#Luc de Clapiers | Explore Tumblr Posts and Blogs

iznsfw · 10 months

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Like a Feather From a Swan’s Broken Wing

LE SSERAFIM's Nakamura Kazuha x Male Reader Smut

7,468 words

Categories | agent!You, ballerina!Kazuha, cunnilingus, daddy kink, spanking, fingering, slight bondage

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“The art of pleasing is the art of deception.”

— Luc de Clapiers

The gun’s in a steady direction, only looking forward. It’s aimed at the dark, at wherever the partners of the man you’ve been hunting for months might hide. On the darker side, you wish that if there would be anyone coming out, it would be the man himself so you'd be able to shoot him. He's the source of more headaches than you could count and the one who keeps you up late at night, and never for a good reason.

It's the selfish part of you speaking. You shouldn't let that interfere with the operation.

You're in uniform, wrapped head to toe in camouflage green. It feels heavy on your skin, but that doesn't stop your determination. You'll carry the weight of your uniform before you carry the burden that is him, who prolongs the operation, leaves your coffee powder short, and keeps the nation in distress.

Today, you'll catch him, once and for all.

Look around briefly. The night covers you completely, and hopefully doesn't cover the enemy, too. You only take a flashed look; quickness is a skill you once were unlearned in but developed later into the senior years of your profession.

Physical strength is another—the door meets the ground with a harsh thud after you kick it down. Training isn't easy by any means, but it's worth it. Hopefully this mission is the same as well.

Teamwork is a skill you learned, too, for like a flock of crows, you and the squad enter the warehouse. Altogether, they're shouting. They call for the victim (add an "s" for plural form, if necessary), telling her she's okay. Everything's going to be alright, they say, no need to worry.

However, they promise a much bloodier end for the kidnapper, who's probably lurking in the shadows.

"Come out now!" Yunjin shouts. She's frightening when she's angry; her brows are downturned and her fierce eyes are locked onto any movement. Hands on her gun, she's always prepared. "We're not going to ask again!"

"Scan the whole place," Sakura, your leader and chief, commands the rest of your team. The hate for the man glistens in her eyes; for her fierce predator looks, the team often dubs her as the cat of your group. "Don't leave one stone unturned."

The cramped warehouse is emptied out by the sounds of boots on the stairs. You take over the mission half and half: you, Sakura, and Yunjin on the first floor and Chaewon, Wonyoung, and Minju on the second.

Your half of the team knocks over the boxes. They spill out packing peanuts and hints of drugs packed in Ziploc bags. Doors fly open and welcome you into empty darkness. Above you, you hear the newer ones in the squad yelling. It's an amateur habit, but maybe it would work. Maybe it would finally draw the criminals out to justice, and all of this would be over.

But, of course, when they run down the stairs with faces devoid of any recognition and your face mirroring theirs with disappointment, it's clear that this whole thing is far from its end.

In fact, you're only at the beginning of a long, uncertain road.

Thread twisted around pins lead to everywhere but the answer. You've been staring at the billboard for too long, trying to piece together the olden newspaper scraps and sticky notes, but there's nothing. Any signs of an answer bring you to nothing. Each path, strung by thread and yarn of colors signifying this and that, draws to a dead end.

If you don't work harder with your team, Bae Suzy would be dead, too.

So why haven't you caught the abductor yet?

You and your team sit at the rounded table. They look solemn, and perhaps a little irritated. You can't blame them—the mission you thought would be the last became another one to the list of failed rescue operations.

They're getting tired of this, and if it were any other case, they'd let go of it. But this is Bae Suzy you're talking about—she's famous, reputable, and intelligent. She's an accomplished actress, a loveable idol, and an excellent model. All of these make her the treasure of many high-class individuals who’d pay billions and fans who'd give their lives to have her back, so you have to go through. Whether you like it or not, that’s how the story goes.

Your boss, chief Miyawaki Sakura, crosses her arms sternly. High curved nose, straight-set lips, and eyes that never failed to scour through the team, she nods at you. It doesn't take a sign language translator to get what she means: start talking.

"The mission was aborted due to fallacies in translation and sources," you say. You're using your classic, signature neutral tone for meetings like this one. There's an edge to it today, though. No one dares to tell you about it. "One of our sources translated the location and transferred the information to us incorrectly, hence bringing us to another failed operation."

Your teammates nod. Sakura sighs, pinching her nose.

"Due to this," you continue, slapping down on the table a picture of Bae Suzy, in which she smiles charmingly and waves to a mass of reporters, "we must conduct further readings into the case to ensure that the information is accurate. For Bae Suzy, and for us."

Another series of nods from across the room. Most of them are half hearted.

"So, do any of you have a proposal as to where the kidnapper is now? And where he might have brought miss Bae?"

The quiet Kim Chaewon raises her hand. She used to be the one who brought and made the coffee, but after she helped you solve a cold case during her night shifts, you brought it upon yourself to let her join the team. She listened to the seminars well and was excellent in the training. She had potential, is what you're saying, so you're more than glad to hear from her side.

"I believe the kidnapper is a dancer. Maybe he’s brought her to a studio."

"That isn't relevant," says Sakura, venom in her voice. It’s wholly unintended for her to lash out at the new member of the squad, but her exhaustion is getting the better of her today.

Chaewon blushes. "I believe it is, chief," she retorts timidly. "He left ballet shoes and leotards in the last operation. It might lead us to his location, especially if he's the sentimental type."

"And you say that after we ransacked an old man's warehouse? After he thought we were little shits playing soldiers and looking for some coke?"

“B-but the operation was your idea!”

"I launch all operations, honey," Sakura informs her, smiling with fake sweetness. "What do you do?"

"Sakura," you warn. Your words are tight. You don't have it in your soul to deal with her feistiness today. Any other day you would have let the bickering go on, but the failed mission has downed your spirits.

