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#KINSHIP: Future In Laws
harunayuuka2060 · 3 months
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MC: Ortho, isn't this a marriage certificate?
Ortho: Yes.
MC: ...
Idia: ...
Idia: Ortho-
Ortho: Marriage is a social and legal union between two individuals that creates kinship. It is a formalized commitment and relationship typically recognized by law, society, and often religious institutions. The specifics of marriage, including its rights and obligations, vary across different cultures, religions, and legal systems.
MC and Idia: ...
Ortho: You being best friends is not an excuse to decline marriage to one another!
MC: That is true.
Idia: Yeah. You've got a point there, Ortho.
Ortho: So are you going to sign it now?
MC and Idia: ...
MC: Ortho, will you let us discuss it first?
Idia: We're going to tell you once we have decided on it.
Ortho: ...
Ortho: *frowns* I will give you a one-week deadline. *leaves the room*
MC: ...
Idia: ...
Idia: Why is he so excited for us to get together?
MC: I don't know. But I think he would feel disappointed if we ignored this.
Idia: I can just talk to him.
MC: Are you sure?
Idia: Yes. Anyway, let's just continue gaming.
MC: *nods*
Vil: Ortho, you can't force marriage onto two individuals only because you want them to be together.
Ortho: I won't listen to your philosophy, Vil Schoenheit.
Vil: *frowns* What?
Rook: Monsieur Doll, I completely understand your frustration.
Rook: However, Roi de Ta Chambre and MC have created a pure bond and it's their choice whether to climb the staircase of marriage or not.
Ortho: They have a sense of kinship and that's enough!
Vil: Ortho, people change. Are you sure MC or Idia won't find someone who they will like more in the future?
Ortho: ...
Ace: Sorry, dude. But I agree with Vil-senpai and Rook-senpai.
Ace: You can't just force people to get married.
Deuce: Yeah. And that would put pressure on them.
Epel: Yes. Like if you convince Idia-senpai and MC hard enough, they might agree later on.
Epel: But then, that wouldn't be good for their friendship.
Ortho: So I don't have any choice but to watch them to stay friends? *sounds sad*
Epel: Y-Yeah...
Ace: Ey, don't be sad! You can still wish for Idia to get a love interest-
Deuce: Dude!
Ortho: *cries*
Ace: Wait- You're crying?!
Ortho: *looks gloomy as he enters Idia's room*
Idia: Ortho? Is there something wrong?
Ortho: I'm sorry, Idia. I shouldn't be forcing marriage to you.
Idia: ...
Idia: About that, here. We already signed it.
Ortho: Wha-
Idia: MC and I talked this through. If we need to divorce someday, which I think would never happen mwehee, we can just file it ourselves.
Ortho: ...
Ortho: *goes to hug him* Thank you, Idia!
Idia: Yeah. So, uh, we'll not be wearing rings.
Idia: But promise bracelets.
Ortho: Hm! That would be cute! *giggles*
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bfpnola · 1 year
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Abolition For Beginners (2023 Edition)
In honor of Tyre Nichols and all others we have lost to policing and imprisonment. In honor of Black History Month. In honor of Better Future Program's mission to educate and serve marginalized youth globally... Let's break down abolition, again. (As usual on Tumblr, tap for better quality.)
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Better Future Program's Linktr.ee | Donate | Liberation Library | Open Leadership Positions | Staff Application | Discord Server
Image description below. Written by @reaux07. Proofread by the volunteers and supporters of @bfpnola.
Image Description:
[ID: All of the following slides use a wrinkled, black fabric as their background with black text (bolded red added for emphasis) on top of white boxes with rounded corners. “@bfpnola” is written in the top right corner and the sources for the slide are in the bottom left corner. 
Title Slide (No. 1):
Written in red text, “UPDATED FROM 2021 EDITION.” The outlines of the word “ABOLITION” is written line by line 8 times in light grey with the year “2023” written on top in bold, white lettering. Below, written in red within a white bubble and red arrow, it reads “FOR BEGINNERS*.” Across from the bubble, “@BFPNOLA” is in red. Below, in red again, the asterisk mentioned before leads to the following note: “This post is heavily text-based so if you do not learn best by reading, feel free to utilize our Abolition Study Guide in our bio under "Social Justice Resources" instead!” Lastly, white stars and outlines of grey circles can be seen in each corner of the slide.
Slide No. 2 reads:
Abolition is an anti-capitalist, intersectional framework that aims to not only destroy the cages created by various “industrial complexes,” but to create inclusive, effective alternatives for addressing harm. As defined by Dr. Jennie Wang-Hall, an “industrial complex (IC) is a system that creates profit through embedding into social inequities and providing an ineffective product that keeps consumers under-resourced and returning for more.”
The most common examples of such systems? Prison and policing, psychiatry, foster care/family policing, the military, and even the Family (as an institution, not kinship altogether).
Despite common misconceptions, abolition is not just a negation of what currently exists, but an active evolution of what community-based support can and has looked like. Abolition is about the radical working-class imagination, about Black and Indigenous imagination.
If individualistic, reactive, punishment-based strategies are maintained, true accountability and rehabilitation will never exist. Instead, we can choose to be proactive, analyze the circumstances that perpetuate violence, and address harm at the root! Of course, no one is saying that harm will completely cease to exist, but to paraphrase butch anarchist Lee Shevek, wouldn’t it be a profound improvement to expand our capacity to respond to harm and challenge our abusers, rather than being restricted to system-granted authority? Especially when such systems deliberately ignore the suffering of marginalized communities (e.g. people of color, queer and trans folks, women and femmes, Mad and disabled folks, and so on) to begin with?
Sources: @Dr.JennieWH, @ButchAnarchy, Stella Akua Mensah, Erin Miles Cloud, @WokeScientist
Slide No. 3 reads:
Before we continue any further, let’s destroy the myth that cops actually stop violence. First off, we can’t depend on crime stats at face value because this begs the question of who exactly gets to define what counts as a “crime” and why (e.g. drug possession and sleeping in public vs. tax evasion of the wealthy and wage theft). Continuing, crime rates often only reflect violations that have actually been reported, chosen to be shown, and deemed out of line. By this logic, crime rates are simply reflections of cops’ perceptions, not of the material and emotional realities of the proletariat (i.e. the working-class).
As for perpetuating violence, “US law enforcement killed at least 1,183 people in 2022, making it the deadliest year on record for police violence.” (And those are just the deaths that were reported. In our home state of Louisiana, turns out the Jefferson Parish Sheriff’s Office, as of January 12, 2023, has been unlawfully destroying records of officer misconduct for at least 10 years.) Many (69%) of these murders were cases in which no offense was alleged, were mental health or welfare checks, or involved traffic violations and other nonviolent offenses.
This is, of course, without even touching on the involuntary servitude (i.e. enslavement) and maltreatment ongoing in American prisons. How many more deaths must occur before the general public says enough is enough? Or is this acceptable since these are working-class, disabled, Mad, non-white, queer, and trans lives being lost?
Sources: @InterruptCrim, The Guardian, Mapping Police Violence, @VeriteNewsNola
Slide No. 4 reads:
So we agree police are harmful. Why abolition instead of reform? Historically, reforms have either provided further funding to the prison, foster care, and psychiatric industrial complexes and/or just reinforced harmful ideologies surrounding policing as a whole. And trust us, these systems already have more than enough money. In the fiscal year of 2021, at least $277,153,670,501 were spent on federal law enforcement and prisons as well as on police and prisons by state and local governments. Can you even conceptualize a number that large? We could end all American medical debt with that much money. We could even provide clean water and waste disposal to everyone on Earth!
Continuing, reforms like body cameras are pitched as making officers more accountable, that if “done right” policing will actually keep people safe, and that those who do not use excessive force are suddenly no longer guilty of perpetuating centuries worth of systemic oppression. In reality, body cameras require further funding and increase surveillance!
Similarly, civilian oversight boards and the push to “jail killer cops” reinforce the belief that cases of murder, assault, falsifying information, and so on are exceptional occurrences rather than intrinsic to the very nature of policing itself. This is where the phrase “All Cops Are Bastards” comes into play, stating that while the individual character of some officers may be morally permissible, all cops are part of a “bastardized,” or corrupt, system.
Sources: Security Policy Reform Institute, Matt Korostoff, @CriticalResistance 
Slide No. 5 reads: 
Even laws don’t prevent police violence, e.g. the murder of Eric Garner despite the NYPD passing a policy against chokeholds, or the murder of Daunte Wright despite the passing of the George Floyd Law Enforcement Trust and Integrity Act and a separate Justice in Policing Act of 2020.
Alternatively, we can advocate against the expansion of policing “responsibilities,” i.e. not allowing officers to address Mad individuals in vulnerable states, the housing crisis, or people who use drugs (PWUD). We can reroute funding into non-coercive, peer-led initiatives for harm reduction, de-escalation, first aid, and self-defense. And maybe most importantly, we can reaffirm that EXTENSIVE power can, in fact, be found amongst everyday folks like you and me!
Abolition is not a one-and-done sort of deal but rather a progression of steps toward an infinite future of improvements. The act of building parallel infrastructures and modes of governance while the previous ones still exist is known as dual power. Abolition must begin as dual power. We can start today!
And in building such, these steps cannot: legitimize or expand oppressive systems we aim to dismantle, create divisions between “deserving” and “underserving” people, preserve existing power relations, or utilize exclusionary, one-size-fits-all, standardized treatments.
Sources: @ProjectLets, @HarmReductionCoalition, CrimethInc., Survived & Punished NY
Slide No. 6 reads:
One of the main questions brought up, though, is what abolitionists plan to do in the case of homicide, rape, domestic violence, and other harms. While this is entirely valid, this question seems to imply that 1) police are already effectively responding to such harms rather than perpetuating and/or ignoring them and 2) that there is one collective abolitionist response.
For one, the majority of sexual assault, for example, goes unreported and less than 0.5% of perpetrators are incarcerated. (And this assumes that through the reporting process and incarceration, survivors will somehow find healing, perpetrators will find understanding, and that sexual assault does not continue within prisons.) Meanwhile, let’s use our hometown as one example of many, a complaint of sexual violence is filed against a New Orleans Police Department officer every 10 days and nearly 1 in 5 NOPD officers have been reported for sexual and/or intimate partner violence. 
And secondly, we have a plethora of organizations like Critical Resistance and cultures like that of the Diné (Navajo) to learn from and build upon. We don’t have to be stuck within this false dilemma fallacy, that there is only policing or total chaos. Don’t you see that that is the state’s way of constricting communal power?
Sources: @RAINN, @CopWatchNola, @WokeScientist
Slide No. 7 reads:
To expand this conversation, abolition heavily aligns with the political ideal of “anarchism.” Anarchism supports the absence of government and absolute freedom of the individual. And despite its negative connotations, anarchy also reflects an evolution of community-based care rather than just a deconstruction of what currently exists.
A simplified version of its 6 agreed-upon principles are:
Autonomy and Horizontality: define yourself on your own terms, we stand on an equal footing
Mutual Aid: bonds of solidarity form a stronger social glue than fear, support your community
Voluntary Association: associate or don't associate with whomever you wish
Direct Action: accomplish goals directly rather than depending on representatives or authorities
Revolution: overthrow those in power who enforce coercive hierarchies (ex. white supremacy)
Self-Liberation: you must be at the forefront of your own liberation, freedom must be taken
While being an abolitionist does not require alignment with anarchism, it is worth considering how the state plays such an enduring role in various social harms. Concurrently, whenever you treat other living beings with consideration and respect, come to reasonable compromise rather than coercion, and decide to share or delegate tasks, you are already living by anarchist principles.
Sources: Peter Gelderloos, David Graeber
Slide No. 8 reads:
So, how can you get involved? How do we continue the efforts already being made by activists worldwide? After such an overload of information and even more to learn, we understand how political frameworks like abolition can seem daunting, but they don't have to be! Here are some general next steps:
Read the "8toAbolition" steps.
Look into "podmapping" so you know whom to run to when you have been harmed or perpetuate harm.
See if there are any pre-existing mutual aid networks in your community, and if not, start one with your neighbors or peers!
Begin to research issues affecting communities other than your own. Abolition is intrinsically tied to all of us as we are all surveilled. For example, do you understand how prison and policing further ableism, transphobia, or the sex trade? What about policing internationally (see our allies in: the Kingdom of Hawai'i, Palestine, Artsakh, Kashmir...)?
Research the differences between capitalism, socialism, and communism. Abolition and anti-capitalism are foundational to one another as well.
Look into the other industrial complexes we named in the beginning (psychiatry, foster care, the military, the Family...).
Volunteer (remotely or in-person) with organizations like Better Future Program (@bfpnola) to both educate yourself and directly serve your community!
And if you're looking for further reading/listening, BFP offers over 3,000 FREE social justice, mental health, and academic resources in our Linktr.ee, including study guides for beginners. While we can't promise that the struggle for liberation will always be easy, BFP will always do its best to support you in whatever way we know how.
End ID.]
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dragonagecompanions · 1 month
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DAI Companions reactions to repeatedly being mistaken for a young/teen Inquisitor's parent or older sibling.
Cassandra: At times it feels like she is, and yet it is never something the seeker begrudges. This young person has stepped into a role no one their age should have to fulfill, and with so many relying on them to save the world at least one person should be standing in the role of guardian and protector of their interests. She only wishes it could be her sole priority.
And if, in quiet moments, to have a sibling again is a balm then it a truth no one else need know.
Varric: He was a lousy brother, though is was not as if Bertrand was winning any awards either. But he never really understood the pressures his older brother was under until stepping into part of that role— and Varric never had the strain of ailing mother or the loss of Orzammar on his shoulders. No, he is not sibling material.
But no father could be prouder of a child than he is, watching their young leader stitch the world back together. Kid needs looking after, and Varric Tethras is honored in the burden.
Solas: If the Inquisitor is elven, no matter his plans for the future, the rift mage feels a sort of obligatory kinship to the da’len so far from clan or kin. Children have always been precious, especially to the Elvhen who did not conceive so easily as humans.
For any other inquisitor he does not correct those who make the mistake, and will turn it into a familiar joke later that the herald must be the most attractive of thei species to be mistaken for an elf. It hides how little he cares for the comparison.
Kin slaying is a terrible crime. Best not to build the relationship from the start.
Blackwall: In another life Thom Rainier had scorend the idea of children, and taken pains to ensure that his dalliances would not conceive a bastard he had no intention of claiming. Now his family name is hardly worth the claiming, and he is grateful his only sister took her husband’s name long ago and is free of his legacy.
But as a warden, true or otherwise, Blackwall is honored by such a comparison. If his presence has had any small benefit to the young person upon whom such a task is laid then he is honored by the comparison. And while he would be the first to argue that no one is better off in his care or keeping, Blackwall would be the first to lay down his life to protect theirs, and will do everything he can to make sure they are well.
Vivienne: For the sake of his grown children- and the wife who had done her duty in the bearing- Bastian could not have given her a child. Even if he could have protected it from the clawing hands of the Circle, whose laws had forbidden such a gift. To be a mother was not in her future, and in her youth Vivienne had taken steps to ensure such an accidental fate could never befall her.
But she could have been. In the quiet moments through out the years she had imagined how such a child might grow, might flourish under the love and guidance of two parents who so deeply wanted it. And while the Inquisitor is neither replacement nor surrogate for that dream, in this young person Madame de Fer can see a reflection of what might have been.
