#Pookie Freestyle

[muichirosfavv]

Can I have my bbg hanako in a fan dick 😍🤞

HI POOKIE OFCCC , what lovely spelling😦 u def gonna fail our writing test tmmrw bro💀

I HAVE NO IDEA WHAT U WANTED ME TO DO SO IM FREESTYLING THIS ONE!!😝

—————————-——————————————

• when you first summon him obviously he’ll ask you what wish you’d want, he will explain the ups and downs yada yada

• now depending if you r a apparition or a living person there’s 2 ways this can go, never the less this mf will always find a way to bother u

• if your living and a student he will follow u around a lot , class to class💀 honestly like he did with Yashiro he will make you lose ur balls and make ppl think you’re crazy lmao

•if you’re a apparition he will totally go into ur boundary and just hang there with you or you’ll walk around the school, talking abt the random things but he lives for these convos!

• it don’t take him long to realize his feelings but is he gonna admit that. No😭 • You’re friends will think ur on the zaza if they see you talking to “nothing”, if u explain that ur talking to a ghost honestly idk how’d that go

• He loves hanging out with you tho, he will def mess up the bathrooms on purpose jus so he can talk to u

• hell, he will throw toilet paper on the windows, clog the toilet with toilet paper, overflow the sinks jus to talk to u cuz he has no balls to ask u to hang out normally

• he loves u tho dwwww🫶

• will definitely write notes in your school books and on worksheets, wether they be funny or nice

• Kou will definitely have to convince him to confess to u, it’s not easy😭

• HE WILL CONFESS TO U THO!! He jus hates rejection

——————-—————————————————

After school OR in your boundary

-Kou and Hanako were walking to your boundary (or the schools garden if you’re a human), Hanako was literally shaking omg,

“Hanako you got this! Not sure if y/n is into ghost dudes tho..😯”

“Kou you aren’t helping😭”

As they got closer the more nervous Hanako felt, he was gonna pass out, he was scared you were gonna reject him, maybe you liked someone else? Rejection is the worse thing possible, as they arrived, Hanako’s eyes were everywhere, looking for you, of course when he spots he puts on his confident, stupid, cocky personality and hugs you, of course he babbles his confession completely.

“iloveyoualotandiveloveyoueversincethedayyousummondmebutididthaveanyballstotellyoubecauseididntthinkyouwouldlikemebackimsorry”

Kou sighs so loudly and jus says it for him 😭

“will you go on a date with him? He loves you so much is so so madly in love w u it’s lowkey weird”

Now it’s your decision how u react to that but if you accept his feelings he’s so happy bro omgg, jus kiss him atp😭 he loves you and he’d do anything for you!

———————————————————————-

THIS WAS PREETTY SHORT IM SORRYY!!!!

#hanako kun x reader #toilet bound hanako kun #anime #hanakou #kou minamoto #mitsuba sousuke #tbhk yashiro #yugi tsukasa #writing #muichirosfavv

[takemetoasummereve]

15 Q 15 friends

tagged by @comraderoscoes, thanks pookie 😚

Are you named after anyone? Shockingly, Christianne amanpour (my mum just liked the name)

When was the last you cried? ln, sad tiktok

Do you have kids? no

What sports do you play/have you played? basketball, softball, track and field (4x100, high jump and long jump), field hockey, rounders and tennis. I swam a bit but i was low key ass for the most part, backstroke and freestyle were good for me though (barely)

Do you use sarcasm? yes but i suck at it

What is the first thing you notice about people? aura,vibe spirit,ykwim Im a water sign through and through

What is your eye color? brown but i like to say black lol

Scary movies or happy endings? wdym by that 🤨🧐💀

Any talents? depends on what level of excellence you consider a talent but i like to cook, decent at piano, okay singer, but i would argue most of these are skills than they are talent.

Where were you born? in a hospital (@comraderoscoes lol youre so funny for this but also real and same)

What are your hobbies? fashion, making tiktoks, pinterest, reading magazines, power napping, crocheting, fting my friends, making stuff.

Do you have any pets? unforch no

How tall are you? 5'9.5 but like a man, i say im 5'10

Favorite subject at school? math before it got hard and biology, epi and stats were my faves at uni

Dream job? i dont have a dream job but i have a dream life, I have too many interests to keep it to one.

tagging @lewisitshammertime@lewisinlace @lewishamiltonstuff @yuiyuuji @whorgerussell @gunnerina @yukiguiseppe

#tag game #this was fun #someone put me on Vogue 75 questions

[catiuskaa]

Hi, I don’t know if you’re still taking requests but I have an idea and I would really love and appreciate it if you could do it. So my idea is something like Lee Know and the reader are dating and the reader is the type of person who would say “i love you” whenever she feels like it but most of the times Minho doesn’t necessarily respond back so after a while she gets insecure (even if she knows he loves her) and tries to not say the words as much not wanting to bother him or something, but he notices and asks her about it and tries to fix it…

idk really but I think it would be cute

In case you can do it I want to thank you in advance.