Silence passes around the table. Wonyoung's looking around, waiting for someone to speak. Sakura's staring daggers into the flushed Chaewon. Minju and Yunjin are as quiet as they can be.

Let the silence ferment with acknowledgement: "Thank you, Chaewon, for your input. Any other ideas?"

"I believe Chaewon is right,” Minju pipes up. “We received a letter from the suspect after the operation.”

You smile, both at the good news and the fact that Minju is, so far, the prettiest out of the squad, and doesn't have only a pretty face but the good wits to back it up, too. That's part of the reason why you love welcoming her point of view, but a letter sounds interesting. Probably even more interesting than getting close with Minju, a thought you entertained more than you should.

“Were there fingerprints?” you ask.

She hands you the letter, which is wrapped in an envelope with newspaper and magazine letters carefully pasted on its front. “No. He probably used gloves.”

You carefully rip the hood of the envelope upwards and pull out the folded paper. You then read it out loud:

"To the police, agents, and detective teams—

"You won't ever find me. I float through the crowds unseen. I glide through the lake of circumstance like a swan. I bring her along, and though she's a kitten scared of water, she's mine now. Forever.

"It would take years before you're even able to save your precious little Suzy. It might not even happen at all.

"For that reason, although I abhor you more than you'd think for you all are built on a system of lies and corruption, I offer you this clue:

"I have flown to other nations where my flock calls for me in our garden. Will you be able to shoot me down?

"Soar with me,

"The One Who Dances, A Flame Eternal."

It must have taken hours to cut out all those magazine letters. That's one thing you'll commend the abductor for.

"'The One Who Dances,'" says Wonyoung in awe. She realizes that Chaewon was right about him being a dancer. For someone as young and new to this side of the profession, it’s like watching a thing straight out of a thriller movie.

"'The One Who Dances,'" Sakura repeats, but in a more sarcastic tone than the interested girl. She scoffs. There's a smile on her face that’s amused despite the situation. "Boo, what a fucking nerd. Did he take up human sciences or something?"

"That's not relevant," you tell her, avenging Chaewon (and defending yourself, too, because you also studied human sciences. That's not fair. You aren't a nerd.)

"I’m telling you, those essays they make those kids do rot their brains. Oh, and shut the fuck up. This is why you aren't a team leader."

Choose to ignore her. "I… I just don't get it," you say hopelessly.

Your hair is thin between your fingers as you crawl your digits into it. They're tense, just like you are. You've been tight and stressed through the whole investigation process, in fact, because you've rolled through every possible location: a school, a secret hideout, an old building. None of them are occupied by the criminals. None of them have Bae Suzy.

"We're getting there," replies Yunjin softly. She pats your shoulder and looks at your billboard of pictures and clues, too. "We already know Suzy's being held captive. We just don't know where."

She's lying. That's what friends are for: to lie to make you feel better in situations where it's impossible to be. In that case, Yunjin’s an excellent friend because you're getting abso-fucking-lutely nowhere. It's been one failed rescue mission after another, and it doesn't seem like the next one would be successful either.

"That's the problem, Yunjin." Twirling the black ocean of coffee with a teaspoon, you point to a newspaper clipping thumbtacked to the west side of the board. "Last time, they said the kidnapper took her to the USA because she was seen at the airport."

You rise from your swivel chair to tug out a printed screenshot of the CCTV at said place, and raise it for everyone to see. It shows the timestamps and Bae Suzy looking scared as she stares into the crowds.

"But then she went back to Dutchland," Sakura adds.

“Correct.” Take another grayscale photo where Bae Suzy waits unwillingly at the airport, and tap on the sign at the very front of the line she's in that says the name of the country. "The sources are just as confused as we are."

Yunjin's furrowed brow quirks. She picks up the folder and goes through it. The papers reflect in her black-rimmed glasses. "Why would she be in Dutchland?"

"Because," jab a thumb into the picture of Suzy again, "Dutchland means something to the kidnapper. He wouldn't have gone with Suzy there for nothing. It risks everything."

Dutchland is the main setting of the case, actually. Everything begins and ends there. Everything you know about the kidnapper lies in the note he addressed to the police, issued by Minju earlier.

Wait—

Pull out the kidnapper's letter again. It's impossible to mistake it for anything else even through the mess on the table when it's smoother than the other scratch papers. The identifying marks are your fingerprints from pen ink branded onto the thin piece of parchment.

Open it, rolling it out on the table like a mantle. It's a mantle of clues you run your finger on. Flown to other nations… soar with me… our garden… The One Who Dances…

Your breath catches in your throat. "Chaewon," you say, looking up at her, “you’re a fucking genius.”

One Leaf Academy is a rich, well-established school for aspiring ballerinas and professional dancers alike. There can't be any other the abductor was referring to. There's only one particularly famous ballet academy in Dutchland, and since he's mentioned that he was the one who danced, this was it. The "garden" mentioned in the letter helped map it down to one location.

It looks good even from bird's eye view. You can see it properly without the pane of a window standing in the way. When you’re part of the squad, flights aren’t taken on planes. Instead, you use helicopters, government-owned and government-approved.

It took only two days for Dutchland to issue an agreement to let you through the borders. They love Bae Suzy, too, apparently. They love her so much that the process went by quickly and you weren’t even stressed about it. There’s more things to stress about later on, but there’s no use in lamenting the future when the present is already good as is.

The green helicopter lands in the forest behind the school. It camouflages among the leaves and trees, giving you the freedom to hop out of it as noisily as you’d like.

Twigs and branches snap under your feet as you do, and you have to catch Sakura to stifle her trip.

She slaps your hands away and brushes down her dress, as if your touch ruined it. "Keep your fucking hands to yourself."

"You're welcome, Sakura," you say, shrugging.

