Shield of Achilles by Philip Rundell, originally modeled and cast in plaster by John Flaxman
English, 1821-1822
Silver-gilt convex shield
Royal Collection Trust (acquired by George IV and displayed at his coronation banquet)
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Achilles and Patroclus, John Flaxman, 1793.
This was most likely illustrated for the 1795 Alexander Pope translation of The Iliad. However, this piece (and Flaxman's art of Achilles reaching for Patroclus' shade) is omitted from the final version.
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Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures by John Flaxman (1755-1826)
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Lo imperador del doloroso regno (The imperator of the painful kingdom) from 'Divina Commedia' by Dante - illustration designed by John Flaxman, engraved by Tommaso Piroli.
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Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli’s Lectures (John Flaxman, 1755 - 1826)
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A lil study sketch I made of John Flaxman's "Hector Chiding Paris"
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John Flaxman, Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli’s Lectures, undated, graphite, black and red chalk, watercolor, and gouache on cream laid paper, 20.3 x 29.5 cm, Yale Center for British Art.
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Two Studies of a Woman
John Flaxman (1755–1826)
UCL Art Museum
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Hermes carrying Pandora down from Mount Olympus wearing traveller hat. (A medal based on a design by John Flaxman).
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Design for the Apples of the Hesperides Candelabrum by John Flaxman
English, c. 1816-1817
pencil with pen and ink
Royal Collection Trust
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I got the dumbest cutest Achilles + Patroclus tattoo, with Patroclus in a lil blankie
(Original art by John Flaxman, 1793)
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'skeleton owned by john flaxman' in spectacular bodies: the art + science of the human body from leonardo to now - martin kemp + marina wallace (2000)
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John Flaxman, engraved by Tommaso Piroli - The imperator of the painful kingdom, from 'Divina Commedia' by Dante Aliguieri.
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Bust of Mercury by Wedgwood. Moulded black basalt, 1790 by John Flaxman Jr. John Flaxman RA (1755 – 1826) was a British sculptor and draughtsman, and a leading figure in British and European Neoclassicism. Early in his career he worked as a modeller for Josiah Wedgwood's pottery. He spent several years in Rome, where he produced his first book illustrations.
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