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bananaofswifts · 1 year

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HOW DO WE measure the impact of a musician in 2023? Streams can be bought. Awards can be finessed. Is it when demand for show tickets leads to a congressional hearing about Ticketmaster’s policies? Or when flight attendants shout out a fanbase making a pilgrimage to see a tour opener? Or when TikToks of merch inspirations and setlist predictions rack up millions of views? Nearly a decade ago, a headline ran declaring ‘Taylor Swift Is The Music Industry’ and those with even the slightest pulse on pop culture can tell she’s only grown more omnipresent since. It all led to a warm evening in Glendale, Arizona where months after delivering her most commercially-successful album to date, Midnights, Swift debuted a discography-spanning setlist that lasted over three hours and kicked off an aptly-named stadium run. The Eras Tour has arrived.

The sheer length of the set is a feat, but not completely surprising considering the breadth of catalog at Swift’s disposal. Watching the 12-time Grammy winner take the stage right at 8pm, and continue past 11pm triggers the often overused cliché: Who’s doing it like her?

After night had fallen and GAYLE and Paramore revved the crowd up with a mix of recent chart-toppers (GAYLE’s “abcdefu”) and cultural anthems (Paramore’s “Misery Business”), it was time for the main event. At 7:57pm, a timer appeared on a massive screen prompting screams from all corners of State Farm Stadium. Lesley Gore’s “You Don’t Own Me” played as fans braced themselves for the arrival of Swift. When the timer hit 0:00, the house we’d seen in the “Lover” music video assembled on the screen, indicating that this evening was first and foremost about reviving the feelings each era evoked.

“So tonight, we’re going to be going through an adventure, one era at a time,” Swift said. “We’re going to be exploring the last seventeen years of music that I’ve been lucky enough to make and you’ve been kind enough to care about.”

It’s easy to compare one of Swift’s stadium shows to something you’d see on Broadway — never has that been more true than for The Eras Tour. The setlist is cut up into acts, grouped together by eras for each of Swift’s ten studio albums. For each era/act, Swift went full-send into that album’s look, feel, costume, color blocking, and more.

Many eras got a few songs. At one moment, it seemed like Swift’s soft spot for Folklore would mean we’d hear the entire album. On the opposite end, Speak Now’s part of the show was short but impactful. Swift played only one song from her third studio album, “Enchanted,” while wearing a stunning floor-length ballroom gown designed by Nicole + Derr. Hopping from act to act, Swift made it extremely clear when she’s taking the audience out of one era and into another. This isn’t a hastily put together setlist with a vague thread of connective tissue — Swift is taking her audience on a nostalgic extravaganza.

For both Swift and her fans, it’s been a long road to get to The Eras Tour kickoff. Friday night’s opener was four projects, millions of record sales, and over 1,500 days removed from the last tour stop on the Reputation stadium tour in 2018. Plus, who can forget the Ticketmaster fiasco in handling the sale of The Eras Tour tickets, which not only prompted an apology to Swift from the ticketing monopoly but also for Congress to investigate.

In perhaps a sympathetic nod to the canceled Lover Fest, Swift began the festivities with the Lover era. Wearing a jaw-dropping Versace bodysuit, Swift launched into “Miss Americana & the Heartbreak Prince” for the opening number. Swifties eager to see “Cruel Summer” live weren’t disappointed, as Swift strutted down the catwalk towards the stadium’s center, belting out the fast-paced bridge eager to deliver what stans had snatched away from them due to pandemic-related cancellations.

For “The Man,” Swift completed her Versace look with a blazer and made sure everyone could see the red bottoms when she kicked her feet up on a conference room table as she delivered the masterfully written and scathing assessment of gender inequality in pop culture. Swift closed out the Lover era act with “You Need to Calm Down” and “The Archer,” the latter getting a beautifully stripped down rendition so Swift’s vocals echoed across the stadium: “Because all of my enemies started out friends / Help me hold onto you.”

At one point, as Swift ran through hits from her Fearless era, she flashed a smile and announced to the crowd that she was taking us back to high school with her. The nostalgia seeped into the show, resulting in some of the loudest crowd participation yet, especially from those old enough to have grown up with Swift and were in high school at the same time she was. The singer ran through “Fearless,” “You Belong With Me,” and “Love Story,” reminding us of a time when we discovered the pop phenomenon unbeknownst to the level of celebrity she’d achieve.

Something about Swift — she’s online. If the fact that she decided to end last night with the TikTok-friendly “Karma” doesn’t make that obvious enough, her joke about disliking Evermore hammers home the point.

“We’re currently in the middle of the Evermore album, which is an album I absolutely love despite what some of you say on TikTok,” Swift said with a grin.

Later on in the act reserved for her ninth studio album, in line with how theatrical the event was, Swift set up a beautiful dinner setting only to deliver a heart-wrenching rendition of “Tolerate It.” She also performed “Tis the Damn Season,” “Willow,” “Marjorie,” and “Champagne Problems,” giving fans a sizable taste of the Evermore live experience they weren’t able to receive when the project came out in 2020.

For the acts dedicated to Reputation and Red, fans were treated to a masterclass in visuals and hitmaking, two key elements that has assured Swift prolonged success for as long as she’s had it. The powerful, striking, snake motifs were an awesome callback for fans who attended the Reputation tour.

For Red, Swift went through “22,” “We Are Never Ever Getting Back Together,” and “I Knew You Were Trouble. She closed out the act with a beautiful performance of the 10-minute “Taylor’s Version” of “All Too Well.” In the evening’s most ethereal moment, small white confetti made to look like snow blanketed the State Farm Stadium as she neared the end of her magnum opus, singing “Because in this city’s barren cold/I still remember the first fall of snow/And how it glistened how it fell/I remember it all too well.” Not only is Swift a savant for world-building, but she’s perfected the ability to translate those worlds into the live experience.

Swift wasn’t shy about making sure people got the full Folklore live experience. A makeshift cabin, not unlike the one made during Swift’s 2021 Grammys performance, sat on the stage with Swift perched on it during “Invisible String.” The star also discussed how she finally got comfortable crafting narratives for purely fictional characters, rather than ripping them from the headlines about her life.

“Folklore was such a different album for me. I start writing it about two seconds into the pandemic. I was just so very aware of how much time I was going to have to spend away from you,” Swift explained before launching into “Betty,” “The Last Great American Dynasty,” “August,” “Illicit Affairs,” “My Tears Ricochet,” and “Cardigan.” “With this album, I thought it would be so fun to create characters, and storylines, and they can live in different times, and then can do all of these things, and they could fall in love and hurt each other and go to war…”

1989’s era act turned the party up and restored the energy, with Swift donning a Roberto Cavalli top and skirt and going through “Style,” “Blank Space,” “Shake It Off,” “Wildest Dreams,” and “Bad Blood.”

To cap off the evening, Swift returned to Midnights, performing album highlights “Lavender Haze,” “Mastermind,” and more. It was hard to ignore the immense gratitude the singer continued to exude throughout the evening, with the “thank yous” coming more and more often the closer she got to the end.

Eventually, the singer asked the crowd if they had time for one more and launched into her finale, “Karma,” a track with a passionate chorus that’s begging to be scream-sung in a room of about 60,000 who’ve been waiting for this exact moment for years. Maybe it’s fitting that an artist who’s had more than her fair share of ups and downs, and at times has been the most polarizing musician alive, ends her stadium tour opener with a song about how she can finally protect her peace. Karma’s a relaxing thought, indeed.

The Eras Tour is a feat. It’s live music at its highest spectacle and greatest excess. And for most, without the catalog and showmanship of Swift, it’d be too much. But 17 years into her career, maybe we ought to stop being surprised when she finds a way to top her own efforts year after year. Towards the end of Paramore’s set, Swift’s good friend Hayley Williams said we had gathered that evening to celebrate Swift’s incredible career. There’s something funny about a greatest hits concert for someone who’s never been more in her prime, isn’t there?

#taylor swift #the eras tour review #the eras tour

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cozyaliensuperstar7 · 7 months

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Richard Roundtree (July 9, 1942 – October 24, 2023) was an American actor, noted as being "the first black action hero" for his portrayal of private detective John Shaft in the 1971 film Shaft, and its four sequels, released between 1972 and 2019. For his performance in the original film, Roundtree was nominated for the Golden Globe Award for New Star of the Year – Actor in 1972.

Born July 9, 1942, in New Rochelle, New York, to John Roundtree and Kathryn Watkins, Roundtree attended New Rochelle High School; graduating in 1961. During high school, Roundtree played for the school's undefeated and nationally ranked football team. Following high school, Roundtree attended Southern Illinois University in Carbondale, Illinois. Roundtree dropped out of college in 1963 to begin his acting career.

Roundtree began his professional career around 1963. Roundtree began modeling in the Ebony Fashion Fair after being scouted by Eunice W. Johnson. After his modeling success with the Fashion Fair, Roundtree began modeling for such products as Johnson Products' Duke hair grease and Salem cigarettes. In 1967, Roundtree joined the Negro Ensemble Company. His first role while a part of the company was portraying boxing legend Jack Johnson in the company's production of The Great White Hope. According to J. E. Franklin, he acted in the Off-Off-Broadway production of her play Mau Mau Room, by the Negro Ensemble Company Workshop Festival, at St. Mark's Playhouse in 1969, directed by Shauneille Perry.