"Can you two please stop fighting?" Wonyoung asks. Her delicate voice, irresistible even to the hardhearted Sakura, ceases the argument before it could continue.

Pull the ridiculous blazer they made you wear on and look at the team. "Everyone ready? You know your jobs?" you ask.

"I'm the mother," says Sakura spitefully. She glares down at the gradient dress assigned to her. "I'll pretend to take pictures and talk to you through the phone."

"Who's the baby daddy?"

"For once, I beg, shut the fuck—"

"Guys," Wonyoung repeats with a more pleading voice.

Sigh. The fight was on you and it's up to you to end it as well. So, turn to: "Wonyoung?"

"I stay behind and watch out for suspicious people," she replies, back to her usual bright but professional self. You hope she doesn't lose the shimmer in her eyes years down the road of being on the investigative team. You'd hate for her to go through what you had to deal with.

"Yunjin?"

"First round of backup with Chaewon unnie." Yunjin taps the gun hidden in the loop of her jeans.

"Minju?"

The girl blushes. "Look for Bae Suzy," she says in a small voice. She looks pointedly at you. "And you?"

"Find the abductor." Look down at your shoes and wonder if they'd ever experience a trip that isn't about work. "Put an end to everything."

Everything's been fleshed out already. There are backup plans of backup plans, earpieces hidden on the sides of your head when the need to communicate comes. This is how it usually is with undercover work.

You ponder, for a moment, and think if it would forever be like this: a game of cat and mouse, always led on but never going through. It just fuels your passion to find Bae Suzy once and for all.

"Remember, this is a recital," Sakura informs all of you. She points to the backdoors of the ballet academy, which suppresses classical music from the inside. "We have to fit in. Don't drop your cover."

She looks at you and narrows her eyes. “Even if somebody tempts you.”

"Operation One Leaf, launched immediately."

You enter the recital with the subtle earpiece strapped to your lobe and your steps light. You carry your posture well, and with the suit, draw looks from the other parents and from children, too. They're wondering if you're the owner of the place, or maybe you're a well-dressed teacher? A wealthy father? They'll never know because you won't dare tell them.

Regard them with a cold yet polite nod and walk through the sides of the chairs. There's not much of the audience left, but you still have to play your part.

You lock eyes with Minju, who steps into the recital wearing preppy yet casual wear. Mouth her good luck. She smiles, but proceeds into the backrooms without another word. Right. She plays a part in the mission, too. You shouldn't disturb her.

"You're here, agent," she says anyway, tapping onto her own earpiece. Her voice rings in your ear. "Break a leg."

Sakura gets in a little while later. As per her job, she pulls out the communication device disguised as a phone and lifts it to the air, "recording" the dancer on the stage.

Blend in with the crowd as you will. You're a little embarrassed by the attention you draw with your suit since the whole thing is supposed to be undercover, but there's no going back now. You have to act the part.

So: stride confidently into the room, never looking down. Take the first seat you see at the very front and look at the performance.

That's kind of how it all started: a look. It wasn't supposed to be anything else, but yes, one single look keeps you hypnotized, not just because of the dance, but the girl who performs it.

She might as well be a swan in disguise. She's got this resilient, princess-like look on her face that's more alluring than it should be. Even her hair serves her royalty; it elegantly floats around her neck and shoulders as she prances and twists.

The uniform, a long-sleeved blouse finished off with a flattering tie and a flowing skirt, doesn't hide her gracefulness. She moves in it as if she were the swan lake herself. Her movements are as fluid as can be. Each rush and lift of her leg guarantees an upskirted moment in which you're allowed to bask in the beauty of her legs and the fullness of her butt, and you know you shouldn't look. You're better than that; you shouldn't let a young, pretty girl stall your job, but there you are, front seat at a recital for professional senior high ballerinas, hypnotized by a ballerina's dance.

You have to snap out of it. You have better and more important things to do than mentally undress a pretty dancer, yet your eyes are glued on her. It's like your vision was programmed to catch every twirl and glide she makes across the platform, to relish the poke of her chest through the blouse that's a little too small, to yearn for her.

The music is just a dreamful background to her. You're dazed. Hypnotized. Locked into a passive position because of her.

You want this ballerina. You can't do anything but look and want and long.

It's almost heartbreaking when her performance ends. She bows deeply, and you swear she's fired you a wink right before she rises up again.

You have to get to know her. You want to ask her out, maybe even escalate things further on the first date if she’s willing. But you have a mission to do. The squad and saving Bae Suzy come first.

Regretfully, you stand from the monobloc chair and turn your heel. But then there she is, dressed in perfection and uniform, and looking prettier up close when she shouldn't be that close but she is close and you swear one more centimeter closer and you'd be closed up to her lips.

"Hi," she says, casually.

That deep voice, fuck.

Wait, when did she get here?

"I, uh, hi? Wait, how did you… why are you—"

"Please." She rolls her eyes, sets a hand on her tiny pinch of a waist. "Did you think you weren't obvious staring me down?"

"Well, uh—"

(What the hell is wrong with you? Why are you stuttering and stammering and stumbling over your words like you aren't more mature and older than her? How could she say that to you and disregard that fact?

You couldn't be assed to know, but she's intimidating you in a whole different way: making you feel like the platform she dances on by acting sweet but not too sweet, flirty but not over the top. That's what you know, but here's the problem: you have little idea what to do.)

"Calm down," she says. She's a tall girl, but smaller enough to smooth down your blazer and close it softly around your chest. Her eyes are enticing. "I'm just playing with you."

Swallow. Try to collect your composure back into a neat pile, but it overflows and ceases. "Excuse me," you say, voice shaking, "do I know you?"

She pushes out her pink bottom lip, bites it, then shakes her head. "It's Kazuha, if that rings a bell."

"If I didn't know your name, Kazuha," you say, "I'd say I recognize you from somewhere."