If she takes care to guard their appearance, coach their behavior and prepare them as best she can for the great game, it is easily couched in the truth that it benefits the Inquisition to do so. The truth of her affection is hidden away, no further burden on shoulders already heavy with titles and too few years.
But she can dream.
Sera: When she does think about her childhood, the few times it has to be examined, Sera would not have minded another small person to have run about with. It might have made the lessons and the lies less lonely, to know someone else was there to ride through it with.
But there wasn’t. And she didn’t. And she likes the Inquisitor, is happy to have them as both friend and Friend. But family is a sore spot in the tapestry of her life, and adding patches to warped thread does not fix the faulty loom.
Dorian: It is the worst nightmare of most high born alti, that one’s parents might conceive a second child to rival them for the familiar seat in the magisterium. Never a risk for Halward and Aquinea, whose duties to each other and the marriage bed ended w it the birth of a living and magically inclined son.
And yet Dorian would not have minded a younger Pavus knocking about when he had been a boy, someone to share the duties and adventures of Minrathious in those few years before duty locked away simpler pleasures. But when he is first mistaken for the Inquisitor’s father, first mistakenly assigned that guardianship and all it brings?
It staggers him, how deeply the role could fit. For all that their creation is anathema to them, Dorian Pavus would never scorn a child of his blood. Of any blood, in truth. If their herald is young enough and without guardianship, without a future once Corypheus is defeated…
It is a thought for later.
The Iron Bull: Where is the lie? Was he any less worthy of the imereki than those who had left them behind? The feelings that well up when the mistaken role is given do not surprise him, and Bull is perhaps the easiest of any besides Cassandra with taking on that burden. The Chargers are his family, and if they survive the Storm Coast the little Herald is gathered up into that fold without question.
And even with one eye he can see the second Dorian accepts and even relishes the idea. The Iron Bull didn’t come South looking for a family, but one may well be within his grasp regardless.
Cole: “Shared name, shared memories, tied together by all the things that matter. Even when we don’t agree there is still love and trust, striving for something greater than we are. Yes! We are a family. That makes sense.”
Mod Fereldone
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ordinaryschmuck · 4 months
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Why I Love The Owl House-Part Two: The Relationships
Prev Part
Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.
And welcome to part two as we discuss everything I love about The Owl House. Because a single review wasn't enough, and, boy-howdy, did I prove that with Part One. Like...Wow. That was a lot.
But where Part One discusses the lengthy list of great and sometimes bad characters, Part Two is all about relationships. Because on top of having a diverse cast of different races, genders, sexualities, ages, and even species, The Owl House also has a diverse set of relationships that can be familial, platonic, antagonistic, and, of course, romantic. Each one is adorable and entertaining in its own right, and we're going over the best of the best today.
Quick disclaimer, though, we're NOT going to discuss relationships that didn't get much attention or ones made more interesting in fanon. I would love to talk a lot about how Luz and Vee are like sisters, but they only interacted in one episode and there's not much to go off of with the small tidbits of photos we see in the finale. And I would adore talking about how Camila's the honorary mother of every child who had come into her house. However, aside from a handful of conversations, she never interacted with anybody outside of Luz. Which is a shame because I would LOVE to see how she would get along with her future daughter-in-law. With that said, I will discuss characters who interact a bunch but note the missed opportunities they represent. Do we have an understanding? Good.
(Also, this one is going to be 26 pages long...Still better than last time, right? Right...)
Now, for this one, we’re going through it by category. Starting with…
Families
The Owl House has a surprising amount of family drama in a variety of ways. Whether it’s between siblings or parents and their children, there are a lot of stories to be milked out of with these relationships. And to start things off, let’s talk about what’s probably the healthiest mother/daughter relationship in the show.
Camila and Luz: I talked a lot about this kinship the two had last time, primarily through how Camila feels about Luz. To keep things brief, Camila LOVES her daughter. The only ones who denied that are idiots who focused too much on the negatives. Despite some missteps, Camila is proud of everything that Luz is, and came to realize that she should NEVER have tried to change a thing.
But that’s everything on Camila’s side. On Luz’s side, the love is very much mutual. No matter what mistake Camila made, Luz NEVER resented her for it. Luz may have felt sad for going to summer camp or worried about keeping Camila’s promise, but there was never any anger. The closest we got was her absolute refusal to go to summer camp, but even that was followed up with Luz feeling a quick moment of guilt for having to lie to her mother. This is because Luz LOVES Camila and, above all else, wants to make her proud and happy. The problem is Luz doesn’t approach things the right way, accidentally causing Camila strife through causing trouble at school and choosing to lie for too long so Camila wouldn’t be worried about what’s happening with Luz’s current situation. And when coming back, Luz still apologizes for leaving AND for lying, knowing that her choices weren’t the best ones to make and she regrets making Camila’s life harder. Camila’s actions weren’t the best either, but Luz was never bothered by that. She loves her mom. When stuck in the Isles, all Luz could think about was returning to her, and that’s because Camila is the one thing that connects Luz to the Human Realm. She has no friends, significant others, or mentors that made life fun in the Human Realm. Camila’s all Luz has, and vice versa.
When Manny died, it left Camila and Luz with just each other for the longest time. Because of that, they’re trying their best for one another. Camila does all she can to be the mom Luz needs and Luz, in turn, attempts to be the daughter Camila deserves. Neither got it right, but that doesn’t change their love for each other. They’re both all they have, and it’s sweet to see a mother/daughter relationship where both ARE and AREN’T at fault for a lot of stuff but still hold a great amount of love and respect for one another. They’re probably the healthiest example of a mother and her child. Though, in fairness, that’s not a steep competition.
Odalia and Amity: Yup. Might as well rip this bandaid off as soon as possible.
I think the best way to start off with these two is to ask a question: Did Odalia love Amity? I know that’s a weird question to ask considering EVERYTHING Odalia did but it’s still worth bringing up. Because I think that the answer is YES…upon CONDITIONS. As long as Amity acted exactly as Odalia wanted and followed this “perfect plan” she laid out, then Amity has Odalia’s love. When Amity DOESN’T, Odalia’s “love” turns to anger, and that’s because Odalia doesn’t want a daughter. She wants a mini-version of HER. You can see it in Amity’s Season One design, where her dyed hair and how she wears it is meant to be a reflection of Odalia. It explains why Odalia puts so much pressure onto Amity, forcing her to succeed and gain the highest ranks of society. If Odalia couldn’t be the most influential and powerful witch in all the Isles, then surely her daughter, who looks and acts exactly like her, should. And yet, Odalia’s still surprised that Amity chooses to rebel and be her own person instead of a mini-Odalia.
Amity’s resentment towards her mother is easy to pick up and the same goes for her inaction. To many kids, there’s nothing scarier than a parent, especially one like Odalia who can be very violent when angered or scorned. Amity has often rebelled in LITTLE ways against her mother, but it isn’t until meeting Luz does Amity find a lot more to fight for. She wants to carve her own path and becomes less afraid to stand up against Odalia. Amity dyes her hair and calls out Odalia’s behavior because it’s worth it for the fight for individuality. But despite this rebellion, it’s interesting that Amity still makes one last attempt to reach out in “Clouds on the Horizon.” Because while Odalia isn’t a good mom, Amity has it in her head that, surely, Odalia isn’t evil. I think a lot of kids, even ones with truly awful parents, have that mindset. Because even if they’re bad at parenting, that doesn’t mean they would stoop so low when lives are at stake, right? Except, not only does Odalia completely dismiss all life that isn’t her own, but she is surprisingly okay with the complete genocide of her people. The woman IS evil. Amity didn’t want to believe it because…well, no child DOES. But it’s that last bit of confirmation that Amity needed to cut Odalia out of her life forever…I just wish that conclusion had more of a satisfying punch to it.
I know I said it last time, but it really does suck that after everything Odalia did to Amity, things end by Amity proclaiming that she’ll never talk to Odalia again and blatantly ignores her in the finale. The thing is, I can see that being satisfying in its own right, but with how much Odalia messed up Amity’s life, treating her as a tool instead of a daughter, you can’t blame a schmuck for wanting Amity to do more. Still, I can understand Amity’s desire not to even ACKNOWLEDGE Odalia and I can live with THAT being the conclusion to their relationship. It’s definitely a better pill to swallow than what happens between—
Amity and Alador: On paper, making Amity a Daddy’s Girl sounds sweet, as does making Alador a caring father to contrast Odalia being…Odalia. But in terms of execution, this is an idea that could have definitely utilized more time to be perfect.
Amity’s desire to seek Alador’s approval and be like him feels way too sudden as every instance Alador’s been on screen before “Reaching Out,” it shows him doing something Amity has to fight back on. Granted, he was likely doing it to keep Odalia from doing WORSE things to Amity, but the audience didn’t have the knowledge of HIS situation yet. So to us, it’s more of a bitter pill to swallow that Amity wants to be like him. It’s slightly easier to understand on a rewatch, but just barely. Then the writers try to sell that Amity has a ton of faith that Alador would be on her side when going against Odalia, and it's similar to Amity trying to convince herself that her mom isn’t evil. The only difference is that, this time, Amity’s right. Her father ISN’T evil and he actually cares about his kids, which is sweet but it’s still information given to us LATER than it should. The same goes for Amity’s love for her dad. Knowing that she had such an admiration for him is something best left revealed as soon as possible and is NOT as easy to reveal through a retcon. Previous episodes leads us to believe that Amity fears and hates BOTH her parents, so having it where she loves her dad leaves one to scratch their head in confusion. But that’s just on Amity’s side. For Alador’s, it…barely works still.
I mentioned it last time, but the retcon that Alador is a father who actually loves his children is an idea that works well enough, but could be better. As sweet as it is to give Amity ONE parent that cares, it still comes up way too late in the series. By the time “Reaching Out” premiered, The Owl House was almost over, leaving not enough time to prove how much Alador cares. There’s some cute moments like him telling Amity that she did a good job through just an ATTEMPT to escape a forcefield, accepting “Luz” as Amity’s girlfriend, appreciating Amity’s new hairstyle, and giving her those little mittens. The writers ARE trying to make this idea work, but it admittedly feels like it’s too little too late.
Amity and Alador’s relationship COULD have been something great. It just either needed to be presented earlier in the series or more time to develop properly. Unfortunately, neither of those options were provided, and what we got was something that was awkwardly done. It’s still nice to see Amity get along with a parent for once and the epilogue proves that Alador kept his promise to be a better father, what with how happy he is to see her after what looked like a long journey. It’s just that, despite these attempts at cute moments, the relationship could have been done better. Still, on the bright side, at least they got along better than either did with Odalia. And, at least with her siblings, Amity has SOME positive relationships with her family…eventually.
Amity, Emira, and Edric: At the start, Ed and Em seem like antagonists to Amity, wanting to make her life suffer. I remember seeing a few fanfics that treated Edric and Emira in such a way because…well, how could there not be? Their very first episode involved them wreaking havoc in Amity’s safe space and threatening to leak pages of her diary for everyone to see. While me and my sisters definitely had our problems, they NEVER acted that way to me. It’s why I’m glad that after realizing they took a prank too far–And accidentally creating a monster that nearly killed Amity–Ed and Em went from antagonists to supporting characters. Oh, they still messed with Amity for the shits and giggles, but now it’s more out of how LOVING older siblings screw around instead of how the two twits acted in “Lost in Language.” They tease, jab, and mess around in Amity’s personal space, but it’s definitely out of love instead of malice, creating a dynamic that’s a lot sweeter to see. They went from another hardship of Amity’s homelife to one of the only people in her corner. Though, in this case, it’s less of a feat caused by character development and more by the writers changing their mind on what to do with them. Thankfully, unlike Alador, they changed their mind soon enough where this little course correction for Edric and Emira is a lot more believable and MUCH easier to swallow. It also benefits Amity by giving her two people to rely on…Or, just one.
Yeah, Edric’s primarily the odd man out in this dynamic. Emira and Amity have this adorable sisterly relationship where Emira tells Amity what she needs to hear and provide advice. With Edric, both Emira and Amity treat him as the dumb one, either making sure he doesn’t hurt himself or reticule him for his stupidity. There is SOME adorableness, though. Like how Edric ran in a full body cast and went through physical pain just so he can hug Amity. That shows he cares IMMENSELY about her and doesn’t care what happens to him to prove it. And with Emira, there’s something fascinating about how Edric’s fear is being alone forever and Emira’s is being alone with HIM forever. It IS likely that she’s joking at Ed’s expense, but there might be some truth to it. They do a LOT as a pair. They dress the same, act the same, wear similar outfits, and even have similar names. Emira definitely cares about Edric, but she doesn’t want her whole life to be defined as being his twin. It’s part of why they both went off to do different things and have their own careers not defined by what the other does. It’s great showing that while these two are similar in a lot of ways, they’re still very much different. But, once again, this is an analysis based on what’s implied and not what the series shows. There’s not enough time to build off this idea, and it still leaves Edric out of having something meaningful like what Amity and Emira have. And even then, what Emira and Amity have is something based on a few short scenes of Emira being a GOOD older sister. Still, it’s sweet for what it is.
The Blight siblings don’t have a deep or compelling relationship, but they don’t need it. Edric and Emira fill a supporting role for a secondary main character, and for what they do, it’s great. Emira’s sweet, Edric provides comedy, and they both EVENTUALLY give Amity what she needed. Her mom never truly cared and her dad…could’ve been better, but at least Amity had two siblings who care about her to a great degree. They might drive her crazy, but that’s siblings for you. Plus, at least none of them cursed one or the other. I mean, could you IMAGINE? That’s be crazy…
Eda and Lilith: These two…are complicated. And I’m well aware of how much of an understatement that is, but it’s true. As kids, they were thick as thieves, with both of them willing to do so much for the other. Lilith would share a scraped knee with Eda and Eda…would be willing to sacrifice more. She would throw herself under the bus so Lilith wouldn’t get in trouble with their literal demon of a principal and would willingly give Lilith a position in the Emperor’s Coven. The show makes it clear that Eda cares a great deal for Lilith. All they really had was each other in school and Eda didn’t want to change that situation, already assuming, as a teen, they would spend the rest of their lives doing EVERYTHING together. It’s sweet…and it makes Lilith’s petty jealousy and cursing Eda feel so wrong.
Lilith ALSO loved her sister, but took Eda for granted. Lilith’s drive to be the best, earning a place in the most powerful coven on the Isles, led to her fighting to be better than Eda. This fight started a rift between them, even before the curse. After quizzing Eda, and showing that she knew more than Lilith, Lilith started studying HARDER, trying to prove that SHE can learn more. She couldn’t stand being second place to Eda, so it drove Lilith to try harder and to get desperate. By the time Lilith cursed Eda, that rift between them only got worse due to a mix of Lilith’s guilt and her position as a Covenhead. Once they were adults, Lilith is in a position where she HAS to hunt Eda down for the Emperor, but in a weird way, Lilith still puts Eda first. Despite Eda’s criminal antics, Lilith wants to give her sister a chance to join the coven on HER terms, only going overboard when feeling threatened by Belos. In moments like that, Lilith tells herself that it’s all for the greater good, that Belos can cure Eda and that she and Lilith can finally do EVERYTHING together, just like they wanted as kids. And Eda might want the same thing. She might resent Lilith for hunting Eda and Eda CONSTANTLY takes Lilith down a peg, but she still loves her. Just look at when Eda races Lilith for a flower and tries to remind her about how they used to do the same thing as kids running to their kitchen. Or the times Eda showed Lilith mercy, like saving her from that crab spider or giving Lilith Eda’s ring so she wouldn’t go back to Belos empty handed. Even during their first witches duel, Eda didn’t really go out of her way to hurt Lilith. She saw it more as a game, with a lot of Eda’s attacks being more to contain Lilith or aggravate her. It’s proof that her sisterly love didn’t entirely go away all those years later…Until Lilith went too far.