Roundtree was a leading man in early 1970s blaxploitation films, his best-known role being detective John Shaft in the action movie, Shaft (1971) and its sequels, Shaft's Big Score! (1972) and Shaft in Africa (1973). Roundtree also appeared opposite Laurence Olivier and Ben Gazzara in Inchon (1981). On television, he played the slave Sam Bennett in the 1977 television series Roots and Dr. Daniel Reubens on Generations from 1989 to 1991. He played another private detective in 1984's City Heat opposite Clint Eastwood and Burt Reynolds. Although Roundtree worked throughout the 1990s, many of his films were not well-received, but he found success elsewhere in stage plays.

During that period, however, he reemerged on the small screen as a cultural icon. On September 19, 1991, Roundtree appeared in an episode of Beverly Hills, 90210 with Vivica A. Fox. The episode was "Ashes to Ashes", Roundtree playing Robinson Ashe Jr. Roundtree appeared in David Fincher's critically acclaimed 1995 movie Seven, and in the 2000 Shaft, again as John Shaft, with Samuel L. Jackson playing the title character, who is described as the original Shaft's nephew. Roundtree guest-starred in several episodes of the first season of Desperate Housewives as an amoral private detective. He also appeared in 1997's George of the Jungle and played a high-school vice-principal in the 2005 movie, Brick. His voice was utilized as the title character in the hit PlayStation game Akuji the Heartless, where Akuji must battle his way out of the depths of Hell at the bidding of the Baron.

In 1997–1998, Roundtree had a leading role as Phil Thomas in the short-lived Fox ensemble drama, 413 Hope St. He portrayed Booker T. Washington in the 1999 television movie Having Our Say: The Delany Sisters' First 100 Years.

Beginning in 2005, Roundtree appeared in the television series The Closer as Colonel D. B. Walter, U.S.M.C. (retired), the father of a sniper, and in Heroes as Simone's terminally ill father, Charles Deveaux. Next, Roundtree appeared as Eddie's father-in-law in episodes of Lincoln Heights. Roundtree then had a supporting role in the 2008 Speed Racer film as a racer-turned-commentator who is an icon and hero to Speed. He also appeared in the two-parter in Knight Rider (2008) as the father of FBI Agent Carrie Ravai, and co-starred as the father of the lead character on Being Mary Jane, which has aired on BET since 2013.

In 2019, Roundtree co-starred in the comedy film film What Men Want, and returned to the role of John Shaft in Shaft, a sequel to the 2000 film, opposite Samuel L. Jackson and Jessie Usher, who portray John Shaft II and John Shaft III, respectively. This time, Roundtree's character was described as Jackson's character's father, while acknowledging that Roundtree had pretended to be Jackson's Shaft's uncle in the 2000 movie. He also starred in the movie, Family Reunion in 2019.

Roundtree was married and divorced twice and had five children. His first marriage was to Mary Jane Grant, whom he married on November 27, 1963. Roundtree and Grant had two children before divorcing in December 1973. He dated actress and TV personality Cathy Lee Crosby shortly thereafter. Roundtree later married Karen M. Ciernia in September 1980; together they had three children. Roundtree and Ciernia divorced in 1998. Roundtree was diagnosed with breast cancer in 1993 and underwent a double mastectomy and chemotherapy.

Roundtree died of pancreatic cancer at his Los Angeles home on October 24, 2023, at the age of 81.

My deepest condolences to his family and friends. 🙏🏾❤️🕊

#rest in peace richard roundtree #richard roundtree

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papermoonloveslucy · 1 year

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MOVIES on TV!

Part 3 ~ The Movies of “Here’s Lucy”

In “Here’s Lucy,” Lucille Ball had a new character, a new family, and a new show - but one thing remained constant, her love of movies! Here are some of the movies (real and imagined) of “Here’s Lucy.”

~FACTUAL FILMS~

“Lucy and Carol Burnett” aka “The Unemployment Follies” (1971)

Carol and Lucy stage a tribute to Hollywood using unemployed actors. The films mentioned and/or feted include:

TO HAVE AND HAVE NOT (1944)

BLUE ANGEL (1930)

CASABLANCA (1942)

42ND STREET (1933)

THE WIZARD OF OZ (1939)

SINGIN’ IN THE RAIN (1952)

ROSE MARIE (1954)

The set is decorated with posters from:

HOLLYWOOD OR BUST (1956)

SAMPSON AND DELILAH (1949)

THE GREATEST SHOW ON EARTH (1952)

SHORT CUT TO HELL (1957)

GONE WITH THE WIND (1939)

UNDER TWO FLAGS (1936)

“Ginger Rogers Comes To Tea” (1971)

Ginger Rogers leaves her purse in a movie theatre where she's gone incognito to see one of her films for the first time. Lucy and Harry discover the purse and hope to get to meet the star in person by inviting her to tea. Instead of working late, Lucy tells Harry that she wants to go to a Ginger Rogers Film Festival. They are showing Tender Comrade (1943) and Flying Down To Rio (1933), two films made at RKO, which eventually became Desilu.

Rogers tells Lucy she has done 73 movies. Rattling off some of Rogers' hits, Lucy adds a sugar cube to Ginger's tea for each title: Top Hat, Roberta, Flying Down To Rio, Follow the Fleet, Shall We Dance, and The Barkleys of Broadway. When Lucy realizes she's put six lumps of sugar in Ginger's tea, Rogers says she only wanted Top Hat and Roberta (two lumps).

Trying to impugn the taste in films of the mystery woman (a disguised Ginger Rogers), Lucy tells her to try back next week and they might be showing Beach Blanket Bingo (1965). This was the fourth of the light comic films set on the California beach starring Frankie Avalon and Annette Funicello.

After dancing the Charleston with Lucy and Kim, Lucy asks Rogers to do a scene from Kitty Foyle, Ginger’s Oscar-winning role. Rogers graciously declines, asking Lucy to become a Katherine Hepburn fan instead!

“Guess Who Owes Lucy $23.50?” (1968)

Lucy loans Van Johnson money to fix his car – but the man turns out to be an impostor. This episode is written for Van Johnson to work in a not-so-subtle plug for their latest film Yours, Mine and Ours (1968) starring Henry Fonda.

VAN IMPOSTER:“I loved working with that kooky redhead.” LUCY: “Personally, I thought she was much too young for Henry Fonda.”

Lucy says she remembers Johnson from his appearance in The Romance of Rosy Ridge (1947). She later tells him she saw the film 17 times! When Lucy is escorted out by the studio guards at Van’s direction, Lucy says that now she’s glad he got court martialed in The Caine Mutiny (1954).

“Lucy and Aladdin’s Lamp” (1971)

When Lucy holds a garage sale, she discovers an old lamp that she believes may be make wishes come true. Lucy pulls out a fur-lined jacket she says was worn by Joan Crawford in Mildred Pierce. The 1945 film won Crawford an Academy Award. Craig says that judging by the shoulder pads she could have worn it in The Spirit of Notre Dame, a 1931 football-themed movie starring Lew Ayres.

“Lucy and Flip Go Legit” (1971)

Lucy takes a temp assignment with Flip Wilson in order to answer his fan mail. When she is caught sneaking into Wilson’s office to ask him a favor, she gets caught and fired. The favor is to appear in a community theatre production of Gone With The Wind (1939) – as Prissy. Lucy plays Scarlett O’Hara, Harry plays Rhett Butler, and Kim takes the role of Melanie Wilkes.

“Won’t You Calm Down Dan Dailey?” (1971)

Lucy gets a job working for Dan Dailey. When he starts to dictate a letter to Paul Newman at Universal Studios, Lucy says she saw Newman on the late show in Winning, a 1969 film about a race car driver.

“Lucy and Rudy Vallée” (1970)

Famous crooner Rudy Vallée is waiting tables to pass the time until his music comes back into style. Lucy convinces Kim to help update his look and sound while Harry gets him a booking at the local teen hangout. When a life-size portrait of Vallée in a raccoon coat is revealed, Vallée says he wore the coat in his first picture, Varsity Hero, a silent picture where critics raved about his singing!

In reality, Vallée’s first film (aside from two shorts playing himself) was The Vagabond Lover in 1929.

“Lucy and Chuck Connors Have a Surprise Slumber Party” (1974)

Harry rents out Lucy’s home for a movie shoot. After causing several re-takes, Lucy is banished from her own home. When she returns early, she doesn’t know that Chuck Connors is staying overnight – in her bed!

Jerry, the film’s director, tells Chuck that his film Good Morning, Miss Dove starring Jennifer Jones is on television that night. Connors says the film was one of the few times he got to nuzzle something besides a horse. Released in 1955 by 20th Century Fox, the film co-stars Mary Wickes, a frequent guest star on all of Lucille Ball’s sitcoms. It also features Jerry Paris, who directed two episodes of “Here’s Lucy” before being fired, and Robert Stack of Desilu’s “The Untouchables.” Other “Lucy” alumni in the film include Herb Vigran, Hal Taggart, and Arthur Tovey – all appearing uncredited.

“Lucy Meets the Burtons” (1972)

The hotel manager tells Burton that the back door is mobbed by the Elizabeth Taylor Fan Club – Glendale Chapter. Membership to the club requires seeing National Velvet 10 times! National Velvet (1945) was made when Taylor was just twelve years old.

“Lucy’s House Guest, Harry” (1971)

As Harry is finally is finally about to leave, Lucy has a horrible thought: what if he is like Sheridan Whiteside in The Man Who Came to Dinner and falls on his way out and must stay with them even longer? The play, by George S. Kaufman and Moss Hart, opened on Broadway in 1939. It starred Lucille Ball's good friend (and “Here's Lucy” performer) Mary Wickes as Nurse Preen. Wickes was one of several actors who recreated their roles in the 1942 film adaptation.