"You do?"

"Yeah." The more you talk, the more she looks like Bae Suzy. "You, y-you kind of look like someone I'm looking for."

Kazuha guides you with a hand around your wrist and walks you to the backroom. You have no sense of direction when your eyes are sealed onto her gorgeous face, perfect with their brown eyes and sculpted nose. It's a tour guide to danger, and you don't even know that you're hiking.

"Is she your wife?" She rubs the back of your hand with a thumb, looking at you with such authentic concern that you almost fall for it. Almost. "Girlfriend?"

"No." Breathe through your nose. "Just someone I have to look for."

Slam. The door shuts, and now you're effectively pinned upon its wood like a poster. Amazing how a woman smaller than you could do you like that: have you weak at your knees as she keeps you on the flat of the door, stares you down with no hatred in her eyes, but sultriness. You don't know how you pick up all those clues when she's not speaking, but Kazuha, as you come to find out, isn't like any other girl. She's known her whole life to speak through her body, and the message from her hands pushing you into a flattened position and her leg propped next to your hip is clear.

You’re not sure if you want to open her note and read it.

"Tell me," Kazuha says, chastely, although her actions are anything but, "am I as hot as her?"

Your eyes widen. It's utterly unprofessional; you as an agent shouldn't even begin to engage in a conversation about how the victim's sexually attractive when she might be in the most vulnerable place right now.

Stutter again. Broken words become a new language you're fluent in, and might as well be a native speaker of with how much Kazuha learned you into it. You have her slim, hot body pressed up against yours to thank, and the look in her eyes. The tilt of her pretty little head. Her subtle, knowing smirk.

"I can't talk about that with you," you say, because it's true—you can't. You have a mission to do and your morals to keep.

"Sure you can," Kazuha counters. Her eyes glimmer. "I'm the top student in One Leaf. They basically made me a star when they knew that my name meant 'one leaf,' too. Isn't that funny?"

"What's your point here?"

"The point is," she says, leveling your gaze, "if I fuck you right here in this room, they wouldn't give a damn."

She has a hold of your hands, imprisoning them and trapping them on the slopes of her sizable chest. Your breath hooks on nothing and is released incompletely. Kazuha's breasts are so soft, not the biggest but fill your hands up so well that you'd take them over any other pair.

Have to resist the voice inside you telling you to squeeze. "What are you doing?" you ask.

"Tell me, what do men like you want?"

Kazuha curls your hand into her flesh so that she's making you squeeze—

"Tits—"

—then leads it below her pleated skirt, lets it cup the globes and touch places that should otherwise be left untouched—

"—or ass?"

Both are tastes of heaven. The two choices are soft yet alluring. But you really shouldn't, though you want to rip that skirt clean off her legs and spank her till her cheeks are red. She deserves that for tempting you, for being such a bad girl when she's otherwise excellent at being a ballerina.

"I can't talk to you about that," you have to repeat. But it sounds more like you're convincing yourself rather than her.

Oh, and she's far from being budged.

Kazuha pulls you by the tie and drags you to the nearest monobloc chair. There are plenty of other seats just like that here in the utility room, but she chooses to throw a beautiful, toned leg over each side of your hips and sit on your lap instead. Her ass snuggles your crotch and her legs keep you trapped onto the chair.

"What about now?" she asks.

Then her hips start to sway—it's another coax for you to drag out of your shell and do what you shouldn't. It's another dance besides ballet that she knows well, and you can tell from how her thighs flex and bounce underneath your touch, she's very good at it.

"K-Kazuha… fuck—"

"Come on." She's straight up dry humping you, dragging her perfect pussy up and down your growing erection. Her eyes and mouth both pose a challenge: "Tell me I should stop. Tell me you want to do anything that isn't to fuck me."

Kazuha rubs herself on you. She uses your clothed cock as a personal toy for a few delicious seconds, then rises from your lap to unbutton her blouse. One by one, they undo themselves and the pale skin of her chest is revealed. There's her small cleavage. A collarbone carved from perfection. Her beautiful chest. Too much is what it is, yet your perverted self can't stop gawking.

You remember Sakura's words earlier. She told you not to drop your cover, not to get tempted. You dislike Sakura, yet it's her warning that ignites your hesitation. She suspected that you'd fall like this. She was only trying to hold you back.

"Well? What's gonna happen then?" Kazuha crosses her arms. They frame the underside of her tits, a perfect picture. "Do you want to go out there and find some stupid girl or fuck the one on your lap? What's it gonna be, daddy?"

You're not a daddy kink type of person. In fact, you don't really have that much of a sex drive. Intercourse and the like are things you have no time for when your job is like this, much less a discovery of a daddy kink.

So why is your dick so much harder now that she's said it?

Why are your hands on her hips?

Why are you carrying Kazuha's lithe form and placing her right on a desk?

Why are you kissing her?

When your lips and hers meet, an apocalypse is birthed. An apocalypse of sex, hunger, and desire breaks out. Your eyes are closed, yet your hands and Kazuha's own know exactly where to touch and hold. She unbuckles your belt and pulls down your pants. You slide your greedy fingers over Kazuha's perfect buttcheeks. Tug off the ridiculous shorts that saved her performance from being pornographic. Rip off the panties that are sticky with need.

"Oh, ohhh, you like that?" Kazuha moans while you kiss her neck and chest. Don't bother to rip off the uniform when it looks incredibly sexy on her fit body. "You like me calling you that, daddy?"

"Quiet. We're making this quick."

"So you do want to fuck me."

Thighs touch your lips when you make your way down. Or is it the other way around? Whatever, the point is that Kazuha's thighs are a delicacy. They're full yet sculpted and would look great looped around your head. Luckily, you find that the sopped core between them is more delicious.

Lick a line from the bottom of her slit right up to her bundle of nerves. "Who says I want to fuck you?"

