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#María la del Barrio
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latine-showdown · 1 year
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freshlyblaked · 1 year
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album art for telenovela hits by thalía, august 2022
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lovecatnip · 2 months
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María la del Barrio
1995
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streets-in-paradise · 9 months
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Chucky series where everything is the same, but when Chucky finds out Tiffany got obsessed with Nica he has a Soraya Montenegro meltdown
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boomgers · 2 months
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La suerte y la fortuna le están tocando la puerta… “El Príncipe Del Barrio 2”
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En esta nueva temporada, Albertano seguirá compartiendo momentos de risa y amor con sus entrañables vecinos de ‘Lomas de Chacaltepec’. Pero no todo será felicidad, también tendrán que enfrentar encrucijadas y desatinos que pondrán a todos de cabeza.
Ahora la relación de Albertano y Polly, ya llegó a otro nivel. Por diversas circunstancias, Albertano tendrá que vivir en la casa de Polly, incomodando a Yesenia, la suegra que tanto lo detesta.
Será en el marco de esa nueva convivencia, donde se presentarán diversas situaciones con las que Albertano tendrá que lidiar: la visita de una cuñada incómoda, una fiesta de XV años, una persecución policiaca y hasta un mal de ojo que le pega donde más le duele; en su larga y sedosa cabellera.
Estreno: 14 de abril de 2024 a las 7:30 pm por Las Estrellas y en ViX
youtube
La segunda temporada cuenta con las actuaciones de Ariel Miramontes, Violeta Isfel, Cecilia Galliano, Alma Cero, Arturo Peniche, José Luis Guarneros, Luis Fernando Peña, Eduardo Espinosa, María Prado, Leticia Calderón, Luis Felipe Tovar, Arath de la Torre, Andrea Legarreta, Maribel Fernández, Wendy Guevara, Ricardo Margaleff, Facundo, Danielle Dithurbide, Lupita Sandoval, Raquel Bigorra, Rodrigo Murray, Yurem, Roberto Tello, Bárbara Torres, Carlos Speitzer, Luis ‘Potro’ Caballero, Agustín Fernández, Horacio Pancheri, entre otros.
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0038-am · 6 months
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Ana Gabriel is closeted the way Queen Latifah is closeted.
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renajuvperu · 2 years
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REUNIÓN CON VOCERO DE LA BANCADA RENOVACIÓN POPULAR.
REUNIÓN CON VOCERO DE LA BANCADA RENOVACIÓN POPULAR.
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jujuygrafico · 2 years
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Se concretó la audiencia pública por el Centro Ambiental Puna
#Jujuy #MedioAmbiente | Se concretó la audiencia pública por el #CentroAmbientalPuna
El viernes 12 de agosto se concretó la audiencia pública convocada por la Secretaría de Calidad Ambiental por el Estudio de Impacto Ambiental del Centro Ambiental Puna. La misma se llevó a cabo en el Centro Cultural Guillermo Llampas en Abra Pampa con la participación de más de 30 expositores.El Centro Ambiental Puna es un proyecto logístico y de tratamiento de los residuos sólidos urbanos (RSU)…
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vintagetvstars · 15 days
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Fran Drescher Vs. Itatí Cantoral
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Propaganda
Fran Drescher - (The Nanny) - Name any other actress who is both The Flashy Girl From Flushing and President of the Screen Actors Guild 👏
Itatí Cantoral - (María la del Barrio) - People might not know her name or have seen her show, but they’ve seen the memes.
Master Poll List of the Hot Vintage TV Ladies Bracket
Additional propaganda below the cut
Fran Drescher:
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Itatí Cantoral:
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Everyone’s been asking what this is about, so:
Soraya is the lady and she is the villain of the show, she used the guy, who is obviously younger to get revenge on her enemy who is his mom and dad. The girl in the wheelchair is her stepdaughter, who’s father she had killed to take their money and she hates her obviously. She hates all of them, especially after that kiss and vows to kill them all.
TW: domestic violence, abuse, blood, murder, stabbing
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ofoceansandtombsanew · 6 months
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the summer moon was born from the waves to be loved (gojo x reader) pt 2
or, you got pregnant and the ghost of university days past finds out five years later.
tags: 18+, afab!reader (she/her), baby daddy gojou au pt 2: electric boogaloo
AO3 || pt 1
TAGLIST: (bold couldn't be tagged) @cafedanslanuit @ainescribe @chiyoso @wishing--butterfly @hash-slinging-slasher-trash @sweet-evie @korrynn-nadine @strawberrycrash @juzestellium @theabbies @evalynanne @mghostsworld @syynnaaah @cupidezlyia @princessrow12 @lindascosmos @hydraafk @moosey
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o. buoy
If Satoru was forced to use some sort of ocean-related terminology to describe you, he’d say you’re a buoy.
You were the marine biology major. (What was the difference between that and oceanography? Satoru had no idea. You explained it to him at least twice though). Because of that, Satoru heard his fair share of marine terminology from you.
Buoys were those floating things at sea, the ones from Finding Nemo that had all the seagulls on it. You said they were guiding posts, gave heads up for reefs or they could be warnings for hazardous zones.
To Satoru, you were like an anchorless buoy that ー no matter how far he sailed ー he could never reach.
i. halocline
You’ve never felt permanent; not to Satoru.
You sooner felt like one of those quickly formed friendships you thought would last forever only for it to dwindle out as fast as it started. Then that person was just a forgotten name in your contacts list until you’re scrolling down and going ‘Who the hell is this? Delete’ without a second thought.
It was strange.
An oxymoron of the highest degree.
How did someone who was such a constant in his life from the moment you set foot in it simultaneously feel as impermanent as foam on the waves? One minute you were there, the next you weren’t. Satoru wasn’t sure when the fear of you disappearing entirely crept in.
When those looks started appearing on your face.
All he knew was that it started long before he started sleeping with you and it started long before you left.
One moment you’re hanging out ー undoubtedly doing something stupid. Singing the wrong lyrics to a song on the radio, putting Suguru’s hair in pigtails, watching María la del Barrio with Utahime who took one Spanish class and made telenovelas her entire personality for a month ー then you’d grow quiet and this far away look would be in your eyes. Satoru never knew where you went in those moments, but it wasn’t there.
