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#Máté
a-kaosz-istenno · 2 months
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Elkell engednem téged,
S hagynom hogy más át vegye helyed
Vagy csak jobb csengést kapjon neved.
-Rita 🥀
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nelli65 · 1 year
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Ennél jobb már ugyse lesz szóval FINALLY:
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Nézzük együtt a következőt a Twitchen: NoobMaris! https://www.twitch.tv/noobmaris?sr=a
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fadedday · 2 months
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Cat by Máté Mile
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tripleaaze · 2 years
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Körmendi Máté
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precruzor · 2 months
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Vörös Máté
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fitzrove · 9 months
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Seeing people post about the "Life, it never die / Women are my favorite guy / Sex, I'm wanting more / Tell the world, stop the war" meme and I'm just going "damn nobody tell them there's actually already an entire album of this and it's called máté kamarás unreleased"
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sabeedraws · 8 months
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life is p good when you start the day watching Elisabeth and sketching Death
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intopower · 9 months
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Vörös Máté. IG: @ voros.matt
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tracthousing · 4 months
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Máté Vörös photographed by Péter Garamszegi (gpexclusive)…
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mangledpuppet · 8 months
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der tod brainrot
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nelli65 · 1 year
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Oké, ezen van még mit javítani, de nem vagyok profi és sajna most nincs több időm. Max amint tudok vissza térek, de egyenlőre.. öhm.. TÁ-DÁÁá..
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donghaixianyv · 8 days
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ok,original meme picture from lofter ,I draw it 🤓
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fadedday · 1 month
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Cat by Máté Mile
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mew-the-classic-peach · 8 months
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My unsolicited headcanon about der Tod's veil
Please note that my headcanon only applies to 2 productions: Original Vienna (1992) and Vienna Revival I (2004).
The first appearance of the veil occurs in Act 2 during Die Schatten werden länger, and the next time the veil is seen is during the Mayerling Walzer. If you have sharp eyes and pay close attention, you can observe der Tod draping the veil over his shoulders and then covering Rudolf’s body with it after the prince’s suicide. From that point onwards until the end of the musical, the veil does not appear again.
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The question arises as to why der Tod used the veil when he met Rudolf in his carriage during Die Schatten werden länger.
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Now, let’s go back to when Rudolf was a child. When the little prince asks him to stay, der Tod responds, “I’ll stay close to you.” Due to this promise, it is likely that der Tod and Rudolf would meet again before decades pass and the prince grows up. This is based on the timeline rather than what the audience sees on stage. It is highly possible that der Tod was often with Rudolf, more so than with Elisabeth, as Rudolf was easier for him to manipulate.
We all know that der Tod does not have a fixed appearance but can take on different forms depending on who is allowed to see him. For example, in Die letzte Chance/Maladie, der Tod appears as a doctor to Elisabeth. This suggests that der Tod could be anyone around Elisabeth and Rudolf, making it impossible to recognize him. So how did Rudolf recognize der Tod in the Die Schatten werden länger? The answer lies in the veil.
It is possible that der Tod appeared in a different form when Rudolf encountered him during that time. The veil served as a symbol for Rudolf to identify that the person before him was der Tod.
To further support this argument, let’s consider the Mayerling Walzer. In this waltz, the Death Angels and der Tod resemble Mary Vetsera and are indistinguishable. So how does Rudolf know which one is the “Mary” he seeks to embrace? Once again, the answer lies in the same veil that is draped over der Tod’s shoulders. The kiss of death occurs, Rudolf pulls the trigger, and der Tod covers the prince’s body with the veil. After this point, the veil does not appear again because der Tod no longer requires it.
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Visit my WordPress for more Elisabeth das Musical headcanons.
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fitzrove · 4 months
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sick and sexified.mp4
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muscleonly4u · 5 months
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Vörös Máté 🇪🇺 🇭🇺
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