"D-daddy!" Kazuha gasps, covering her mouth.

"You're quick to call me that." You kiss the insides of thighs then start trailing your tongue around her clit. On top of it. Under it. Each side is subject to immense pleasure. "Where's the shame, little dancer?"

"Right on with the nicknames."

You splay Kazuha's pink lips and stick your tongue in between them. Her hips buckle forward. Her eyes are all wide and eager and needy, and it takes a few more thrusts of your tongue to have them shut.

However, it doesn't take a lot for Kazuha to moan. Her voice is tinged with deep tones, and they pronounce out prolonged cries as you toy her cunt with your tongue. Her thighs threaten to crush your head, but, if anything, you'd welcome it. You're happy to be trapped in between her luscious legs and keep the feminine scent of her pussy right up close. Her juices could be your water, the food would be her core itself—you're already eating it like a meal anyway.

"Of course. If you want to play games, I'll give in." Toy with her clit, then proceed to give it harsh sucks and slurps that her lower body spasms. "I'm just playing along."

Kazuha bites on a bated breath and beats the table with a bent hand. "What if I'm not playing around, daddy?"

"Hm?"

"What if, fuck, I'm not playing around?" She pushes you deeper between her legs and wraps them around your head. She toys with the sides of your ears. "Maybe I like fucking people who obviously shouldn't be doing it. Maybe I like calling a hot man daddy. It just feels so good for me. Did you ever think about that?"

And maybe you like fucking a girl who's a hindrance to your mission. Maybe you like eating out her wet cunt, driving your tongue deeper into the soaked fuckhole, and doing everything you wanted to do to her when she was onstage.

But all of that is just one maybe after another. As far as you're concerned, you don't actually like doing it, yet when Kazuha whines and squirms like that, your mind is quickly changed.

Self-discovery, you guess.

"So do it," you challenge her. Look up at her while you quickly rub her clit. "Call me daddy."

"Daddy, hngnnn, fuck, daddy!"

Kazuha's pussy creates the most obscene wet sounds. Your index finger doesn't rest; it fires away at her clit, her most sensitive spot, and urges it to become more swollen. More sensitive. More desperate.

Push her other leg up for more access. As you expected, it effortlessly rises. Who knew that her years of dancing as a professional ballerina would translate well when eating her pussy? You love how her thigh quivers and tries to stay upward while you eat her out. That's one thing ballet didn't teach her: to stay stabilized when there's a tongue and finger assaulting her center.

"Are you usually this wet, Kazuha? After you dance out there with your legs and thighs out for everyone to see?"

"No, no, I'm not wet! You're, hnnn, daddy," her eyes lose focus and she rolls her head back, mouth gaped, "oh, fuck, daddy, I'm gonna cum!"

Start to jack yourself off to the unholy, R-18 scene of Kazuha approaching orgasm. Is it a known thing that ballerinas are the most beautiful when they cum? If not, it should be, for Kazuha's blissful face—eyes shut, mouth wide with moans—and her shaking legs enchant you. They draw you into her and have you rubbing and tapping at her core to coax out more euphoric reactions from her.

Slip your fingers inside her. Be greeted with a fountain of liquid and scent. Appreciate how tight she is when it's only your fingers in her.

"God, daddy, not there!" Kazuha screams. Have to dodge a few times for her kicking and flailing legs to miss your face. "I'm so sensitive there, oh no, you can't—oh, fuck—daddy!"

Her deep voice thrills your erection, and you could have cum on the spot with her if you were more focused on rubbing her orgasm out. A bit of squirt stains your fingers, but you end up getting more stains of girl cum on yourself as you go on fingering and rubbing.

Kazuha rubs her own nipples as she settles down from her high. "That, that was—daddy—"

You hush her. There's no time to talk. You unravel Kazuha's tie and wrap the little gray thing around her wrists. You knot them tightly after you wring her arms behind her back. She watches on with confusion, wondering why you're suddenly being so horny.

If she asked, you'd explain that it's because of her. Who else could be the culprit when she's there with her incredible thighs and perfect, fuckable body? When she's the feistiest little thing who just turns out to crumble if the right guy crosses her? Everything about Kazuha seems to be designed and fabricated to tempt you, and look at you giving in.

"You're tying me up, daddy?" she asks, tone varying between disappointment and excitement.

"What does it look like I'm doing?"

She's so cute, really—she closes up to you with the biggest eyes of hurt and want, with her slim lips curved downwards into a pout. "You have to fuck me," she says, like it's a promise you made that she's been waiting on to be granted for a while. "It's not fair. You can't even fuck well, daddy, and you're tying me up? You must be joking."

Scoff. "I wasn't so bad at fucking when I ate your pussy."

"I was just moaning to make you happy." Kazuha leans forward, presenting her exposed cleavage and face that looks otherwise innocent besides the smirk. "I love making big handsome daddies like you happy."

Her words and cutesy tone send chills down your spine. She's so attractive that it's becoming scary, even when she's bound by the hands.

"Don't you feel bad, daddy?" she asks with a timely lull of her head to the side. "You're giving your whole career away to fuck me. You're supposed to be doing something else, aren't you? Something other than fucking me? So why are you here?"

Her words hit too close to home. "You don't know anything about me, Kazuha."

"Sure I do."

"Turn around."

"Make me. Holy shit, daddy, you have such a big cock, but you're so pathetic. You didn't expect to fuck a girl tonight, did you? But you saw me and thought about it. And now that I've figured you out, you got mad. Why's it the fault of a good little girl like me that you're doing the wrong thing? Maybe it's because you know you're such a bad person, a bad guy—"

You grab her and push her stomach down on the table. Your rod slips inside the ballerina, and she breaks.