~FICTIONAL FILMS~

“Lucy, the American Mother” (1970)

Craig makes a film about Lucy, a typical American mother. During the episode, Kim does impressions of Katharine Hepburn in Stage Door (1937), a film that also featured Lucille Ball, Maurice Chevalier in Innocents of Paris (1929), and Bette Davis in The Great Lie (1941).

The title of Craig's movie will be “A Day in the Life of My Mother.” When Lucy can't seem to act natural in front of Craig's camera, she suggests he get someone else to play his mother; someone like Raquel Welch, Carol Burnett, or Don Knotts.

~FILM INSPIRATIONS~

“My Fair Buzzi” (1972)

Kim’s shy and awkward friend Annie (Ruth Buzzi) comes out of her shell in order to audition for a 1920s revue, only to find the director was looking for someone shy and awkward in the first place! The episode title and story of transformation were inspired by the 1956 Broadway musical and 1964 film My Fair Lady, which, in turn, was inspired by George Bernard Shaw’s Pygmalion. Both are mentioned in the dialogue of the episode.

“Dirty Gertie” (1972)

Lucy gets a surprise fruit basket and heads downtown to share her good fortune with her hairdresser. On the street she is mistaken for Dirty Gertie, an apple peddler who just happens to be the good luck charm of a local gangster. This episode was inspired by the 1961 Frank Capra film Pocketful of Miracles in which Bette Davis played Apple Annie, a poor woman reduced to selling apples on the street. The film featured previous “Lucy” co-stars Edward Everett Horton, Jay Novello, Ann-Margret (film debut), Sheldon Leonard, Jerome Cowan, Fritz Feld, Ellen Corby, Benny Rubin, Hayden Rorke, Bess Flowers, Vito Scotti, Bert Stevens, Arthur Tovey, and Romo Vincent.

“Lucy Runs the Rapids” (1969)

The Carters take a road trip in a camper. The episode opens with the soundtrack playing “Breezin’ Along”, the theme song from The Long, Long Trailer (1954), a film starring Lucy and Desi as a couple honeymooning in a trailer.

~FILM FAKES~

“Lucy Cuts Vincent’s Price” (1970)

Price is filming a new horror film titled Who’s Afraid of Virginia’s Wolfman? He says it has the best title since he starred in The Giant Chihuahua That Ate Chicago.

~FILM REFERENCES~

“Lucy, the Cement Worker” (1969)

In Pierre’s the knife thrower’s studio, there is a handbill on the bulletin board for ‘Cherokee Jim’s Rodeo and Wild West Show’, which is a direct reference to the 1945 film Incendiary Blonde starring Betty Hutton as Texas Guinan. The film was directed by George Marshall for Paramount, the same director and studio producing this episode of “Here’s Lucy” 25 years later!

“Lucy in the Jungle” (1971)

When Harry sees baby chimps Fido and Rover, he reminds Lucy and Kim that King Kong started out as a baby, too! King Kong, Hollywood’s tale of a giant ape, was first filmed in 1933, then re-made in 1976 and 2005. Fay Wray, one of the stars of the original film, also made The Bowery that same year, one of Lucille Ball’s first films.

“Lucy and the Ex-Con” (1969)

Lucy and Rocky (Wally Cox) go undercover as little old ladies to catch a crook. When Lucy and Rocky pass out (as planned) one of the crooks says to the bartender “Give me a hand with arsenic and old face.” Arsenic and Old Lace is a 1944 film where two elderly spinsters serve lethal glasses of elderberry wine to unsuspecting older gentlemen and bury them in their basement!

“Lucy and The Generation Gap” (1969)

Lucy and Uncle Harry help Kim and Craig stage the school musical. In the first act of the musical set in ancient Rome, Lucille Ball is reading a magazine called 'Roman Scandals’. Roman Scandals is also the title of Lucille Ball’s uncredited film debut in 1933.

“Lucy and Shelley Winters” (1968)

Hired to watch over dieting movie star Shelley Summers. On the mantle of Summers' apartment is a photo of a svelte Shelley Winters from the 1950 film Frenchie. She glances guiltily at the photo when she is about to overeat.

“Lucy Carter Meets Lucille Ball” (1974)

Although Lucille Ball's dressing room wall is lined with photographs of Mame and the soundtrack plays the title tune by Jerry Herman, the name of the movie is never specifically mentioned. The film was given its world premiere on March 7, 1974 three days after this episode first aired, and released nationally three weeks later. As Mame, Lucy failed to ‘charm the husk off of the corn.’

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celebritydecks · 7 months

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Grace Van

Grace Van Patten Movies and TV Shows, Wiki, Biography, Boyfriend, Age, Height, Net Worth

American actress Grace Van Patten has built a name for herself in the industry through a variety of roles that have left a deep effect on audiences. This article explores Grace Van Patten’s remarkable life and career, highlighting her notable accomplishments, personal life and much more.

Grace Van Patten Wiki / Biography

Grace Van Patten was born in New York City, USA, on November 21, 1996. She was born into a family with deep connections to the world of entertainment. As the eldest of three daughters of director and producer Timothy Van Patten, Grace was destined to have a unique path in the industry. Her family tree is adorned with notable actors, including her uncle, Dick Van Patten, and Talia Balsam, an actress, is her cousin and the daughter of Joyce Van Patten.

Early Career

She made her television debut on the crime drama series “The Sopranos,” which her father directed, when she was only eight years old. Her early talent was displayed in her role as Ally, the gangster’s daughter.

Grace made an appearance in “Boardwalk Empire,” another series her father directed, in 2014.

She declined admission to the University of Southern California, choosing to perform in New York City and enroll in psychology and philosophy classes at a community college. When she was offered a job during the academic year, she postponed the classes.

The Silver Screen Beckons

Her role as Ellie in her debut, Netflix romantic comedy “Tramps,” which had its world premiere at the 2016 Toronto International Film Festival, was one of her defining moments. As she took on roles in films like the criminal drama “Stealing Cars” and the horror thriller “Central Park,” her skills continued to shine.

Grace played Eliza in Noah Baumbach’s comedy-drama “The Meyerowitz Stories (New and Selected),” which premiered at the 2017 Cannes Film Festival. Her performance in the movie as a sexually explicit short-film maker student at Bard College demonstrated her range as an actress.

Grace Van Patten made her stage debut in the Off-Broadway production of “The Whirligig” by Hamish Linklater by The New Group. With performers like Zosia Mamet, this marked her entry into live performances.

Grace’s career in film continued when she co-starred with renowned actors Glenn Close, John Malkovich, Patrick Stewart, and Minnie Driver in the romantic comedy “The Wilde Wedding” in 2017.

Breakthrough Roles

Grace Van Patten’s flexibility as an actress was shown when she co-starred in David Robert Mitchell’s murder thriller “Under the Silver Lake” with prominent actors such as Riley Keough and Andrew Garfield.

Variety magazine named Grace one of the “10 Actors to Watch” in 2017, recognizing her enormous skill and strengthening her place in the industry.

She made a strong acting debut in the fall of 2018 as Joan of Arc opposite Glenn Close in “Mother of the Maid” at The Public Theater. She continues to play a variety of roles including the lead opposite Jovan Adepo in Kerem Sanga’s drama “The Violent Heart.” in 2020.

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littlemissidontcare · 1 year

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Please. Margo comes from money and spent more time on vacation than she did working when she dated Seb. Just because she’s an immigrant doesn’t mean she is poor and has a work ethic. People forget she did CA multiple times. Posted herself wearing Native America headdress in IG and laughed at people who called her out for it /// Well, first of all, it was a pic of her in a headdress, which is bad, but it was literally just her wearing it, no party, no full face paint, no offensive captions full of slurs. It’s still CA and still bad but just never on the level of Alejandra. I legit don’t remember her laughing at people or even people calling her out for it. They did however called her out for wearing a fur hat, which she was adamant to keep. And what you say did CA multiple times? When was that? Native headdress is one. That’s it. Her work ethic... yep, she wasn’t anywhere near the level of the workaholic Seb, despite that however she worked a lot. First of all, during her rs with Seb (in a span of 2 years), she did multiple acting workshops, which your precious AW is so above, she filmed 2 tv shows, at least 4 movies 2 of which ended up at Sundance. Already more than AW did in the last 2 years. She filmed 2 shorts for which she got some awards as the best actress and filmed a music video for a suicide awareness. Did AW ever do that? Did AW ever get any awards for her acting? Genuinely asking btw. Anyway, Margo ended up getting her role in The Deuce while still with Seb and he helped her film her audition tape after which she immediately cut their trip to London short to go back to in person audition. Just a few months after their breakup, she did an off broadway performance, ended up getting another longer off broadway play, filmed another movie, got some festival notices, got a part in a charity HBO monologue project, got her own TV show on Netflix in which she was THE LEAD in and the shoot was almost 6 months long, got another co-lead in a mini-series, filmed that, had 2 photoshoots, had multiple auditions, went back to London and did the promo for the mini series and now got 2 roles in 2 big franchises, one of which she’s currently filming in England. That to me sounds like WAY more than what AW did in the past year or 5. Margo’s vacations weren’t even so slumped together the way it always is with Alejandra who works for 3 days and then immediately goes to spa and vacations. I can recall just 2 proper vacations she’s had while in a rs with Seb (Mexico and Italy for his bday) all of which happened in 2014 and 2015. She started going on vacations more after their break up. I remember the issue with her being not working as much as he was, not even going some place. She was also actively involved in the charity in which SHE did something rather than asking people to do something. She read to the elderly every other month and visited children charities and actually spent time with them teaching them acting and dancing stuff. When was the last time AW did something like that? Oh yeah, she was at the donation location of Pine’s supported charity in 2020. Good for her. I’d ask whether she’d be there without him but I think we all know the answer.