So he’d do something to anchor you back to land. It didn’t have to be much.
A poke to the cheek,
a tickle to your side, 
calling out to you,
sometimes he’d even play with your fingers.
It didn’t matter what he did as long as you’d blink and grin and go “what’s up?” and everything would feel right in the world.
It never would feel right long enough though; the look always came back and the feeling would persist.
When you sang songs in the car.
(“I can do it fast or slow, it really doesn't matter, though. 'Cause I'm a pro, what you say? You wanna take me toe to toe? Uh no, dude, I think so,” you’d rap Kel’s verse flawlessly like you’d rehearsed it for hours. “My style is phat and Immature’s got my back on this funky trackー” you pointed at Satoru enthusiastically.
“You want fries with that?” Satoru would point back with way too much passion for a line that went way too hard for what he was actually saying. “Coo coo ca-choo whatcha gonna do?”
Shoko would roll her eyes but she’d still be smiling when Suguru softly brought in the chorus with rhythmic bumps of his head, “watch me do my thing, I like to do my thing, watch me do my thing, everybody sayー”
Your head continued to bump along but you stopped singing along and looked out the window. Satoru remembered he threw his arm around your shoulders loudly belting the rest of the lyrics until you laughed and joined back in.)
When you indulged Utahime’s telenovela personality change.
(“[First], quit zoning out. I’m bored.”
“Hey, unlike you, I’m actually paying attention.”
“Oh yeah, then what’s been going on?”
“Soraya Montenegro is gasping in Spanish right now.”
“Can you both shut u- OH MY GODー”
“IS NO ONE GONNA STOP THIS BITCH?”)
And at parties.
(Satoru always knew you were about to leave when you made that face. Things could start perfectly at the beginning of the night. You’d finally skulk out of your cave like you were Gollum from Lord of the Rings and wave him over. The next moment? You were in deep thought while your friends made joke after joke, rip after rip.
“Sorry gang, but my lips don’t touch anything but Don Equis and Asahi,” you’d say with an air of regality not suited for a party of college students. “Maybe Corona if there’s nothing else. I’m not drinking... whatever this is. So I’m gonna head out, there’s a 24 hour liquor store around here somewhere.”
“You coming back?” Satoru didn’t know why he asked, he already knew what your answer would be.
“Nah, I think I’m done for the night. I’ll catch you guys later though.”
“I’ll walk you back to your place then.”)
He doesn’t know why he looked at your lips that night at the park. 
You were friends, he liked being your friend. That’s all there was to it. It had always annoyed him up until that point when Suguru and Shoko joked the two of you were more like a couple than anything else. That he chased after you like a lovesick puppy, the pathetic but funny kind. He wasn’t sure why it annoyed him so much.
Maybe it was because it felt like it reduced everything about his friendship with you into that shit take that the opposite sex couldn’t just be friends.
Maybe it was something else entirely. He doesn't know.
You weren’t permanent.
Not while you sat beside him in a park at who knows when in the morning and not even when you reassured him his life would work out the way he wanted and you touched him like he was something precious to you.
“Be careful I don’t disappear for months, spirited away by the sea folk on my Children of the Sea shit. I’ll come back to shore occasionally, mysterious as the sea itself.” You already were as mysterious as the sea itself.
“Even if you got spirited away, I’d just go and bring you right back.” Satoru meant it. Even if, more than anything, it felt more like he was making that promise to reassure himself. It didn’t matter how far off to the sea you went as long as Satoru could bring you back to the shore. “You’ve doomed yourself.” More specifically you said that to him. Maybe he should have taken it more of a warning than a light-hearted nudge.
“You said it first, remember?” You did. He remembered it as clear as day. He’d stumbled onto an unstable boat and you were a buoy far off in the distance.
“There’s no ditching me now, not even at sea.” So stay. That’s all Satoru needed you to do.
The sprinklers that decided to join in on the moment must have been a sign that he was in the middle of a prophecy that was going to be fulfilled whether he wanted it to or not. That’s why he kissed you first in the doorway of your bathroom when you just came to ask if he wanted tea.
Buoys are supposed to have anchors, right? 
Maybe he could be yours.
When Satoru woke up the day after the first time you slept together, he woke up alone.
It wasn't until he reached out an arm lazily to your side of the bed and he patted the mattress several times that he realized no one was there. The bed had long since gone cold so you had to have been gone for a while. Yes, you called five minutes later from McDonald’s cheerily going “Yooo, Satoru, I’m at Mickey D’s, what do you want?” Still it cemented your impermanence and that was only the first of many times he woke up by himself.
You could be out the house or in; Satoru preferred when you were in. Sometimes you’d be in the kitchen humming some unknown tune, other times you’d be watching TV on the couch. Either way, he could drape himself over you with a tired ‘morning’ and hold you close.
(“What are you wa- is that the new episode of Love is Blind?”
“Um… I only just started it two minutes ago?”
“[First], what the hell!? While I was asleep?!”)
From then on when Satoru saw those far away looks, he’d kiss you since it was on the table now. Satoru put everything into those kisses and you’d kiss him back just as hard.
Don’t go anywhere. He’d thread one hand into your hair and the other would pull your waist closer to his. Satoru didn’t want or need anything else. Stay.
You kissed him like you would.
It’s crazy how easily you could just slip away from everything like a ghost that hadn’t been there at all. It was shockingly apparent that impromptu trip you took to the beach in the middle of the semester.
Everyone had been together in awe of the bioluminescent dots in the sea and it donned on him you hadn’t said anything in a while. You were gone.
He’d painted his panic in his usual bravadoー nonchalant and grinning, claiming he was gonna go bother you for a bit.
It was a relief when he found you.
It was dreadful when he found you.
Satoru couldn’t see your face clearly but he could tell your look was intent on the sea and how it shined with the glow of a billion bright lights. If there was a ghost ship calling you out to the depths, Satoru knew you’d leave in a heartbeat.
You slowly became more noticeably distant from your group of mutual friends after that trip. It didn’t start immediately, you’d acted the same as usual at first. You still sang songs in the car, Utahime had grown out of her novela phase in favor of all of you losing your shit at the editing of Indian serial dramas and in between those moments Satoru found himself in your bed again.