In case you aren’t taking requests anymore thank you anyway and keep writing cause you are amazing at it🫰🏻

OMGG thank you so much annonie<333 ㅠㅠ

this is such a cute idea!!! here’s my take on it. gotta say I kinda freestyled it? i’m sorry if it’s not 100% what you expected, pookie! Still, hope you like it<3

#stray kids x reader #lee minho fluff #thanks anon! #muah <3 #katsreplies<3

[wouldvecouldveshouldve]

I'm really confused about the whole drake + kendrick lamar situation, do you know anything? 😭 i'd love to hear your chaotic thoughts on it!

OKAY I'M SO HERE FOR THIS TALK. my friend at school and i, we listened to the diss tracks all today, and this is the information i've gathered from a couple of sources (friends, boyfriend, etc)

let's go through the kendrake debacle (my friend came up with the name ajskdkf)

so. first of all, on the 22nd of march 2024, there was a future song where kendrick dissed drake & j. cole in a subtle manner, right? he dismisses the notion that he’s in a “big three” with drake and j. cole, rapping, “it’s just big me.”

ofc, drake didn't like that. he let it linger for a couple of weeks, until april 13th 2024, where he leaked a new song named “push ups,” which had the lyrics, “you ain’t in no big three, SZA got you wiped down, travis got you wiped down, savage got you wiped down." which is clearly about kendrick, duh. drake continues to be like, "like your label, boy, you in a scope right now, and you gon’ feel the aftermath of what i write down, i’m at the top of the mountain, so you tight now"

really, really stupid, right? like come ON, these are literal 36/37 year old men!!! stop being petty!!! at least, that was my initial take on it!

it gets worse, apparently! drake, in the meantime while kendrick's writing his next diss track (💀), puts out a track on apr 19 (yes the day in which ttpd came out) called 'taylor made freestyle' WITH AI VOICES OF TUPAC AND SNOOP DOGG DISSING KENDRICK?!?!!? it did get deleted, i believe, but drake did come in the song and apparently taunt kendrick for not responding to the rap...?

it's giving middle school girl spamming her crush with texts because he's not responding. like 'come back pookie :( i miss you, talk to me, respond already hiss hiss boooo!'

this is where it gets really interesting though. on april 30th 2024, kendrick finally responds, with a track titled 'euphoria' which begins the incessant back-and-forth between the two rappers (smh). he disses drake's parenting style, his rumoured plastic surgery and his rapping abilities - mocking the use of ai too to help drake write! kendrick released another one on may 3rd 2024 called '6:16 in la', and god, it's all just ajskjdkfl.

drake is pissy, to put it simply. that very same day, on may 3rd, he releases a EIGHT MINUTE LONG TRACK to diss kendrick, and speculate about kendrick's relationship with his fiancee and questioning the father of kendrick's child.

that next day, on may 4th 2024, kendrick releases meet the grahams... just go listen to the song. it's insane.

and finally, that same day, kendrick releases 'not like us'.... it's a BOMBSHELL. he accuses drake of misogyny, pedophilia and literally says he wants drake dead!

idk if anything else is happening but i'm just like... shocked. my summary of this is: it should be a police report against drake, not a diss track, kendrick!!!

#k’s asks #drake vs kendrick lamar #kendrake debacle

[pandoraslxna]

Hii were currently in the bus we just finished and i got first place in freestyle they were like 27 competitors,and 1st places in both groups🤭

It was so hot today especially in this city(Mostar in Bosnia) but what was even hotter were the guys🤭

I got like a few crushed and had some beef with some girls who threatened to kill me with their hands(theyre like 14💀)

Anyways the day was hard and my hair looks like shit but i got a pink trophy lets fucking goooo

CONGRATULATIONS BABY LETS GOOO 🎉🎉🎉

I‘m so proud of you and so happy for you ahhh

I‘m glad you had some eye candy to look at, hopefully that made you forget the beef you had with those kids lmaoo

Please don’t forget to take some rest now pookie!! 💓

#ˏˋ°•*⁀➷ asks 💌

[urinal666]

Already went on tumblr live and seen a dude hitting a pookie while rapping a freestyle. I have a feeling shit is bound to get weird.

[tsukiyamavalentine]

New WIP!!!!

Chaotic Fic/AU With My OCs & Shuu!

Sdfyrtggro

Ok so I had this fucking chaotic idea the other day any u know what? I’m doing it. I need some fun.

So the other day I was doing chaotic meditative freestyle dance practice (as one does), and I managed to write this Very Chaotic Thing in my head. (This is how I normally get my ideas. Dancing time is where I ‘write’ all my stories).

Ok. So basically; the fic is set in a fantasy universe with all of my OCs, sonas & Shuu (also the rest of the TG characters for ✨consistency✨). However, all the characters all fall under famous archetypes.

What I mean is; instead of being their usual canon characters, they’re characters with new archetypes.

For example, Shuu is a musketeer & a prince. My OC Bunny is a cowboy, and my other OC Maddie is a pirate.

The basic plot is that a group of these characters become involved with each other after a gang of dangerous pirates & bandits attack, leading them into a quest across the land to find a rare mythical creature.

I haven’t planned everything, and I write this story well aware that it is going to be ✨a mess✨

But I don’t care! I’ve written a few chapters and I smiled all the way through writing and I need that right now.

Besides, I write for fun anyway so I don’t see why me writing this Silly Little Thing should be subject to any huge criticism. I just want some fun!

I know this explanation is messy but I’ll try and clear things up later. I’m just very all over the place atm!