The second Lilith kidnapped Luz, Eda was already out for blood, being the most violent she’s ever been towards her sister. But when Lilith revealed that she cursed Eda, she  lost all sense of mercy and was willing to go for the throat. There was this brief moment of Eda BEGGING Lilith to keep Luz safe, likely reaching for SOME goodness she HAS to believe is in her sister. But that sentiment disappears quickly as Eda was willing to spend her last moments of life on trying to KILL the little traitor. Needless to say, Lilith did a lot of damage and it seemed like she had a lot of work to do…Only for things to go back to normal after one confession and another grand gesture. Sure, Lilith sharing a curse is a great start, but Eda treats it as if it’s enough with her acting like it never happened. She mentions the curse in a flippant manner, but that’s something that a person does YEARS after someone made up for betrayal, not a week. And Lilith doesn’t do much better. Despite her moments of wanting to be better, Lilith still acts like she has to be better than Eda while also behaving like she already believes she IS. Still, after all this time.
I think I like the potential Lilith and Eda’s relationship has more than what’s done with it. There’s some interesting stuff surrounding Eda’s desire to keep Lilith and Lilith wanting to make up for taking Eda for granted, but it’s NOT explored enough. They act about the same as they did in “Covention,” the episode that introduced this relationship in the first place, only now there’s a slightly less of a desire to strangle each other. Slightly. There’s some sweet moments, with Lilith comforting Eda about the stress of the Day of Unity and Eda reassuring Lilith that the curse isn’t so bad when she gets used to it, but those scenes don’t stop their dynamic being nothing no more than…acceptable. There’s a fun sibling rivalry between the two mixed in with some heart, making something entertaining to see. But when the show presents interesting ideas like Eda’s love and Lilith’s guilt, only to gloss over BOTH of them, it leaves me wanting a little bit more. I’ll take what I have, but you can’t leave a guy wanting.
But as unhealthy as things got between these two, at least they didn’t nearly cause the end of the world.
Nah, that’s the NEXT sibling relationship.
Caleb and Philip: It feels weird to talk about this one because we only know about one side of the relationship. And yet, it’s the catalyst for EVERYTHING revolving around Belos and his creation towards villainy.
In his own twisted way, Belos loved Caleb. He was all Belos had and Belos would go to great lengths to “save” his brother from damnation. I went over it last time, and I won’t repeat myself here, but while the show makes it clear that Belos’ twisted love for his brother is what drove him, we never really know how much Caleb cared for Philip. Through the memories in Belos’ mindscape, we can see that they cared much for each other as kids and Caleb was happy to see Philip again in the Boiling Isles. There’s some definite brotherly love there, but people keep circling back to how Caleb abandoned Philip. To me, with the information we have, it’s more like how Luz went to the Boiling Isles without telling Camila. There was never any malice behind the action. Some carelessness, perhaps, but neither Luz nor Caleb meant any harm to disappear into this new world and make life-changing relationships. They were both willing to come back to this person that means the world to them. Just look at Caleb’s smile upon seeing Philip again. You don’t smile like that when you resent someone or feel glad to have abandoned them. I’m sure there was love there, but again, we never get to see Caleb’s perspective of things aside from implications from Belos’ memories. For all we know, Caleb WAS a bastard bitch who hated his little brother. There’s never really an answer and I’m kind of glad there isn’t. Because Belos’ admiration for someone, even if he does or doesn’t deserve it, is still an engaging aspect for his motivation even if we don’t know the whole story.
Belos’ obsession towards his brother caused a monster to be born. He already hated witches, but losing what mattered most caused him to become genocidal. Again, I’ll skip past it because I went over it enough last time. But one thing I don’t think I can skip over is how Belos’ feelings towards his brother reflected over how he treated Hunter.
Belos and Hunter: Once again, I’ve talked a lot about their relationship last time, primarily how Hunter feared Belos. I don’t think Hunter was ever looking for love from his so-called uncle, likely because he didn’t understand the concept of love upon his creation. What Hunter looked more for was respect, to be seen as the perfect soldier that he thought Belos wanted. The problem is that Belos wanted more than a soldier and perhaps more than a tool. What Belos wanted was an outlet to project his issues toward Caleb onto.
Granted, Belos likely wasn’t aware what he was doing with Hunter, or ANY of the Golden Guards for that matter. He was creating tools for his own evil plans, but because Belos made these tools through the literal bones of his dead brother, it creates this sort of power dynamic that I think psychiatrists could make entire books about when trying to dissect it. Belos practically brought his brother back from the dead, but each time, he was always younger than Belos, reflecting the perfect brother he remembered. Only this time BELOS is the older one who knows better and gets to decide what they do and how they do it. Not only did he create a role reversal between him and Caleb, but he created a version of Caleb he hopes to have no free will. To Belos, he wanted his brother back, one that would never betray him again. Except that he did. They ALL did. Every single Golden Guard found free will and willingly went against Belos. This always leads to Belos killing these “failures,” these unusable copies of Caleb that fail to understand that Belos knows best. He refuses to accept that no version of Caleb will ever see Belos’ way, so he keeps trying to make one that does.
By the time Belos gets to Hunter, he does all he can to wipe away ANY sense of rebellion, even if he has to beat it out of him. Sorry if that statement was dark or triggering, but it reigns true for Hunter and Belos. Their relationship and everything Belos does to Hunter is a result of one man’s incapability to accept his brother’s choices and takes that as an excuse to hurt Hunter. It’s a painful reflection of real life abusive parental figures as a lot of them treat children as an object to take frustrations out on. It’s never healthy and no one should forgive an evil bastard like that no matter WHAT justification they have. All you can do is hope the child gets out of this situation and learn what real love is.
Thankfully, Hunter got that happy ending through Darius. And I WOULD go over that, but I think I said as much as I could about those two last time. The real meat of it is on Darius’ side of things as we never really got to see how Hunter felt about him aside from how the love was mutual. It’s sweet, despite not having much to talk about. As for Eda and Dell, I said about all I could last time and the same goes for Gwen. They’re characters defined by their relationships of their kids and I’d ONLY repeat myself here. But don’t fret, there’s still ONE OTHER good parent/child relationship we can talk about.
Willow and Gilbert and Harvey: No, not Gus and Perry. Due to how little of an impact Perry had in the series and how he and Gus barely interacted, we don’t get much of an idea about what their relationship is. We know they love each other, but there’s not much aside from that. With Willow and her fathers, we don’t get much with them either, but the crumbs we DO get offer some decent insight.
Willow LOVES her dads, that much is sure. Two of her biggest core memories involve her spending time with her papas, having fun and laughing with them. But more than that, Willow idolizes her dads. “Any Sport in a Storm” shows us pictures of her dads when they were younger AND that they were on the same flier derby team. It hints that Willow got her love for the game through them and wanted to become the best player she could be to honor them. It’s SORT OF stretching the facts because we don’t know for sure, but it’s still a sweet thought and how much Willow loves her dads as they love her.
Gilbert and Harvey were willing to quit their jobs just to homeschool Willow and give her the best possible education after she got expelled from Hexside. That is…an intense amount of dedication to caring for your daughter. Sure, the previous scene had them ground Willow for an insane amount of time, but that’s clearly a reaction that comes from being upset over your child being suspended. Odds are they were going to relax on that grounding with time. And even then, Gilbert was willing to let Willow sneak out and to pretend he didn’t see anything. There’s a definite love all three of them have for each other, and you have an easier understanding of why Willow misses her dads the most in the final season. With Gus, we don’t know enough to really GET how much he misses Perry, and we all know the complicated mess between Amity and Alador. It’s easier with Willow and HER dads because while we don’t have much, we have ENOUGH to get a better picture. Though I DO wish we had more time with them all together to make the relationship feel stronger, and to give more appreciation to gay parents. They keep showing up in media, especially animation, but rarely do they feel like actual characters with defining relationships with their children. While I appreciate what’s done between these three, I AM left demanding for a little bit more.
And with that, I’m finally done talking about families. But don’t worry, there’s TONS more to talk about with our next category.
Friends
There are a LOT of friends in this show, mainly because The Owl House is the kind of series that values the friendships one has with other individuals. Families are important, but the friends we make, the groups we create, can lead to more changes in our lives. They can sometimes bring out the best of us just as effectively as any family member, while also providing a great escape if our families become too much. Most of the friendships in the show are all about this, and we’re going to go through all the ones that are important.
Starting with what’s probably the most talked about friendship in the show…
Amity and Willow: The second that Willow revealed she used to be friends with Amity, the intrigue behind their dynamic SKYROCKETED. Because it would be one thing if Amity was simply a bully to Willow, but knowing that they were once close friends brings up a ton of questions. Why were they friends? Could they be friends AGAIN? Why did they STOP? Er, well, okay, that last one was answered pretty quickly by Willow in the same episode, but after “Lost in Language” hinted that Amity’s bullying is an act to not show weakness, it begs the question if there is more to it. And “Understanding Willow” proved that Amity WAS forced to end the friendship, meaning that every interaction she had with Willow since then was Amity pushing Willow further and further away to save her from a worse fate. It’s another interesting way to look at Amity’s bullying, because she DOES care about Willow. The problem is that, as Amity perfectly puts it, she wasn’t brave enough to be Willow’s friend, to fight for something she WANTED. Finally, thanks to a certain human, Amity started to gain that courage and apologize to Willow, promising to be better. Thankfully, Amity does, talking Boscha down for making fun of Willow and not even hesitating to step up and join Willow’s grudgby team when they need a third member. It’s a reflection of both Amity’s character growth AND her platonic love for Willow. She wanted to be friends again and, once gaining the courage, she set out to do just that…The problem is that Amity might have been TOO willing to be friends again.
My absolute favorite scene between these two comes in “Follies At The Coven Day parade.” Amity comes over to Willow’s after stressing over something going on with Luz and Willow, in turn, offers a healthy distraction to take Amity’s mind off her worries. At that moment, Amity says she’s glad to be friends again, but Willow’s response to that is fascinating. She doesn’t disagree, nor does she nod. Willow just…keeps quiet, frowns a bit, and lets Amity braid her hair, leaving Amity’s comment hanging with no real response aside from a light hum. While Amity’s more than happy to pick things up where they left off, this moment shows that Willow’s not exactly there yet. She’s not entirely AGAINST the idea, she would have been more vocal about her disapproval otherwise. But Willow’s not willing to COMMIT to their friendship again, feeling like there’s still more to do before getting to that point. And I love that the next episode that focuses on Amity and Willow’s relationship, “Labyrinth Runners,” expands on this idea. Amity is trying too hard to pick things back up where they left off, acting like Willow’s someone to be protected. The problem is Amity's thinking of the Willow of the past and not acknowledging the Willow of the present, who’s capable and willing to kick ass if necessary. Willow’s trying to take Amity’s attempts at support on the chin, but it doesn’t stop Willow from finally blowing up and telling Amity to back off. It wasn’t out of anger but frustration, as Willow gets Amity’s attempts to be better, but things won’t work unless Amity accepts that WILLOW changed too. It’s a great progression from how this relationship started and where it would inevitably go, and I’m glad that Willow presented boundaries that Amity needed to respect…I wish they stretched THAT aspect out a little bit more.
After “Labyrinth Runners” established that Amity needed to learn to see who Willow is NOW, the episode ends with her doing just that…and the rest of the series goes on thinking that’s enough. Yes, it’s a good start for Amity to see the error of her ways in the same episode Willow calls her out on, but then they go straight to fist bumps, counseling one another, and jumping with glee together with their arms intertwined. They’re right back to being the same friends they started as after one major hiccup. In fairness, there could have been MORE interactions offscreen where they worked through more stuff, but we never see that. All we have is what the series showed us, and it’s…fine. It’s FUNCTIONAL. But after an intriguing concept of two friends reconnecting after a BAD ending to their relationship, it could have had stronger pacing to make it feel more impactful. But despite how rough things got with Willow and Amity, at least Willow had TWO friends to count on.
Willow, Gus, and Luz: Gus and Luz were the exact friends that Willow needed after falling out with Amity. With Gus and Willow, they share a camaraderie through being near the bottom of the social ladder. Willow’s picked on for not being powerful enough with her magic and Gus was a kid whose naivety was taken advantage of by older kids who had no brains of their own. They didn’t have anyone else for friends in school, but they always had each other. That idea alone is sweet enough, but the things these two did for each other is even sweeter. Because all they had was one another, they protected one another in different ways. Willow was there to keep Gus emotionally stable, calming him down when he feels stressed or lifting his spirits when he’s down in the dumps. Gus, of course, repays that by supporting Willow’s interests, being protective when he’s suspicious of someone like Hunter, and hyping Willow up whenever possible. They both care IMMENSELY about each other, which makes sense when you become friends with someone you met at your lowest moment. But as great as Gus is for Willow, he was never really there to help her grow. Oh, don’t get me wrong, he was always a shoulder to cry on and all, but both were content to be at the bottom at the bottom. It’s until a certain someone ELSE came along did Willow realize she deserved more.
Here’s where Luz comes in, as a friend Willow needs to push her FORWARD. Luz would support Willow no matter what, but in almost every instance of character growth Willow went through, Luz was almost always responsible for it. Helping Willow cheat at Abominations class led to her proving her great strengths as a plant witch and allowing shenanigans to happen ended up jumpstarting Amity and Willow reconnecting. Of course, Luz could be TOO pushy, like training Gus and Willow too hard for a game she didn’t want to compete in, but there’s a reason for that: Willow’s the first and only friend Luz has ever had, so she goes above and beyond to make Willow’s life better. Even if Luz can sometimes go overboard, it all works out in the end, with Willow appreciating all the ways Luz helped her blossom (Haha). And in turn, Willow was there for Luz in a lot of ways, either by being her magical muscle in a dangerous situation, supporting some crazy scheme Luz comes up with, or being the voice of reason when one crazy scheme goes too far. Luz went out of her way to help Willow, so Willow returns the favor by protecting Luz to the best of her ability. It’s a perfect give and take relationship where both get something out of it. However, there’s something to be said about how Luz and Gus are the best friends Willow could ask for, they don’t really act like they’re best friends with each other.