It was around that time you started kissing his forehead; when the kisses started, that’s when you started drifting away from his orbit. You said it was homework, your profs telepathically communicating to increase your workload.
You alright?
What kind of sadists are your professors if you’re this busy?
Just let me know if you need me to come over some kind of distraction. Sorry for coming over earlier unannounced, I shouldn’t have assumed. Just wanted to make sure you were okay.
“Do you think she thinks I’m being clingy?” Satoru mumbled as he stared at your text that you were fine just dying from homework. You definitely thought he’s being clingy. He’d always been a bit clingy with his friends. He was probably more overbearing than usual though.
“Yes,” Kenjaku replied without missing a beat. “You’re gonna get dumped if you keep this up.”
God what does Suguru see in this guy? He’s like a fucking parasite. “I wasn’t asking you,” Satoru glared. “And she isn’t my girlfriend.”
Suguru snorted, running his hands through his boyfriend’s hair, “play nice both of you,” he said lightly and Satoru rolled his eyes. “But if [First] is saying she’s fine, then just trust that she’s fine. She’ll come back around when her workload decreases.”
Satoru glared with a pout, “you’re worried too, don’t act like it’s just me.”
“I never said it was, it’s just that between the two of us I’m handling it better. I sent her a surprise uber eats delivery yesterday.” Asshole, that was a brilliant idea. Satoru wished he thought of it first. Instead he asked Shoko to check on you; maybe you’d be more receptive if it wasn’t him bothering you for the tenth text in a row.
Shoko went to check on you. Apparently you were fine and Satoru was worrying for nothing. She even said that you would come and hang out with them soon. Some people might say it’s a bit petty to celebrate the failures of others. In another universe, Satoru might even agree with them. But in this universe, Satoru was a hater first and foremost. So if he and his friends wanted to go out to eat to celebrate the fact Zenin Naoya was bitching about a failing grade on an essay, he and his friends were going to go out and eat to celebrate Zenin Naoya failing his essay.
Apparently, you were all haters.
It was also just nice seeing you again. If Satoru was more poetic, he’d probably add a bunch of other things to that statement. It was just nice to have you back.
“Karma is probably gonna come back to clap us in the ass for celebrating someone getting a bad grade,” you snickered.
“Sounds like a problem for future us,” Suguru grinned with a twinkle in his eyes.
“We go to school with the Japanese version of Ben Shapiro,” Satoru choked on his strawberry smoothie when Shoko said that. “I think we’re covered on karma.”
“Y’all are terrible people,” Satoru clicked his tongue, shaking his head in disbelief and shame.
“Hey, good neighbor, this dinner was your idea,” you nudged him with a dry tone and a smile.
Satoru nudged back with a grin of his own.
Dinner was fun, lots of drinks and jokes. It was a non-alcoholic beverage sort of night. Shoko said it was because they’d clearly been drinking too much if Satoru of all people had gotten better with holding his liquor. Her point was fair but rude nonetheless yet when Satoru turned to whine for you to come to his defense, the distant glaze was over your eyes and your smile was smaller than it had been the last time he looked at it.
“[First],” your motion to close your apartment door stopped and you hummed with a raised eyebrow. Satoru felt more dread than usual that night. Something about the air had been different. The face you made felt different than it normally did. It was always distant, you were always far away, but tonight was the worst it had ever been. “We’re good, right?”
You look at him like he grew an extra four eyes. “Why wouldn’t we be?”
Satoru couldn’t meet your eyes as he shrugged wordlessly. You’d probably say he was being ridiculous and clingy if he mentioned anything but he couldn’t find anything else to say to make himself seem unbothered either.
You rolled your eyes with a grin before stretching your arms out wide. “You’re being overdramatic, you big baby. Come here, big guy,” Satoru pulled you in close, burying his nose in the corner of his neck. Despite welcoming your embrace, it did nothing to soothe Satoru’s anxieties.
“I’ll see you later, yeah?” Satoru asked without pulling away from you completely.
The way you smiled at him was warm but it still somehow felt unreadable. Satoru knew all of your smiles. Your happy ones,
the sad ones, 
the one you made when Sora finally got into Smash. 
The ones you made when you were mad that he was successfully charming his way out of you being mad at him. 
Satoru didn’t know this one.
Despite that fact, Satoru let you cup his face in your hands and he let you stand on the tip of your toes to place a kiss on his forehead. “See you, Satoru."
ii. undertow
Sleep didn’t come to Satoru after he laid in bed.
His head was too full as he kept running back through what you told him after he took you home.
You didn’t say you’d see him later.
You’re just being overdramatic, Satoru forced his eyes to close. You’re always overdramatic. It’s my best trait 30% of the time.
No one else said anything that night, it was just him who felt like this, right? It was always just him. If everyone else felt like something was off all night, someone would have mentioned it by now. With that, Satoru forced his eyes closed for all of five minutes before he decided to send, at the very least, a dumb meme. Something that’d make you laugh when you saw it and would make you reply “I’m wheezing” or “that’s so us!”
A quick stroll through his photos was all it took to find something suitable. He can’t remember exactly what it was, only that it was stupid.
It was stupid and didn’t go through to your phone.
A disconnect and reconnect dance to his wifi later and it still didn’t go through.
Satoru’s feet was on the pavement before not even a heartbeat after he calmly made sure his apartment was locked.
He just had to be sure you were okay. It was just him being an overdramatic, big baby. Your phone died or something and that’s why nothing was going through. Or maybe this was like the time you put your phone in airplane mode to narrowly avoid sending Shoko the wrong meme and then forgot to switch it back off.
You don’t answer the door when he knocks and he goes back and forth between knocking and trying to reach you on your other socials.
Twitter? Blocked.
He can’t find you anywhere else.
Instagram.
LINE.
Discord.
It’s like you were never there, gone from all the group chats and servers you once shared.
Satoru stayed outside of your apartment for the better part of an hour before one of your neighbors opened her door tired and annoyed.
