yamato’s comments about him being a playboy.
Re:vale-san. I never noticed until now.
“I’m already looking forward to it.” That’s how I would translate Tsumugi’s “I’m already excited”.
“…who could possibly complain?” – I think Mitsuki might.
The pun in the MEZZO show is that tai (group/squad) sounds the same as tai (want to ~). Rabbinsta is obviously Instagram + Rabbit (Chat?).
Oh my gosh! It’s the Yotsuba sister!
Mitsuki’s shopping trip OST is nice, man. This piano.
This episode has a really great sense of danger and foreboding for the future.
I7 s2 7
Perfection Gimmick. Never heard it in the anime before.
Even the ramen house’s name is a play on “Idolish7”.
LOL, Yamato sure turned that comment around.
The sign talking about beer says something about coupons below it. (It went by too fast and my CR app’s kinda fiddly, so I can’t really go back…)
Kimi to Ai na Night (pun on Idolish7, aka “AiNana��, again).
Mitsuki, no one hates you! You’re just imagining it all!
I7 s2 8
Momo hugely resembles Sasara, right down to the highlights on the hair…
“…you’re so handsome…” – I’m dying on the inside here, people! *laps up the BL pandering with a derpy smile on my face*
Banri and Tsumugi haven’t been focussed on lately…they’re clearly doing something regarding Banri’s ties with Re:vale, but I can’t quite figure out what that “something” is.
Why is there a basketball and a football in the back of the Takanashi office…?
Please don’t run in heels, Tsumugi…
“I love Idolish7!” - Ah, despite my quibbles, Tsumugi is good after all.
“making one’s best exertions” – Why do those words on the cup worry me a bit…?
Isn’t “I’m watching you” a creepy statement…?
Apparently Tamaki’s symbol is mp (mezzo pianissimo), hence Sougo’s words.
…my gosh! Aya’s foster father is Kujou?!
I7 s2 9
If I heard it right, Tenn’s line was “I can be your idol”, not “your prince”.
“Older Izumi” - …ah, poor Mitsuki.
“Damn you, sexy beast…” – LOL!
…aw, I think this is the first time my heart has been lightened by Tsunashi’s laugh. He’s a good boy.
The chibis…I’m still trying to get used to them…
As a song once said, “You can’t please everyone so you just gotta please yourself.” (Blah blah blah, something about garden parties…)
Takao what now???...okay, Takao Dayuu.
…You’re lucky that wasn’t Tenn doing Takao Dayuu. It would’ve been very “Gentaro does his courtesan voice” if it was.
Nagi doesn’t overpronounce things as much in this season. It’s…pleasant, actually. Give me more of that.
Nagi’s “Oh my god!” was hilarious.
Taiso 5
Ra (ら) and ro (ろ) look kinda similar in hiragana.
Even without the audio, I can guess the words were “yarubeki koto” (things you should do) -> shachihoko.
The texts are written in gyaru-moji. Gyaru-moji is basically indecipherable to anyone who doesn’t know how it works – kind of like the common teen vernacular, to be honest (LOL…?) – and so the subs actually kind of ruin the confusingness of it all, but they did slightly better when they went “UR”.
Movie shiritori! But…has it really been half a year since Leo started? I feel slightly robbed about that plotline with the Men in Black right now…(then again, HypMic is just as bad about important plotlines, if not worse, so…I’m going to be patient and not complain.)
July 5th…Rei is a Cancer…?
They’re…finally moving on this Men in Black plotline! I only complained two points ago! Thank you, staff, for listening to my complaints (…?).
Moon Land finished recently, so I wonder if I’ll lose interest in this anime from here on out…? There was a Pommel Horse Prince in that.
Moon Land taught me that gymnastics has a lot of skills named after their creators, much like the Aragaki previously. The score is out of 10 for both D (difficulty) and E (execution), meaning a 20 is the best you can do, but the judges can get really picky...
The word for “vault” literally means “leaping/jumping horse”…makes sense.
Some of these names are names I’m familiar with from Moon Land already…but I never remember what the skills look like.
…welp, Leo just proved he really is a ninja after all.
Dr Stone’s s2 had its ED announced to be “Koe?” by Hatena and “Yume?” here really makes a theme…does Hatena give all their song titles question marks on the end?
Taiso 6
Colour gangs? Like in IWGP?