Don’t misconstrue my words, Luz and Gus DO care about each other. Gus hypes up Luz as much as he does Willow and Luz is as supportive and counseling towards Gus as she is towards everyone she cares about. The problem is that you don’t FEEL that friendship. You get it, but you don’t FEEL it as effectively as you do with Gus and Willow or Willow and Luz. And that’s because there’s not many interactions between Gus and Luz. Throughout the course of the entire series, there has only been TWO episodes that focused on Luz and Gus’ relationship, and Gus was using Luz for selfish reasons in one and they both ditched the other to hang out with crushes in another. There’s not many positive moments between these two, which wouldn’t be TOO bad if the show didn’t paint Luz, Gus, and Willow as a TRIO. They’re ALL supposed to have this big connection together, and there’s a piece of the puzzle that’s missing. Willow and Gus are often paired together as they’re often shoved to the side, and Willow’s often treated as Luz’s first true friend, but there’s hardly anything with Luz and Gus. It doesn’t help matters that Luz barely interacts with EITHER of her best friends in Season Two onward, which is especially weird given how much importance Season One gave their friendship. Still, at least we got a lot of cute moments and two great dynamics that warms the heart, even if it wasn’t as effective as it could have been as a trio. Which gets odder when you remember that Luz and Gus have a common friendship with someone ELSE, and still not with each other. Still, to be fair, Luz barely has a strong connection with this other person too.
Luz and Hunter: Luz’s friendship with Hunter is interesting but underdeveloped. They start off strong with this dynamic that has big brother/little sister energy with the two of them annoying each other easily, more so with Luz annoying Hunter than the other way around. But despite their annoyance with each other, there’s this connection through a shared interest of wild magic…only for the show to drop that idea. Yeah, there was something there about Hunter being fascinated and even excited about wild magic, but hides it due to fearing what Belos might do to Hunter if he gets too curious. It could have been a great way to establish a connection between him and Luz, but that idea’s forgotten as quickly as it’s brought up. I’m not entirely complaining as the sibling-like bickering was fun enough as is and there was even a BETTER connection formed between them: Shared guilt.
“Hollow Mind” is an episode that chewed Luz and Hunter up and spit them out with a TON of issues. It was an unintentional mission for Luz to show Hunter how evil Belos really is, with Hunter being in denial throughout most of it while Luz becomes more and more frustrated with him. But despite that frustration, she’s still willing to help Hunter leave Belos and be there for him when confronting how disposable Hunter is in Belos’ eyes. It tells us that Luz cares about Hunter and wants him to be safe, which is a given with Luz. She’s a caring person in general to people who have a good heart shielded by a rough exterior, and that’s no different from Hunter. There were brief moments of warmth between him and her in “Hunting Palisman” and I’m sure Willow talked up the good parts of Hunter after “Any Sport in a Storm.” Luz knows there’s something worth protecting, likely why she’s working so hard to convince Hunter Belos is evil and have him be on HER side so she can help and protect him. She just didn’t expect things to be more messed up, making Hunter realize how severely screwed he is and the type of monster he helped. Things didn’t get any better when Luz realized that Belos was actually Philip and that she accidentally helped this demon of a man. So after BARELY escaping death, Luz and Hunter were left with the knowledge that they helped the most evil person alive and indirectly caused so much pain to others, including people they deeply cared about. Needless to say, it left Luz and Hunter severely messed up. And when Belos almost won and a NEW threat came to be, Luz and Hunter would feel WORSE about the pain they had a SLIGHT part in causing. They didn’t have anyone else to talk to about it due to fear of rejection and isolation from the ones they care about, but Luz and Hunter still had each other to confide in with their issues. It’s why Hunter goes to Luz about his fears that Belos is back. Neither wants the others to worry and both know that Belos is likely to spill the beans just to mess with heads. These fears give Luz and Hunter something great to bond over…And it STILL feels like their relationship is underdeveloped. Despite this big thing that brings them together, there’s hardly any attention on it as it's only focused during ONE episode. Now, don’t get me wrong, they feel SOMETHING for each other. Hunter broke down in tears when Luz said he’s worth being protected too since he’s part of the family. He HAS to care about Luz’s feelings for him if that was the case. And in “Watching and Dreaming,” Luz’s nightmare revealed that she feels a little guilty for getting a palisman in less than twenty four hours after Hunter lost Flapjack. Hunter doesn’t even blame her for that one, but it proves how Luz cares about him like she would for any other friend. But that’s the thing: Out of everyone in the friend group, Luz probably has the most one-on-one time with Hunter, yet he’s still just one of her friends. There could have been a stronger connection, and it’s not there. What they DO have is fine, it works, but when Luz has a personal bond with most of the Hexsquad and barely has anything with Hunter, it feels a little off. And it gets even weirder when Hunter accidentally steals Luz’s best friends out from under her.
Gus and Hunter: Oh, don’t worry, we’ll get to Hunter and Willow’s relationship later. For now, I want to talk about how CRAZY it is that Gus and Hunter have this brotherly dynamic. I mean, it was inevitable that Gus and Hunter would go on an adventure together. Hunter shared the spotlight with the others in previous episodes, so Gus was due a turn by the time we got to “Labyrinth Runners.” And at that point, most of Hunter’s walls were cracked and crumbling, with him trying and failing to build them back up. By the time Gus found Hunter, the poor boy was emotionally vulnerable and capable of breaking down at any moment. When he finally DOES, Gus was there to pick up the pieces and help Hunter through his panic attacks and offer advice about what could help Hunter in the future. Hunter, in turn, tried to save Gus from danger and provide some comfort too, even if Hunter is a little awkward at it. This dynamic ends up being what these two share through the rest of the series. When Gus figured that Hunter was hurting about being a grimwalker, Gus offered him a book series that gave Hunter the exact thing he didn’t know he needed with a story that had a character Hunter could relate to. This helped him a lot, and it’s an obvious attempt from Gus to get Hunter to slowly work through what ails him, and I’m certain that Hunter appreciates all of it. The same goes with the way Gus might appreciate Hunter protecting him. It was Hunter who had a protective arm around Gus after “King’s Tide” and he saved Gus’ palisman, not wanting his little buddy to go through the same pain he did. There’s an equal amount of care and comfort with these two, added with secret handshakes and the two wrestling with each other in one after-credits image. It really does feel like they’re brothers to each other, and it’s crazy to me that despite having comparatively less interactions together, Gus has a closer bond with Hunter than he does with Luz. Or, I should say, a more well-defined bond that’s easier to understand and describe. Luz and Gus are close, but you FEEL how close Gus and Hunter are. And that’s great, every guy needs a bro, but how does this happen? How does a central character done dirty by lack of screentime ends up being more of a best friend to a reformed baddie than his best friend who’s the main character? It feels crazy, and the only way it could be crazier if it was a comic relief character who became besties a reformed—
Lilith and Hooty: How?! No, seriously, on paper, this sounds LUDICROUS! Yet it WORKS!
By Season Two, Lilith is at the lowest point of her life. She lost her magic, career, and the respect of hundreds of witches. So when Lilith is stuck with Hooty, a bird tube so desperate for friendship that he’ll take it from ANYBODY, including trash like Lilith, she takes it. At first, like any reasonable person, Lilith REFUSED Hooty’s attempts at friendship, feeling like she was better than him. But when it finally occurred to Lilith how much she NEEDED Hooty, she gave in and became his first REAL friend. The best part is that she didn’t fake it. Lilith was kind to Hooty, laughed at his jokes, and gave him caring words of advice when he started doubting his place in “Knock, Knock, Knockin’ On Hooty’s Door.” Lilith DID treat Hooty as a friend because he was the only one who gave her respect in a time when she didn’t get any from anyone else. This leads to Hooty treating Lilith as his favorite person…maybe a LITTLE obsessed at times, asking for hair and beating up anyone who he thinks might steal Lilith away (Poor Steve). But Hooty being so…let’s say, ENTHUSIASTIC about Lilith is because she’s the first ever person to treat Hooty right. Everyone else either verbally berated or physically assaulted Hooty due to disgust, annoyance, fear, or all of the above. Sure, Lilith acted the same way at first, but after giving in, she became friendlier and Hooty decided he would do ANYTHING for her because of it. Whether it's to face enemies for Lilith or even step in the line of fire for her, Hooty’s willing to go above and beyond for his Lulu. Heck, it was HER voice that somewhat broke whatever spell The Collector had on him. And Lilith, in turn, was so happy to see his face again while trying to bring him back. And it’s…adorable! I can’t believe that’s the word I’m using to describe Lilith and Hooty’s friendship, but it fits! Despite how ludicrous it sounds to give Lilith and Hooty one of the most wholesome friendships in the series, the writers ran with that idea and made something that worked when it had no right to. What’s next? Making one of the main characters befriend someone that  fans expected to be a new main antagonist?
King and The Collector: WHAT THE F**K?!
But jokes aside, things between The Collector and King are more or less one-sided, and I’m willing to bet that was intentional. King treated The Collector as something to be controlled, to be reigned in so he wouldn’t cause too much damage. Meanwhile, The Collector treated King as a true best friend, someone to play with and have adventures together. They never clued in how King was never really ALL IN with the friendship. He acted nice with The Collector, but the line is somewhat blurred with whether or not it’s genuine or King trying to prevent a cosmic sized meltdown. But The Collector appreciated it all the same, having a similar reaction to Hooty in which he was all alone for so long that someone genuinely being NICE to The Collector caused them to treat King better than he would with anyone else. When asking to have Francois sleep with them, The Collector was fine with the boundaries King set and respected them instead of getting angry. Sure, The Collector pushed to have King leave Francois on the nightstand, but he still kept their promise to leave Francois alone like a good little godling. And, heck, when assuming King was considering a FINAL solution for The Collector, he looked about ready to cry. The kid was angry, throwing a temper tantrum with Belos the second he dropped The Collector down a cliff. It only hurt more with King because, despite having different intentions with The Collector, he WAS genuinely nice. There may have been some annoyance about being The Collector’s playmate and the OCCASIONAL raised voice, but for the most part, King treated The Collector with kindness and patience. He knew that The Collector was just a kid who needed to mature a little and learn how to treat others properly. King acted as both a voice of reason AND a conscience, acting as The Collector’s friend to keep him happy AND maybe because he learned from Luz that it’s better to befriend your enemies. It explains why he was so patient and even believing that The Collector can be reasoned with. He knows that they’re POWERS are dangerous, but The Collector is still a lonely kid who just doesn’t know better. It’s why despite all the missteps, King wasn’t willing to give up on The Collector, hoping for the best with acting as his friend and maybe being genuine near the end there. I believe King when he says he hopes that The Collector comes back soon, because there couldn’t have ALWAYS been bad times during their months together. And now that The Collector proved that they DO know better, it could mean a better friendship for him and King. Things were definitely rocky for them both at first, but the finale left them off on what could be a good start, even if what we see will be all we’ll get. As for what we DO get, it’s a complicated relationship that I say works well enough leaving it up to interpretation to how close King and The Collector are.
But seriously, how many characters end up befriending characters we thought we would hate?
Gus and Matt: Gus befriended ANOTHER baddie?!
Okay, but seriously? I wasn’t sure where to put these two. Gus and Matt were definite rivals only to become FRIENDLY with each other near the end of “Through the Looking Glass Ruins.” Still, even then, Matt admitted that he wasn’t sure if he and Gus were friends. It felt IMPLIED, but future episodes didn’t really prove that they were friends now. At least, it doesn’t prove it on Gus’ end. He still acts annoyed with Matt while Matt seems more…indifferent? He doesn’t clap back, but he doesn’t really react at all. I guess that’s not a bad thing, but it doesn’t give a definitive answer to whether or not these two are friends, and I’m willing to blame the fact that Gus got screwed over as a character with little to no solo episodes to develop him and his relationships. Gus is friends with characters who are important in the plot or are within the main cast so that he has more of a chance to develop bonds because the story moves WITH them all. Matt is a very minor character so there’s less of a need to develop a friendship between him and Gus. This results in a weak connection between them, making it feel like they would have been better off as rivals than friends. Which is a shame because I do like the idea of Gus making peace with a bully instead of continuing a never ending cycle of them constantly trying to one up each other. Now, that’s not ALWAYS the case in life, but it’s not a horrible thing to teach kids. Especially when the show proves that there are bullies best NOT to be friends with.
Amity and Boscha: Hey, not every friendship has to be good.
There’s not many interactions between Amity and Boscha, but despite that, so much of their relationship is easy to understand and dissect. From the first time we see them together, it’s clear that their friendship is as real as Amity’s hair color. Boscha seemed to believe that she and Amity were friends, but it’s pretty telling that in the end of “Hooty’s Moving Hassle” that Amity chose to sit AWAY from everyone during the Moonlight Conjuring. Amity doesn’t see the other girls, especially Boscha, as real friends. “Understanding Willow” confirms this as it’s revealed that the only real reason why Amity’s friends with Boscha is because her parents approved it. So, believing that she had no better options, Amity kept the charade going to keep her parents happy and Amity safe. But when Amity finally found someone worth fighting for, and the bravery to match, she dumped Boscha for REAL friends. It was freeing for Amity to be rid of something, only for the writers to later decide that it wasn’t fake for Boscha.
I know that I said last time that the reveal that Boscha had a form of obsession with Amity felt rushed and forced, but that doesn’t stop it from being an interesting idea. Despite the friendship being forced upon them, Boscha DID consider Amity a real friend to do everything together. What she didn’t know was that those feelings were very much one-sided because…A. Amity didn’t appreciate having a friend forced upon her after losing another. And B. Boscha wasn’t a good friend. Not just with Amity either, as Boscha had this bossy, controlling attitude with ALL her “friends.” Now, we never saw Boscha act this way towards Amity, but there’s not really any evidence that proves she wouldn’t, either. And given how Boscha inevitably became the most controlling president of the entire school during the apocalypse, I wouldn’t put it behind her. Despite that, though, Boscha never saw herself as a bad friend and initially believed Amity’s making a mistake by aligning with “losers.” Amity never cared, and that just made Boscha frustrated, even jealous when Luz and Amity became close. Those feelings were easy for the audience to pick up, only for “For the Future” to further confirm them and put Boscha’s reactions in a new light. We now understand more about how torn up Boscha was in previous episodes and that’s why I don’t hate this last minute idea that the writers threw in. It’s still rushed and forced, but the potential it COULD have had makes it interesting. If there were more episodes to develop this idea, then it could have been a better relationship to dissect. As is, things are still fine, but weakened by doing too much too late.
But that’s enough about friends. Now that we started something negative, it’s time to lean into it by going over some enemies.
Rivalries/Enemies
The Owl House may be a show about friendship, family, and being kind to those you didn’t expect to deserve it, but there are still some characters who hate each other. These are more than negative, toxic relationships. These are pairings between characters who mutually hate each other, even if one side strongly dislikes the other more. And we’re going through a lot of hate, so let’s start with something light.
Willow vs. Boscha: It’s a classic dynamic: A bully and her nerd. That’s how it’s treated, that’s how it’s mostly seen, but I understand it as something more. I said so last time that Boscha is the perfect rival to Willow. There’s similarities in how they’re physically driven girls who need to affirm that they’re capable of being strong. The difference is their attitudes, as Willow goes out to prove that she’s as good as ANY witch and Boscha insists that she’s better than EVERY witch. Boscha believes that she has nothing to prove because she’s already perfect. So it makes sense that she feels threatened when Willow gets more attention. Boscha thinks that Willow is at the very bottom of the social ladder due to her lack of magical talent and made fun of her for years because of it. So when Willow gets a confidence boost and people notice her more as a result, it infuriates Boscha down to her core. So it’s no big surprise that Boscha doubles down on her bullying to make Willow’s life worse…For one episode.