***

Here are the current character archetypes for the main characters of the fic:

Tokyo Ghoul Characters:

Shuu Tsukiyama - Musketeer / Prince

Kanae Von Rosewald - Regular Guy (tm)

My OCs:

Bunny Deverill - Cowboy

Madeleine Chevrolet - Pirate Captain

Doryo Fuyuhiko - Maid / Catboy

Lyra Svensson - Astronaut

Grocery Store / Penis Man - Clown

ALLAN - Horsey

Seren - Gunslinger / Pirate Captain

Cerys - Pirate / Bandit (General Criminal)

Cariad - Future Cult Leader / Pirate

Character Archetypes For Side Characters:

Tokyo Ghoul Characters:

Honestly idk. Atm most of them are courtiers (derogatory), but I’ll update u guys with any changes.

My OCs:

Pasha Sorokin - Werewolf

Genesis Inugami - Christian Woman (tm)

Chika Imakita - Vampire

Delius Deverill - Cowboy

Estronaidd, Abwy, Artemis - Forest Fairies

Bluebell & Gremlin - Feral Forest Creatures

Pooki - Circus Acrobat

Jest/Euan - Clown

Grocery Store Gang - Circus Gang

Villains That I Have Not Named Yet:

Evil Pirate Gang (sexy)

Evil Peacock Man (sexy)

Evil Circus Master Man (sexy)

Evil Colonisers (not sexy)

Vampires (sexy)

***

Ok. So I’m sure u all noticed lots of new OCs on here! dw I will introduce them all soon!!!

So um yeah!

Am very excited to really get into this. As I say this is for fun / to cheer me up, so updates are sporadic and I will probably mostly be shitposting / drawing stuff, but I’ll drop the first chapter soon!

Idek what to call this fic! Atm it’s tagged under Silly Little Guy but I’ll think of a new name eventually.

I hope y’all can appreciate this. Ik it’s silly and all, but I wrote this for fun and I want y’all to come with me!

Stay wildin’ y’all

🤠🤠🤠

#my fics #chaos #silly little guy #tokyo ghoul #ocs #my ocs #my sonas #fic #wip #new fic #fantasy #fun stuff #ghosty fun #therapy #shuu tsukiyama #kanae von rosewald #ken kaneki #original character

[newcoolturemoz]

Laylizzy – Pookie Freestyle (Whoopty Remix)

Laylizzy – Pookie Freestyle (Whoopty Remix)

Faça download da faixa recente ”Pookie Freestyle” do Artista e Compositor ”LayLizzy” com um gênero diferente do habitual nomeado Hip Hop. A música já se encontra disponível em todas plataformas digitais. Baixe, escute e compartilhe com os demais. Artista: LayLizzy Música: Pookie Freestyle Formato: Mp3 Ano de Lançamento: 2021 Qualidade: 256 Kbps Tamanho: 5.5 MB DOWNLOAD Relembramos-te que…

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#Laylizzy #Planeta Nino Studios #sameblood

[yayodancing]

(Archives) Beautiful Lou Interview

Beautiful Lou is a producer, who also happens to occasionally rap, residing in San Antonio, Texas, who can always be reached at his #rare Tumblr. - http://beautifullou.tumblr.com/ 

His career may appear young, but his signature trademark of dark almost hymn-like gothic vocal samples combined with a slowed down BPM that is always screaming to be Screwed (pause?). Having produced for Lil B (Cocaine and the Illusions of Grandeur remix), Main Attrakionz (primarily Squadda, having produced on his I Smoke Because I Don't Care About Death album as well as the more recent Black Kings), and many talented lesser known emcees (Western Tink and Yachtsmen certainly come to mind first), Lou's profile has raised greatly since I met him a year ago.

I recently asked Lou for an interview, and he happily obliged; hopefully I can showcase the man behind the music as well as the producer and rapper in the light he deserves. Admittedly nervous about conducting my very first interview, I called up Lou on his phone and got ready to break that cherry (||). 

Firstly, thanks for fucking with me, bro. You have no idea how much I appreciate your support; we're coming up in this game now together, and that seems so appropriate. But before we get to anything, because of how refined your music is, I really need to ask; how long have you been producing? Rapping?

Three to four years, but like a lot of the shit you're hearing now is pretty old. When I was in Dallas, I was more active making new beats, but when I moved to San Antonio, I couldn't really get anyone to rap on my shit. I liked the lyricists, but they weren't really feeling my shit, I guess that wasn't they were looking for. So, when I moved to San Antonio, I started fucking with the Internet real heavy - that lead me to Lil B, Squadda B. I was really about trying to keep it Texas, y'know, local; that's just the sound that I wanted to help promote, the artists around here. But when I checked with these people online, they had a style that really brought something to rap. They're kinda doing things on an avant-garde level, but they still keep it street.

Now that's kinda leading me to getting attention around here, with Lil B popping off, Squadda B getting attention from the blogs, which is crazy because I did production on SNYL from I Smoke Because I Don't Care About Death. Your style is very different from any producer I'm hearing out there; it obviously shares some sonic qualities with the emerging Based genre of production, specifically the lo-fi, scratchy effect, but it differs so greatly from producers like Clams Casino or Keyboard Kid. All those melancholic droning-samples, the dirty 808s, the funky bass reminiscent of Pimp C's trademark Southern comfort; it's all so welcoming, so breathtaking. 