It’s nice to see they’re (Jotaro and Rei) communicating properly for the first time in possibly this entire anime.
On the wall, that thing is an evacuation map…of some sort.
…I’ve always wondered: if a bird eats chicken, does that count as cannibalism?
This is like thw Makkachin incident all over again (in YoI).
“…there’s no reason for you to grin and bear it.”
…Leo and Jotaro, both are so dense! Boys *shakes head*.
BB? More like ET (LOL)!
Maou-jou 5
…I didn’t even notice the cast was all dudes bar the princess at this point.
Tatakau Onnatachi. It could mean “fighting women” or “female warriors”.
I’m still vaguely pissed that Kirito is here under my nose…darn Demon King!!!
One of the harpy’s recent worries was that she wanted to become friends with the princess…That’s kinda cute…
Didn’t Syalis already get the coffin that one time? Or did it get confiscated?
*eyes sparkle* Cloud…I’d like to sleep on a cloud…*dreamy look on face* Cloud.
This is basically Princess, ‘Tis Time for Torture in reverse.
Is it “make do” or “make due”…?
I don’t think I need to explain the joke where the harpy is happy.
Gendo pose!
I wonder if the bed or the sheets will talk to her (Syalis) someday?
Maou-jou 6
The New Gearbolt’s quote is “guruguru dokkan”, which is just a bunch of sound effects. It would translate to something like “whir-whir-thud”.
Underwear episodes are some of the worst episodes ever…they’re so juvenile…I dropped at least one series based on the underwear episode alone.
Ah! The seal on the ice monster’s shoulder! Too cute!
How can a mechanical princess mecha (…thing?) have worries?
LOL, never underestimate the hilarity of the teddy demons ganging up on the Demon King.
I like how the Japanese pointed out the demons only moved the princess.
HypMic 8
I thought the robberies were Kazuha’s doing…? Or is this a separate case?
Samatoki answering his phone with his feet up…LOL, there’s just something funny about it. It shows he’s just so badass, he can get away with it.
Riou’s hacking (?) skills come to the fore again. (Or is that listening to enemy intel?)
Ooh, Iris is sassy. I love her already.
…er, Samatoki? Blowing cigarette smoke into Jyuto’s face is just rude…
“…don’t hang up your gloves.” – Considering Jyuto has his red gloves…LOL.
What the heck is that backing track when the 2nd car moved out? That’s a cool track.
Ah! Iris is a Saburo-type…LOL, Saburo’s fake identity.
“a cop who’s in with the yakuza” - Wow, way to diss your own teammate, Samatoki.
For a guy who was only just in the water, Riou doesn’t even look wet.
“2 DIE 4” – Hmm? So did the anime staff know what Riou’s 2nd round song title was at the time…? Update: Judging by the name “Requiem” dropped in the next episode, I would say yes.
“…f*** the police…” - Wow, way to diss your own teammate, Samatoki. X2
Hmm? In Riou’s rap bit near the end, he goes “mad warrior” and that rhymes (in a very loose way of speaking) with “Mad Trigger”. The English didn’t keep that.
I remember seeing a spoiler which said that line (the one about slaves)…but seriously, Jyuto is such a “sexy revenge cop” (as someone once said – I think it might be Slug, or an anon to Slug) that literally nothing else seems to matter about him.
Why do they subtitle the laughing??? I still have no idea.
“Sgt. Iruma”? The guy just says “Iruma-san”. Is he a sergant or some other rank? Update: Yes. (As in, he is a sergant.)
I’ve never actually seen Ramuda sleep in a bed before, come to think of it. Does he not have a bed?
I would assume Gentaro is going…but he said he won’t be going, then negated that and then negated it again. Unless the 2nd time was him admitting it was a lie the first time…is he going or not???
“shinsetsu no human” – (Spoilers for later on/manga)…Yes, that’s actually what Ramuda says. It’s as if Ramuda subtly admits, right there, he isn’t human.
Nodo = throat…If this were translated more literally, it would sound pretty clunky.
“…rappa no inochi…paa!” – Yep, the subbers got the gist of the joke there.
Dice is basically a worm at this point…He’s squirming like one, anyway.
That “number of pips facing up” thing has got to be foreshadowing for something, y’know? Nothing in a story ever goes to waste. Also, it’s likely the dice are weighted or something…
…yep, there you go.