“Dude, do you know what time it is?” Your neighbor asked groggily. She’s a nice girl, the reason rent was low enough in the area you could afford an apartment on your own. Apparently she wrecked shit in the neighborhood on the low to keep the rent down. Even better was the fact she was the landlord’s daughter. Not all heroes wore capes. 
“Sorry,” Satoru knew he must look like a maniac with his messy hair and wide eyes. “have you seen [First]? I’m having a hard time reaching her.”
The neighbor gave him a funny look, “she moved out tonight,” she told him like that was the fifth time she told him that her favorite color was orange. “I thought it was weird you didn’t help with moving her stuff out a few days ago. She gave me the key to give it to my dad tomorrow. Didn’t she tell you she was leaving?”
iii. la niña
Satoru didn’t know which was worse sometimesー the fact Shoko kept the fact he had a daughter a secret for five years or how he found out.
It wasn’t like Shoko approached him one gloomy night when memories of the most prominent ghost in his life began bubbling to the surface. She didn’t grimly say that she needed to tell him something and he should sit down for it. She didn’t start off with apologies, saying she felt she had no choice or that if things had gone different she would have told him.
None of that happened.
Satoru found out by accident.
Accident.
All because Shoko didn’t hear him approach her when she was on her phone scrolling through instagram. She was so focused on whatever she was looking at, she didn’t even notice how Satoru quietly snickered to himself and snuck behind her to give her spook. He was just about to say something, ready for swears and ‘you’re so annoying, what are you 12?!’s when he took an instinctual glance at her phone and he saw you.
Thoughts of scaring Shoko went out the window in a matter of milliseconds. He didn’t even feel his body move when he snatched her phone out of her hand.
“Heyー” Shoko started with an offended hiss but when she looked over her shoulder, she looked like she saw an impending storm and her jaw clamped shut.
Satoru took in the photo like it was the last thing he’d ever see. You were dressed in a blue t-shirt and cream colored shorts, some aquarium’s logo stitched into your clothes. You were holding a kid, hugging her tightly and kissing her cheek while the girl was caught mid-giggle. And when Satoru looked at the little girl in your arms, it was his eyes that looked back.
“I- she told me not to say anything,” Shoko murmured, brown eyes looking anywhere but at him. Then the secrets came rolling out one after the other.
“If I didn’t see this picture,” Satoru’s grip tightened on Shoko’s phone to ground himself to the present. “Were you still going to keep this a secret from me?”
Her answer was silence.
iv. el niño
“I have to be honest,” from the corner of your eye, you see Satoru chasing after Itsuki, Nanako and Mimiko. Suguru is watching next to you on the bench, your respective care bags for accidents and playground injuries at the ready between you. “I thought I’d be more surprised you’re a dad now. But it kinda just makes sense. You always had ‘single mom’ energy in school.”
Brown eyes flash with recognition, “you had a dream about me adopting kids once, right?”
“No, I had a dream where you were off a perk and calling people without powers ‘monkeys’,” you correct your old friend petulantly. As if he should have remembered after all these years without contact. “You just happened to adopt children in the process of all that.”
Suguru snorts, “my apologies for getting the details wrong. So you had a dream that I adopted kids once and that I was off a perk."
"Exactly, thank you."
A silence somewhere between comfortable and awkward settles over the two of you, save for the squeals of little girls and Satoru’s manic laughter as the evil sorcerer king.
Suguru looks nice. 
He’s still rocking the man bun but he’s opted to let some of his hair hang loose and he’s a couple hundred pounds down a shitty, parasitic boyfriend. Suguru and Kenjaku broke up halfway through the semester after you transferred. “Before you ask, yes, we had dinner to celebrate,” Suguru told you when you saw him for the first time in years a few days ago.
You’ve had your fair share of private updates on the lives of your old friends you didn’t keep in contact with. Shoko kept you up to date on everything. A surprising number of your old friends had gone into the field of educationー Utahime, Suguru and Satoru. You wonder how Satoru’s parents reacted to that information. You have yet to ask; it seemed like too much of a mood killer when Satoru happily recounted stories about his students a few weeks ago.
When Itsuki almost trips you make to stand but Satoru catches her before you can blink. 
“He’s pretty good with her,” Suguru says like he’s a mind reader. “There was this kid we used to babysit, Riko, when we were younger. He said he hated it but he’s always been pretty good with kids.”
You can believe it. There’s plenty of things you remember Satoru complaining about despite his inherent talents in them. It makes you want to cry sometimes seeing how good he is with Itsuki. Your daughter is smart enough to play neutral when he asks but you’re pretty sure your daughter has a favorite parent. Adorable little traitor, you laugh softly to yourself. You’d think five years would give someone an edge.
Five years.
“Are you… mad?” You look at your old friend from the corner of your eye.
Suguru takes his time answering, mulling over unknown thoughts in his head. Playful as you remember Suguru being, he’s always been introspective. He thinks before he acts, lets things slowly come to a boil before turning off the stovetop. “I was more worried than mad to start,” he finally speaks. “It’s not everyday an entire group of people gets ghosted. I’m a little mad you didn’t open up though.”
Your smile is small and your eyebrows knit apologetically. 
“But at the end of the day, this is nothing compared to what went down between Satoru and me in high school. So I guess I can forgive you.” You never did get the story about Satoru and Suguru’s mysterious high school turning point. The itch to know all the details is minor compared to the way your shoulders relax when Suguru shoots you a familiar smile. I missed you too. “Just don’t do anymore disappearing acts.” Smooth as they come, Suguru raises a closed fist just above your care bags. 
Smile a bit more grand, you bump the side of your fist to his. “I can happily vouch that it won’t be happening again.”
“Good. It’s nice to have you back.”
“It’s nice being back.”
v. sea state
“Did you get an undercut?”
“Yeah, a while ago,” Satoru grins. “I look nice, right?”
“Please accept the compliment normally so your arrogance doesn’t rub off on our daughter,” you shake your head but a good-natured grin is plastered on your face. “Itsuki, make sure Daddy behaves. You’re in charge as the honorary aquarist.”
