Diane, I am wondering something about writing and you are very wise and very kind.
For context, I've been seeing a therapist for a few months and just saw a psychiatrist Sunday night and they both used the phrase "dissociative daydreaming". It started when I was about 13 and I'm 28 now and it is getting in the way of my life. I'll be having a one-on-one conversation with someone alone in a quiet room and completely miss a few seconds of what they say, and I zone out a lot when eating at restaurants and it creeps people out. The psychiatrist says we are going to work on getting this under control in the next couple months.
The thing is, I like writing fiction and I do a lot of my imagining while I'm in this "zoned out" state. You know, that being a major part of dissociative daydreaming. So I'm wondering, sorry for assuming (assuming makes an ass out of you and me), but if you do not also dissociative daydream, or any other fiction writers here do, how do you think about your stories? Do you just sit down at your desk and say to yourself "I shall write a story now" without leaving your unoccupied body staring at a wall?
First of all: my apologies for having taken so long to get to this... my ask box is so piled up with overdue stuff right now. (sigh) And thanks for the nice words. I don't know about the "wise", and sometimes I screw up the "kind", but I do what I can with what I've got.
Anyway, re: "Do you just sit down at your desk and say to yourself 'I shall write a story now' without leaving your unoccupied body staring at a wall?"
...Yeah, pretty much. Here's how the story-building process usually goes for me.
First I outline. (As detailed here.) The outlining is for me the equivalent of drawing a blueprint, or doing the measure-twice work that comes before taking a saw to the materials you're going to use to build a bookshelf. For this part of the process, as I assemble the underlying framework of the story, I've found it vital to be as completely present, alert and aware as possible. This is where the order of physical action gets laid out, errors of reasoning get caught, blind alleys get erased from the blueprint, useless character transactions get identified and thrown away, and hunches / incomplete ideas get incorporated.
While assembling the outline, if I find my concentration drifting or somehow compromised, I stop work as quickly as possible and put it aside until I can find time to deal with it when I won't be distracted by other stuff. Much experience has taught me that if I get sloppy about this, I may well wind up being really annoyed about it later on... secondary to having missed something vital about character interactions, or screwed up some important sequence of physical action. The writing time lost in fixing careless errors of this kind infuriates me... so I take my time with the outlining.
It's after the framework of the story is in place that the vaguing-out stages of both writing and thinking about the writing come into play. Over many years I've found that the shower, in the morning, is one of the best places for this. Usually when I'm in active writing mode on a project, the first thing I'll do after waking up (while still in bed) will be to look over the writing done the previous day, and—if there's need—check the outline to see what I was planning to do next. Then I hit the showers.
That's where the ideas really start to flow while I'm unfocused: scene descriptions and action sequences in particular. I don't know what it is, but running water really seems to do it for me. (One time I was up at this place for a writing trip, and plotted about six novels one after the other, over a week. Those tubes in the picture dump a liter of hot water per second onto your head. Very, very effective for me.)
...I'm also absolutely horrified to have to admit that one of the very best places for me to be in order to have dialogue arrive is at the kitchen sink, doing dishes. Possibly because there are few other situations in my day to day life where I more desperately want to have my mind be somewhere else. Anywhere else. (But also: running water again...)
In between these two modes of composition lies a hybrid "full-spectrum" writing mode in which I can switch pretty much seamlessly from total immersion in the scene presently unfolding to a more analytical examination of what's going on: a constant realtime adjustment of format issues, timing, pacing, and a lot of other things. When in this mode I can vague out when necessary, inventing new stuff as needed or refining material that was already there, and then snap back into the mode where I'm keeping an eye on paragraph lengths or whether there are too many em-dashes popping up. :)
...Anyway, that''s how it goes for me. The usual caveat applies here: other people's (entirely successful!) processes will not necessarily look anything like this. ...Meanwhile, I absolutely wish you good results in your upcoming brainwork, and the better management of your own process.
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Lmao I'd love to see a fic where batman like. Doesn't talk at all. He just 'hn' and 'hrm's his way through the story like a Minecraft villager. All the bat kids understand him perfectly.