That voice Gentaro used for “I despise lies” was amusing…because it’s so different to his normal voice, and because Gentaro is a serial liar.
The 2nd song…which I already know is called “JACKPOT” from browsing Twitter earlier today…was a bunch of fun.
Udagawacho.
Hmm…emphasis on the candy. I wonder what that means? (<- already knows, I just want to keep it a secret from you, dear reader, if you don’t know it too)
ANIME SHOP is so clearly a pun on Animate, including the colours, that I can’t even…LOL.
FP’s Kizuna sounds distinctly different to the others…probably because of Ramuda. It’s mostly Ramuda carrying the tune there.
“Life is what you make it.” – Hmm, an interesting quote for sure.
HypMic 9
…welp, they don’t call it Fling Posse for nothin’.
I didn’t believe my ears, so I went and listened to it again. Sure enough, Ichiro calls Jakurai -san, not -sensei.
Ramuda’s normal voice! Things are getting serious~!
“Hifuming”? Is that a deliberate choice on the translators’ part? Or is it a mishearing?
…I’m laughing at how Samatoki called Ichiro a “hypocritical piece of s***”. I know the “s***” part is correct at minimum from the audio.
I believe Samatoki said -san, not -sama when he asked for an honorific. Hmm, interesting.
I knew this would get animated, but…I still can’t believe I’m watching it! Amazing…absolutely amazing.
If you’re wondering…yes, that long thing is her entire title and name. It’s said the name “Kadenokouji” is the longest Japanese surname in existence.
I remember reading a tweet earlier today that said somebody wanted “Altercation! Altercation! Altercation!” as a song title…and now I LOL, because the subbers made Gentaro say the exact same word.
Hmm…I only just noticed BB are the only ones with bags. They probably came last, but who took the others’ bags into Chuoku…? Update: Some of the others did have bags, I just never spotted them. For instance, Riou is carrying a large black rectangular bag, but Samatoki and Jyuto don’t have any. Jakurai has the bag from his TDD days.
The 2nd DRB brackets got announced today. BB vs DH, MTR vs BAT, FP vs MTC, rolling out across Japan (and Japan only due to COVID) in 2021.
“What happened between you and him?” - I was going “who?” in Cantonese (as I sometimes do), but turns out they’re just referring to Samatoki.
This is exactly as it played out in the drama tracks and manga…exactly what I was waiting for all this time! So good, dangit!
LOL, in the future, we will have camera drones working our concerts like they do in the DRBs…I think (?)
I wonder what Dice is thinking right now, seeing Otome on the screen…hmm…
…gah! Airhorn! Airhorn to the ears! *tilts to side due to sound*
I still kind of remember Slug’s take on the final battle…”The popo? More like the poopoo!” (or something like that). *sniggers*
The little barking bit after Jiro’s verse was…kinda cute, actually.
…ow, these are some burn-ass words. See? This is the power of the DRB!
…eh? Riou’s mic has his MC name on it. Don’t think I’ve seen that in any other part of the series.
Hoh, Riou even made references to Saburo’s character songs.
You can see “Hc” on Samatoki’s mic too…probably another case of his MC name, but partially obscured by his hand.
Aw, “Samatoki no sabaku toki” is a good lyric. Why couldn’t you try to keep that, instead of translating it literally to “judgement day for Samatoki”?
You can hear a thumping beat in the background when Samatoki prepares himself. That seems to be a similar way to how ARB treats this stuff.
“I’m THE Samatoki” – “Samatoki-sama da”.
I think it was really cool to show Samatoki handing the song over to Riou, but it also indicates there’s a disjunct in the lyrics that would cause such a thing. From this, maybe Riou is MTC’s weak link…?
Skeletons with katanas! Is that not cool?!?
…hey, that joined words thing Ichiro does…I would assume that’s what Rhyme Strike looks like in the HypMic universe?
Notice Samatoki took the word “signal” from Ichiro’s part and put it into his own one.
“Today is a good day to die.” – *eyes bulge* Oh…gosh. What a quote. Update: Someone theorised Ichijiku wrote these titles (the last 2), but someone else – like me – theorised this quote was what FP and M fans thought for this battle.
Akudama 7
…that’s one twisted kid.
Never threaten to kill a kid who can regenerate far better than you, Hoodlum.
Brawler is still in the OP…it’s kind of saddening to see him now.