Itsuki’s eyes fill with delight at the duty bestowed upon her. “I will,” she promises, chest puffed with as much pride as a five year old can produce. It’s a rare day off in the middle of the week for Satoru. Normally he’s confined to his school during these hours, but thanks to some school holiday you scheduled in advance for him to take Itsuki around your aquarium. It isn’t the first time Itsuki’s been, you’d taken her there before she could even walk. It might as well be her first visit though from how she’s beaming. “Daddy, you have to be good so Mommy doesn't get mad.”
“As you command, general,” Satoru salutes playfully, picking Itsuki up in his arms. “Now then, if you excuse us, this father-daughter duo is gonna enjoy the aquarium while you work.” 
“Bup bup bup,” you tut before the man can take off. “At least let me get my goodbye kiss before you run off to have fun without me,” you peck Itsuki’s cheek once, twice before blowing a raspberry and she squeals. “Alright,” you place your hands on your hips. “You two go have fun. Tell Daddy all the names you gave the whale sharks, okay?”
You think that’s that until Itsuki innocently asks, “where’s Daddy’s kiss, Mommy?” You blink once. Maybe you misheard- “You’re supposed to give both of us goodbye kisses, aren’t you?” Apparently you haven’t.
“I think Daddy’s too old for goodbye kisses, Itsuki.”
Itsuki squints, unsatisfied with your answer, “but Grandma always kisses Granny and they’re ancient.”
Why do your parents have to have a long lasting and fulfilling love life?
You and Satoru share an awkward smile as you both wonder what either of you can do to get out of this situation. Kissing Satoru used to be as easy as breathing. He’s always been the more affectionate of the two of you and it rubbed off on you some time during your university days. But you’re not in university anymore and your relationship has most definitely changed since then.
Still with bated breath, you gesture for Satoru to bring his head low enough for you to kiss his forehead, “there. Now both of you go have fun.”
If you think you see Satoru’s expression dim, he’s all smiles the moment you blink. “Try not to be jealous when you see us feeding the stingrays, [First].” He’s gone before you can tease you’re the one of the employees that help with that.
Once a maelstrom, always a maelstrom.
You love your place of work, it always has a familiar noisy sort of peaceful bathed in the light of blue decorated in corals, pinks and purples. Aquariums have a special magic to them. You fell in love with the sea when you were young and never fell out. The magic somehow is renewed every time you clock in, even on the most trying days.
How can you not when you see the dozens of people that stop by with the same love?
How can you not when you see dozens of people that stop by and fall in love with it for the first time?
“Hi, Mommy!” You hear Itsuki call from a distance. You wonder how she can even see you when you look up and see she’s on Satoru’s shoulders. It’s so natural, the two of them together. She’s wearing his sunglasses, if you can really say that. They keep sliding off her face but she holds onto them resolutely and Satoru is smiling widely in front of the tank full of black tip reef sharks, whale sharks and dozens of other fish in between.
You don’t know how your heart can fill with even more affection than you thought possible but it does. “Hi, baby,” you wave back. “I love you!”
“I love you too!” I have to enjoy that before she gets old enough to start thinking she’s too cool to tell her mom I love you. You know Satoru should too when you see her lean over to plant her father an awkward kiss on his head. You can’t hear what she tells him but you can guess she must be saying she loves him. Even from his profile, you can tell Satoru is saying he loves her back from how adoringly he looks up at her.
You see Itsuki giggling and saying something else you can’t hear, looking down at her father in earnest.
Whatever it is she says, Satoru looks over at you with eyes that are wide and somehow reflect all of the blue from tank lights. Despite how it makes your heart twist, you give him another small wave. When he doesn’t wave back, you wonder what it is your daughter could have said that had him in such a stupor.
Whatever he says to Itsuki, his eyes stay on you while he says it.
vi. nearshore
“Do you still like the same brand of honey or no?” You call over your shoulder from the kitchen.
It’s unusually quiet in your apartment since Itsuki is at your parents’ house for the weekend. You only realized you’d forgotten to tell your co-parent when he showed up at your house with sweets in hand. “What Itsuki doesn’t know won’t hurt her,” you told him with a snicker when you invited him inside to eat them. 
“Satoru?” You call out again.
No response.
You turn off the eye your kettle is on and look out into the living room. He’s right where you left him. “Hey,” you sit on the ottoman in front of him. He blinks in surprise when he sees your hand waving in front of face. “Are you alright?”
“Yeah, I’m fine,” Satoru smiles but it doesn’t reach his eyes.
“Let me rephrase that question,” you start anew. “What’s wrong? Come on now,” you grin crookedly. “You’ve always sucked at pretending to be okay in front of me.”
Satoru’s smile falters for a heartbeat, “yeah?”
“Yes, Mr. Bravado,” Satoru might have been an expert at fooling others, but you know him. He was the guy who never took notes but passed every test because he worked his ass off in the background. The type who’d act oblivious but you realize halfway through a meal that the reason he took you is because he noticed you’d been feeling down lately. It’s one of the things you love about him. “So come out with it, fess up.”
One, two, three seconds pass before Satoru finally cracks.
“I’m mad. More at myself than anything.” Before you can reply, Satoru opens his mouth again but it feels more like he's talking to himself. “I shouldn’t be upset anymore, right? We made up.” Satoru runs his fingers through his hair in frustration. “We made up,” he says again. “I shouldn’t still be mad about anything. Things have been going great.”
Satoru finally falls silent and he looks tired. You hate you’re the reason for it. “It’s okay to still be mad about Itsuki. I’m sorry,” you whisper. “I… I’d take it back if I could. I know that doesn’t mean anything after five years but I mean it. Even if I was scared I should have told you. I just- I don’t know, it had gotten into me. I was thinking how you couldn’t commitー”
“You thought I was non-committal?” Satoru raises an eyebrow and he looks hurt by your revelation.
“Satoru, you have never been in a relationship with anyone throughout the time I’ve known you,” you rub your finger and thumb together nervously. Five years later is as good as any time to have a conversation you should have had long ago. “You were scared when I asked what our relationship was, remember?”
“I didn’t know what the right answer was,” Satoru argues with his hands raised. “I thought you were tired of our friends always talking about us being a couple.”