Yeah, you would think Boscha’s worsened bullying would be continuous, but instead she lets up after the end of “Wing It Like Witches.” To be fair, it makes sense NARRATIVELY that Boscha would stop as the episode presents this idea that no matter how superior she ACTS, people will still praise how cool Willow is. That look of fear on Boscha’s face when her friends swarm Willow and ask her to join the team is a sweeter victory for Willow than beating Boscha at grudgby. And it SHOULD work…but it’d be better if Boscha was just a one-off bully. Except that she’s not. She’s WILLOW’S bully who spent so much time making Willow’s life miserable. So while it makes narrative sense for Boscha to back off, it doesn’t make sense for her CHARACTER and her place in Willow’s life. Plus, “Wing It Like Witches” isn’t exactly a satisfying end to their rivalry. It becomes more noticeable as an issue in “For the Future” when Willow finally stands up to Boscha without anyone else doing it for her. That’s a great start but then Boscha gets a forced redemption and Willow goes “This isn’t over” in a more playful tone instead of a spiteful one. And…that’s the end of that. Willow doesn’t have any final fight to shut Boscha up for good or even say, “Stay away now and forever.” They just end things on friendly terms and that doesn’t seem right? I mean, it fits with this whole “Make friends, not enemies” idea that The Owl House loves to use, but not only does this seem like a case where it would have been fine NOT to use it, it also feels a little cheap. Like, that’s how the rivalry ends? They hardly interacted in the very last episode that they’re together in, and all they did to each other comes to a close with one-sided playful banter? It definitely could use more punch to it, preferably one from Willow. And sure, you could argue that they weren’t meant to be rivals in the first place, but even if that’s true, which I honestly believe it isn’t, it would be a missed opportunity to take, which it honestly kind of is anyway. I like MOST of what we got with these two, but I’d be lying if I said I didn’t want more.
But, hey, at least SOME rivalries lived up to their potential.
Kikimora vs. Hunter: Okay, this one’s definitely more or less one-sided, but it’s everything it needed to be.
Kikimora had an INTENSE jealousy towards Hunter, and that’s putting it VERY lightly. She tried to kill him three times, with her not knowing it was him the second time, and Kikimora decided her new life purpose was to prove that she was better than Hunter. And Hunter…couldn’t care less. It’s actually kind of funny how much he considers Kikimora as a non-threat. If anything, he’s threatened by what Kikimora USES, whether it’s a dragon, a mech, or a small battalion of grunts. As for Kikimora herself, Hunter reacts to her surprising the others in “For the Future” the same way a person would if they forgot to buy milk. She’s a minor inconvenience to him at best, and Hunter has no fear dealing with her. Meanwhile, Kikimora continues to plan his death as if their rivalry was on equal terms, even though it very much is NOT. And while the conclusion to this one isn’t strong either, it doesn’t really need to be. It’s a rivalry used for entertainment value and to further emphasize how detached from reality Kikimora is to believe that the Emperor’s right hand considers an angry little gremlin as a worthy opponent. It’s a short and fun dynamic that works because the show didn’t need it to be anything more. It’s not like they’re the BIGGEST enemies in the show…That’s the next relationship.
Luz vs. Belos: Out of everything in the story, the relationship between the main protagonist and antagonist is one of the most important things to get right. Fortunately, The Owl House understands this with Luz and Belos. Like most antagonists, Belos is a dark reflection of Luz. They’re both humans who came to the Isles, worked hard to find a way to do magic like everyone else, made connections with others to help get by, and changed the world through their actions. However, that’s where all the similarities end with these two, because even though they have surface level comparisons, they couldn’t be more different with what they did and why they’ve done it. Luz changed lives for the better, all because she loved the Boiling Isles and all the friends she made in it. Belos changed lives for the worse because he despised witch kind and wanted to eradicate them all from the inside out. And when both faced the other, Luz and Belos had different ideas of who was the hero of this story. To Luz, it was obvious. Almost ANNOYINGLY obvious, as she couldn’t get how no one else could see how Belos was clearly evil. As for Belos, he didn’t necessarily see Luz as the villain, but instead as a tragedy. Just like his brother, Luz was taken in by the witches and their sinful allure and was too far gone to fix. Belos is still “merciful” to her, but that’s because Luz is the first human he has met in years and he’s willing to refrain from eradicating her like a common witch because there’s a chance that she might see the light. It’s why, even during his death, he is begging for Luz to reclaim her humanity again and be better than those witches. There’s just one problem: Everything Belos believes Luz to be is complete horseshit.
Luz isn’t a tragic loss, she’s a GOOD PERSON. Hell, she’s more human than Belos could ever be as Luz treats everyone in the Isles as actual PEOPLE instead of sinful monsters. Luz chose to help witches because she genuinely cares about them and wants to save THEM from danger. Right from the beginning, Eda was more than willing to let Luz run away back home only for Luz to stay because these witches and demons needed her help. That doesn’t make her a tragedy but a person who’s actually pure of heart. And as for Belos’ “mercy,” it was out of selfishness despite how much he’d tell himself otherwise. When letting Luz free to save Eda, he practically did it with a gun to Eda’s head so Luz would be willing to give up the portal door. That and likely because he deduced that he needed Luz’s help to get The Collector. And after nearly killing Luz in “King’s Tide,” he decided to stop because Luz convinced him that she could be his guide in the modern human realm and verify his achievements. Belos may have believed that he was being altruistic, but in reality he backed Luz in the corner, forcing her to do and say what Belos wanted. Only for Luz to prove that she’s NOT an idiot by outsmarting him both of those times, nearly killing Belos the second. It shows that not only does Belos misunderstand the kind of person Luz is, he underestimates her. The man who lied and tricked his way to the top got beaten at own game by some teenage girl who is great at sleight of hand and appealing to someone’s needs. Yet despite this, Belos still thinks that he can outsmart Luz one last time by blaming his actions on a curse. Because he still believes he knows that Luz is a misguided girl and tries to use her kindness towards others as a way to convince her. But while Belos fails to understand Luz, Luz came to learn EXACTLY the kind of person Belos is.
Being a fan of fantasy as a genre, Luz could tell upon seeing Belos that he was evil. And, again, it’s pretty telling how Luz feels about him when she, the kindest character in the show, immediately went for the head. But while Luz was aware that Belos was obviously evil, she didn’t know with Philip. Her first impression of Philip was that he was a wise man who could potentially help her, which is the exact image Belos tried to portray with Luz years later. The only reason why it works with Luz when she meets Philip is because she read his adventures, which were personally revised by Philip himself, and he didn’t look like much of a threat. It isn’t until Luz catches onto what type of con artist Philip was that she soon switched gears to hating the old bastard. Rightly so, of course, but it would unfortunately come too late as Luz already helped Philip without even knowing that he was on his way to becoming Belos. The realization that Luz accidentally created a monster haunts her and will continue to do so for years. It’s why she REFUSES to buy any other trick or lie Belos tries to pull and kills him without any mercy. She knows that there’s nothing he could say to change Luz’s mind, because all the tricks in the past proves that he’s full of it. And as he berates witches with his last breath, it’s all Luz needs to know that she’s making the right choice. Belos was a monster that ruined lives, including Luz’s, and she’s most definitely glad to be rid of him.
Luz and Belos has a perfect hero/villain dynamic that I adored. I DO wish they interacted more to further sell that dynamic, but that’s nitpicking at best as they’re both still wonderfully written. There was definitely no missed potential with these two…Speaking of missed potential…
Darius vs. Alador: Alright, in fairness, this one might not have had much attention on it anyway, even if the show had more time. And large and part because it’s something that’s more or less written in the background of everyone else’s stories. Just small comments like Darius calling Alador a hack and actions where Alador tosses Darius’ book away in disgust. They were never a focus of an episode, but the writers still made it a fact that Alador and Darius couldn’t stand each other. And it works for what it is…but then there’s this level of intrigue presented in “Them’s the Breaks, Kid,” a flashback episode that briefly revealed that Alador and Darius were once friends. That inevitably led to questions, all circling around what could have happened between then and now to cause their friendship to change into a rivalry. There’s some definite intrigue to what could have happened, and it’s why I’m willing to say it’s a missed opportunity to not explore it…HOWEVER, I will also admit that it’s not a HUGE thing to focus on. Out of everything in the series, there’s bigger fish to fry than explaining why a secondary character’s dad came to hate a side character. If the show had all the time in the world, it would definitely feel more like a missed opportunity. As is, it’s still perfectly functional as a rivalry with a bit of unresolved intrigue. I would have loved more, but I’m not losing hair over it.
And yes, I know, there’s a possibility that these two could be a couple, but that’s more or less hinted as a possibility because of ONE interaction near the end. I wouldn’t say it’s anything official outside of that…But since we brought up SHIPS…
Couples/Ships
Quick stipulation, this isn’t about popular ships within the fandom. You’re not going to see Viney and Emira or Viney and Skara just because there’s a lot of fan fics and MoringMark comics about them. There’s also not going to be any POSSIBLE ships here. We’re discussing what’s canon and official based on what we’ve seen in the show. So no Veesha, despite how adorable and crazy it is to have a crack ship actually be a possibility.
No, instead, we’re discussing the ships that were built up within the show, their ups and downs, and how they worked as a couple. And to start, let’s just go ahead and rip off the bandaid. There’s one ship we ALL know deserves to be talked about, and it’s best to start off with…
Alador/Odalia: Hey, not every couple is good for each other. 
Full disclosure, I had NO idea where to place these two. I THOUGHT about putting Alador and Odalia in the family section, but their relationship cannot be described as that. Even putting them HERE feels like a stretch. But there’s not really any better place for these two. I could call them enemies, but that also feels like an oversimplification because they don’t really hate each other…At least not until “Clouds on the Horizon,” but we’ll get to that.
Just like asking if Odalia loved Amity, I have to wonder if she loved Alador. Because, truthfully, I think she DID, once upon a time. I look at that photo of Alador winning the Bonesborough Brawl, and it definitely hints that there was SOME infatuation there on Odalia’s face. Granted, being attracted to someone and loving them are two different things. Dozens of fans hate Odalia with their final breath, but will go on record saying that she’s pretty hot. And…yeah, fair. But I definitely feel like she felt SOMETHING that went beyond physical attraction once. As for whether she feels the same in the PRESENT, I definitely say that same spark no longer exists as Odalia sees Alador as nothing more than a business partner than a romantic one. She compliments his work, but you can argue that’s just Odalia being glad that she’ll be getting richer instead of admiring Alador’s passion in his craft. And when Alador says something Odalia doesn’t like, she doesn’t waste a second to threaten divorce and take away what Alador really cares about: The kids. Odalia may not fully care about her children, but she knows Alador does and is too willing to use them as leverage. Any attraction Odalia may have felt is certainly gone, with the only thing she has left to feel is maybe physical, but I wouldn’t bet on it. Mainly because Odalia seems like a woman who would have private affairs with better looking men, and can get away with it because she’s in charge of every aspect of the relationship. And Alador suffered for it.
Now, as for whether or not ALADOR loved Odalia, I’m once again willing to say yes…to a point. Some say that their marriage was more or less arranged for the sake of business or Odalia pitched their marriage as a business proposition rather than anything romantic. And while I can definitely see that, a part of me believes that there WAS something there and that Alador stuck with Odalia because he initially fell for her. If it was strictly a business thing, Alador would have walked out any time with how Odalia treated him as an employee rather than a partner. And the arranged marriage seems off too because Alador, even before working through hell, seemed too messy to be from a rich family willing to do business with Odalia’s. So I believe that the best explanation is that Alador used to love Odalia once, but that love would fade away over the years. The only thing that kept Alador by her side despite the anguish is both the kids and, quite possibly, because Alador’s feelings didn’t COMPLETELY fade until “Clouds on the Horizon.” Trust me when I say that for some couples, even married ones, find it hard to get out of a relationship that’s toxic because they cling too tightly to the good times. You know you can do better, but you stick it out because your brain keeps telling you “Well, they’re not ALWAYS this bad.” I feel like the show hints how THAT’S how Alador feels with Odalia. Look at that smile he gives her in the end of “Escaping Expulsion.” Odalia’s compliment might not have been wholly genuine, but Alador’s smile was. It’s almost as if he’s taking the compliment at face value and sees it as an example of Odalia being not so bad. He takes little moments like that until finally meeting his wits end in “Clouds on the Horizon,” where after learning that he missed so much of Amity’s life in “Reaching Out,” Alador’s a bit more willing to fight back against Odalia. Still, there’s that part of him saying, “Well, she’s not THAT bad.” And just like Amity, Alador’s telling himself that Odalia couldn’t be THAT evil in selling weapons to a genocidal maniac. But once finding out that she IS, it’s the last push Alador needed to shut up that voice inside his head and officially cut ties with Odalia forever. It’s a great representation of how a toxic marriage can grow over time and that even men can face abuse from women…At least, that’s how it should be on paper. But much like the rest of Alador’s character, everything is better on paper than it is in practice.
A lot of what the writers do with Alador and Odalia still works…enough. It’s right on that line where everything the writers try is still functional but could still be better. A lot of my analysis between them is based on looking deeply at minor implications at best and seeing something that isn’t there at worst. It would benefit MORE if we saw the good times Alador and Odalia had together or if we saw more of a conflict with Alador’s perception of Odalia. As is, I still LIKE what’s done and what it represents, but I still admit that it could have been better. Maybe with more time, it COULD have been, but alas, that’s not the case.
But that’s enough of a ship that sank. Let’s talk about one that had SOME fans at first only to SKYROCKET into popularity when the writers started making it a possibility. To the point where you see them almost everywhere. And that is…
Willow/Hunter: I’m not kidding, it feels like these two are EVERYWHERE now. I remember seeing, like, one or two bits of fan works of Willow and Hunter together that made me question people’s sanity. And then “Any Sport in a Storm” happened and a lot of people, including myself, went, “I get it now…”
There’s a lot of potential present with Willow and Hunter. They’re both people who work hard to prove that they’re stronger than anyone expects. Willow is quick to identify with Hunter’s self-deprecating view of being “Half a witch,” and Hunter admires Willow’s show of strength and determination. The ideas of these two becoming a couple grow stronger the more “Any Sport in a Storm” goes on, with Willow showing that while she understands Hunter’s plight, she doesn’t treat him like a wounded puppy and YANKS him away to prove that NO ONE should be underestimated. It shows that while Willow cares, she will be direct and to the point, the type of language Hunter understands. And to Willow, it’s really smart that she was introduced to HUNTER first instead of the Golden Guard. To her, Hunter wasn’t a threat, but a kid. A weird kid, sure, but one who still has insecurities and comes across as a little awkward in a charming way. Even when the truth comes out, Willow’s taken in by the charm of how Hunter clearly doesn’t know how to act as a kid. As for Hunter, he’s definitely the one who developed a crush first, proven by that little hint of a blush near the end of the episode. It makes sense, given how Willow was the first person Hunter met that was BEAMING with positivity and didn’t immediately want to kill him. Add that with the fact that Willow is a no nonsense person who has some of the most powerful magical abilities he’s ever seen, she likely checks the boxes that Hunter believes to be noteworthy. But it’s Willow’s kindness that sucked Hunter in.