👏🏼👏🏼👏🏼👏🏼👏🏼

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jay-michaels-public-relations · 1 year

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ATAwrights: The American Theatre of Actors Playwrights’ Festival presents two short plays in world premiere

ATAwrights: The American Theatre of Actors Playwrights’ Festival presents two short plays in world premiere: The North Forty written & directed by ATA founder and member of the original Off-Off Broadway Movement, James Jennings, featuring James Gavin, Amy Losi, and Jonathan Power. A disgruntled man from middle America rages about Russia and Ukraine. The appearance of his grandson creates a very…

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pianomains · 2 years

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Frederic fekkai soho

FREDERIC FEKKAI SOHO FULL

She will make you feel at home and at ease in her chair, while filling you in on all things hair and Astoria. THE FORMER FACTORIES OF WEST SOHO ARE NOW LIKELY TO HOUSE MEDIA AND TECH COMPANIES AS UPSCALE COCKTAIL BARS AND MODERN HOTELS CONTINUE TO DEBUT IN THE AREA. She is an active participant with Mom Ally and is always in “the know” of Astoria life. Christina being a native to Astoria is a firm believer in giving back to her community. When she is not in the salon she is a devoted wife and mother of 3. Christina specializes in foils, having the ability to create any look with this technique. Christina’s hair cutting and styling education also continued and was enhanced under the direction of Crush Studio Founder, Chris. Post School she began her apprenticeship for color under Fekkai Alumni colorist, Gary Wagner. You can pull off a short bob like Kylie if: - you have a oval or heart-shaped face. you like to play with colour in your hair and have ombre or balayage. at the CHANEL Tribeca Film Festival Artists Dinner, at Balthazar in Soho in. At 17 she decided to harness her raw talent into an official career and enrolled in cosmetology school. A Khloe-esque lob will suit you if: - you have a round or square face shape. NEW YORK, NY - September 05, 2019: Frederic Fekkai attends The Daily Front. Her weekends were filled doing hair for all her friends and their referrals. By the time she was 14 she was in high demand. Fekkai Soho About FEKKAI was founded by Frédéric Fekkaia legendary authority in style and beauty, and the originator of Salon Hair Gone Clean. Try the espresso bar, use the Wi-Fi and enjoy food and drink from. Kenji enjoys working with his clients in the salon, as well as numerous models and renowned celebrities on photoshoots and even Fashion Week.At the young age of 12, Tina began channeling her creative endeavors by cut and coloring her friends hair. Frédéric Fekkai Health and beauty Soho Time Out says The UES’s Frédéric Fekkai Salon has made the inevitable expansion to Soho. (Photo by Billy Farrell/Patrick McMullan via Getty Images) Get personalized pricing by telling us when, where. Today Kenji works at '“The Salon at Bergdolf Goodman” as top stylist and educator. Let your personality shine with a trendy cut and color from one of the trained stylists at New Yorks Frederic Fekkai-Soho. NEW YORK CITY, NY - FEBRUARY 15: Serena Nikkhah and Olivia Palermo attend THE CINEMA SOCIETY & FREDERIC FEKKAI host the after party for 'GRAY MATTERS' at Frederic Fekkai Soho & Barolo Restaurant on Februin New York City. Kenji followed his soul and started working at Frederic Fekkai in 2009 as top stylist and educator until May 2019. Kenji helped to build Salon Wave from ground up. Without a word of English, Kenji relocated to U.S, equipped with little more than his Scissors and a Smile. Dreaming of SoHo, the charming neighborhood thats home to our downtown salon. If your looking for Consumer Services in New York City, New York - check out. 7 P.M., FRéDéRIC FEKKAI SOHO, 394 WEST BROADWAY Jodi Jordan, 22, a kindergarten teacher in Manhattan, was having her. In 2005, Kenji received the opportunity of a lifetime to join the opening of new hair salon in NY as director. Frederic Fekkai Salon is located at 394 West Broadway New York City, NY 10012. Here are snapshots of the evening beauty scene in Manhattan last Friday.

FREDERIC FEKKAI SOHO FULL

Today, Kenji has made a full recovery.Īt the time, Kenji drop out of university to purse his dream becoming hairstylist -quickly building a solid reputation among numerous Japanese celebrities, actor and models at one of well-known high-end salon “ZACC” in Tokyo. Kenji, being the relentless man he is, disagreed. The doctors told him he would be never walk again. Kenji had a terrible accident that damaged his spiral cord and left him paralyzed. While studying at Kitakyusyu University and working as a part-time assistant at a salon. starting his journey at just 19 years old. For 20+ years,Kenji has been making waves in the NYC hair industry.

#Frederic fekkai soho

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writemarcus · 2 years

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Joshua Harmon Announced as Honorary Festival Playwright of Samuel French's Off Off Broadway Short Play Festival

The top 30 playwrights will be narrowed down to 10-12 finalists, from which six will be selected.

by Chloe Rabinowitz Jul. 28, 2022

Samuel French's Off Off Broadway Short Play Festival has announced that Joshua Harmon (Prayer for the French Republic) is this year's honorary festival playwright.

The distinguished lineup of judges will include playwrights Dennis A. Allen II, Eboni Booth, Karen Hartman and Bryna Turner, along with Executive Director of National New Play Network Nan Barnett, dramaturg Ken Cerniglia, Artistic Director of New Dramatists Emily Morse, Artistic Director of City Theatre Miami Margaret M. Ledford, Artistic Director of Classic Stage Company Jill Rafson, Associate Artistic Director at Playwrights' Realm Alexis Williams, and Associate Artistic Director at Playwrights Horizons Natasha Sinha.

This year's top 30 playwrights were chosen from over 650 submissions around the world. They will present their plays during a week-long festival August 16-20 at the Peter Jay Sharp Theater in New York City (416 W 42nd St, 4th Floor). These will be narrowed down to 10-12 finalists, from which six will be selected to be licensed for future productions and published in an anthology of short plays that will become the 47th edition of the Off Off Broadway Festival Plays series.

Presale tickets are available through Sunday, August 14 at $20. Tickets will be available Monday, August 15 through Saturday, August 20 online and at the door for $25. The Festival will also be offering a $90 Festival Pass. This pass gains the holder access to the first four nights of the Festival, allowing them to see all 30 productions at a 55% discount. For tickets and a complete performance calendar, click here.

THE 47TH SAMUEL FRENCH OFF OFF BROADWAY SHORT PLAY FESTIVAL FINALISTS

Thank You, Porcupine by Aurora Behlke The Very Furious Kugel by Clare Fuyuko Bierman Duckass by Dan Caffrey SYZYGY by Rachael Carnes American Made by Christin Eve Cato Big Red Button by Jay Eddy Too Much Lesbian Drama: One Star by Jessie Field How My Grandparents Fell in Love by Cary Gitter Chemistry by Ben Holbrook Georgia Rose by Onyekachi Iwu Domestic Help by Julianne Jigour Blocked by Jay Koepke We Jump Broom by Mildred Inez Lewis f by Ignacio Lopez Validation by Daphne Macy Toxic Norse-culinity by Matthew McLachlan Leaf Hunters by Megan Chan Meinero Bugs by Alex Moon The Pros and Cons of Implosion by R. D. Murphy Shark Week by Erika Phoebus if all that You take from this is courage, then I've no regrets by Nicholas Pilapil Railroad Homes by Jackson Pounds We're All Girls Here by Roni Ragone Big Happy Days by Anya Richkind Wookiees in the Wilderness by Marcus Scott Beautiful People in a Living Room Doing Nothing by Alec Seymour You Will Neva Enter Our High Holy Land of Blackness-HIYA! by Cece Suazo Scary faces happy faces by Danny Tejera The Vagina Read by Amy Tofte The Black & White Minstrel Show by Wind Dell Woods

Originating in 1975, the OOB Festival is one of Samuel French/Concord Theatricals' primary initiatives to introduce the next wave of emerging playwrights. These include Audrey Cefaly, whose full-length version of her 40th OOB Festival-winning play The Gulf won 2018's Lambda Literary Award in the category of LGBTQ Drama, and Martyna Majok, whose play The Cost of Living (originally produced as part of 39th OOB Festival as John, Who's Here from Cambridge) won the 2018 Pulitzer Prize for Drama. Other notable past participants include Bekah Brunstetter, Gloria Calderón Kellett, Sheila Callaghan, khat knotahaiku, Gracie Gardner, Jeremy O. Harris, Shirley Lauro, Theresa Rebeck, Jen Silverman and Steve Yockey.

To stay up to date with all Festival information, follow @OOBFestival on Twitter, facebook.com/oobfestival, and #OOBFestival on all social platforms.

BIOGRAPHIES

SAMUEL FRENCH is proud to have served as a leader in theatrical publishing and licensing for over 180 years. Its catalog features some of the most acclaimed work ever written for the stage and titles by writers at the forefront of contemporary drama. In December 2018, Samuel French became part of Concord Theatricals. With a growing staff of unparalleled experts, Concord Theatricals continues to support and expand Samuel French's ethos of championing playwrights, innovating in the industry, and celebrating all those who create theatre around the world.