I noticed a certain character appears on the Executioners’ hands if you pause at the right moment in the OP. It’s the first character in shori (management).
Bunny: set meal/Shark: roasted meat (yakiniku)
…This sounds a heck of a lot like the genbaku dome (Hiroshima Peace Park).
Bunny and Shark’s shirts together: Idiot -> Shark: Bone
Actually, this also reminds me of the Osaka Expo held in 1970. I loved writing about that event – it was just so fun to write about.
This anime is like Appare-Ranman’s sequel, except without the racing and crazy racial stereotypes (although there are still crazy stereotypes).
…whoa! This scene is going on the end of year list for sure. Just…have to remember this scene, where all the children disappeared, exists.
…”The City of Lost Children” is an apt title for this episode.
(HypMic spoilers!) I wonder if they’ll reveal that Ramuda is a clone in what’s left of the HypMic anime?
…oof, Doctor’s a filthy traitor!
Rule number 1 of fighting: never yell out “Smokescreen!” when the smokescreen is meant to cover you.
…LOL, dark censorship bar. Please wait for the Blu-Rays to see this scene uncensored.
What the heck?! The countdown went from 7 to 0 so fast!
Akudama 8
Black Rain, huh? *checks* It’s a movie about a pair of New York policemen who have to save a Japanese gangster from his death.
…don’t jinx it, Swindler!
Your brother isn’t on the moon, Sister. It’s just your dreams on there.
Notice “Neo Lake Biwa” actually has “Reiku” in its name, as opposed to, say, “mizuumi” or “ike” (the Japanese equivalent).
You can still see where Doctor stitched herself up.
What did Doctor “hold on to”?
Way to monologue through the whole morality thing… (<- not as satisfied as they would like from this scene)
I wonder if the seal is electronically tracked…
Tsubo = pot, vase…*thinks about drugs* (Not that pot.)
“…I’ll make you into a real man.” – More like a eunuch, LOL. (partially sarcastic)
I recall from Sarazanmai that “pair look” is the term for “twinsies” in Japanese.
Oh! Swindler kind of looks like the Executioner Boss now.
…I find it ironic that Swindler had long hair up until not too long ago.
Can to the eye! Ouch! That’s gotta be worse than a lightsaber…er, jitte to the eye!
This makes me wonder…was Courier a rich kid once…?
Amazon's comics rankings are distributed weekly (from Sunday to Saturday) in cooperation with Amazon. This time, the rankings will be delivered from September 15th to September 21st.
"The fifth bride" is the top! "Dungeon rice" is again ...!
This week's number one is “The Bride for Five”, Volume 11. A spring comedy that has been serialized in “Weekly Shonen Magazine” since 2017. TV animation started in January 2019, and the second stage production has also been decided, and a hot eye is being poured.
The second place was “Dungeon Rice” 8 volumes. Gourmet fantasy manga that breaks through dungeons while cooking monsters appearing in fantasy works using existing cooking methods. From the 4th week of August, it has been keeping the ranking within 3rd for about 1 month. I want to pay attention to how far the ranking can be maintained.
The third place is “Kaguya-sama wants to tell ~ genius' love brain war ~” 16 volumes. This is a TV anime broadcast from January 2019. A live-action movie starring Murasaki Hirano and Kanna Hashimoto has been released since September 6, 2019.
In addition, this week when the top ranking regular rankings of Amazon rankings such as "Golden Kamui" in volume 4 and 6 in "Attack on Titan" in volume 6 were ranked 3rd or lower. Keep an eye on next week's ranking.