And it's everything you've ever wanted: she's hot and tight and wet around you. Her bouncy ass lives up to its description as you pump at a rapid fire pace inside her. Her pussy's so tight that it feels like it's pinching you to keep you inside, and you do exactly that. You'd never want to be anywhere else.

But you still make sure to pull out to let your length breathe, then submerge them into the tightness of her vagina again. Her lips cling to your dick. They don't want you to be anywhere else either.

“Say you’re sorry.”

"S-sorry, daddy!" she's quick to say. A broken mirror lies across the table, and from there you can see the expressions of winces and moans on her beautiful face.

"Fucking mean it."

"Kazu… ha, Kazuha… Kazuha's sorry, daddy!"

There's a certain power you impel on this thrust specifically, and it sends her legs buckling. Place a hand on her bound wrists to keep her in place just like she did when she had you trapped to the door.

Frankly, you did it for the chance to slap her cheeks. Spank one and it jiggles beautifully. Spank the other and her hole tightens. Make it a point of yours to spank there particularly, all while keeping the unyielding quality of her hole. It's how you keep the brat that is Kazuha on a leash.

"Daddy, daddy, fuck!" she screams. "You're so, so good, please keep fucking me!"

"Contradicting yourself." Pull out, much to her disappointment, and slide your cock up and down in the plateau of her asscheeks. The flesh of her ass hugs you.

"Why'd you pull out, daddy?" Kazuha asks. She looks back at you and pleads with the shimmer in her eyes.

"I wanted to see if this ass is as soft as it looks."

For a few blissful moments you fuck Kazuha's ass cheeks, but never really entering her puckered pink hole. It causes her to whine and pout. It's impossible to not give in to such a pretty face, so you continue for a few seconds, letting the pleasure entice your cock to a full solidness, then pause.

"Are you a good girl, Kazuha?" Rub her pussy then bring your slick digits to her mouth.

Kazuha licks them clean and nods repeatedly. If you weren't so focused on riling her up, you'd go back to the moment your squad nodded their heads as you went over the mission plan. "Yesss, daddy."

"So much you'd let me fuck this perfect pussy till I'm spent?"

"Yes!"

Twist Kazuha around and prop her on the desk. Then, you tear her blouse. Buttons soar in the air to make way for her full, ab-ridden midriff to be exposed. Her tiny slutty waist has your mouth agape. Her small breasts peek through her black lace bra.

"And let me cum all over this midriff?" you ask, staking the deal higher.

"Oh, what's that?" Kazuha smirks. "Is little old daddy scared to breed me?"

Her character when she's not being fucked confuses you just as much as it arouses you. She looks way better when she's being a submissive little dancer, though.

"Bad girls don't get to be bred."

Push inside her. Yes, you're doing this again. Kazuha's abs flex, and the breaths she takes and releases become more strained.

As you pound her, she looks at you with this face that's lost any elegance from dancing. It's looking like she's slightly sleepy with pleasure, like she wanted to lay there while she let you have your way with her. And you'd be glad to—her ripped uniform and pretty legs would spur you on in no time.

You grab her ass and start dragging her to yourself, too, to fill her deeper. It works; your tip makes it to her womb and right then and there you're tempted to be hypocritical and breed her anyway. You'd love to imagine how her face basked in pleasure would look when you fill her with your load. You'd love to see her pull the weight of being bred well and dance out there with no care that your semen's rolling down her soft legs.

But she doesn't deserve it.

"Pleaaaase, I'll be so good!" she says. Her hands end up on your shoulders and she's kissing you everywhere. "I'll be a good girl, daddy, just fffucking fill me up. I'll never… I'll be…. oh!"

You're going too fast. Your sudden burst of energy leaves her on the edge. On the wall, to be more precise, because you're ruining and rearranging her insides so well that she's knocked onto the walls again and again.

"Daddy…"

Kazuha winces. Moans. C-cries? She doesn't know what to do. Her legs feel hot and she feels like she's going to burst anytime soon. Your cock's impaling her in all the right ways, grazing her cervix and G-spot but also parting her walls just so that the pain transforms into pleasure. "Gonna cum now, daddy, please let me—oh, please—"

The last word comes out wrung in between pitches. Kazuha shudders and squeals. The pleasure's overwhelming her so much that she's let go of her strength. Her legs feel too weak. Her throat, although you haven't fucked it, is sore. Then you're painting her abs, white fluid against and above and over white skin, and she immediately fingers some of your release and pushes a digit inside herself. She's a resourceful girl besides being an excellent ballerina. Good to know.

"You really didn't breed me, daddy?" she asks sadly.

You regret not doing so seeing the hopeless look on her face. "Sorry, but I've got to—"

Your eyes size up to planets.

—"go."

It's only at the finish of your sentence that you realize that you're right. You do have to go. Why are you here when you have a mission to find the abductor?

"Shit, shit, shit!" Pull your pants up and fix your blazer. It's cool inside the utility room, but your blood's run cold. "I have to go, Kazuha. I—"

Kazuha rolls her eyes. "Fix your earpiece first, daddy. You're a mess."

You blindly follow her words before you even suspect why she knew about the earpiece, or why it's off. After you tap on it, you hear the following, haunting words:

"Mission aborted. Mission aborted. We've been betrayed."

"No, no, no." You shake your head over and over. You can’t believe that was happening and you missed out on assisting your teammates out. Speak through the piece in a shaken voice, "What's going on? Yunjin? Yunjin, what's going on?"

"What the fuck?" she says, obviously infuriated. "I've been trying to reach you, agent! Where the hell are you?"

Look around. "Uh… I met a girl. We're in the back."

"Fuck. What's her name?"

"Kazuha."

Yunjin's voice reaches an alarm you've never heard from her. "Get the fuck out of there, agent! Get away from her, kill her, I don't give a fuck, just run!"

"B-but why?"

"The kidnapper's not a 'him,' she's a 'she'! It's a trap!"