“You were relieved when I said that-” you stammer over your words thoughts going much faster than your mouth could. You remember the tormented days of unrequited affection quite clearly. If there was someone who avoided romantic relationships like the plague, it was Satoru. He was a flirt, relished in the attention he received for his well-known good looks. Regardless, he’d never committed to anyone. “You said fucking someone else was a non-issue! For all I knew you were sleeping with someone else, it wasn’t like we were-”
“It was a non-issue if it meant you weren’t going to take off and start avoiding me!” Satoru snaps like you’ve grown a second head. Maybe you did judging by how he looks at you incredulously. Your mouth closes, unsure what to say next and Satoru looks away with a scoff. “It’s the other way around,” he mutters so soft you almost didn’t catch it. “you were the non-committal one.”
“Excuse me?” It’s your turn to look at Satoru like his body has magically sprung additional body parts. When he doesn’t immediately say anything, you double down. “Satoru, you don’t get to say that and then turn around and not elaborate on it.”
“You know, the first day we met, Suguru told me that I acted like the sun shined out of your ass,” Satoru says much to your confusion. But he went on, lost in his memories, “it might as well have, I thought you were so cool. I wanted you in my life so bad from pretty much the moment you said I doomed myself. I didn’t care what happened next in my life as long as you were there for it.
“But you left me,” Satoru croaks with a smile, crystal blue eyes dark and empty. “You left me.” The way he says it breaks your heart. “I’m so gone for you. I’ve always been gone for you. I just didn’t want to see it. Somehow I always knew you’d leave.” He laughs, cold and humorless and completely lost. “And you did.
“You could be right there with me and then suddenly be so far away. It always felt like you would just up and leave one day. You and Utahime always talked about intuition and trusting it. I guess mine was saying from early on ‘this girl is gonna break your heart one day, don’t fall in love with her.’”
“I knew it when you got those far away looks in your eyes. I knew it when I woke up that first morning alone. I knew it when you didn’t say you’d see me later. And just like that you were gone on that ghost ship. You left and didn’t even tell me you were going. Do you know how much that fucking hurt? I wait outside for hours and your neighbor’s the one who tells me you’re gone. I may have purposely lied to myself about how I felt but I never slept with anyone else. I didn’t want anyone else. I was the one who kept reaching out, you never reached back.
Itsuki’s the second tier on the cake and the rest of the frosting. You’ve been gone on that ghost ship for five years and when I finally catch up, I still feel like I’m drowning.”
“... I didn’t mean to make you feel that way. I didn’t know.”
“I know. That’s almost the worst part. Guess I didn't wear my heart on my sleeve as much as you thought.”
.
.
.
“It was the week after our second year midterms,” you recall when you were six years younger and the biggest problem you had in life was a professor was out to get you. Midterms had finally passed and you were on a victorious emotional high after finishing your last exam. At least until some asshole who should have covered their mouth coughed and you were coughing by the end of the day. “I got a cold and just so I could breathe better when I slept, you let me lay on you on the couch the whole time even though you ended up getting sick afterwards.” 
You’d felt so bad, coughing all the while but Satoru hadn’t let you budge an inch, proudly claiming ‘I don’t get sick, I’m built different so cough away.’ When he got sick days later, he said over coughs, ‘This has nothing to do with when you were sick. This is from Suguru.’ “That was when I realized that I’d been stupidly in love with you ever since I met you.”
Gojou Satoru has been called many things throughout your years of knowing him. But for you, the fall child has always been easy to love. He was made for it. “You were a pain in the ass but you were my pain in the ass. I never wanted it any other way.”
“Stop being mean to me,” Satoru leans forward to rest his head on your shoulder just as you wrap your arms around his back. “Don’t you know who you’re being mean to when you’re being an ass?”
You laugh weakly, “the guy I’m still gone for?” When you hear a sniffle in the corner of your neck, you tighten your grip.
"Don't go away this time," Satoru hugs back.
vii. ocean deep, seafoam soft
Satoru finds himself in your bed again for the first time in years.
“I confess my love to you and you try to kill me, I'm hurt.”
“Oh don’t be such a baby, I didn’t even know it was there,” you chuckle fondly after the two of you stumble into your bed after nearly tripping on a stray toy on your floor. Satoru loves that laugh. He loves how you look up at him with all the adoration in the world. “Remember that time we forgot that textbook was on your bed?”
“Please don’t remind me, my back hurts just remembering it,” Satoru whines but laughter escapes him despite his apparent trauma. It wasn’t one of your best moments during your shared years of sexual escapades in college. You pull him down kiss his lips tenderly and he practically moans, relishing the feeling. No more forehead kisses, he wants to tell you. You did that a lot before you left. 
"I love you," Satoru whispers in awe at the words falling out of his own mouth. In awe at the fact you’re even there with him at that moment. “I love you.”
Your hands cup his face like he's something precious and you thumbs away the tears pooling in his eyes despite the ones in your own, "I love you too.”
Satoru’s had sex with you more times than he can count. 
He memorized everything, refused to forget a single detail. It feels like the first time all over again.
The way one set of your fingernails dig into his back while he envelopes your other hand with one of his own. How your fingers intertwined tightly. How amazing you feel squeezing around him tightly. The speed of your pulse as he peppers your throat with kisses and soft nips. The ache between his legs as he rolls his hips into you gently yet persistently, chasing his high but wanting it to last long beyond the confines of this singular moment. 
It’s not just this one moment anymore though. “[First],” Satoru squeezes your hand tighter. “[First].”
I love you.
I love you.
I love you.
Don’t leave me this time, Satoru gasps like a man starved for air before kissing you again desperately. Stay.
(When Satoru wakes up the next morning to you in his arms and playing with his hair at the base of his neck, he feels like could cry. He nestles into your chest with a tired grin, “morning.”)
viii. anchor
Gojou Itsuki, that’s the name staring back at him.
Satoru loves when it’s his birthday. Until Itsuki was born it was arguably the best day in the universe. The importance of birthdays tends to titter on the rope of priorities, but it’s the one day of the year when the people important to him would pop up to say ‘hi’. Even people from the past. An old teacher he used to drive crazy but always said he thought Satoru had a lot of potential.
His mom still sent him a birthday text even if most of their exchanges are dry the rest of the year.
Even his students will tip in to get him a card and some sort of celebratory gift on December 7th.