RankTitleAuthorthe publisher
1
The fifth equal bride (11) (Kodansha Comics)
Spring fieldKodansha
2
Dungeon Rice Vol.8 (Haruta Comics)
Reiko KuiKADOKAWA
Three
Kaguya-sama wants to tell 16 ~ Genius' love brain war ~ (Young Jump Comics)
AkasakaShueisha
Four
Golden Kamui 19 (Young Jump Comics)
Satoru NodaShueisha
Five
ONE PIECE 94 (Jump Comics)
Eiichiro OdaShueisha
6
Attack on Titan (30) (Kodansha Comics)
Hajime IsayamaKodansha
7
[Amazon.co.jp Limited] Kazuki Katori (8) Newly drawn 8P manga with leaflet (Diaplus Comics)
Yuki ShimizuShinshokan
8
Demon Blade 16 (Jump Comics)
呼 Haruka YozeShueisha
9
The Seven Deadly Sins (38) (Kodansha Comics)
SuzukiKodansha
Ten
Idolish 7 Re: member Volume 3 (End) "Unfinished We" Special Edition with CD (Hana to Yume Comics)
Arina TanemuraHakusensha
11
Demon Toru (29) (Morning KC)
Natsumi EguchiKodansha
12
Demon Blade 17 (Jump Comics)
呼 Haruka YozeShueisha
13
Demon Blade 7 (Jump Comics)
呼 Haruka YozeShueisha
14
Demon Blade 14 (Jump Comics)
呼 Haruka YozeShueisha
15
Demon Blade 15 (Jump Comics)
呼 Haruka YozeShueisha
16
Whitebird (28) (Morning KC)
Yu SuzunokiKodansha
17
Demon Blade 8 (Jump Comics)
呼 Haruka YozeShueisha
18
Demon Blade 12 (Jump Comics)
呼 Haruka YozeShueisha
19
Demon Blade 6 (Jump Comics)
呼 Haruka YozeShueisha
20
Demon Blade 11 (Jump Comics)
呼 Haruka YozeShueisha
twenty one
Demon Blade 13 (Jump Comics)
呼 Haruka YozeShueisha
twenty two
Skip Beat! 44 (Hana to Yume COMICS)
Yoshiki NakamuraHakusensha
twenty three
Demon Blade 9 (Jump Comics)
呼 Haruka YozeShueisha
twenty four
Demon Blade 1 (Jump Comics)
呼 Haruka YozeShueisha
twenty five
Demon Blade 10 (Jump Comics)
呼 Haruka YozeShueisha
26
Nanatsuya Shinobu no Jewels (9) (KC KISS)
Tomoko NinomiyaKodansha
27
Hina Festival 17 (Haruta Comics)
Masao OtakeKADOKAWA
28
Demon Blade 5 (Jump Comics)
呼 Haruka YozeShueisha
29
Demon Blade 2 (Jump Comics)
呼 Haruka YozeShueisha
30
Demon Blade 4 (Jump Comics)
呼 Haruka YozeShueisha
31
Demon Blade 3 (Jump Comics)
呼 Haruka YozeShueisha
32
A Certain Magical Index Gaiden A Certain Scientific Railgun (15) (Dengeki Comics)
En sí hice esto por dos personas y mayormente tiene que ver obvio con aidorus, pero aquí abajo dejo una lista de personajes que me gustaría ver interactuar. No digo que rolearía todos y cada uno ( es mucho why ), pero se podría considerar si no tengo a ninguna de las dos partes. También podrían considerarlos ustedes así lo veo en el dash, just kidding ♡
Pero todos son bienvenido si quieren hablarlos, saber más y/o gritar.
ENSEMBLE STARS X HYPNOSIS MIC.
Koga | Samatoki.
Leo | Dice.
Mika | Buster Bros (cualquiera)
Mika | Dice.
Yuzuru | Riou.
Hifumi | Kaoru.
Keito | Gentaro.
Wataru | Ramuda.
Midori | Doppo.
Natsume | Saburo.
Izumi | Jyuto.
Nazuna | Ichiro.
ENSEMBLE STARS X BANDORI.
Adonis | Moca.
Kaoru | Himari.
Hajime | Kanon.
Koga | Ran.
Izumi | Arisa.
Rei | Tomoe.
Shu | Yukina.
Shu | Sayo.
Mika | Rinko.
Mika | Ako.
Sora | Rinko.
Wataru | Hina.
Tori | Aya.
Tomoya | Kaoru.
Souma | Eve
Ryuseitai | Hello happy world.
HYPNOSIS MIC X TSUKINO.
Hifumi | Tsubasa.
Doppo | Shiki.
Riou | Dai.
Jyuto | Rikka.
Shun | Ramuda (apocalipsis)
Shu | Jakurai.
Jiro | Ichiro.
Saburo | younger pairs.
Jyuto | Eichi.
Ichiro | Kai.
ENSTARS FATE AU (para esto todos son masters)
Leo | Astolfo, Nero, Mozart, Arthur/Alturia.
Shu | Marie Antoniette, Brynhildr, servants niños o con poca ropa para vestir.