Concord Theatricals is the world's most significant theatrical company, comprising the catalogs of R&H Theatricals, Samuel French, Tams-Witmark and The Andrew Lloyd Webber Collection, plus dozens of new signings each year. Our unparalleled roster includes the work of Irving Berlin, Agatha Christie, George & Ira Gershwin, Marvin Hamlisch, Lorraine Hansberry, Kander & Ebb, Ken Ludwig, Lin-Manuel Miranda, Dominique Morisseau, Cole Porter, Rodgers & Hammerstein, Thornton Wilder and August Wilson. We are the only firm providing truly comprehensive services to the creators and producers of plays and musicals, including theatrical licensing, music publishing, script publishing, cast recording and first-class production. concordtheatricals.com

Joshua Harmon's plays include Bad Jews, Significant Other, Admissions, Skintight, and Prayer for the French Republic. His plays have been produced on Broadway and the West End; Off-Broadway at Roundabout Theatre Company, Lincoln Center Theater and Manhattan Theater Club; across the country at Geffen Playhouse, Speakeasy, Studio Theatre, Theater Wit, About Face, Actor's Express, and The Magic, among others; and internationally in a dozen countries. He is a two-time MacDowell fellow and an Associate Artist at Roundabout. Graduate of Juilliard.

#Joshua Harmon #Samuel French OOB Festival #Samuel French's Off Off Broadway Short Play Festival #Samuel French Off Off Broadway Short Play Festival #Samuel French OOB Short Play Festival #Concord Theatricals #Marcus Scott #MarcusScott #WriteMarcus #Write Marcus #Wookiees in the Wilderness #Peter Jay Sharp Theater #Playwrights Horizons

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zillapiner · 2 years

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Jean smarts children

#JEAN SMARTS CHILDREN PROFESSIONAL#

#JEAN SMARTS CHILDREN SERIES#

#JEAN SMARTS CHILDREN TV#

Smart was later cast in a leading role as Charlene Frazier Stillfield on the CBS sitcom Designing Women, in which she starred from 1986 to 1991. After beginning her career in regional theater in the Pacific Northwest, she appeared on Broadway in 1981 as Marlene Dietrich in the biographical play Piaf. “Our favorite thing in the world,” she says, “is to make each other laugh, and make other people laugh.Jean Elizabeth Smart (born September 13, 1951) is an American actress. And her Hacks co-star Einbinder always gets her going. And as the three of them are finding their new normal as a family, Smart is finding new ways to laugh.

#JEAN SMARTS CHILDREN TV#

I mean, I’m gonna have my children, obviously, but they have their own lives.” Her older son, Connor, is interested in film and TV sound editing, her younger just got accepted to a great high school. “I just assumed we would grow old together, and now I feel like I’m just going to grow old alone. Losing her husband “was so shocking on so many levels,” she says. “A million years ago, I had two separate psychics tell me I was gonna live to be 98, so I’ve decided I’m going to live to 98. “What are you, nuts?” She says old age was foretold to her, sort of.

#JEAN SMARTS CHILDREN PROFESSIONAL#

So now that she’s hitting her professional prime, what else is good about being 70? “Ha ha! Nothing!” She cackles. “I felt like the universe was rewarding me for being true to myself.”

#JEAN SMARTS CHILDREN SERIES#

About 24 hours later, she was asked to audition for the juicy role of a crime matriarch in the second season of Fargo, the gritty FX TV series inspired by Joel and Ethan Coen’s hit 1996 movie. So after much deliberation, she decided to pull out. The deal put her on hold for over a year and a half, and production still hadn't begun. “I wasn’t getting offered things or auditions.” She took on a role she wasn't crazy about for a comedy pilot. “Then I went through a little dry spell,” she says. The two were married for 34 years, until Gilliland passed away suddenly last March.įollowing five successful seasons on Designing Women, Smart made the most of the next two decades, winning Emmys for a recurring guest role on Frasier and as a regular on Samantha Who? and nabbing Emmy nominations for her role on 24. So the producers said, ‘Will you come back whenever there’s a critic here? You got the audience going!’” She and Gilliland wed in 1987, at her co-star Dixie Carter’s rose garden in Hollywood. It was not a great play, but I’m a good laugher. “He would riff on something to the point where I was gasping for air, you know? He had that kind of mind.” She asked him for help with a crossword puzzle he invited her to see a play he was doing, “and I went to see it three times. Smart met her husband, actor Richard Gilliland, when he played Potts’ character’s boyfriend on the show. She recalls how she and her co-stars ( Dixie Carter, Delta Burke and Annie Potts) “would get weird questions from reporters, like, ‘Oh boy, what’s it like with four women on a set together?’ I finally said to one guy, ‘Would you ask the guys on Barney Miller that question?’” “There really wasn’t a show like that,” Smart says of the series about strong Southern belles running their own interior design firm. She thrived in the spotlight, performing in the Oregon Shakespeare Festival, regional theater and on Broadway, then was off to Hollywood, where she secured guest spots and short-lived series roles-until she broke out playing sweet-but-scattered Charlene Frazier from 1986 to 1991 on the hit sitcom Designing Women. But drawn to the stage during her senior year of high school, she decided to major in drama at the University of Washington. Smart initially saw herself pursuing a service career, perhaps in nursing, social work or veterinary medicine. Her mother, Kathleen, was a homemaker and a seamstress who would make beautiful clothes for her kids her father, Douglas, worked as a high school history teacher and took on extra jobs selling encyclopedias door-to-door, painting houses and teaching night school. Her parents, who served in World War II, were both funny and taught her a strong work ethic.

#Jean smarts children

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luxebanana · 2 years

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Famous movie scripts pdf

#FAMOUS MOVIE SCRIPTS PDF FULL#

And it’s a damn good one.ġ man, any ethnicity. Paul has a reason why he was caught with the frog in the blender. But can he prove it?ġ man, any ethnicity. Premiered at The Manhattan Project, 2015. Let the pierogies fly.Ģ Women, African-American. Her sister Cherisse is here to shut that down. Laquanda desperately wants in on Polish holiday Dyngus Day. “Coble has the most astonishingly accurate – and wicked – eye and ear on society and it’s foibles of any current writer” “Wildly funny and poetic.” - Akron Beacon Journal “Enormously entertaining and insightful” - Cleveland Jewish News “This inspiring and often mind-altering show takes the audience on a journey of soul-searching and ‘site-seeing’, and the surprising result is a sense of warmth and safety rather than one of cold and continual defeat” - Sun Press “Giddily invigorating and hilarious” – Scene Magazine “Delicious, entertaining… Writ larger, this is a play about how we as people get along in the crucible in which we find ourselves: Home.” - Cleveland Plain Dealer The pieces can be performed separately or as one full-length play. Each play is set in an iconic area (“the hospital”,”the graveyard”, “the nightclub” etc.), so that dialogue can be changed to fit any city as needed. Premiered at Contemporary American Theatre Company, 2002.Ī collection of ten 10-minute plays following a day in the life of a major city – in this case, Cleveland, OH. What could go wrong?ġ man, 1 woman, 2-3 extras. “Very funny… a suitable refuge from home life” - Columbus DispatchĪ couple. Premiered at Contemporary American Theatre Company, 2004. Two haggard businessmen stumble into their hotel room after a disastrous meeting, only to discover they’re in the middle of a televised hostage crisis.Ģ men. “Smart, funny shows that channel the neurotic anxiety of a culture crumbling onto its own ideals and convert it into humor and laughs” - NYTheatre McBuffer are happy to sell you theatre memorabilia from the gift shop… or at least Sammy is. Performed at the New York Fringe Festival, 2005. Premiered at Actors Theatre of Louisville Humana Festival 2005. “Truly moving without being saccharine… a beautiful exploration of what we all need at the end of the journey” - Scene MagazineīE ASTOUNDED by the Amazing Krispinsky in his ULTIMATE FEAT OF DAREDEVILTRY as he heroically, death-defyingly, mind-numbingly attempts his GREATEST ACT OF ESCAPE EVER! But can even he wriggle free… from… HIS OWN LIFE? Premiered at Great Lakes Theatre Festival, 2005. A song by Duke Ellington reveals a new opportunity.Ģ women. “In the whimsical, wry ‘Haunted’, Coble has created some long-needed theater ghosts, but to name them would undercut the surprise” - Columbus DispatchĪ woman stops in to see her almost comatose mother in a nursing home. Premiered at Contemporary American Theatre Company, 2006. “Coble neatly reverses gender roles in this light and tasty play” - Cleveland Plain DealerĪn actress prepares to step onstage in a tiny role, only to be visited by four very unfriendly theatrical spectres…ġ woman, 4 actors of either sex.

#FAMOUS MOVIE SCRIPTS PDF FULL#

“‘Writing in the style of true farce, Coble penned a hysterically funny script, full of overblown characters, each one with a secret to hide, which are revealed through slips of the tongue and acting double-takes” - Cool Cleveland Premiered at Dobama Theatre, 2009 Samuel French Off Off Broadway Short Play Festival, 2009. “You’ll shoot your eye out” takes on a whole new meaning….Ĭivilization will be undone by the seven most frightening words in the English language: “Human Resources needs to talk to you.”Ģ men, 2 women. “A CHRISTMAS STORY” (ADAPTED BY QUENTIN TARANTINO)Ī 10 minute stunningly violent, profane, and verbose retelling of everyone’s favorite pink-bunny-clad boy. Premiered at Cleveland Public Theatre’s “Station Hope”, 2017. Two people set out to have a truly deep personal discussion about race… if they can ever get through the pre-talk about talking about race.Ģ actors (male or female), one black one white.