Who're some of your inspirations, past and present?

It's weird because I didn't even hear of Clams or Keyboard Kid before working with Lil B; but present, now I'm just listening to like a lot of the shit they're putting out, anyone that's working with Lil B. It's cool to be able see people that're in my same lane, really just soaking it up, seeing the type of sound we're created. Past? Really, the first CD that I bought with my own money was OutKast - Aquemini. That shit pretty much defines the type of sound that I'm trying to do. It just has a lotta screwed elements to it, especially on Aquemini; it just feels like Texas. Because we've been doing that down here, the pitched the horror music and stuff, y'know; it's a crunchy sound. Especially synths, and those types of instruments, they sound real good to me; it just creates a certain broken digital sound. But definitely Screw and Pimp C, just that sound that'll stick with you. 

I know you're very #based, but your production bleeds with such sorrow - you seem like such a positive, upbeat guy from what I've heard from you and the times we've exchanged messages over the net. Even now on the phone, your tone is still bright, uplifting; does this music come from a certain place in your soul? Are you letting the song cry, word to Hova? 

I guess I'm just trying to hit the emotion with that song - you know, those screwed vocals are just so sad, they hit that emotion with you. Like that first time I heard, even though it wasn't a pitched down vocal, you know that RZA song, Tearz? From 36 Chambers? The first time I heard that shit, it just hit me so emotionally; I just didn't know music could hit that chord with you. Just the way he pitched up chopped those vocals, pitched them up. Just something about that really stuck with me; those voices. Like that song I just gave to Lil B, the Illusions of Grandeur (Remix), there's just this sample there - and to me, his voice just makes the beat. It's just so dark and lonely. 

So, Lou, you finally released your EP recently, something I've been waiting on personally for quite awhile. The EP isn't completely full of Lou raps - which kinda saddened me. The other tracks are exceptional, especially Squadda B's Black Kings and Lil B's Cocaine, two songs I was already a big fan of going into. But do you ever think you'll take up the mic more? I fucking love your flow man.. maybe it's that Southern drawl you have, but I don't think anyone sounds as good on your production as you.

 I dunno man, the producer thing popped off more; like I'm getting a lot of request for beats, and sometimes they'll request a feature too, because they've heard me do these freestyles. I mean, if I could - to be honest man, I dunno anyone around here who really has a proper studio, or even a mic or anything. In Dallas it was a lot easier, but here in San Antonio, there's not that many people doing it. But, once I get some more money saved up, I'm gonna try to get more studio time and everything. I think the direction I really wanna take is doing more freestyles, because I really like performing; that's what I wanna do more of, and of course I'm gonna do more songs. Plus, the video aspect has really popped off; you know, people just like watching that type of shit, the freestyle videos. 

Yeah, I remember you dancing around in the video from the Letedra Bal4head, with you dancing around in the rain, that was just entertaining as hell. 

[Lou laughs] Yeah, you know, I just had a lot more time back then, but now I'm so busy. I had so much more time back then when I first moved to San Antonio, no one was was really paying attention to me. But now, I'm just trying to get everything together; but I intend on doing more videos here when I get the time. 

Where do you get most of your samples from? A lot of the samples are just so bleak, but I can't tell if they're taken directly from other musical outlets or not. At times I can't tell if you screwed the original sample to a crawl or if you happened to record a choir of dying angels. I mean that in the most complimentary way, too; a choir of dying angels is pretty epic.

I used to do soul beats, but now, I just sample a lot of New Wave, a lot of 80s artist from the French scene; those voices, those instruments, they're really the type of thing I'm looking for. Like I used to be a really big fan of Prince, so that's the time period I really look for. I go to a lot of different places to get like 25 cent CD's, you can find a lot of shit. I do like vinyl, but it's just a lot easier with CD's, plus they were more popular during that time frame I was looking for, and you know, no one's really mining that period. Plus a lot of the homeboys know the type of music that I like to sample, so they find stuff and bring it to me.

You've worked with some fantastic talents, and all of you continue to keep pushing out great music on a seemingly daily basis. Who're you working with now? Who do you really want to work with that you haven't had the opportunity to yet?

Well, right now I'm working with Western Tink; he came down here for SXSW. We did some songs, shot some videos. I really like him, think he's got a lot of potential, so I want to push him. He's really got a good sound, a good ear; I mean, some people don't like he raps, they think he's too basic, but he really get a good point across. Squadda B and the whole Green Ova crew, they've shown me a lot of love, so I'm really just trying to fuck with me. Pretty much Lil B too, man; I'm grateful that he's been working with me. That's pretty much it; I mean, I got Sed the Dean from Ohio, and Sam Rubik outta Brooklyn. They both pretty much hit me everyday, and I like their shit, I'll put it out.

And I'm really trying to fuck with Soulja Boy, man; I like that you write a lot about Soulja Boy, dog. There's just something about him; just the way he writes a hook, they're just so catchy. Even when he's just fucking around, he can't help but write a good chorus. I was really hoping the Lil B connection would help me, he said he'd send some stuff his way, but I don't really have an email for him.