As Yunjin's voice echoes from your earpiece in the small room, Kazuha's creepy smile grows.

"Yunjin," flash a look at the ballerina, who’s still smiling, then at the ceiling, "I don't understand."

"Get your fucking head in the game. 'The One Who Dances', agent. 'One Leaf'! The answer was right in our face, it's her!" Yunjin's practically shouting now. It deafens you, but you hear every word loud and clear. "She impersonated Bae Suzy at the airport, agent. The ‘cat’ in the letter wasn’t about Suzy, it’s about Sakura! She betrayed us!”

You look at Kazuha, and suddenly her smile isn’t as alluring as it was when you were fucking her. It speaks of an impending doom. It tells you that you should really run, but there wouldn’t be much change if you did because she’d still catch you. You’d still end up dead.

Suddenly, all the pieces to the story that played behind the scenes fall into place. They connect too well for it to be false. You never questioned once why Sakura led you in each of the operations, and now it’s clear why she did: she was holding you back from saving Suzy. There was a reason why she was team leader. How did you not catch it?

And Kazuha… she didn’t come up to you just because she wanted to, did she? She had a partner and a purpose. You were searching for the culprit ever since you stepped foot into the academy. It didn’t hit you once that you might be fucking her.

Kazuha takes a few steps towards you and lays her forehead into your chest. “You’re not mad, are you, daddy?”

How did her tie suddenly disappear from her wrists?

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Labor Day

Labor day quotes and history Labor Day, an article that explains the history, the major facts, the meaning, the celebrations and quotes to honor and recognize the American labor movement and the works and contributions of laborers to the development and achievements of the United States. Our labour preserves us from three great evils - weariness, vice, and want. Voltaire, Candide The ceaseless labour of your life is to build the house of death. Michel de Montaigne He who works with his hands is a laborer. He who works with his hands and his head is a craftsman. He who works with his hands and his head and his heart is an artist. Saint Francis of Assisi I am opposing a social order in which it is possible for one man who does absolutely nothing that is useful to amass a fortune of hundreds of millions of dollars, while millions of men and women who work all the days of their lives secure barely enough for a wretched existence. Eugene Debs You count the waves. (Labour in vain.) Proverb, (Latin) To have one's labour for one's pains. Proverb The poor have to labour in the face of the majestic equality of the law, which forbids the rich as well as the poor to sleep under bridges, to beg in the streets, and to steal bread. Anatole France In vain our labours are, whatsoe'er they be, unless God gives the Benediction. Robert Herrick What needs my Shakespeare for his honoured bones, The labor of an age in pilèd stones, Or that his hallowed relics should be hid, Under a star-y-pointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name? John Milton The gain in self-confidence of having accomplished a tiresome labour is immense. Arnold Bennett Every job from the heart is, ultimately, of equal value. The nurse injects the syringe; the writer slides the pen; the farmer plows the dirt; the comedian draws the laughter. Monetary income is the perfect deceiver of a man's true worth. Criss Jami Enable every woman who can work to take her place on the labour front, under the principle of equal pay for equal work. Mao Zedong No man needs sympathy because he has to work, because he has a burden to carry. Far and away the best prize that life offers is the chance to work hard at work worth doing. Theodore Roosevelt Even in the meanest sorts of labor, the whole soul of a man is composed into a kind of real harmony the instant he sets himself to work. Thomas Carlyle Even in the meanest sorts of labor, the whole soul of a man is composed into a kind of real harmony the instant he sets himself to work. Thomas Carlyle We've no use for intellectuals in this outfit. What we need is chimpanzees. Let me give you a word of advice: never say a word to us about being intelligent. We will think for you, my friend. Don't forget it. Louis-Ferdinand Celine The fruit derived from labor is the sweetest of all pleasures. Luc De Clapiers A man's best friends are his ten fingers. Robert Collyer Labor is man's greatest function. He is nothing, he can do nothing, he can achieve nothing, he can fulfill nothing, without working. Orville Dewey He that hath a trade hath an estate; He that hath a calling hath an office of profit and honor. Benjamin Franklin Labor is the source of all wealth and all culture. Ferdinand Lassalle Who will not suffer labor in this world, let him not be born. John Florio I tell you, sir, the only safeguard of order and discipline in the modern world is a standardized worker with interchangeable parts. That would solve the entire problem of management. Jean Giraudoux Excellence in any department can be attained only by the labor of a lifetime; it is not to be purchased at a lesser price. Samuel Johnson Labor is the curse of the world, and nobody can meddle with it without becoming proportionately brutalized. Nathaniel Hawthorne If a little labor, little are our gains. Man's fortunes are according to his pains. Robert Herrick Labor is the instituted means for the methodical development of all our powers under the direction and control of the will. Josiah Gilbert Holland Life gives nothing to man without labor. Horace Every man is dishonest who lives upon the labor of others, no matter if he occupies a throne. Robert Green Ingersoll Take not from the mouth of labor the bread it has earned. Thomas Jefferson Labor, if it were not necessary for existence, would be indispensable for the happiness of man. Samuel Johnson Genius begins great works; labor alone finishes them. Joseph Joubert Syzygy, inexorable, pancreatic, phantasmagoria --- anyone who can use those four words in one sentence will never have to do manual labor. W.P. Kinsella Precious gems are profoundly buried in the earth and can only be extracted at the expense of great labor. Sri Anandamayi Ma I believe in the dignity of labor, whether with head or hand; that the world owes no man a living but that it owes every man an opportunity to make a living. John D. Rockefeller The miracle of the seed and the soil is not available by affirmation; it is only available by labor. Jim Rohn It is not, truly speaking, the labor that is divided, but the men divided into mere segments of men, broken into small fragments and crumbs of life, so that all the little piece of intelligence that is left in a man is not enough to make a pin, or a nail, but exhausts itself in making the point of a pin or the head of a nail. John Ruskin There is no real wealth but the labor of man. Percy Bysshe Shelley Labor is still, and ever will be, the inevitable price set upon everything which is valuable. Samuel Smiles If a man loves the labor of his trade apart from any question of success or fame, the Gods have called him. Robert Louis Stevenson The biggest labor problem is tomorrow. Brigham Young