Hunter knows Willow is tough, but he appreciates the way she seemed willing to forgive Hunter despite kidnapping her and the rest of the Emerald Entrails. Willow’s nice, and she continues to be so when stuck in the human realm. Willow cuts Hunter’s hair as he’s having an identity crisis and supports his bizarre fashion choices after he reads Cosmic Frontier and gains a better understanding of himself. The best part is that Willow didn’t know the full picture during these moments. She just thought Hunter wanted his hair cut and was trying something new and fashionable, but the facts didn’t matter because she was a hundred percent on board anyway. That level of support was something Hunter rarely got in his life, and he got it from Willow the most. It all adds up to why Hunter has a crush on Willow, making it easy to buy why he does…The problem is that I can’t exactly say the same about Willow’s crush on Hunter.
I get that Willow likes Hunter and that she cares deeply about him. She’s crying the most when it looks like Hunter’s dying in “Thanks to Them” and it’s when Willow fails to help him in “For the Future” that almost breaks her. We GET that she cares, but there’s never really that MOMENT where Willow’s clearly crushing on Hunter beyond implications and two “blink and you’ll miss it” blushes that come near the end of “For the Future.” There could be the argument that Willow likes Hunter the MOST out of the friend group, with some pointing out that she went the most feral in “Clouds on the Horizon” when she thought it was HUNTER who was in danger. A friend of mine pointed out that Willow would have acted the same way if she knew it was Luz, and while that’s definitely true with her attacks on Kikimora, Willow went from the first to hijack an airship to save Hunter to the most held together when she found out it was Luz. So I could definitely see the case that Willow cared a lot about Hunter but never realized it was a crush. What bothers me is that it doesn’t feel BIG when Willow discovers her crush. I mean, yeah, it’s sweet that Hunter admitted how much Willow means to him and that he’s willing to be a shoulder to cry on…but that’s the same with Willow’s other friends. There’s nothing that different with Hunter as there is with Luz or Gus, and by the time Willow’s blushing it feels like something that NEEDS to happen to confirm her crush. And I fully blame how underdeveloped it is on the show’s shortening.
Hunter and Willow becoming a couple was an idea brought up when the show was nearing the end, leaving the writers with a handful of episodes and three specials to make it make sense. What went wrong was that they focused more on Hunter’s feelings than Willow’s and made it canon as quickly as they could. And even then, the canonicity of their relationship is more implied if anything else. Like, it’s obvious to anyone with EYES and a BRAIN that Hunter and Willow are a couple, but there’s never this verbal or physical confirmation that they’re together. They have their arms around each other in the finale, but there’s not much other than that. On the one hand, that’s great role reversal as shows for YEARS had to rely on implications towards their same sex couples while being as explicit as possible with straight ones, where The Owl House is the exact opposite. But on the other hand, why even make these two a couple when you’re not even going to make them kiss?
Back when I said “I get it now” after “Any Sport in a Storm,” I realized I was excited more by the IDEA of Hunter and Willow without knowing the actual execution. We could have seen Hunter deal with his first ever crush and Willow learn that she has someone who loves her no matter how “powerless” she can be to others (Primarily Boscha). What we got instead was HALF of that, watching some great stuff with Hunter but not much with Willow. Still, these two have their fans and I can definitely see why. The IDEA of them together is great and it’s why I still like them being a pair. However, based on what the show gave us, their love didn’t bloom (Hahaha) as effectively as it should.
But I know the REAL couple you want me to talk about. It’s one of the biggest relationships in the show, due to how effectively it appeals to the LGBTQA+ community. And that is…
Raine/Eda: Because, let’s face it, older people can be queer too.
On top of being a stellar representation to have one of the main characters fall in love with someone non-binary, The Owl House does great at telling Raine and Eda’s love story. Cleverly, the writers introduce Raine as someone Eda knew and was obviously in love with. By withholding most of their past for future episodes, it leaves this first assumption that they were both in love with each other for years but likely never bite the bullet by asking each other out. I mean, they were nervous together with Eda being a blushing mess half the time. It’s not like they were exes, because people don’t act that way towards someone they broke up with…Then, literally, the next episode later, it was revealed that they WERE exes. Even better, Eda didn’t want to break up. She DID want Raine, but Raine felt like they weren’t wanted because Eda wouldn’t let Raine in to help with the curse. Eda left them at arms length to keep them safe, only for Raine to break things off because, well, how would YOU feel about your partner being distant when all you want is to be close? This brilliantly recontextualizes “Eda’s Requiem,” as Eda’s the one always blushing and looking away, as if she doesn’t want to let on how much she still loves Raine. Yet, upon seeing them for the first time in YEARS, Eda practically jumps at the chance to work with Raine in rebelling against Belos, partially because of the chaos she’s excited to cause and because struggling to grasp that her kids might leave one day so Eda throws herself into the first relationship she can think of reconnecting with. Raine, albeit too late, catches onto this and stops Eda before she makes a mistake she can’t take back, helping her live so that she can be better to her kids than she was to Raine, letting them stay instead of pushing away when it feels easier. And likely because Raine still loves Eda too.
Then Raine grew kidnapped…sort of. They ARE taken away with Terra trying to brainwash Raine into changing everything they are, but Raine’s smart enough to avoid the obvious trap and tricks everyone into believing that they WERE under Terra’s influence. The thing is, though, that Eda AND the audience didn’t get this information until FOUR episodes after being fed information that they’re brainwashed. So when Eda tries to rescue Raine, they had to keep up the act because Eda would ABSOLUTELY interfere or throw herself into danger for Raine. But Raine doesn’t want Eda in danger, so they lie and keep her as far away as they possibly can…doing almost the same thing Eda did years ago that caused Raine to break up with her. The details aren’t exact and the circumstances are more complicated, but the spirit is still there as Raine tries to keep Eda as far as possible from any danger so she won’t get hurt. Only for Eda to prove that she’s one to face danger head on for the ones she loves and that the safest place is right by Raine. It also helps that Eda initially contacted them, begging Raine to save Luz because she needs to be FAR from danger and Eda doesn’t care what’s going on with Raine at the time doing this. Eda trusts them more than anything, and this moment of fragility helps Raine realize they’ve been thinking backwards in trying to help Eda. And helping Eda is all Raine set out to do, trying to give her any out possible from being branded with a sigil and ripping Eda’s arm off so she wouldn’t die with the others…It sounds horrific out of context, but trust me that it proves how much Raine cares for Eda, willing to do anything for her survival. The love between these two is as clear as day, and how the writers went about showing Raine and Eda’s feelings is smart…BUT…
As good as this ship is, a ship like Princess Bubblegum and Marceline the Vampire Queen from Adventure Time shows what Raine and Eda could and SHOULD be. It’s a similar dynamic, as Bubblegum and Marcy broke up in their younger days only to reconnect MUCH later because they needed more time to grow before becoming the perfect couple they were meant to be. It’s to show that your first love CAN be your true love, but sometimes people need time apart to become better before realizing you never wanted this person out of your life in the first place. That’s not the same for everybody, but for these old gays, it is. The difference between Raeda and Bubbline, though, is that Bubbline focuses on the growth BOTH characters have to go through. Bubblegum and Marceline have their own baggage to overcome and the majority of their time on the show is about them learning to deal with it not necessarily for each other but for themselves and the people they love. With Raeda, it’s the same idea, but it’s Eda who grows more. And that’s because Eda, upon conception, was her own character where Raine, as I said last time, was a love interest. Still wouldn’t say that makes Raine less of a character, but for this relationship that means there’s less attention on THEM to grow as they’re often treated as this perfect person who Eda tries hard to fight back for. Now, there’s stuff that Raine did wrong too, with pushing Eda away from danger and constantly putting Eda’s needs in front of their own. However, the show never really digs deep into those issues, nor is there a moment where Eda confronts Raine for how THEY acted. Granted, Eda doesn’t have a leg of her own to stand on, but we’ve at least seen her grow past pushing people out of her life and letting them back in. Most of Raine’s development coincides with Eda’s, making it where Raine can’t adequately grow past their own failings. It makes it feel like it’s EDA that has to grow more to get Raine back, which would be fine, but it also makes Raine feel more like a prize Eda needs to earn instead of a character who has their own stakes in the relationship. It’s the part of Raine and Eda’s love story that gets to me a little, but, even then…I still loved that these two got back together.
Raine and Eda’s chemistry is on point and you get why they love each other. They’re both agents of chaos, Raine going for more controlled chaos while Eda is just all in for pure havoc. Eda brings extra fun into Raine’s life while Raine makes sure they BOTH don’t get into trouble. It’s like Raine and Eda were made for each other and you DO want them to get back together. Those scenes where Eda peppers Raine’s face with kisses and later snuggles up to them when all the craziness is over is ALL I ever wanted. I’m glad I got it, even if the development of their relationship could’ve been better, I’m still happy that they BOTH got their deserved happy ending.
But that’s enough teasing. You may have noticed that I haven’t talked about ONE relationship yet. One that is HUGE within this series. A relationship so big, so important, that to lump it in with all these others is a disservice to how major it is. A relationship SO GOOD that it deserves its own category as…
It’s Own Thing
You all know who they are. They’re a relationship that makes the show what it is and are the very reason why it’s so good. They’re so important that The Owl House wouldn’t be the same without them. And they are…
Luz, King, and Eda: Or our main trio, to be short.
Yeah, crazy enough, the most essential relationship in the show happens to involve the three main characters in it. The Owl House starts with them, ends with them, and features them almost always going on adventures, sometimes alone but always ending up back together. Together, they’re more than a group of weirdos stuck together. They’re a family.
Luz and Eda have this VERY obvious mother/daughter dynamic. Eda may have called Luz her human, apprentice, and, most times, KID, but it always felt like she was one slip of the tongue away from saying “daughter.” Eda’s motherly instincts kicked in nearly instantly, where the second Luz is put into too much danger, all the woman can think of is getting Luz FAR away from it. It’s large in part because Eda’s a naturally caring person, whether she likes to admit it or not, and doesn’t want this young girl to get hurt. But the more time Eda spends with Luz, getting to know this crafty kid with a good heart, the more it becomes clear that Eda wants to protect Luz because Eda sees Luz as her own. Not only can see it in all the ways Eda smiles at Luz’s antics or comforts Luz when she needs it, but Eda’s motherly love for Luz is clear as day when you notice that Eda’s at her most panicked and angry when Luz is in danger. Anyone can be nice to some random teen that refuses to leave their home, but it takes a mother to be equally soft and protective towards that child. And let it be known that the feelings are very mutual, as Luz often looks up to Eda as a second mother. Just like how Eda is always SO CLOSE to saying “daughter,” Luz always sounds like she means “mother” when she says “mentor.” Luz constantly goes right to Eda for help, information, and advice on pretty much every aspect of her new magical life. Sure, this could be because Eda’s the closest thing to an adult that could take Luz in, but Luz ALSO forms a better bond the more time they spend together. Luz cares so much about how Eda sees her and wants Eda to be happy above all else. You could say that it’s the least Luz could do for freeloading in Eda’s home (and you’d be a prick for saying that), but it comes from a genuine love, respect, and admiration for Eda. Hell, it’s LUZ who’s the first to admit that they’re like family and to say, “I love you” in “Young Blood, Old Souls.” They both clearly see each other as a mother and her daughter, even if neither of them use the actual words “mother” or “daughter.” The spirit is definitely there and it’s adorable and entertaining to see each episode.
However, out of the three, I feel like it’s King who’s often treated as an afterthought. For Luz and Eda, King’s either treated as a sidekick, a friend, a son/brother, and a pet. Although, this is primarily because the writers clearly didn’t know what to do with King until Season Two, which is around the same time Luz and Eda started treating King more consistently. Luz became more of a protective order sister and Eda became more of a mother (Mainly because King legally made himself her son). BUUUUUUUUUT, it doesn’t change how off the inconsistencies felt early on, nor was there enough time to make these dynamic changes feel like they stick. Especially since King rarely showed any genuine care until near the end of Season One. He still showed that he appreciated Luz and Eda and was happy to have them, but also treated them both VERY poorly, like with how much he intentionally annoyed Eda or cracked jokes at Luz’s expense. He didn’t hate them, but it definitely took King more time to love the family he has. Likely because Season Two made him realize that he didn’t have any biological family outside of Luz and Eda (and sometimes Hooty). Even when the idea that his real family is out there, King still considers Luz and Eda a part of it. It’s all sweet to see even if it feels a little late to the game.
The best part about these three, though, is the mutual amount of love and care for each other. Some of the sweetest scenes in the show feature Luz, King, and Eda lifting each other up, comforting one another, or just…goofing off and having fun. Their bond and chemistry as a trio is on point and you get how important it is when this trio splits up for Season Three. Because Season Three…was better than it had any right to be. “Thanks to Them” started the season out strong as the best episode in the series, “For the Future” also existed as good but not great, but it wasn't until “Watching and Dreaming” did things start to feel right. As good as “Thanks to Them” was, it felt like one of the pieces of the puzzle was missing. I loved almost every minute, but there was something that made “Thanks to Them” unable to be the best representation of what makes the show so good. And what was missing was King and Eda. It felt so wrong to watch an episode without either of them being right there with Luz, almost as if the show was incomplete without them. Things didn’t feel much better in “For the Future.” King and Eda were there, but separated from Luz as they dealt with The Collector while Luz was dealing with…a lot more. We saw all of them in the same episode, but something STILL felt missing. It’s not until we get to “Watching and Dreaming” does it become clear: What was missing was seeing the trio TOGETHER. Seeing all three of them reunite and interact with each other again finally made it feel like I was finally watching The Owl House again. You could have a great show if it was Luz with her mom and friends, dealing with teen drama. You can even have an okay show if it was Eda and King going through some magical nonsense. But when you bring them together, have them go through everything with each other close by or by their side, then you get The Owl House. All these other relationships could’ve been cut and the show wouldn’t suffer, but The Owl House wouldn’t be the same without Luz, King, and Eda’s bond.
And…Yeah, that’s about it.
The relationships in this show are varied, both in the different dynamics each character has and the quality of how they’re written. There’s a lot of great ideas, but some seem like there’s not enough time to make them meet their full potential. Regardless, the ones that DO work succeeds in bringing more warmth and intrigue to an already great show. There’s much more ups than downs, and it’s always endearing seeing great characters forming perfect bonds with other great characters.
That’s all for now, though. So I will see you all next time as I discuss—What? Why are you looking at me like that? Did I forget something?
…OH! You thought I forgot ANOTHER relationship. One that features two of the best characters in the series. 
A relationship that’s adorable and gave me so much happiness in this dark place we call Earth.
A relationship that is IMPRESSIVE LGBTQA+ representation due to its normalization and how much attention is given to it.
A relationship that, while The Owl House wouldn’t be the same without our main trio, the very same could be said about this other relationship.
A relationship SO GOOD, that to just go over it as simply as I went over the others would be too great of a disservice.
Because that relationship is, without a doubt, the best thing about the series. And no, I’m not kidding.
You’ll see why…next time.
Next Part >
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thegraphitepencils · 12 days
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i dont know much about Judaism, and i'd love to hear anything you have to say ^^
Hii sorry this is late, we have been packing to move tomorrow !! so we got busy lol
It’s hard to distill everything I love about Judaism into one post, but I’m gonna do my best to give the broad strokes.
