Conan the Barbarian (1982). Directed by John Milius; Written by John Milius and Oliver Stone. Based in Conan the Barbarian by Robert E. Howard.
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Happy 80th, John Milius.
With Steven Spielberg and George Lucas with the screenplay for Jaws (1975).
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25 of 250: Favorite Films - Red Dawn
Not long ago, work colleagues and I got into a discussion about what our favorite films were. Given my categorical nature I could not resist writing down a list and, as a writing challenge, have decided to write 250 word reviews of my favorite 25 films of all-time. Note: these are my favorite films, not what I think are the best films of all time.
Directed by: John Milius
Written by: Kevin Reynolds and John Milius
Starring: Patrick Swazye, Lea Thomson, Charlie Sheen, Jennifer Grey, Powers Boothe
Year/Country: 1984, United States
The first film to be given a PG-13 rating, John Milius’s Red Dawn is at once a conservative fever dream and a sobering look at the cost of war. Set in 1984, a group of high school students escape the start of World War III after their Colorado town is taken over by Soviet paratroopers. Over the course of months, this group morphs into a guerilla group styling themselves as the “Wolverines” to take on their Russian and Cuban occupiers.
Yes, the movie is ridiculous. And yet Milius’s film is more than the sum of its parts. A large part of that is due to Milius’s eye for striking imagery (the opening with descending paratroopers is always startling) and that forces his characters to make awful choices. Case in point - at one point one of the Wolverines betrays the group and leads the Russians to their hideout. At this point, Swazye and company must make a choice: abandon their comrade or execute him for treason. The Wolverines choose the latter. It’s not unanimous. Swazye is asked by his distraught brother, “what’s the difference between them and us?” Swayze, his face contorted with rage and grief, growls, “we live here!”
No one will accuse Milius of being a romantic and he is to be applauded for not making a rah-rah film. It’s an absurd premise that was paranoid even in its day. Yet, because Milius takes this premise seriously we in turn take it seriously as well (to our own surprise).
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"...AND, IN TIME, HE BECAME A KING BY HIS OWN HAND."
PIC INFO: Resolution at 1181x1758 -- Spotlight on Arnold Schwarzenegger as King Conan in the final scene of 1982's "Conan the Barbarian," co-written & directed by John Milius. Costume design by John Bloomfield (b. 1942).
[Closing lines to 1982's "Conan the Barbarian"]:
"So, did Conan return the wayward daughter of King Osric to her home. And having no further concern, he and his companions sought adventure in the West. Many wars and feuds did Conan fight. Honor and fear were heaped upon his name and, in time, he became a king by his own hand. This story shall also be told."
-- AKIRO the Wizard/Narrator (screenplay by Robert Milius & Oliver Stone, adapted from the works of Robert E. Howard)
Sources: www.scifiwright.com/2021/10/conan-hour-of-the-dragon & IMDb.
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Magnum Force (1973)
The more I see of the Dirty Harry films, the more I enjoy them. While Magnum Force is missing a villain of the same calibre as Scorpio, this film compensates with a great premise and some nice developments that further flesh out the no-nonsense gun-totting hero.
Inspector ‘Dirty’ Harry Callahan (Clint Eastwood) has never been one to play it by the book. When a SFPD motorcycle cop begins taking the law into his own hands and slaughtering criminals wholesale, even he thinks it’s too much. Harry takes it upon himself to find the vigilante.
The most interesting element of this film is that Harry isn’t really up against a single bad guy. His enemy is an idea. When is our hero’s trademark ‘cut the bullshit’ form of justice too much? It’s not as if the people executed are innocent bystanders. Clearly, whoever is behind these murders (we’ll address that question in a moment) feels that the justice system has failed. You understand why. For Harry and the audience, it can be tough to say that the system works, to figure out where to draw the line. That’s what makes the film such a good sequel. It’s the equivalent of Harry going up against his evil twin.
Where Magnum Force falls a short is in the mystery. It's hardly a challenge to decipher who the mysterious gunman is. We’re given a red herring that throws Harry and his new partner Earlington "Early" Smith (Felton Perry) off, but we know better. That said, there are enough surprises and the central premise, combined with Eastwood's trademark character, add up to a lot. You can't help feeling a little let down, however. You look at how good the rest of the picture is and wish it everything was on that level.
Another aspect to appreciate is the action. This story feels less like a movie story and more like a week in the life of Dirty Harry. He embarks on numerous chases, shootout, and we get that iconic Callahan wit. The film is the longest in the series, but the subplots ensure it never feels slow. On paper, I'm not sure how I feel about Dirty Harry in a budding relationship but in practice, I actually found it rather sweet, more proof that there is a human being beneath the abrasive exterior.
Magnum Force is not as strong as the first Dirty Harry, but this is a good sequel. It takes some of the ideas introduced in the first story and turns them on their head, develops the character further, and delivers when it comes to the thrills. (On DVD, July 28, 2017)
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The great John Milius turned 80 recently. As a filmmaker he has contributed to some of the best motion pictures ever produced and played a part in some of their most iconic scenes. As a director, he may be most known for 1982's Conan the Barbarian.
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