#Famous movie scripts pdf

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lboogie1906 · 2 years

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David Alan Grier (born June 30, 1956) is an actor and comedian. He is known for his work on the sketch comedy television show In Living Color, as Bernard on Damon (1998), as David Bellows on Life with Bonnie (2002–2004), as Joe Carmichael on The Carmichael Show (2015–2017), as Hal on A Series of Unfortunate Events (2018), and for his movie roles such as Roger in Streamers (1983), Carl Bentley in Jumanji (1995), and Jim Fields in Bewitched (2005). He graduated from Detroit's magnet high school, Cass Tech, and received a BA in Radio, Television, and Film from the University of Michigan, and an MFA. from the Yale School of Drama. He was singled out by visiting lecturer, Rachel Roberts, performing for her one night in a piece entitled The Place of the Spirit Dance. After graduating from Yale, he landed the role of Jackie Robinson in the short-lived Broadway musical The First. He was nominated for a Tony Award for Best Featured Actor in a Musical and won the Theatre World Award for The First. He got his start on the National Public Radio radio drama adaptation of Star Wars in 1981. He was the voice of a nameless X-wing fighter pilot during the Battle of Yavin. He starred as James "Thunder" Early in the hit Broadway musical Dreamgirls. He made his film debut in 1983 in Streamers, directed by Robert Altman. He won the Golden Lion for Best Actor at the Venice Film Festival for the film. He appeared in the Negro Ensemble Company production A Soldier's Play and reprised his role in the film version A Soldier's Story. He appeared as a geology professor at Hillman College in A Different World. In January 2020, he returned to the stage for the Broadway production of A Soldier's Play, this time playing Tech Sergeant Vernon C. Waters, the role originated by Adolph Caesar in the off-Broadway production. For this role, he won the Tony Award for Best Featured Actor in a Play. #africanhistory365 #africanexcellence https://www.instagram.com/p/CfbRwtfONkAN9cPhQw2kf8khwssjzCem2ohzsw0/?igshid=NGJjMDIxMWI=

#africanhistory365 #africanexcellence

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august-and-clouds · 3 years

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Highlights from Dave's Instagram Live🐸

A short compilation of the funny moments from Dave's live (5 Nov 2021). The full playback can be viewed from @/mischiefcomedy Instagram's IGTV. Few notes from the wonderful 30 minutes live:

More Mischief Makers (podcast) confirmed! He's currently in meeting with the producers and is hoping to bring on the new cast members and behind-the-scenes crew from Mischief productions

He's on a swivel chair

He's still sometimes referred to as the Snap Snap Guy 🐊

Sometimes people stare at him on the tube (subway/train) and he thinks it's because they think he's Matt Smith (11th Doctor from Doctor Who) or someone famous

He doesn't think that he's famous and thinks that the 200-300 of live viewers are simply there out of kindness

There MIGHT be more Mischief Movie Nights Ins

He uses Pomade(?) for his hair

No future plans for Doctor Frog :(

He's a cat person 🐱

Don't know whether they (Mischief) will be doing pantomime plays in the future, although he hopes to

He shaved his hair once in drama school (completely bald), and it looked like a dome. He doesn't think he suits it so he's not going to do it again

Games he's currently into right now: Apex Legends and Kena: Bridge of Spirits

A games he loves: Titanfall 2

He didn't really answer the question about his favourite Final Fantasy VII character, although he did mention Cloud

He got into parkour because it looks cool on TV

His parents got two sweet kittens

Henry Lewis wrote Doctor Frog and the back-and-forth bit by Max and Chris with the money bits in Harper's Locket

He loves penguins!!! He love their silly faces 🐧🐧🐧

What he likes about playing Max: he gets to be silly and play with the audience

He played D&D before, and advises everyone to give it a go

His Robert Grove impression sounds like Attenborough(?) according to him

He watched a Broadway show of The Play that Goes Wrong and complimented that the American actors are extremely hardworking people and that their British accents come from a variety of places

He thinks a (toy) plane can take off from a treadmill

No disagreements to Robert Grove's actor ranking in his master class from 'The Cornley Drama Festival Part 1'

He wishes everyone a great fireworks night 🎆

youtube

#mischief #mischief comedy #mischief theatre #the goes wrong show #dave hearn #mischief movie night in #i love the filters bit the most #dave the gamer #instagram live #max bennett #no more doctor frog :(#Youtube

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celebritydecks · 7 months

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Grace Van Patten Movies and TV Shows, Wiki, Biography, Boyfriend, Age, Height, Net Worth

Grace Van Patten Wiki / Biography

Early Career

Grace made an appearance in “Boardwalk Empire,” another series her father directed, in 2014.

The Silver Screen Beckons

Grace’s career in film continued when she co-starred with renowned actors Glenn Close, John Malkovich, Patrick Stewart, and Minnie Driver in the romantic comedy “The Wilde Wedding” in 2017.

Breakthrough Roles

Variety magazine named Grace one of the “10 Actors to Watch” in 2017, recognizing her enormous skill and strengthening her place in the industry.

Recent Roles

She portrayed Ana in the Karen Cinorre-directed film “Mayday” in 2021. She also played Zoe in the Hulu television series “Nine Perfect Strangers” that same year.

She plays the part of Lucy Albright in the American drama web series “Tell Me Lies” in 2022. Meaghan Oppenheimer created the series, which is based on the same-titled 2018 novel.

Personal Life

Grace’s personal life also attracted interest as her career took off. Jackson White and Grace Van Patten announced their romance in a series of romantic photos at the 2022 CFDA Awards, confirming their partnership.

Grace Van Patten’s Net Worth

Grace has prospered financially as a result of her great career. As of October 2023, her estimated net worth is a staggering $2 million. Her acting career is, of course, her main source of money.

Impressive Height

Grace Van Patten is a tall woman with a height of 5 feet 9 inches (1.75 meters). She clearly benefits from her stunning presence in her performances.

Top Interesting Facts

Working with prominent actors like Adam Sandler, Ben Stiller, and Kirsten Dunst has given Grace the opportunity to further establish her reputation in the field.

Grace has an ability for playing musical instruments, such as the guitar and piano, in addition to her acting skills.

She routinely contributes her voice to defend the welfare of animals because she is an animal rights activist.

Grace frequently chooses simple makeup looks that beautifully enhance her features, highlighting her natural beauty.

She has worked with renowned directors like Cary Fukunaga, David Robert Mitchell and Noah Baumbach.

Grace has an immense love for sports despite the fact that acting is her main hobby. Since she was a young girl, she has maintained a keen interest in basketball and volleyball.

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ozzo-the-wozzo · 2 years

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Hi I'm sorry if this comes as too invading but I'm kinda curious about your crush. What happened between you two for you to misjudge him? How is like, semi famous? Or what made you lkke him? If you don't mind, a little spotlight on your crush pleaseee?

Anyway feel free to dodge this question if it makes you uncomfortable in any way or if you just don't feel like sharing any kind of personal info! Love ya and have a great day! 💖

Awww you’re ok anon, I feel comfortable in sharing!

It’s a pretty long explanation so look under cut, but it includes a semi-love square hidden identity moment that I never mentioned so 😳

Background

So basically, we are in the same film program of like 28 kids, but last semester we had no classes together. I only knew of him because his name was on my editing computer (we shared it bc you had to share with the other cohort, but I had never seen him before since we were always in the editing lab at different times) and because my classmates that did know him told me about him, saying that he was always talking about his short film and that he has a foot in Hollywood already. Oh, and about that…

What happened for you to misjudge him?/Semi-Famous….huh???

His mom is a very famous Broadway star (wont disclose for privacy LMAO) and his dad has a foot in Hollywood already, and on top of that has already won several festival awards for his films. I also heard that he missed class sometimes to do work. This wouldn’t have been a problem, but the rest of my class made it seem like he always bragged about it and thought he was better than us. This of course painted a VERY bad image of him in my mind, especially since my imposter syndrome was very high at this point and I just thought he was another film bro that would judge me. It also didn’t help that he was friends with this girl that I got pretty weird vibes from.

Lil “secret identity” thing worth mentioning lmao

One day, I saw this very VERY cute boy in the film store and it was like love at first sight. I knew he was a freshman because we were working on the same project but I had no idea who he was since I didn’t catch his name, and he was in and out of my mind every now and then. I really wanted to see him again. You can prolly guess who this ended up being.

Identity reveal LMAO

For production day, I knew my soon to be crush was gonna join us because he missed his production day to work on a set, and I was already rolling my eyes because this would be my first time seeing him and, again, I had a very bad image of him in my mind. Anyway, he shows up on production day and GASP: HE WAS THE CUTE FILM STORE GUY!! These were two VERY different people in my mind and ofc this was a bit of a shock, but since I had no real attachment to my silly little crush, I had no real problem letting it go and just went on resenting him, until…

UMBRELLA SCENE 😳

Our teacher was putting this cute little umbrella on one of the lights to show a way to bounce light, and at this point soon to be crush is standing next to me. I say “aww” at the umbrella very quietly thinking no one would hear me, and he goes “who the hell said aww?” really loudly and made everyone laugh. Ofc no one knew what he was talking about and I laughed along too, but I felt a tad bit embarrassed and was already resenting him more over it. But then he turns to me, and, probably noticing I’m laughing weirdly or something, or that the aww can from right next to him, he asks very silently “wait, was that you?”.

Playing it off for laughs, I give a long “nooooooo” while grinning so that it was obvious it was actually me rather than flat out denying it when it was obvious, and while I was cringing waiting for him to bring all the attention back on him/us, he instead gives a really quiet “oh.” There’s a pause, and after a bit he giggles quietly while turning his head to the side at the umbrella and goes “I guess it is pretty cute, isn’t it?”

Aftermath/me clowning/finally admitting to crush

Now ofc this wasn’t a full turn around, but my eyes definitely widened because I did NOT expect that in the slightest. It made me wonder if I misjudged him, and so I started playing closer attention to him. He turned out to be very sweet and goofy, and when I actually saw one of his films I saw that he had a very similar sense of humor to me.