Judaism isn’t just a religion, or just a culture. It’s both and it’s beyond. It’s a rich history, a touchstone for a people that have been dispersed and oppressed all over the world and still manage to stay resilient and connected. Jewish community varies so heavily all around the world, European Jews and African Jews and Middle Eastern Jews and Asian Jews etc, so many gorgeous unique traditions. Yet they have the same core, a thread of the same history. You feel like you’re cousins with someone on the other side of the planet who doesn’t share your native language. You connect through sharing food and joy and sorrow and holy days and ancient prayers and the ancestors who first said them. If your nuclear family is shit, then you still have a family in every other Jew around the world.
And converts are part of that family too! It’s said that all Jewish souls, including future ones, were present at Mount Sinai to receive the Torah, and that includes converts. Converts are to be treated as if they were always Jewish as soon as they convert, and you can feel a familiarity in them as soon as they begin their study. It’s very hard to convert, there is so much to learn and it can take years, and converts are revered for that dedication.
Judaism is a culture focused on education, critical thinking, charity, respect, peace, community, kinship. Even in the most stringent orthodox communities, communities with strict gender roles, I know I’ll be safe as a queer trans person even if they don’t fully understand my identity. They may possibly disagree with me (but they may not! there are many queer & ally Orthodox Jews!) but they’ll definitely keep me safe, which is something I can’t honestly say about wider leftist spaces.
It’s a genuine miracle that Judaism has lasted thousands of years after countless genocides and forced fleeing. So many cultures with similar stories to ours have been completely wiped out. But through a mix of tradition and adaptability in equal parts, a dedication to observe our tradition no matter the circumstances, this culture has prevailed and always will. Everyone who tried to kill us for good has failed and always will. There’s something so invigorating and empowering about that, as horrible as all the tragedy has been and continues to be.
Speed round of some Judaism fun facts!
- The Hebrew calendar is based on the lunar cycle, instead of solar like secular time. Currently it’s the year 5784, and the 6th day of Nisan. (Or maybe 7th by now?? Our days also begin at sundown!)
- Our most significant holidays, the High Holy Days, happen in the September-October range
- Virtually any commandment is permitted to be broken if following it could endanger someone’s health. Preservation of human life is beyond all other law. This is known as pikuach nefesh, “to save a soul.”
- The phrase “chosen people” gets misunderstood by gentiles a lot. We like to say we were “chosen to do the dishes.” We get the hard work of following a bunch of commandments gentiles don’t have to, in order to be so dedicated to doing good that we inspire the whole world to do good in their own way. It’s important to note that there is no concept of eternal damnation in Judaism, and there is no consequence for not being Jewish! We don’t proselytize, we don’t see our religion as “the correct one.”
And some recommendations for you!
Spinning Silver by Naomi Novik (co-founder of ao3!) is a Jewish fantasy novel, mixing multiple classic fairytales with dangerous fae creatures in a Slavic inspired setting. It’s gritty and dark yet so full of warmth and love, with some of the best female characters I’ve encountered in any media. It has so many little bits of Jewish culture sprinkled throughout that makes me giddy to see. And it also has THE best representation of the shape of antisemitism, how it operates and feels to experience. I cannot sing its praises enough.
Karov by Batya Levine is an album we’ve been listening to a lot this past week. Batya is a queer Ashkenazi musician inspired by historic Jewish music, and their stuff is absolutely beautiful. I’m a big fan of these lyrics from them: “we are good, we are flawed, we are the breath of an imperfect G-d.”
Thank you sm for sending an ask, I hope you enjoyed my ramblings!! -Riley
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prophetic-hijinks · 1 year
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Love your stories. <3
When Bruno is explaining Elena to his mother, Alma seems hesitant about her until Bruno mentions that they have twins in the future. Does Elena ever get the vibe from Alma that she doesn't like her?
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Back when my story had more grit, I did play with the concept of Alma being an antagonist, a woman insistent in her ways. But as the story came along, and became a lot cozier and softer, so did Alma.
Alma is hesitant with a lounge singing, divorcée woman being her future daughter in law it’s true. It’s kind of a reasonable position for an old-fashioned woman, in a traditional Catholic village. Also, a position Elena is used to from other matriarchs in the city, who would praise Elena’s temperament and goodness, but also advise their sons away from her. She bore a scarlet letter of sorts, which is also why she kept on ending up with men from the club. men from church would be hesitant to start a relationship.
But Alma in Hijinks has had two years to learn a valuable lesson. To stop worrying about perfection and how to be mindful how she expresses criticism.
Alma knows her opinion on Elena doesn’t really matter, the marriage and babies will come and the vision tablet proves it. And she is careful not to be critical of Bruno and his choices, after how much she has hurt him in the past.
So Alma’s hesitancy is usually in the form of questions or comments, that are definitely skirting around the elephant in the room.
“The Encanto is so far from the city, I hope you’ll avoid such a stressful drive and choose employment closer to home.”
“Oh you hate the smell of cigarettes? Julio has a stage in his restaurant and he doesn’t allow smokers in the building. Isn’t that perfect?”
“Padre Flores has accepted your story about the anullment so you can have a proper Catholic Church wedding! Isn’t it wonderful?”
So Elena catches these comments of mild disapproval, but she also catches how Alma has tempered them. And as is Elena’s nature, she assumes the best in Alma and let’s her annoyances go.
Eventually, Alma feels a kinship with the only Madrigal in the family that has experienced the strife of the world outside the Encanto. A child without parents, who experienced hunger and poverty, and understands war both locally and abroad. In turn, Elena has a healthy respect, and understanding of why Alma is so protective of it, and how that can make someone controlling.
Eventually, Alma forgets all her quibbles and is fairly maternal towards Elena, and is delighted Elena comes to her for advice with handling multiple babies.
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sahonithereadwolf · 1 year
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What is at stake with the icwa
Please read the preliminary report from the department of the interior's initial investigation to understand the very surface level of what it is the ICWA (indian child welfare act) is defending against. It is not an easy read. It in fact will be very upsetting. https://www.bia.gov/sites/default/files/dup/inline-files/bsi_investigative_report_may_2022_508.pdf But know no matter how upsetting you find the horrific abuse and death, this is the surface of a very deep trauma. There are many aspects it did not touch. And the academic language used to insulate mutes a level of horror. These schools did not end. Some are still in operation. Some closed in the 80s. Many of them became adoption agencies. There use to be vans that grabbed kids off the street. Estimates place 25-35% of native children were taken out of their communities. Forced sterilization was something that happened to about 1 in 4. There were whole communities that lost all their children. The reason we don’t have examples of exact numbers were that people didn’t think it was important enough to track or purposefully obfuscated and buried it. --- Please understand this about the supreme court. These are men, who will never feel the consequences nor guilt of their actions arguing in favor of genocide. And should be treated as such. They feel no shame over this nor the racist propaganda they propagate. Only see a smug righteousness and oil money in their future. And it is oil money. https://lakotalaw.org/news/2021-09-17/icwa-sovereignty The ICWA has been under attack for a while by people claiming it's "for the children". But the documented truth is native kids need the support of their community and there is a long paper history over-policing of indigenous communities. The ICWA isn’t some poorly thought out patch job. It in many ways is a gold standard of child welfare. Plenty of advocacy groups, be it child welfare, mental health, or transracial adoptees agree. Last count  I checked was 486 tribal nations, 59 Native orgs, 11 child welfare orgs, 26 states In fact the only people that seem in favor of it is the state of Texas, a conservative think tank, and a law firm funded by big oil? Now what would all these these people have a vested interest in a face that on the surface level seems to be about custody? Well, the case is arguing that the policy is reverse racism and that indigenous identity is racial instead of, what it actually is, a political and social identity as we are sovereign nations and political entities. They say this to enforce exterminationist policies like blood quantum. The practice of determining indigeneity by blood fractions. Something that is racist, has no basis in science, indigenous models of nationhood or belonging, and again, is made to be exterminationist. That indian can be bred out.   This, would be key to undermining Indigeneity as an identity at all. Basically, legally, native folk would be tied to (by the US's definition) an identity that couldn't exist in a sustainable or politically defensible way. Thus undermining every bit of sovereignty or civil rights protection that has been fought for over hundreds of years. Or, more direly, leaving it up to the states. Something oil has a monetary interest in as this has been the cornerstone of indigenous nations to stonewall oil pipelines going through, lands, sacred sites, and watersheds. It is one of the keys to success for pipeline protest all over the country. Standing rock put the fear of god into these folk. Indigenous nations are politically sovereign entities with our our rights, cultures, languages, and definitions of belonging and community. We're not purebred dogs nor can we be bred to extinction. We have the right to our children and they have a right to their future. Please don't let some clowns arguing "reverse racism" without the first clue over indigenous identity, belonging, or kinship being backed by oil money and a racist lawyer with a grudge against natives take our children our undermine our sovereignty. I do not have faith in american government on issues of indigenous rights. Especially in this supreme court. Indigenous racism has long been defined by a hyper invisibility which silences our struggles. Do not let this be one of them. All I ask is you pay attention and listen to the people actually affected by this case. And question the motives of anyone that says a civil rights ruling is unneeded. Indigenous people are not inherently less capable of providing for and loving our own children.
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haggishlyhagging · 11 months
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The evidence is abundant. The religion of Ashtoreth, Asherah or Anath and Her Baal—and the accompanying female sexual autonomy—were the enemies. No method was considered too violent to bring about the desired goals. To clarify even further the underlying goals of the Levites, alongside these massacres we confront the rules that the Levite priests declared for all Hebrew women. Upon reading the Levite laws it becomes apparent that the sexual autonomy of women in the religion of the Goddess posed a continual threat. It undermined the far-reaching goals of the men, perhaps led or influenced by Indo-European peoples, who viewed women as property and aimed at a society in which male kinship was the rule, as it had long been in the Indo-European nations. This in turn required that each woman be retained as the possession of one man, leaving no doubt as to the identity of the father of the children she might bear, especially of her sons. But male kinship lines remained impossible as long as women were allowed to function as sexually independent people, continuing to bear children whose paternity was not known or considered to be of any importance.
Laws, speeches and even the divine word had apparently been insufficient when freedom had been known so long. Thus severe punishments were designed and meted out to bring about the total sexual control of Hebrew women. Any deviation was sin, in many cases punishable by disgraceful and agonizing death. (Though these laws appear in the books of Leviticus and Deuteronomy, said to have been written at the time of Moses, Bible scholars generally date their writings to between 1000 and 600 B.C.) According to the Levite laws, all women were to remain virgins until marriage. Once legally married, a woman was to relate sexually only to the one man who was designated as her husband, probably a man chosen by her father. This husband may already have possessed, or could acquire in the future, any number of other wives or concubines and was free to add a new one at any time.
-Merlin Stone, When God Was a Woman
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reasoningdaily · 7 months
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https://x.com/VannMarilyn/status/1703090084096905379?t=7nVk4_--n5WfM5oSBPRqPA&s=09
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The Federal Indian Blood Quantum Fiction
The Great Vanishing Act: Blood Quantum and the Future of Native Nations, Vol. 2, Fulcrum Publishing, (Forthcoming)
12 Pages Posted: 14 Sep 2023
Gabriel Galanda
Galanda Broadman
Date Written: September 11, 2023
Abstract
Indian blood quantum is a fiction. It is made up. It is fake. It is pretend. It began as colonial racial fiction. It morphed into federal legal fiction. It now exists as widespread tribal political fiction. It is and always has been fictional that certain percentages of “Indian” or other racial blood run through Indigenous people’s veins.
Human blood simply cannot be reduced to fractions or decimal points based on racial definition. That idea has been found to lack “intellectual credibility.” The Indian blood quantum fiction is nevertheless enshrined and codified in United States law, as it has been for centuries.
That fiction permeates numerous nineteenth century Treaties and twentieth century federal statutes, which have decimated Indigenous land tenure and kinship systems and assimilated Indigenous people. That fiction also exists in the enrollment laws of at least seventy percent of the Native nations recognized by the United States. Following federal law, Native nations have adopted fictional Indian blood quantum as their own norm.
To perpetuate that fiction jeopardizes Native nationhood writ large. This essay is intended to explain the continuing imperialist, assimilationist, and terminationist aim of federal Indian blood quantum laws so that Native nations might consider and adopt alternative citizenship criteria. At minimum, any metric for Indigenous national belonging should be rooted in kinship, not race—and in truth, not fiction.
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histoireettralala · 11 months
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Childhood experience and Identity: Catherine de Medici
Catherine de Medici [..] had wed not the dauphin, but his younger brother. A ritual change of clothes did not greet her, but other actions asserted her outsider status. Take, for example, Mary Stuart's branding her mother-in-law a "marchande Florentine", insinuating that she came from a much lower status family than the Stuarts or Valois. This pronouncement may have been effective courtly posturing on Mary Stuart's part, suggesting as well that Catherine's prior experience would in and of itself be irrelevant. The insult depends, however, upon a selective look at kinship. True, Catherine's father was a Medici and she was the first of her family to be born to an ennobled male; but she was not royal and the dukedom was of recent creation. Her mother, however, was a French princess, descended on the Bourbon line from Louis IX, and Mary Stuart was, in fact, related to her mother-in-law.
Catherine's extraordinarily unsettled early life has compounded the view that she arrived in France a virtual tabula rasa. She was orphaned within two weeks of her birth and, while under the official guardianship of highly placed male relatives, raised in Rome and Florence by a series of female relatives and nuns. Catherine would have been aware of her bilateral descent from an early age. Motivated more by concern for her property than for her welfare, Francis I proposed that she be reared at the French court; Leo X's refusal acknowledged her potential importance to the Medici. Her childhood coincided with her family's rise to papal status and nobility, with concomitant mythmaking via various cultural forms. While we usually consider the primary audience for images of power to be those who need to be impressed, I contend that, in part, Catherine learned about who she was from precisely those materials manufactured expressly to create "identity". New dynasties may have more work to do in affirming legitimacy, but, in fact, every ruler must affix his or her person to his or her position and many young royals experienced challenging childhoods and flexible notions of family. Death in childbirth meant that they often grew up with stepmothers; many were removed entirely from parents, placed under the care of offical guardians and reared in the company of half siblings, royal bastards, future spouses and cousins (some of whom might be foreign). Given these conditions, it was extremely important for the young members of ruling families to learn their dynastic identities at an early age.
Many situations that Catherine would face in France over her fifty-six years there had, in fact, occured to her in Italy by age fourteen. She had exposure to courtly life and ceremony, to composite families (including the presence and promotion of illegitimate children), to widows looking out for the interests of their sons, to objections to female rule, to factional strife, to the problem of having only young boys representing the family's future and to dynastic worries. At the end of her life, in fact, Catherine watched a rerun of the Medici experience of her childhood. Valois hopes for dynastic survival diminished when none of Catherine's legitimate grandsons survived and the crown seemed destined to shift to a collateral branch. As each new situation presented itself, Catherine improvised, as had her relatives during her childhood.
Sheila ffolliott - The Italian Training of Catherine de Medici: Portraits as Dynastic Narrative
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nightpool · 1 year
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The first instinct of the nineteenth-century American was to ask, 'How can we make this happen?' Those raised inside the bureaucratic maze have been trained to ask a different question: 'how do I get management to take my side?'