Labor Day, facts and quotes Labour Day (Labor Day in the United States) is an annual holiday to celebrate the achievements of workers. Labour Day has its origins in the labour union movement, specifically the eight-hour day movement, which advocated eight hours for work, eight hours for recreation, and eight hours for rest. For most countries, Labour Day is synonymous with, or linked with, International Workers' Day, which occurs on 1 May. For other countries, Labour Day is celebrated on a different date, often one with special significance for the labour movement in that country. Labour Day is a public holiday in many countries. Labor Day is a federal holiday and falls on the first Monday of September every year. It was initially organized to celebrate labor unions and their contributions to the United States' economy. Labor Day is a public holiday. It is a day off for the general population, so all Government offices, organizations, and schools and most businesses are closed. Many cities, towns, and neighborhoods organize and hold public celebrations such as firework displays, picnics, and barbecues. Labor Day 2020 will occur on Monday, September 7. Labor Day pays tribute to the contributions and achievements of American workers and is traditionally observed on the first Monday in September. It was created by the labor movement in the late 19th century and became a federal holiday in 1894. Labor Day weekend also symbolizes the end of summer for many Americans, and is celebrated with parties, street parades and athletic events. Many residents take advantage of the long Labor Day weekend to take a last summer trip. Because of this, there may be traffic congestion on highways and at airports. Public transit systems do not usually operate on their regular timetables. For students, Labor Day is the last chance to take a break before school starts again for the fall session. The American football season begins on or around Labor Day, and many teams play their first game of the season during the Labor Day weekend. The first Labor Day was held in 1882, and its origins stem from the Central Labor Union's desire to create a holiday for workers. It became a federal holiday in 1894. Originally, it was intended that the day would be filled with a street parade to allow the public to appreciate the trade and labor organizations' work. After the parade, a festival was to be held to amuse local workers and their families. In later years, prominent men and women had speeches. This is less common now but is sometimes seen in election years. One of the reasons for choosing to celebrate this on the first Monday in September, and not on May 1, which is common in the rest of the world, was to add a holiday in the long gap between Independence Day in July and Thanksgiving in November. In the late 1800s, at the height of the Industrial Revolution in the United States, the average American worked 12-hour days and seven-day weeks in order to eke out a basic living. Despite restrictions in some states, children as young as 5 or 6 toiled in mills, factories and mines across the country, earning a fraction of their adult counterparts’ wages.

Labor Day parades and celebrations People of all ages, particularly the very poor and recent immigrants, often faced extremely unsafe working conditions, with insufficient access to fresh air, sanitary facilities and breaks. As manufacturing increasingly supplanted agriculture as the wellspring of American employment, labor unions, which had first appeared in the late 18th century, grew more prominent and vocal. They began organizing strikes and rallies to protest poor conditions and compel employers to renegotiate hours and pay. Many of these events turned violent during this period, including the infamous Haymarket Riot of 1886, in which several Chicago policemen and workers were killed. Others gave rise to longstanding traditions: On September 5, 1882, 10,000 workers took unpaid time off to march from City Hall to Union Square in New York City, holding the first Labor Day parade in U.S. history. The idea of a “workingmen’s holiday,” celebrated on the first Monday in September, caught on in other industrial centers across the country, and many states passed legislation recognizing it. Congress would not legalize the holiday until 12 years later, when a watershed moment in American labor history brought workers’ rights squarely into the public’s view. On May 11, 1894, employees of the Pullman Palace Car Company in Chicago went on strike to protest wage cuts and the firing of union representatives. On June 26, the American Railroad Union, led by Eugene V. Debs, called for a boycott of all Pullman railway cars, crippling railroad traffic nationwide. To break the Pullman strike, the federal government dispatched troops to Chicago, unleashing a wave of riots that resulted in the deaths of more than a dozen workers. Who Created Labor Day? In the wake of this massive unrest and in an attempt to repair ties with American workers, Congress passed an act making Labor Day a legal holiday in the District of Columbia and the territories. On June 28, 1894, President Grover Cleveland signed it into law. More than a century later, the true founder of Labor Day has yet to be identified. Many credit Peter J. McGuire, cofounder of the American Federation of Labor, while others have suggested that Matthew Maguire, a secretary of the Central Labor Union, first proposed the holiday. Labor Day is still celebrated in cities and towns across the United States with parades, picnics, barbecues, fireworks displays and other public gatherings. For many Americans, particularly children and young adults, it represents the end of the summer and the start of the back-to-school season. Labor Day is in good company since the Uniform Monday Holiday Act of 1968 changed several holidays to ensure they would always be observed on Mondays so that federal employees could have more three-day weekends, and so other holidays that always fall on Mondays include: Martin Luther King, Jr. Day, George Washington’s Birthday (or “President’s Day”); Memorial Day; Columbus Day. Here are the major U.S. holidays. In some cases, businesses, government offices, and schools will be closed, and also the International Days list. New Year’s Eve/New Year’s Day MLK Jr. Day President’s Day Valentine’s Day St. Patrick’s Day Easter/Spring Break Mother’s Day Memorial Day Father’s Day 4th of July Labor Day Halloween Thanksgiving Christmas Eve Christmas Day International Days List Read the full article

#American #Carlyle #celebrations #culture #Day #Facts #history #Jefferson #labor #Milton #Monday #quotes #Roosevelt #SamuelJohnson #September #Shelley #Union #USA #wealth

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