But yeah, I really want to work with a lot of local talent; I like looking at the local scene, like K-Dog productions, it's got a lot of potential. It reminds me a little bit of the Dallas scene from like 07, 08. It's just the scene moves so quick; y'know, it's not like the scene has really moved, I dunno if you listen to much Dallas music - 

I used to listen to Tum Tum's album a lot when Caprice Muzik was popping, but that's really as far as I go.

Yeah, I used to stay like right down the street from T-Town Music where Tum Tum was signed. I used to play beats for him - a lot of my older shit, my early shit. It was pretty wild, I hung out with him, a lotta local dudes; it was just fun being a part of that when that was starting to blow up. Like Mr. Pookie, Mr. Lucci, that was from around the way, around Simpson Grove, just being able to see them on TV, it really influenced me, anything that I really did.

Random as hell, but I need to hear Beautiful Lou laced Brick Squad with some beats, man. 

Shit man, a big reason I even got into your blog was how much you were writing about Gucci. Like, he's one of my biggest influences, especially with the Burrprint [3D]; and he'd be like, the number one dude I want on one of my beats, dog. Like, even though I don't think it's his style, I think he can really come out of left-field. Like shit he does, like Anti-Social, all the singing and shit, I love that shit, man. But yeah, if I could get one rapper on my beat, it'd be Gucci. 

Yeah man, Gucci's my favorite rappers, I've been listening to him and writing about him for way too long, taking it way too seriously.

Yeah man, but there is a lot of layers, and no one else really appreciates that shit. Like, that's why we're fucking with you and the other blogs, because no one writes about that type of shit, I don't think anyone else sees it. Like, growing up around those lyrics, I was always wondering "how come no one's into this shit?" Like everyone is all bigging up deep lyrics, conscious music, that shit, and I'm not trying to be too harsh on it - but no one's really paying attention to what we're doing. Just talking about money and riding around smoking weed in a creative way, just having a good time over crazy beats and shit. To me, Gucci like epitomizes that shit - I could go on about that for days.

I think that's the type of thing I wanna hear on my beats, you know, even though my shit is dark and ethereal shit, I just want people to talk about money, and just talking shit on my beats, just because it's such a great contrast to the beat. Like, all that shit, I listen to that shit all day. 

With Lil B blowing up and being all over MTV, opening the doors even further for original, somewhat ambient producers/rappers like you, I've gotta ask; do you have dreams of ever going mainstream?

Shit, I'm glad just being local - even though I'm on the blogs, on the Internet, that's cool too. Like, I dunno if you read what I wrote, but I wrote that I used to just read rap magazines all day, just reading XXL and the Source at grocery stores when I was a kid. Like, the blogs are like the new magazine to me. I mean, I'm not gonna say that's good enough for me, but it still really trips me out. That's really all I got into it for at the first, just dreaming about you know, one day making it in the magazines. Even though it's really hard to make money outta music right now, it's just important to me to be talked about, to be a part of hip-hop history. Like you guys are really archiving it, putting it into context for everyone. Just getting recognized is all I need - I mean, I could make some money, I've been getting offers and everything - but just being talked about is enough.

#beautiful lou

[lignes2frappe]

CLASHS DE RAPPEURS : POURQUOI SE SONT-ILS EMBROUILLÉS À LA BASE ?

Parce qu'à force d'insultes et de menaces on en oublierait parfois presque comment tout ce petit monde en est arrivé là...

Divertissants pour toute personne qui n’est pas directement impliquée dans l’affaire, les clashs rythment l’actualité du mouvement depuis que le rap est rap.

Ils rythment d’ailleurs tellement l’actualité que l’on a vite fait de perdre le fil et d’oublier le comment du pourquoi du début.

Pas de panique, voici un récapitulatif.

The Game contre 50 Cent et tout le G-Unit : une histoire de grosses têtes

Raccroché en 2003 au wagon G-Unit par Jimmy Iovine (le patron d’Interscope Records et de Dr. Dre), The Game bénéficie pour son premier album The Documentary de toute la hype et de tout le savoir-faire d’un 50 Cent alors au sommet de sa domination.

Présent sur ses trois plus gros singles (Hate It or Love It, How We Do et Westside Story), auteur de la majorité des refrains (Church for Thugs, Like Father, Like Son, Special...), Curtis Jackson estime que le Blood lui doit son succès, et ce d’autant plus que la majorité des titres sur lesquels il a bossé auraient dû finir sur The Massacre.

Signé avant de connaître Fiddy, Game ne l’entend cependant pas de cette oreille : non-content de sécher les interviews et séances photos communes, il va jusqu’à refuser d’aller croiser le fer sur disque avec Nas avec qui le crew est en guerre.

Ce qui s’est passé ensuite : Malgré la conférence de presse organisée par Iovine en présence des deux divas afin d'apaiser les tensions naissantes, « Hurricane Game » s’en est allé enregistrer les 15 minutes de freestyle 300 Bars and Running, initiant là le clash le plus prolifique de l’histoire du rap avec plus d’une centaine de morceaux enregistrés de part et d’autre.

Et tant pis si ce faisant le G-Unit et le G-Unot ont chacun perdu le soutien de Dr. Dre.

Maigre lot de consolation, Game a depuis enchaîné les collaborations avec Nas (Hustlers, The Ghetto, Letter to the King...), tandis qu’il semblerait que des morceaux inédits datant de l’époque puissent voir le jour.