December 7th lost a bit of its shine when you exited from his life. With you and Itsuki both in it, it shines tenfold.
It’s just the light is too blinding when Satoru takes out his last present of a plain envelope and he sees Gojou Itsuki written in bold and clear text.
Gojou Itsuki
Father: Gojou Satoru
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v. sea state private ver.
"Daddy, do you love Mommy too?"
"Yeah. Daddy loves Mommy."
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latine-showdown · 1 year
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respectthepetty · 5 months
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What are some of your favorite novelas, Petty? I grew up loving them too and personally I will ALWAYSSS show up for anything Fernando Colunga is in!
Anon, I'm not giving you some of my favorites. No. I'm giving you my favorite - If you know this bitch (affectionate and derogatory), you KNOW where this is going!
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For all the BL people, this is why @italianpersonwithashippersheart, @lukaherehelp, and I are having no qualms about Twins or Playboyy.
Telenovelas, soap operas, y lakorns have trained us well for these shenanigans and hijinks.
Why y'all can't remember twenty-two people's names is beyond me, but I had them down the first episode.
Why y'all don't like the tonal whiplash is odd to me because for me, ten minutes on one couple is TOO MUCH TIME. Six minutes, TOP, and move on to the next one.
Someone getting stabbed in one scene then the next scene being someone celebrating at a birthday party is the way I like my shows, and don't let that person be getting stabbed AT that birthday party because that is my bread and butter.
Oh, and TWINS!
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My favorite show includes all of these fine points, and it's the 1998 Mexican telenovela called
La usurpadora
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Somewhere in fictional hell, Soraya Montenegro from María la del Barrio is pissed as fuck.
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The plot: Paola is a rich bitch and wants to leave her husband for her evil lover but can't figure out how.
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¡Sorpresa, cabrona! She meets a worker who looks just like her while on vacation or some shit.
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Paulina is the other woman and she is too poor to contour. Therefore, rich bitch Paola convinces kind and caring Paulina to be her stand-in. Paola tells Paulina she will live the best life and be rich, while Paola can be free. It's a win-win.
¡MENTIRAS!
Paulina refuses! So Paola blackmails her into doing it, and with her mother dead, her fiance gone, and no job (since she was fired as part of Paola's blackmailing scheme), Paulina is forced to take the offer. This is like episode 2 out of 102.
In the next 100 episodes, we get forty-five other characters who are all important to the plot, amnesia, cheating, murder attempts, Paola pretending to be paralyzed, Paulina GOES TO PRISON, someone discovers they are actually twins (no duh!), and a crap ton of more drama.
Oh, and the car crash!
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But God got Paulina, so she good. Even in the sequel when she had cancer, pero no, she was just pregnant.
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The show is based on a 1971 Venezuelan telenovela that was adapted from the book La Intrusa, and has since had several remakes. One was in 2019, which made Paulina Colombian (or was she always Colombian?), and A MUSICAL THIS YEAR!
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It holds a 96% rating on Rotten Tomatoes because the people know this was a 🎁🎁🎁 from God, and it is not up for debate because it featured men dancing around singing Celia Cruz's "La vida es un carnaval" y Selena's "Bidi Bidi Bom Bom." This movie is the moment.
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The lead is Cuban actress Isabella Castillo Díaz who played in America and México's co-produced telenovela ¿Quién es quién?, which is basically the boy version of La usurpadora because of the twins plot. Do you see the theme?
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But back to the musical, which also features Drag Race superstar, Valentina. If you know this bitch (affectionate and derogatory), you KNOW!
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The 1998 version and musical both embrace the camp of it all. The music in the original 1998 version was peak telenovela, and even if you don't speak Spanish, readers, just watch the first minute of this video. I promise you it will be worth it, and it will give you three perfect examples of the *vibes* I'm always rambling about.
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So, yeah, Anon, I hope this explains a lot of about my taste in BLs. I'm here for a show, not the show. Soraya understands.
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delhe-dalim · 1 year
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And then Dib had nightmares with Soraya Montenegro (from María la del Barrio)
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weclassybouquetfun · 9 months
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I have a passing knowledge of Jaime Reyes' Blue Beetle from the character's appearance on SMALLVILLE, BATMAN: THE BRAVE AND THE BOLD and these panels.
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Milagro, you are so real for this.
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And this is where my true knowledge about Blue Beetle comes from - Ted Kord's Blue Beetle and his friendship with Booster Gold.
Blue & Gold Forever.
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So with only knowing the bare minimum about Jaime I was able to watch BLUE BEETLE with no expectations. It's an incredibly vibrant, fun and heartfelt film. I'm concerned at its low box-office showing, but films with bigger leads and bigger budgets have also failed at the box office, or at the very least, didn't recoup it's budget and marketing. There has never been anything that was a guaranteed box office success. I would rather it tried to get eyes in theaters than get lost on HBO Max where it was originally slated for release. Here's hoping National Cinema Day on Aug 27th (where theaters are selling tickets for $4 for all formats) will bring more people to the tent.
Too true.
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My thoughts on BLUE BEETLE
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Nothing but SPOILERS.
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THE GOOD
Xolo Maridueña (COBRA KAI) is a great Jaime. If you have seen Maridueña across these five seasons of COBRA KAI, it's not surprising. He has shown consistently that he can play humour, dutifulness, vulnerable and excel at action.
Big up to COBRA KAI's annual blow-out fight sequence.
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Oddly enough, at the end of the film I didn't think we got to know Jaime beyond a cursory level, but I'm sure if they did a deep dive on him I would complain about that too as my issue with origin story films is that so much real estate is given to building up the history of the character, that the plot and action seems relegated to the final act. But I guess BLUE BEETLE gave us all we need to know about Jaime.
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Good egg, duty bound, gets hard from hugs (and kudos to this film for actually having a character who gets horny. Comic book films are nearly always a sexless thing, but my guy Jaime pulling his shirt down to cover his crotch after Jenny's (Bruna Marquezine) tale of woe was refreshing.)