At this point, my opinion of him changed and I wanted to be his friend next semester (since I knew we were gonna have classes together), but I felt some feelings there that I pushed down and ignored because I was still wary about his fame. Then I see we have an identical schedule next semester, and got ready for that.

My first full class with him, it was basically over for me LMAO. I found out he was very nervous about people bringing up his fame and work outside of him promoting new projects, that he still had the same imposter syndrome freak outs like the rest of us and was just overall very humble. Apparently the class explained that they were just kidding about him always bragging and didn’t realize I didn’t get the joke, and overall he was just such a sweetheart and cute and goofy and, after suppressing feelings for so long, I fell HARD lmao. And yeah, here I am.

SORRY THAT WAS SO LONG LMAO JUST A LOT OF CONTEXT BUT HOPE YOU ENJOYED THAT NOVEL 💀

#CLOWN CLOWN CLOWN 🤡#crush chronicals #new tag LMAO #also now u can see why everyone compares it to the lovesquare I HATE IT HEREEEEEEEE #I’m literally in college. why is his happening NOWWW #asks :0 #mine #ramblings

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scribblingfangirl · 3 years

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WITH LOVE, THE GOSTS | Julie and The Phantoms - Part Three

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Author’s Note: I decided that this fic trilogy occurs a year after the season one final, making Julie and Y/N almost (or already) 17. Also… this part turned out waaay longer than expected. Which is why there is going to be a fourth part because I have one last idea but didn’t want to rush to write it. And to think this all started because of a rushed (haha) 1k Oneshot. I should really start to write more spontaneously, it seems like good things come out of it. Anyway, Enjoy! :D

word count: ~ 3.9k

summary: Even after meeting the boys they still aren’t tired of helping you out and they each have their own little ways to do it.

warnings: // (english is not my first language, not beta-read)

| PART ONE | PART TWO |

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Knowing that ghosts existed was an absurd feeling (even though you had always believed or hoped that there was more out there than just this world, especially with all those planets that had been discovered by NASA), but knowing that there were three certain ghosts that liked you enough to kindly haunt you, well… that was just plain unimaginable somehow. Yet, still less anxiety awakening than you expected.

After Julie let you meet the guys for the first time you thought you were prepared to accept that you would not be able to talk to them unless they played something (after all, you had Flynn to groan about that), but the occasional giggle from Julie and her glances into nothing still sent chills down your spine.

So you started to always look around very suspiciously whenever you were over at her house and make obscene hand movements just to be sure that the boys would move before you walked somewhere or sat down (which just earned chuckles from Flynn and annoyed sighs from Julie - “Just because you can’t see them, doesn’t mean they can’t see you. They know where you are, so please stop, or else my dad will call your parents and send you to Dr Turner as well.” The boys found it hilarious and liked to imitate you whenever they came too close to you.)

The boys also still kept doing little things for you, just not so in secret anymore (though… Reggie was never one for subtlety). Whenever you seemed to have had a bad day (or whenever they just wanted to make you smile) you knew you could count on them having something prepared for you.

You soon discovered that anything related to food (which sometimes were extremely odd and bizarre combinations) was Luke’s doing (except for pizza and meatballs, according to Julie that was always Reggie). And you knew it was Alex whenever it was something more calm and soothing, yet sometimes a little bit clumsy. And whenever it was blatantly obvious and/or slightly weird (in a good way!) it was Reggie.

Well, no. Not always in a good way. One time you came back from school and your whole room was filled with glitter and butterflies and a small note with a little ‘Sorry!’ on it was pinned to your desk - cleaning that had been a pain in the a-. But you couldn’t be angry at Reggie, even though you weren’t quite sure what his ultimate goal would have been.

Speaking of REGGIE...

All those helpful little deeds and nice gestures were always done within the limits of your house (mostly room) or Julie’s house and the studio, which is why you almost let out a loud yelp when suddenly during a math test your pen started to move on his own, filling out the empty space (because yes, you hadn’t been doing very much other than staring helplessly at the paper in front of you). Quickly you grabbed the pen as well (loosely and while trying to ignore the fact that you were practically holding hands with one of the guys) so that nobody would see a floating pen as you did a few weeks ago at Christmas.

From the corners of your eyes, you saw Julie slightly move her head towards you, as if she was listening to you - or rather someone right beside or behind you. ‘Of course. I can’t see them, so the only way to help me is by physically grabbing the pen, but Julie can hear and see them, so they (whoever this is - because let’s be honest, none of the guys really looks like a math genius) only have to tell her the corrects solutions and how to get there. My money’s on Alex.’

You were kind of shocked, and weirdly proud when Julie came up to you after class and said: “Reggie’s not so questionable after all, huh?” (Though… you should’ve guessed it, you did say subtlety wasn’t Reggie’s strong suit.) So you just giggled and shook your head while leaving some of your books in your locker (alongside the fact that Reggie was probably almost (if not!) hugging you from behind - you shuddered at that thought, it’s not like you were already awkward around living boys your age, no need to add ghosts to that list!)

A week later you and Julie entered the studio with blank faces and hanging shoulders. Julie threw a weak little wave towards the piano and sighed while you threw the blankets and snacks you were holding carelessly on the ground and let yourself fall face-first onto the couch, not being able to hide your smile anymore.

“We got our math exams back… yes the one Reggie helped us with.”

You couldn’t see what Julie was doing, but you heard her gasp and whisper “No! Reggie…” after a while. Then she was standing beside you, nudging your shoulder and willing you to sit up, but you didn’t bulge, needing a few more seconds to wipe the smile off your face again.

Faking to disgruntledly accept defeat as Julie’s nudges got stronger (the couch was really comfortable, you totally understood Luke now) you sat up and looked at Julie. “Who’s going to tell them?” you said with a heavy voice and felt how the couch dipped beside you. Raising your eyebrows you quickly glanced to the side (obviously not seeing anybody or anything) and looked back at Julie questioningly.

She nodded, telling you that it was indeed Reggie and gave you the okay to drop the bomb.

You sighed as you turned back around, facing the wall on the other side of the studio and hoped that Reggie would ignore the fact that you were probably talking to his ear or something. “So Reggie… the help you gave us on the math final? Well…,” you couldn’t keep your face straight any longer and jumped onto the couch, “WE ACED IT! I WOULD HUG YOU IF YOU WEREN’T MADE OUT OF CUTE AIR!” (Okay… maybe there was a little bit too much serotonin involved.)

Julie added smiling, “And I’m happy to announce that due to my good grades my father allowed Julie and The Phantoms to play at the upcoming Summer Music Festival!”

A guitar riff filled the studio, followed by a short drum intro and with a ‘puff!’ the boys appeared in front of you, beaming and glowing at the news. Reggie even threw a wink at you when you smiled back and said: “Thank you!”

Don't look down 'Cause we're still rising Up right now And even if we hit the ground We'll still fly Keep dreaming like we'll live forever But live it like it's now or never!

This allowed LUKE…

The music festival was an experience you would never forget. You were very happy Ray managed to persuade your parents to let you accompany Julie (sadly Flynn had no such luck). Not only did you turn 17 and the boys made sure to have the whole crowd sing ‘Happy Birthday’ to you (as soon as you were back home you would add an extra point to your to-do: ‘find out how to kill ghosts a second time’), but the boys rocked the stage and Julie stood up taller and shined brighter than ever before.

Gone (yet not forgotten) were the painful shocks and the fear of never performing again and the serenity of the guys was visible.

It was the last night of the music festival when Julie got the phone call from her father. He would come by to get her the next morning and they would drive directly to visit other family members and spend the rest of the summer holidays there.

Of course, Julie was excited to see her cousins and aunts and uncles again, but she also felt bad to leave you to drive back alone (you had come with your car jam-packed with all the necessary equipment you needed and that wasn’t provided by the festival).

“Don’t worry! It’s only a four-hour drive! I’ve got good music, podcasts and audiobooks to keep me company and back home Flynn will be waiting. It sadly looks like I’m going to survive without you.”

Early the next morning Julie and some newfound fans of Julie and The Phantoms helped you load the equipment into your car and you said goodbye to Julie. Expecting the boys to just directly puff back to Los Feliz you didn’t waste any time and entered your car, connected your phone with the stereo and started to blast your favourite Broadway musicals.

You must’ve been on the road for half an hour when suddenly the playlist stopped and ‘Wake Up’ started to play.

So wake that spirit, spirit!

Confused you scrunched up your nose and touched the touch screen displaying the music system, trying to change it back to your playlist. But instead, the music changed yet again.

(Don't stop me now) 'Cause I'm having a good time (Don't stop me now) Yes, I'm havin' a good time I don't want to stop at all

“What the hell?” you muttered, staring at your stereo for a quick second before focusing back on the road, “Why you always going crazy on me dude?”

Once again the music switched.

Why you gotta be so rude? Don't you know I'm human too?

It took you a hot minute to understand what was going on and then you couldn’t stop laughing.

Don't laugh at me, don't call me names Don't get your pleasure from my pain

“Oh, I’m sorry,” you said mockingly, looking at the empty passenger seat, guessing that that’s where your invisible friend was sitting. “Your pain? I’m not the one who is able to puff wherever and whenever their heart desires and who sneaks up on innocent people.”

Silence.

“For what it’s worth. I’m sorry. I really am. It’s not like you choose this life, you deserved better than this. But I’m really glad I was able to get to know you. I’m really thankful for the light and happiness you brought back into Julie’s life.”