I actually know people irl who can do this, and I've done it myself during bad migraines, it's practically a second language, so I know it's totally possible to have full conversations between two speakers XD!
It'd be another degree of separation between Brucie Wayne, the ditzy, breathy playboy and batman, who used up all his vocal spoons for the day and now communicates solely through unintelligible grunts and sharp hand gestures when he doesn't need to talk to strangers.
Unfortunately, the best way to learn grunt speak is the same way most languages are learned, and there's no written word (outside of emoji, of course): immersion. And the justice league are no longer considered strangers.
This leads to:
Hal: which way do we go, spooky? Where's the tracker pointing?
B: *grunt*
Hal: what?
B: *insistent grunt*
Hal:..... Can we point?
B: *dour look* *slowly raises arm to point left down the street* *sharp, insistent grunt*
Hal, dryly: don't strain yourself.
-
Damian: greyson. I am calling because father has had an injury and is bed bound for tonight, however Alfred is downstairs and the rest are still on patrol. I am still in the early stages of learning father's intonations. Please translate.
Nightwing, eldest, regularly called for exactly this reason by just about everyone Bruce has ever spoken with since he was a kid, ranging from arkham guards to jl members: *heavy sigh* put him on.
Bruce: hrng...
Nightwing: He's telling you to close the curtains and keep the noise down, he's got a headache.
Damian, over the sound of footsteps and fabric rustling: it truly is just like another language.
N: nah, it's a lot of probability. I've known b for years, I can guess pretty well. There's a lot we can say. For example, that grunt actually carried a lot more meaning, I just trimmed it down.
Damian: truly?
N: yup! If I had to be pedantic, it actually meant 'I am in quite a lot of discomfort, the cause of which is my head, and I am struggling to manage it on my own. Please aid in my cause, my darling sons whom I love dearly -'
Damian: *muffled noise through the phone*
N: that'll be him telling us to shut up. But you can see why I asked you to close the curtains.
Damian: fascinating. I shall take this under advisement.
-
B, exhausted after a long day of board meetings as Brucie: *moody silence*
Gordon: Batman, how's it going?
B: *glower* *drawn out grunt*
Gordon: that bad, huh?
-
Supes, during a briefing: I believe it would be best if we attacked from the north, we've enough flying members to crest the mountains and ambush then that way - Batman?
B: *quiet grumble, with pointer fingers moving in semicircles*
Supes: ah, I see. You're right, we'd be too visible if the sun rose behind them*turns to see the other members standing behind him* what?
Flash, bowing at the waist, palms together over his head: teach me your ways, oh mighty bat-speaker.
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Decided to pretty up some scribbles from awhile ago! Some baby Thavu stuff, kids are hard to draw
Thavu has been a psyker since the day she was born, and the way her isolated little fringe community decided to deal with that problem was simply: Ignore it! Tis a deeply superstitious place and psykers are kind of terrifying, but also was not somewhere that could easily call in the witchseekers, so....
As you can imagine this worked really well and she came out super fine
This is probably about where they entirely gave up on trying to be nice and instead began their track record of Mischief...do you Know how rare FRUIT is on a HIVE PLANET
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I know most people think Damen would freeze and be uncomfortable in Vere during winter. But my personal headcanon is... not that.
There's always these people I see out during winter months in their shorts and t-shirts while everyone around them is freezing in their coats and appropriate winter wear. That's Damen to me. High metabolism, just always wearing less. Laurent wears properly insulated clothes, because he's known the harsh conditions his whole life. Damen wears less layers, or worse ones.
Laurent loves staying close for the warmth, but he can't believe this betrayal.
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it is legitimately shocking to me that you manage to get involved in every callout post for every fandom when you could not be more upfront about the content you post & your morals regarding it
it’s very very funny. you’d think that at some point they’d catch on but it’s just too much fun to perform outrage skits at the very fact that i exist and that i make things. i’ve been on the same shit for years and years and i’ve never once tried to save face or act inauthentic or run for the hills. i love having fun and having a good time with my friends and skipping and jumping and dancing in the street in between traffic the way i always have and i will never stop
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