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When Alexis de Tocqueville compiled his reports on America for a French readership, he recalled that “In America, there is nothing the human will despairs of attaining through the free action of the combined powers of individuals.” Yankee agency became an object of fascination for him: “Should an obstacle appear on the public highway and the passage of traffic is halted,” Tocqueville told his readers, then “neighbors at once form a group to consider the matter; from this improvised assembly an executive authority appears to remedy the inconvenience before anyone has thought of the possibility of some other authority already in existence before the one they have just formed.” This marked a deep contrast with the French countryside Tocqueville knew best, where the locals left most affairs to the authorities. These American attitudes were a function of both culture and circumstance. The social obligations of the New World fundamentally differed from those found on the European scene. American citizens were rarely embedded in large clans and their leadership did not hail from a lineage-based aristocracy. Neither their identities nor obligations were grounded in elaborate ties of kinship. The colonists who settled the future United States came from one of the few spots in Europe that embraced the nuclear family as an aspirational ideal: England. At marriage, adult children with the means to do so were expected to leave the homes of their parents to form their own independent households. Key features of this system—such as placing the legal right to choose a spouse in the hands of children, not parents—were enshrined in law.  The result was a country whose citizens generally had no extensive kin network to rely on. Despite not sharing blood, people worked with colleagues and strangers on the basis of shared, socially enforced norms of behavior, as well as moral codes that privileged behaviors like truth-telling, honest effort, and fairness. The dominance of this system ensured that immigrants from more clannish backgrounds had difficulty reproducing their ancestral family system in the United States
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If settlers pushing to the edge of the frontier required government help, they were responsible for creating that government themselves. Between the end of the Civil War and Arizona’s ascension to statehood in 1912—the last of the lower 48—thirteen new states joined the Union.
Each new state entailed the creation or integration of dozens of new counties, townships, or cities. Creating these new governing units meant chartering school districts, police forces, and governing councils, then constituting and staffing them on the ground.
Western expansion is a story told with images of wagon trains, telegraph poles, and railroad spikes. The assembly hall and the courthouse were just as vital
found this article kicking around twitter. not sure how I feel about it just yet but I've been chewing on it.
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nw-of-dark · 10 months
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Meet: Prince Siegfried of Vancouver
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faceclaim: herman tømmeraas
Siegfried, a 6th generation Ventrue, holds the position of Prince in Vancouver, where he exercises absolute rule over the city and its supernatural inhabitants. He commands respect and wields an immense amount of influence that extends far beyond the boundaries of Vancouver itself.
Siegfried's tenure as Prince of Vancouver has been characterized by the maintenance of a delicate peace between the vampire clans and the "taming" of the Garou, the werewolf tribes in the region.
However, recent events surrounding the breaking of the Covenant by the Garou have created ripples of uncertainty. Some princes may interpret this breach as a sign of a potential reevaluation of their loyalty and obligations. The shifting dynamics in Vancouver and the potential for power struggles among the princes may challenge Siegfried's authority.
Havens
Siegfried maintains multiple havens throughout Vancouver, but his favorite resides in the catacombs beneath the Vancouver General Hospital. This secluded and well-guarded haven offers both security and proximity to a vital location in the city, allowing him to stay informed and maintain control over important resources.
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History
In life, Siegfried was a Visigoth chieftain at the age of 22 who played a pivotal role in defeating the Roman emperor's army and initiating the Germanic invasions. Impressed by Siegfried's vigor and intellect, a former Roman consul named Regulus offered him the gift of eternal life, turning him into a vampire. Initially unaware of the implications of his transformation, Siegfried later discovered his new nature and, consumed by rage and confusion, diablerized his sire. This act of Diablerie marked him as a criminal and subjected him to centuries of pursuit by the Roman Ventrue until he managed to gain formal recognition within his own Clan.
Disenchanted by the intricate web of Cainite politics, Siegfried chose a nomadic existence, rarely settling in one domain for long. During his travels, he encountered Hrothulf, a fellow member of the same Clan and barbarian heritage. At Hrothulf's urging, Siegfried decided to journey to England. In London, he witnessed the execution of the Tremere Marius Drake and his progeny Julie Foster. Moved by a sense of kinship, Siegfried intervened, saving Julie at the cost of being subjected to the Blood Hunt. Together, they fled across the Atlantic to the New World. Here, free from the machinations of other Kindred, Siegfried experienced a newfound sense of liberation. Wandering across the continent, he eventually settled in Granville, the future site of Vancouver.
Maintaining vigilance against the numerous Lupines (werewolves) in the area, Siegfried and his lover subtly influenced the local mortals, leading to the expansion of the small logging town into one of Canada's largest cities. Consequently, Siegfried perceives himself not only as the Prince of Vancouver but also as its founder, patriarch, and greatest benefactor. Initially welcoming all new Kindred, Siegfried soon realized that an excessive vampire presence would only invite conflict. When the first Anarchs arrived, bringing with them dissension and violence, Siegfried assumed the mantle of Prince in the 1940s. Declaring Vancouver neutral ground for all sects, he established stringent laws that consolidated political power in his hands while still adhering to the framework of the Traditions. Neither the Camarilla nor the Sabbat challenged him, recognizing the risks and costs associated with engaging in a conflict within Lupine territory.
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During this period, Siegfried was saved from Final Death at the claws of the Lupines by Marcus Vitel, who claimed a Life Boon in return. Half a century later, Vitel would choose to embrace Misery, who had been groomed as Siegfried's childe. Despite this turn of events, she retained her training as a Ventrue until Vitel returned to claim her after her education was complete.
Siegfried's fame reached legendary proportions when he established the Covenant, a "peace treaty" between the local Kindred and the Lupines. Under the Covenant, the werewolves agreed to protect his domain from intruders and refrain from unprovoked violence against the vampires Siegfried pledged to shield. However, the Covenant was actually secured through coercion, as Siegfried held a sacred artifact of the werewolves hostage. His rule became so secure that he abolished most traditional positions of power within the domain, consolidating all authority in himself.
Maintaining the fragile peace was crucial to Siegfried's reputation. However, a minor rival, the Ventrue Stalest Coursain, conspired with the Lupine Shadow Lord known as Guttooth to incite conflict between the two factions. Additionally, Siegfried unknowingly encountered mages from the Syndicate, who had become corrupted by the Wyrm and collaborated with Pentex. The strain on the Covenant intensified in the late 1990s when a Glass Walker representative named Roger Daly was murdered by technocrats from the Syndicate, and a casino was constructed atop a dormant Pit, releasing several Banes into the world. The Covenant finally collapsed in 2023 during a casino robbery, as the Glass Walker tribe of werewolves successfully reclaimed their sacred fetish, the Rune of Gaia, which had been held hostage by Siegfried and his court for decades.
Siegfried's current whereabouts and status remain unknown, leaving a cloud of uncertainty over his fate.
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butchysterics · 1 year
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21xx. noah atwood calls himself an artist—an eccentric painter, a vivid erotic performer—but trouble with the law has cast him adrift, from his home city of manchester to a flooded miami to a burning california
in the bay area, he finds friendship in student veronika belyakof, the estranged daughter of a bioengineering monopoly well-known for its military industrial ties in producing cybernetically-enhanced "supersoldiers." bane international rose to prominence marketing fashionable prosthetic limbs for an increasingly maimed populace, though its purpose expanded to an array of for-profit healthcare schemes, and, of course, the defense division. as a college student, veronika temporarily fled the trauma and controversies of her family in the growing northern capital, a technocratic autonomous city in tlingit aani (once so-called southeast alaska), a beautiful but chaotic place swelling with climate and conflict refugees. noah takes a chance following veronika home when she drops out, facing the changing city again—a city under threat of "apocalypse" as veronika's brother-in-law, the charismatic doomsday preacher trejan arkwright, broadcasts nightly about the encroaching rapture and seems adamant about making it happen, divine intervention or not. and, of course, noah finds himself involved
[building blocks for a new iteration of Apocalypse Story, a loosely formatted webcomic based on near-future sci-if world i've played around with for many many years. queer doomsday televangelism, disabled cyborgs, anarchists trying to keep their city alive, much to do with biopolitics
elevator pitch: repo! the genetic opera (grand inspiration of many years) meets disco elysium (brand new media to me which hits all the marks and feels v much in kinship/conversation with everything this story is about)]
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norieleanduril · 2 years
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I see you're very fond of your long name. If you had children would you give them similarly long ones?
This question haunts my soul.
Before I left Auridon, I would have said, Yes. Of course. My maternal kinship's dedication to grandiose multi-syllabic names is something I hold dear and would like to pass on to future generations.
The problem, though, is you cannot have children with yourself - at least that's not recommended and sounds very gross. At home in Auridon, I believed that any spouse who cast her lot in with me would have largely the same attitude towards bettering ourselves and our family's social status through self-disciplined Altmer formality.
But here I am in Valenwood, in a serious relationship with a woman with her own family tradition of honourable names. You see, Firion's mother is a well-known novelist in Valenwood. Irdan Camoran is her name, and if you go into any bookstore in Falinesti or Elden Root, you can find her books in both the historical fiction and children's stories sections.
Long before Firion or I were born, Irdan wrote all these epic generation-spanning historical romances about Valenwood history like the Blacksap Rebellion, or the Tiber wars or the Camoran Usurper. They're really long meaty several-volume series, and I haven't really read any yet, but the one about the Vinedusk Rangers is on my bedside table for when I get up the courage. After Firion and her brothers were born, Irdan started writing kids' stories for them about Valenwood history and those are all super good and I've read them all.
Anyway, Firion's dad really liked her mom's novels, and that's how they first met, he wanted to meet the author of his favourite historical novels. So when they had kids, they decided together they should name their kids after famous historical Bosmer heroes and heroines, like the ones Irdan was writing about. Specifically, they picked the names of heroes of the First Dominion, since they wanted their kids to live up to that example in the Third Dominion.
Firion is named after the famous Dominion marine who fought the Maormer and worked with the Vestige. Firion's brother Indaenir after the Silvenar who saved his Green Lady from Hircine, and her younger brother Maeroth after the Vinedusk Ranger who helped end the Blacksap Rebellion.
So if Firion and I ever had children, I think my mother-in-law would want us to name them some hero Bosmer name instead of a seven-syllable Altmer name.
Either way, they'll have a lot to live up to.
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xasha777 · 15 days
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In a not-so-distant future, where genetic engineering and fashion have intertwined in bizarre tapestry, there existed a city that mirrored the stratification of ancient Rome. Here, in Neo-Roma, the social hierarchy was not determined by birthright or the accumulation of wealth, but by the complexity of one's bio-aesthetic enhancements.
At the pinnacle of Neo-Roma's intricate social pyramid were the Patricians, and among them was Cleocatra – a feline creature of unmatched beauty and prestige. A stunning specimen, Cleocatra bore the mark of ultimate opulence: her fur, a vibrant shade of pink engineered to perfection, whispered tales of affluence. Her accessories were not mere decorations but symbols of status – the pink glasses crafted from Martian sandglass and the collar adorned with diamonds mined from the asteroid belt.
Cleocatra, like the senators of old, wielded influence. Her master, a genetic fashion mogul, saw in her the embodiment of prestige and power. She graced the halls of the most opulent gatherings, a silent yet majestic presence that spoke volumes of her master's status. Yet, beneath the dazzling exterior, there stirred a consciousness that no one in Neo-Roma could fathom.
For Cleocatra was not just a product of biotech vanity. She was part of a clandestine experiment, her cognitive abilities enhanced beyond any feline before her. She was aware, she could understand the human tongue, and more frighteningly, she could judge.
The Plebeians, those without enhancements or with only minor cosmetic tweaks, revered her. In her gaze, they saw a glimmer of hope, a belief that even in this stratified society, beauty and power could wear a kind face. They whispered legends in the alleys of Cleocatra, the Pink Vision, believing she held sway over the Patricians that could elevate their status.
But Cleocatra was bound by the unspoken laws of Neo-Roma. She belonged to the elite yet felt a kinship with the downtrodden. In her silent contemplations, she hatched a plan. A spectacle was to come, the Genetica Maximus, where the Patricians would unveil their latest creations.
As the day dawned, Cleocatra sat perched on her pedestal, the center of attention. The audience awaited her master's speech, but instead, Cleocatra stepped forward. With a voice that melded the growl of a beast and the clarity of a human, she spoke of a new Neo-Roma. A society where the aesthetics of one's genes did not dictate their worth, and where the beauty of one's character shone brighter than any bio-luminescent enhancement.
The crowd gasped, the Patricians stood in stunned silence, and the Plebeians cheered. Cleocatra's rebellion had begun. Would she usher in an era of equality, or would her vision be cast aside as a beautiful but impossible dream? Neo-Roma held its breath, for its destiny was now intertwined with that of its most enigmatic and elegant creature.
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gareth-thakor · 23 days
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GARETH THAKOR. // INTRO ♰
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[ dev patel, cis man, he/him, 35 ] we’ve followed [ GARETH THAKOR ] for awhile now, the [ HUMAN ] has been in Skellige for [ THIRTY-FIVE YEARS ]. They found a true kinship within the [ HEYMAEY CLAN ]. They’re known to be [ HAUNTED ] and [ DEVOTED ]. They often remind us of [ THE SMELL OF FRESH PINE, BRUISED KNUCKLES AROUND A CROSS, & GENTLE PRAYERS IN THE DARK ]. Our thread has already been woven on what their future is looking like, but we’re eager to see the [ MONARCH OF CLAN HEYMAEY ] experience it
biography under the cut (tw; murder, death)
my sweet prince who i love sm already. lets get into it!
His great-grandfather was the first in the Thakor line to lead clan heymaey. they are a very pious, noble family and have long worshipped freya.
gareth is the second born son though he also has a younger sister (planning to send this in as a WC!) . his father led the clan before gareth was born, and his older brother (samson) was raised to eventually take the title.
around 12 years old, gareth started hearing a voice in his head. what he didn't (and still doesn't) know is that he is descended from the extinct line of the paladins of ritarin. one of his ancient ancestors was slain in skellige long ago, and is trying to maintain law and order because he can see what's to come.
at 18, the voice had gareth convinced that his older brother, samson, was corrupted and needed to be dealt with. gareth chose to ignore the voice in his head, and instead believed he was insane and begged his father to let him move out into isolation.
for about 5 years, gareth largely distanced himself from the clan and lived alone far out away from people. he very took to the life of a humble farmer. but that voice never went away-- never stopped telling him how selfish he was being.
one day, word came that his father was murdered by none other than samson, who believed it was time for him to take the title and lead their clan.
gareth returned home and let what he calls the 'divine voice' take over to deliver the just execution of his brother. he doesn't actually remember killing samson, just the blood on his hands after driving a dagger into his brother's heart.
gareth has been monarch for at least 10 years-ish?? he leads with a firm hand, allowing that divine voice of his paladin ancestor to guide his decisions. he still doesn't know exactly who the voice is, but he's slowly seeing it as more of a gift than a curse.
very much carries the guilt of his father's death because he knew he could've prevented it.
he is always giving back to his people, and the people of skellige. gareth has experience as a farmer and a healer. so he helps where he can.
sort of the role of the peacekeeper amongst the clan monarchs, is what i'm envisioning! not really the type to start a fight, but he will send aide to anyone who asks for it within good reason.
i'd love to plot literally ANYTHING with my boy. he's a brand spanking new muse so any types of connections are wide open. besties, lovers, enemies, anything you want!
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