Don't you worry 'bout a thing

But I'm still learnin' to

using technology

You laughed. “Impressive skills nevertheless. Knowing three fitting songs and then changing them at the right time? Let me guess, Luke? Because I don’t think all of you three would fit into my tiny car full of musical equipment.”

At first, there was no music yet again, but then the slow melody of a (for you) well-known song flooded your car. It was the one Trevor Wilson song you never understood until you met the boys, the one song that was so totally different to his usual rock sound (except for the refrains, which, as you later would find out, were parts of the original lyrics Luke wrote for his version of the song).

I sing to remember the stories that used to be But I don’t write to create what could have been And as I scream words into the darkness around me They come out like a dying whisper

The kindest thing to do is to silence them and let them die To unleash my heartfelt sorrow into the sky And diminish the will to fight That pulses like fire and screams with pain through my veins

But life’s not always beautiful, it’s rare So I’mma chase it, watch you make it

Don’t need to introduce himself You will want to know his name Pushing your foundations down He is here to stay

Don’t call him a breeze when he’s a hurricane Don’t call him a tremble when he’s an earthquake Don’t call him an inconvenience Please just say his name

Leaving lyrics in my hands That I swallow like pills Like hurtful words, they rip and claw And press painfully against my chest

But no matter how painful they are I will soak them up, thinking of our hopes and wishes And as each word pushes a new pulse through my veins I keep staring out on the grave of our shared space of mind

Life’s not always beautiful, but it’s rare So I’mma chase it, watch you make it

Don’t need to introduce himself You will want to know his name Pushing your foundations down He is here to stay

Don’t call him a spark when he’s a lightning bolt Don’t call him a flicker when he’s a raging flame Don’t you dare to underestimate him Please just say his name

But even when the word flood finally comes to an end Fidgeting hands remind me of music never played

I owe him my voice I owe him my sound

So I give him this time I give him this space To sing it out loud To let him declare And let me be proud

What’s his name? (His name is Luke!) What’s his name? (His name is Luke!) What’s his name? (His name is Luke!)

How long do we say his name? (Until we explode!)

My name is Luke! (Tell your friends!)

Tears were rolling down your cheeks, the song now more emotional than ever before. You couldn’t imagine how this song must affect Luke. Thinking that his bandmate abandoned him (which honestly… he kind of did, only mentioning him in one song, not giving any money to their parents and so on) up until he heard the song for the first time.

“Luke…”

Forget about it Let's forget about it

The ensuing silence wasn’t awkward. You hummed along to the music Luke selected, sometimes it were old classics (probably his favourites), other times it seemed to be random newer hits he probably never heard before mixed with some songs from your favourite playlists.

It was nearing midday and your stomach made itself known. As if on cue a road sign hinted at a diner just up ahead. Setting the blinker you pulled into the parking lot a few moments later.

“I hope you don’t mind. I know home’s only like an hour away, but...” you began to trail off, not knowing where to look at and your stomach finished your sentence. And before you were able to grab the door handle it sprung wide open.

“Uh, what a gentleman. Thank you very much.”

The meal was over in a flash and once more you realised how much the boys actually knew about you without having actually interacted with you (perks of seeing other people without being seen themselves?).

It’s like Luke could read your wishes just from your facial expressions. Whenever you needed salt or pepper they were right there. Whenever something was too salty or had too much pepper on your drink was being pushed closer to your side. And when you accidentally spilt something and needed more napkins they magically appeared.

When you then spotted a cute little guitar keychain that reminded you of Luke that was being sold as a souvenir at the check-out it was suddenly safely tucked into your back pocket (though that was really really risky, and while you did not condone it you couldn’t really stop a ghost).

Back in your car, you didn’t even bother to turn on the stereo, knowing that Luke would take over as soon as your hands were on the steering wheel again.

However, a glance to your right presented you with a map of your surroundings, a big x hastily drawn over the Silverwood Lake in San Bernardino, which was basically just around the corner.

“You want to go swimming? We- I just ate! And my bathing suit is somewhere under that mountain of equipment on the backseat.”

Let's just get naked, just for a laugh Let's just get naked It's a trip and a half

You laughed at that, rolling your eyes and shaking your head, before stowing the map away and turning on the car. “I guess catching Reggie in the shower isn’t enough anymore?”

Hey!

“You started making it weird buddy.”

It had started to rain when you finally pulled up in your driveway, but you couldn’t be bothered to rush inside, enjoying the feeling of the cooling wetness on your skin.

“Look at that,” you said to nobody in particular, not knowing if Luke was still around or if he puffed back to the garage, “I didn’t even need to go swimming after all.”

He was. Sitting in the passenger seat, face on his arms while he leaned on the open car window, he watched you dance in the rain with a smile on his face. He was glad he decided to stick around and keep you company on that road trip. You gave him the courage to listen to My Name Is Luke for the first time (and getting to see you smile while showing off his impressive music knowledge was a bonus too). Because without knowing, you were doing little deeds for the boys too.

And made ALEX…

Whoever wrote that “Life isn't about waiting for the storm to pass. It's about learning how to dance in the rain”-quote totally forgot to mention how dangerous small summer storms can be.

Well sure, it might have been your fault for staying out for too long and deciding to let the sun that came out a little bit later dry you instead of changing into fresh and dry clothes, but whatever happened happened and you got sick. (It’s not like you had anything better to do during the last few days of your summer holidays, right?)

Flynn had been a great friend and hung out almost daily at your house, playing board games, watching movies or tv or even just discussing upcoming Julie and The Phantoms possibilities with you. But your dearest little helper had been Alex.

The blond drummer had turned into the tall brother you never had but always wanted (focus on tall because the age thing with ghosts is seriously confusing) even if he was invisible to you 100% of the time. You had the same interests and were able to bond without actually having to say any words, little gestures and reciprocations on your side were more than enough.

Julie had come up with an easy solution and had bought you some of those sound buzzers (like the ones that dogs and cats use to communicate with their owners) and recorded some simple words and phrases the boys liked to use on them. Now the boys just had to press them to be able to communicate with you without having to use pen and paper or Julie herself (sure your parents were a little bit weary and confused, but you said it was for a longer school research project and that shut them up).

Now, feeling way better than during the last few days, but still very tired, you were sitting in your bed, not really focused on the tv show (or was it a movie?) that was playing on your computer. You had been contemplating and mentally preparing yourself to get something to eat and to drink for the past 15 minutes, but the thoughts alone were exhausting and binding you to the bed. Just then a tray with a water bottle, meds and a fruit bowl floated into your room.

Suddenly wide awake and full of energy you clumsily jumped out of your bed and grabbed the tray, throwing a quick glance out of the door to see if your parents were around and slammed the door shut, wincing at the loud sound and hoping that Alex had walked out of the way (not that it would have hurt him, but you know - rude).

“Rude.”

See? He thought the same. (Julie had to specifically add this word for Alex.)

“I know, I know. I’m sorry. But I would like not to get murdered or have Sam and Dean Winchester on my back because my parents think I’m possessed and need to be exorcised.”

“Me.”

“You what?”

“Me.”

“Alex… I need more context.”

“I do. Me.”

You just blinked blankly at the sound buzzers, trying to piece together what Alex was trying to say.

“Me. Me. Me. Me. Me. Me. Me. Me. Me. Me. Me. Me. M-”

“THAT’S ENOUGH Y/N! WHATEVER THAT SCHOOL PROJECT IS, TELL IT I HEARD IT AND I DON’T CARE WHAT IT WANTS!” you heard your father's scream come muffled through the door.

The audience laughter from sitcoms filled your room and you groaned, grabbing a pillow and smashing it against your face.

Faintly you heard the telltale sound of a pen scribbling something on paper and when you peeked from behind the pillow a note was floating in the air in front of you. “You mean exorcise ME! You would be the one surviving!”

“What? Oh my god… yeah okay, YOU get exorcised… same thing. Both aren’t allowed to happen. Forgive my fever brain.”

“No.”

“Fork you, Alex.”

“No.”

“I have Carlos on speed-dial, I’m sure he already came up with other methods to get rid of ghosts other than the salt thing. He already told me that he’s sorry and that he thinks I might get haunted by you too with the amount of time I spend at their house.”

“No. Food.”

Confused at that topic change it took you a few seconds to answer. “What?” Looking around your gaze landed on the tray that you had deposited on your desk. “Oh right! Boy, I completely forgot how thirsty and hungry I am. Did I say thank you? Fang u!” you mumbled with your mouth full of fruit.

“No. Food.”

You swallowed down your food and took a big gulp of water. “Yes Alex, thank you. I am eating. You see? Here I am, here’s the food. The food is here and now whoops - ifs gan!”

You could basically feel the annoyance radiating from the ghost and weren’t really shocked when the pen started to scribble something down again.

“No! Argh!” He really wrote Argh… that dork really wrote Argh! “You can be worse than Reggie sometimes, but you do it on purpose and I’m just sorry for Reggie. A) Carlos thinks he got rid of us by making a french dip and B) You’re awfully lively for a supposedly sick person. I might need to use the buzzers more and see what other reactions I can provoke from your parents.”

Crumbling the note in your hands you thought ‘Challenge accepted’. “You know what? I think I’mma go back on Reggie’s offer and actually let him introduce me to Wilbur. He might know some stuff I could use to blackmail you. And you’re right! I feel much better, just very tired, but that’s nothing a little bit of fresh air can’t fix! Toodles!”

You left your room, leaving a flabbergasted ghost behind who had lost his snapback with the number of times he had been combing through his hair with his hands. And while angrily pressing a pink buzzer, the buzzer wasn't the only thing that screamed “WILLIAM!” after the girl. (That was another important sound Alex wanted to have recorded.)

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