-Really liked Jenny Kord. She wasn't the typical damsel in distress. She's formidable in her own right. She and Jaime doesn't feel rushed or shoehorned in. I especially loved the fact that they didn't just make her the love interest,
Though she and Xolo are great together,
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but also gave her - in the Reyes - a new family. If she and Jaime were to go pear-shaped we can just know that Jenny still has a place within the Reyes clan.
-We have not one, but two new members to the Legion of Great DCEU Family Members. Joining the mom and dad of SHAZAM, AQUAMAN's dad, THE FLASH's mom is BLUE BEETLE's Alberto Reyes (Damián Alcázar) and Nana Reyes (the Oscar nominated Adriana Barraza).
Still waters run deep and Nana proved that. She's not just up in her room sewing and watching reruns of "María la del Barrio". She is sitting back waiting to showcase her experiene while fighting in the revolution.
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And Alberto Reyes! He was this film's King T'Chaka. Always with a wise word, strong, caring. I hate that he had to die and I think it's a worn out trope that a hero has to suffer loss in order to come into their greatness, but it worked. Long Live Alberto Reyes!
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Just enough George Lopez to not be annoying. He's funny, but only in small doses IMO so he was just good enough and used well enough that it wasn't eye-rolling. I really loved that he wasn't just there for the obvious comic relief, instead Uncle Rudy is a brain.
The opening along had me hyped. It set the tone and it lent to idea of the scarab being from space, but the inclusion of a classic Blue Beetle comic sketch just ::chef's kiss:
-Director Ángel Manuel Soto listed which stories he pulled from for this film,
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but I see a lot of BATMAN: THE BRAVE AND THE BOLD episode "Fall of the Blue Beetle" in the bits where they go to Ted Kord's home/lab.
-The way they took OMAC/Kevin Kho backstory and merged it with Carapex's. In the comics OMAC was a Cambodian child of war, in this film Ignacio/Carapex was left an orphan and trained by the School of the Americas (rebranded Western Hemisphere Institute for Security Cooperation) whose training manuals advocated tortuing and blackmailing civilians. Using Kord Industries as not just a amorphous shady big tech corp, BLUE BEETLE's writer Gareth Dunnet-Alcocer and Soto tied Kord Industries to the realties of what big corporations are doing globally.
This ties into another thing I loved about the film - it had a strong cultural identity. From Nana using Vivaporú (Vicks Vapor Rub) as smelling salts to rouse Jamie, to El Chapulín Colorado(!!!).
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The idea of gentrification that affects people across colour lines and specifically targets people of lower income.
The full integration of Jaime and Khaji-Da being exemplified by Khaji-Da (voiced by singer/actor Becky G) speaking Spanish.
THE BAD
-Is there someone with less screen prescence than Susan Sarandon? I don't know how she was ever a thing. I guess they needed a "name" but there several other actors like Anjelica Huston or Sigourney Weaver who would have done something more with that role. Carla Gugino. Anyone else!
-The establishing CGI of Kord Entrerprises was basura. There was a tangible change in F/X as if mid way through post-production they found out WB-Discovery was moving it to theatrical release and they effects crew got a cash infusion.
-While I came around on the character towards the end, I wasn't a fan of Milagro. Glad they aged her up but she fell into the trope of annoying movie sibling and it grated.
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THE REST
-Harvey Guillen's character died in the film (good!) and he appears to be dead again on HARLEY QUINN (not good. There is no way Nightwing's death sticks).
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-Soto and James Gunn says that Jaime has a future in the DCU. While an interview snippet is making the rounds where Soto says he would like Jason Sudeikis (TED LASSO) to play Ted Kord, I don't really believe that is true as the source is from an online site I'm not familiar with and people lie for clicks.
Yes, Buster. All. The. Time.
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-While comics! Jaime lives in El Paso, Texas, film! Jaime lives in Palmera City - on El Paso St. - which was created for the film (and appeared in the comics months ahead in a tie-in). Soto found inspiration in Texas, Florida, and Puerto Rico. But I wonder what Palmera City's real-world city will be when James Gunn finishes the DC Map that he say is being redone. Maybe because over the years Metropolis has been Chicago/Delaware/New York.
Metropolis is not in Delaware, GTFOH.
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elbiotipo · 5 months
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podes elaborar mas sobre tu visión de un omori argentino. pensas que sunny y todos los otros vivirían en un barrio privado (es lo más equivalente a los suburbios del juego original que hay acá que se me ocurre)
No, creo que vivirían en un barrio (antes un pueblo) del conurbano llamado Lejanía (Faraway), donde tienen todo lo que ves en el juego, la plazita donde se juntan a tomar los mates, la pizzería del Tano Gino, el Abeja que te vende los jueguitos piratas, etc. etc. es uno de esos barrios donde hay de todo un poco, más o menos como el mío (aunque soy provinciano) y todos van a la misma escuela.
La familia de Sunny y Mari son medio de plata, por eso la casa de ellos es un poco grande y cerrada comparada con los demás... el juego empieza cuando la madre decide venderla y mudarse al sur para empezar una nueva vida (el padre se rajó a Japón después de lo que pasó). La de Kel y Hero es una de esas familias que ponen los parlantes en la vereda e invitan a todo el barrio durante las fiestas, todo el mundo conoce a Kel. Hero estudia en La Plata y alquila allá, por eso viene muy de vez en cuando. La casa de Aubrey es por supuesto un desastre, toda fea porque la vieja es una acumuladora y el padre un borracho. Basil tiene un vivero con la abuela pero depende de Polly que es su psicóloga/asistente social.
Es sorprende como muchas cosas prácticamente no cambian. Obviamente, Kel juega al fútbol. Aubrey juega al hockey (como Mari), pero puede pagar la cuota del club intermitentemente, entonces más que nada usa el palo de hockey para armar bardo con su bandita Lo Barrabrava. Sunny está atrapado en su mundo de sueños con referencias al Family Game, a los tazos, a las figuritas y las cartas coleccionables, a Videomatch (ese sería el nivel con el tiburón que no me acuerdo el nombre) y otras cosas entre los 90-2000 (porque el juego pasa en los 2000 tengo entendido).
Y los nombres traducidos literalmente serían Solcito, María, Albahaca, Berenjena, Héroe (Enrique) y... Kel. Pueden ser mejores, obvio.
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