Gucci Mane contre Young Jeezy : un feat qui a (très) mal tourné

Étoiles montantes de la scène géorgienne au milieu des années 2000, c’est tout naturellement que les deux hommes se retrouvent en studio pour unir leurs forces sur un titre commun, So Icy.

Une fois en boite, Def Jam décide de faire apparaître le morceau sur le premier album à venir de Jeezle. Pas de chance pour eux, Gucci a ici pris tout le monde de court en incluant So Icy sur la tracklist de Trap House, et ce apparemment sans payer aucun droit.

Vexé, l’ambassadeur de la Black Mafia Family réplique avec Stay Strapped dans lequel il promet 10 000 dollars de récompense à qui lui rapportera la chaîne de La Flare.

Ce qui s’est passé ensuite : Une nuit de mai 2005, cinq hommes armés débarquent chez Guwop. Malheureusement pour eux, le rappeur fait feu le premier et abat un certain Pookie Loc dont le corps sera retrouvé trois jours plus tard enterré dans un bois.

Ce coup de sang n’a toutefois pas mis un frein aux hostilités, faits divers et lyrics scabreux se succédant depuis (baston entre les gars de Jeezy et DJ Drama en 2009, le « Va déterrer ton pote renoi » de Gucci sur Truth en 2012...).

Si officiellement aucune trêve n’a été entérinée, la conversion de Gucci aux tapis de course et aux jus de fruits bio fait office de drapeau blanc.

6ix9ine contre Chief Keef : l’escalade des réseaux

Cousin de Chief Keef et membre du Glo Gang, Tadoe n’avait pas du tout apprécié que sa petite copine de l’époque Cuban Doll se retrouve ne serait-ce que brièvement dans un live Instagram aux côtés de Tekashi.

Après l’avoir battu dans les grandes largeurs (Doll a posté dans la foulée une vidéo où elle apparaît le visage marqué et où elle prétend avoir « la hanche cassée »), il rentre ensuite en contact avec le rappeur arc-en-ciel sur FaceTime pour lui hurler au visage « I kill people! ».

Peu de temps après un morceau du même nom signé Trippie Redd Feat. Tadoe & Chief Keef surgit en ligne, tandis que deux semaines plus tard 69 emmène l’une des baby mama de Keef faire du shopping chez Gucci en échange d’une turlutte.

Ingrate, cette dernière révèle en interview que le Chicagoan en aurait avait une plus grosse que le Newyorkais, ce qui n’a pas franchement apaisé leur relation.

Ce qui s’est passé ensuite : C’est peu dire que les choses ont dégénéré puisque lors du procès 6ix9ine qui s’est déroulé l’année passée, il a été établi que Chief Keef a fait l’objet de deux tentatives de meurtre de la part des Nine Trey Gangsters, dont une directement commanditée par l’auteur de GUMMO.

Drake contre Meek Mill : trop de drogue

Été 2015. Après avoir collaboré sur le morceau R.I.C.O., Milly attaque sans prévenir le Canadien à qui il reproche de ne pas écrire ses textes et de ne pas avoir retweeté son album Dreams Worth More Than Money.

En vrai personne n’y croit vraiment, tout ceci semblant ne servir que de prétexte à une crise de jalousie, Drake ayant pris la mauvaise habitude de trop tourner autour de Nicki Minaj avec qui il était en couple au moment des faits Cf. le texte de Miss Me où il espérait lui passer un jour la bague au doigt ou le clip d’Anaconda où madame lui offre une lap dance des plus torrides.

Au final la raison est cependant toute autre : Meek Mill a avoué en novembre 2018 qu’à force de gober des cachets de Percocet, il était tout simplement « hors de contrôle ».

« J’étais défoncé. Je faisais ce que j’avais envie de faire, de la façon dont j’avais envie de le faire, et ce à la face du monde, pas caché en coulisses »

Ce qui s’est passé ensuite : Un rabibochage sur scène en septembre 2018, une partie de ping-pong à 100 000 dollars, puis en février 2019 un nouveau duo pour officiellement sceller leur réconciliation, Going Bad.

Nas contre Jay Z : la couronne de roi de New York, mais pas que

Les animosités naissent en 1996 lorsque Nasir pose un lapin à Shawn alors qu'il était censé venir rapper sur Reasonable Doubt. En réaction, Jay sample sans autorisation la ligne de Nas « I'm out for presidents to represent me » sur Illmatic.

S'en suivent moult piques plus ou moins subliminales de part et d'autre, dont une de Memphis Bleek (le protégé de Jay Z) qui a poussé Nasty à sortir les noms dans son Stillmatic Freestyle de 2001.

Conséquence, Hova s'en est allé modifier son diss Takeover destiné initialement à Prodigy des Mobb Deep pour y rajouter des rimes sur Nas. Nas a rétorqué avec le Scud Ether. Et Jay Z s'est pris les pieds dans le tapis avec Supa Ugly, où, vexé d'être traité à répétition d'homo par son rival, il clame avoir couché avec la mère de sa fille Destiny, Carmen Bryan.

