Angel Standing, attributed to Rembrandt van Rijn
Dutch, 17th century
pen and brown ink over traces of charcoal on laid paper
National Gallery of Art, Washington, D.C.
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National Portrait Gallery, Washington, DC
photo: David Castenson
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the studyblr community as art🎨📚
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Lonnie is so difficult for me to draw unless I'm doing it in a super stylized way. He's like Zendaya to me
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Winslow Homer (American, 1836 - 1910) • Dad's Coming! • 1887 • National Gallery of Art, Washington, D.C.
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Indoor/Outdoor Waterfall
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Follow me on IG 🧚🏽♀️ @ dianakirstine
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Claes Oldenburg and Coosje van Bruggen, Typewriter Eraser Scale X, Sculpture Garden, National Gallery of Art, National Mall, Washington DC, 2000.
How many people remember what this represents? Perhaps they still exist, but in the age of computers it is easier to make a whole new corrected copy than to erase and retype in order to correct an error. Similar statues by Oldenburg and van Brugge can be found at Seattle Center and in Las Vegas.
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Tunnel of Love? | ©inyoureyes69
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Its #BatAppreciationDay so please appreciate this awesome 19th century Japanese kosode decorated with embroidered lucky bats, photographed in 2019 at The Life of Animals in Japanese Art exhibition at the National Gallery of Art in DC:
Kosode with Bats
Japan, Edo - Meiji periods, 19th century
silk twill, paste-resist dyed, embroidery, 67⅜ × 48⅞ in.
National Museum of Japanese History, Chiba Prefecture
“In the West, bats - nocturnal in habit and denizens of dark places tend to be viewed as unlucky, but in China they have long been considered an auspicious motif (one of the characters used to write the word "bat" is a homonym for good fortune). The Kabuki actor Ichikawa Danjüro VII (1791-1859) used bat motifs in his costumes, and the perception of these animals as a chic design element spread rapidly throughout Japan in the nineteenth century. Here a great number of them are arranged in right-left symmetry from the base of the collar to the hem.”
The above info is from the official exhibition catalog - this bat kosode is on p. 124:
The Life of Animals in Japanese Art (2019)
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Still Life with Flowers in an Alabaster Vase and Fruit by Anne Vallayer-Coster
French, 1783 (exhibited at the Salon of 1783)
oil on canvas
National Gallery of Art, Washington, D.C.
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photo: David Castenson
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a saturday afternoon
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The Last of the Buffalo - 1888- Albert Bierstadt.
Formerly at the Corcoran Gallery of Art.
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