Conséquence, Hova s’en est allé modifier son diss Takeover destiné initialement à Prodigy des Mobb Deep pour y rajouter des rimes sur Nas. Nas a rétorqué avec le Scud Ether. Et Jay Z s’est pris les pieds dans le tapis avec Supa Ugly, où, vexé d’être traité à répétition d’homo par son rival, il clame avoir couché avec la mère de sa fille Destiny, Carmen Bryan.

Cette même Carmen Bryan avec qui le futur mari de Beyoncé entretenait une liaison dans la seconde partie des années 90 et qui dans son autobiographie It’s No Secret publiée en 2006 affirme être en réalité la véritable cause de leur clash.

Ce qui s’est passé ensuite : La tension est redescendue d’un cran quand bien même les attaques ont subsisté de çà et là (« I was Scarface/Jay was Manolo » sur God's Son, « My momma can't save you this time/Niggas is history » sur Blueprint 2), avant que grand prince Jay Z n’invite sur scène Nas en octobre 2005 pour enterrer la hache de guerre et interpréter avec lui Dead Presidents et The World is Yours, puis ne le signe quelques mois plus tard sur Def Jam.

Et tant pis si ni Takeover, ni Ether ne peuvent aujourd'hui plus être interprétés live.

Soulja Boy contre Chris Brown : la faute à Karrueche et Rihanna

Janvier 2017, l’auteur de Crank That vient stalker l’Instagram de Karrueche Tran, l’ex de Chris Brown. Toujours pas remis de leur rupture deux ans et demi plus tôt (en 2016 il chantait encore son nom), il aurait alors appelé Soulja Boy pour le menacer de lui casser la gueule – ce qu’il dément, mais ce que SB soutient mordicus.

À partir de là les choses n’ont cessé de s’envenimer, chacun postant à foison sur Twitter et IG, et ce jusqu’à que le chanteur et le rappeur conviennent de régler leur différend dans un octogone sur un ring de boxe.

Les champions du monde Adrien Broner et Floyd Mayweather sont alors annoncés comme coach respectifs, un flyer tourne sur les réseaux et il est annoncé que les profits de l’événement seront reversés à des œuvres de charité.

Galvanisé par ce coup de promo, Soulja Boy déclare qu’il compte tabasser Brown « pour Rihanna » alors que personne ne lui avait rien demandé.

Ce qui s’est passé ensuite : Rien du tout, si ce n’est que SB est passé deux doigts de se faire casser la gueule dans une vidéo tournée en plein Compton dans laquelle il essayait de se faire pote avec des Bloods et qu’il s’est ensuite fait menacer sur disque par Mike Tyson !

Timbaland contre Scott Storch : producing & ghostproducing

Tous deux candidats au titre de beatmaker de la décennie 00, Timbo et Scotty étaient plutôt cools à la base, eux qui en collaborant sur le tubesque Cry me a River de Justin Timberlake avaient permis au chanteur pour midinettes de devenir en 2002 une superstar mondiale.

Sauf que l’ex de Paris Hilton, Kim Kardashian et Lindsay Lohan s’estime lésé sur ce coup : auteur du bridge et de la mélodie, il considère qu’il aurait dû être mentionné dans les crédits comme coproducteur et n’hésite pas à en faire part en interviews – « Justin Timberlake n’aura plus jamais un seul de mes sons ».

Taquin, en 2007 Timbaland lui grimace sur Give It To Me qu’il n'est « bon qu’à jouer du piano » (« I'm a real producer and you just a piano man / Your songs don't top the charts, I heard 'em, I'm not a fa-a-an »).

Pas rappeur pour un sou, Scott Storch prend néanmoins le micro pour pondre Built Like That, l’une des diss tracks les plus gênantes de l‘histoire du rap où il l’accuse cocaïné jusqu’à la moelle de carburer aux stéroïdes – et qui plus est sur une instru sacrément médiocre.

Ce qui s’est passé ensuite : KO debout, Storch poursuit sa descente aux enfers (banqueroute en 2009, allers-retours en désintox’...) avant de se refaire petit à petit la cerise. Aujourd’hui de retour en bons termes avec son « brother », il lui arrive même de squatter les studios avec lui.

Ice Cube contre les N.W.A. : qui a pris l’argent ?

Parolier en chef du « groupe le plus dangereux du monde », quand le Cube Glacé se rend compte qu’en dépit d’avoir écrit l’intégralité ou presque des lyrics de Straight Outta Compton et Eazy- Duz-It (deux albums dont les ventes cumulées ont dépassé les 5 millions de copie) il n’a touché que 32 700 petits dollars, il décide de prendre la tangente.

Si le manager Jerry Heller nie toute irrégularité, un album plus tard Dre quitte lui aussi le navire pour les mêmes motifs, avant qu’Eazy-E ne se résolve à rompre avec celui qui a été à bien des égards son mentor.

Ce qui s’est passé ensuite : Mettant au défi quiconque de lui coller un procès, Heller est en 2006 revenu sur les faits dans son autobiographie Ruthless: A Memoir.

Extrait : « Pour un dollar de royauté Ruthless Records prenait 25%, là ou d’autres labels prenaient eux 100%. Un autre 25% étaient alloués aux sociétés d’édition, tandis que les 50% restants étaient redistribués à parts égales entre les auteurs et les producteurs. Cube écrivait beaucoup mais il lui est arrivé de partager ses droits d’auteur avec Dre, Yella, D.O.C., Eazy ou Ren. Tout ça n’a rien à voir avec un complot juif pour spolier les artistes, ce sont des mathématiques. Ice Cube a reçu l’intégralité de ce qui lui était dû. »

Pas calmé pour autant, Jerry Heller a également poursuivi devant les tribunaux en 2015 la production du film Straight Outta Compton pour « atteinte à sa réputation ».

Décédé l’année d’après à 75 ans, il n'a à sa déchargé jamais été condamné pour la moindre malversation.

La Vraie Roxanne contre Roxanne Shante : la course au buzz avant l’heure

En 1984, le quatuor U.T.F.O. sort Hanging Out, un single qui passe inaperçu ou presque. Coup de bol, sa face B (le morceau sur le verso du vinyle les loulous) attire l’attention. Intitulée Roxanne, Roxanne, il peint le portrait d’une fille qui refuse de répondre aux appels téléphoniques des membres du groupe (elle leur met des vus quoi).

Invité à venir se produire sur la scène de l’émission de radio Rap Attack animée par Mr. Magic et Marley Marl et Tyrone ‘Fly Ty’ Williams (la première émission rap diffusée à grande échelle), U.T.F.O. décline cependant l’invitation.

Discutant de cette aventure au bas de leur immeuble de Queensbridge, la légende veut qu’ils aient été accostés par Lolita Shanté Gooden, 14 ans, leur proposant en lieu et place d’enregistrer une réponse où elle se ferait passer pour la Roxanne en question.

Rebaptisée dans la foulée Roxanne Shanté et payée en nature par le trio (tout le monde se calme, ils lui ont filé des jeans), elle pose le freestyle Roxanne’s Revenge sur l’instru des U.T.F.O. où elle clashe un par un les membres du groupe.

Contre toute attente, le titre cartonne à New-York.

Ce qui s’est passé ensuite : Les U.T.F.O. se sont trouvés une rappeuse pour répondre à la réponse avec Real Roxanne des Roxanne (with UTFO), avant de trouver une autre rappeuse pour remplacer leur rappeuse. Puis Roxanne Shanté a remis le couvert avec Bite This et Queen Of Rox (Shanté Rox On).

Puis ce fut au tour d’un certain Sparky D de rajouter son grain de sel avec Sparky's Turn, Roxanne You're Through qui prend parti pour les U.T.F.O. Puis il y a eu The Parents of Roxanne de Gigolo Tony & Lacey Lace adressé aux U.T.F.O. et à Sparky D. Puis I’m Lil Roxanne où Tanganyika joue une version moins âgée de Roxanne. Puis il y a eu Yo, My Little Sister (Roxanne's Brothers), Rappin' Roxy: Roxanne's Sister, No More Roxanne (Please)...

Bref c’est ce qu’on a appelé « La Guerre des Roxanne » et qui selon les estimations a généré entre une trentaine et une centaine de morceaux.

Lil Wayne contre Birdman : Œdipe & argent cash

Entre Baby et Weezy ça ne date pas d’hier. Figure paternelle s’il en est, le boss de Cash Moula a pris sous son aile le jeune Dwayne Carter à la mort de son beau-père Reginald ‘Rabbit’ McDonald avant de le signer l’année de ses 11 ans.

Plus fidèle soldat du label, Wayne porte ainsi haut ses couleurs deux décennies durant et ce malgré l’approche toute particulière du maître des lieux en matière de droit des contrats.

Là où les Juvenile, Mannie Fresh et autre B.G. quittent en effet le navire les uns après les autres pour cause d'embrouilles financières, l’auteur de Lollipop lui n’en a cure, tant que l’argent de poche que lui file son ‘Daddy’ lui permet d'acheter à sa guise nouvelles voitures et bijoux – et accessoirement de remplir son gobelet de syzzurp.

Enfin ça, c’était jusqu’à que Lil Wayne ne tente en 2014 de sortir son Carter V annoncé depuis deux ans déjà.

Frustré par les multiples reports imposés par Cash Money, après quelques tweet vindicatifs il franchit le Rubicon en réclamant par voie de justice 51 millions de dollars pour violation de contrats et retards de paiements.

Ce qui s’est passé ensuite : Un arrangement a été trouvé, Carter V est sorti, Stunna s’est à la surprise générale excusé publiquement et les deux lascars tournent à l’occasion des clips ensemble.

Tout est bien qui finit bien ? À vrai dire personne n’en sait trop rien, notamment à cause du flou qui règne autour du statut des deux autres vaches à lait YMCMB que sont Drake et Nicki Minaj, apparemment toujours dans le giron du honcho Birdman.

Ou pour citer ce dernier : « It's YMCMB for death. Fuck you, you heard me? »

Publié sur Booska-p.com le 30 mai 2020.

[blacmambaswan]

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[blacmambaswan]

https://soundcloud.com/wyllousmok/freestyle-jokershow-vol2-by-dj-wyllou-final

[blacmambaswan]

https://soundcloud.com/wyllousmok/freestyle-jokershow-vol2-by-dj-wyllou-final

[blacmambaswan]

https://soundcloud.com/wyllousmok/freestyle-jokershow-vol2-by-dj-wyllou-final