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#Idk how many people watch it BUT
pink3princess · 1 year
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I just finished school spirits YALL WHAT THE FUCK JUST HAPPEN
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justaz · 1 month
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merlin’s secret being a visual thing. when he is around arthur or gwen or leon or morgana or [insert whatever character here] merlin seems pale and thin, almost like a ghost or an apparition. when the sun lands on him he reflects it like a corpse, he eyes seem dark and dull. he has this ethereal beauty to him, this otherworldly visage that leads many to believe he is of fae blood. he just doesn’t seem to be 100% human. but when he is ONLY with lancelot or gaius (cough or gwaine bc gwaine DEFINITELY knew) merlin is heartachingly human. merlin shines in the sunlight, colors are brighter and more vibrant around him, and his smiles are wide and his laughs are boisterous. he takes on color and leaves everyone wanting to know him. but when other join in or interact with the two, merlin shifts before their eyes so quickly and suddenly that they aren’t sure whether or not what they saw was a trick of the light. the idea still leaves them wanting more and wanting to see the merlin who is just so full of life but that merlin only appears for a small select group of people. merlin who has a guard so high that it has an effect of other’s perception of him.
#arthur is absolutely steaming about this btw#he so desparately wants to be in the golden bubble around merlin in those moments#but his mere presence seems to pop it#hes fuming#its not until after the magic ban is repealed that everyone gets to see the glowing golden merlin#and they finally realize what the trick of the light was#merlin who is magic incarnate who (no matter how hard he tries) cannot fully repress what makes him him#arthur who finally gets to be in the golden bubble and its so much better than he ever couldve imagined#merlins magic is finally able to roam free the way it only could with a few people#merlins magic who absolutely adores arthur and is constantly reaching out for him even if him and merlin arent in the same vicinity#lmao arthur bringing up how merlins magic likes to card thru his hair and ease any sore muscles he may have#and lancelot and gwaine going ‘wtf? what about my muscles and hair?? merlin hates me?? merlin is playing favorites???? jail.’#bbc merlin#merlin emrys#arthur pendragon#merthur#subtle magic my beloved#visibly Strange merlin my dear#idk i was thinking about pre-magic reveal!arthur watching merlin and lancelot talking and then pouting and going#‘why doesnt he smile and look at me like that? :(‘#and then post-magic reveal!arthur having a moment of realization and going#like ‘oh hes hiding a huge part of what makes him him. i only know half of my best friend.’#and then setting out to know ALL of him bc arthur and merlin are soulmates and in love and two sides of the same coin and best friends and-#im going thru my drafts and finding so many banger posts#idk why i never posted them LMAOO
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pommegrantaire · 5 months
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when it's 4am and your husband heard you talking to yourself so he came to check on you
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just the first sketch i've done for my Next to Normal Gomens AU... thought i'd start with something not sad
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useless-englandfacts · 6 months
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i’m beginning to realise how much older i am compared to a lot of internet users, so for the sake of some younger people (i can’t believe i’m having to say this but) nigel farage is BAD. i don’t care how charming and charismatic you find him on i’m a celebrity, this man is a racist, homophobic, sexist, xenophobic bigot. no two ways about it.
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bipunkharrington · 1 month
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There's something that infuriates me so much about people mocking characters that fall into the "not like other girls" trap, because the reasons girls take on that stance is because they exist in a society that tries to put womanhood and femininity in a restrictive box that tells them who and how they should be.
They're generally mocked and derided for not wishing to conform to stereotypical femininity, but when they lash out in entirely predictable but ultimately unhelpful ways (by being dismissive and rude about other women and femininity in general) instead of understanding that it's a product of growing up in a society that's restricting them and punishing them for not conforming (either by choice or inability) so many people who claim to be feminists choose to mock them or make them out to be the cause of the problem rather than a symptom. Whether its being mocked in real life, or watching people deride the fictional characters they relate to, this behaviour just alienates those girls even further into thinking that the issue is other women, and confirms their belief that women who are typically feminine will only ever be derisive toward them and that they're somehow fundamentally different from other women.
If you know someone who thinks along those "I'm not like other girls" lines instead of mocking them try directing them towards resources that can help them understand where that harmful rhetoric comes from, and when you're critiquing characters that fit that mold try to consider why they behave that way, and what girls who see themselves in those characters take from your commentary.
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thosewildcharms · 2 months
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Any personal headcanons on Rick and Michonne as a couple? Like their favorite things about the other, what they argue about, love languages ect. lol they’ve set up camp in my brain and I just want more of them 🙇🏻‍♀️
this is so funny because i've been thinking about their love languages ever since danai did that interview with YNB after 1x04! yvette said rick's is words of affirmation and michonne's is acts of services, and I definitely agree but I also think they display pretty much all of them, and quite a bit? rick is obviously into giving gifts and loves quality time (family fun day, begging her to spend just a few more days on the road in 7x12) and to say they both love physical touch is an understatement. this gorgeous gifset highlights it all beautifully.
anyway, some headcanons~
I really don't think they argue about much? they are very in sync most of the time. historically their big arguments are about how to handle major threats (negan, the crm, rick's PTSD) and since nothing bad is ever happening to them ever again because I said so there's no need to fight about those things anymore
michonne's favorite things about rick are how affectionate he is with his family, his strength, his accent, and his hair
rick's favorite thing about michonne is everything
i actually think they talk about books a lot. they're both nerdy as hell in different ways and love that about each other
michonne likes to cook and is very experimental while rick likes to bake (mostly secret family pie recipes) and they love feeding each other and their kids
michonne absentmindedly sings and does little dances when she's doing things around the house and rick stops whatever he's doing to lean against the wall and watch her and smile
that scene we saw in 9x01 where they cuddle up in bed and unpack their day was a ritual they started way back at the prison, even though back then it was obviously platonic (we do actually see them talking when everyone else is asleep several times throughout twd). they would linger and chat before heading to their respective cells at night. in the six years michonne spent without rick, she continued the tradition herself, talking to him out loud alone in their bedroom
rick DEFINITELY teases michonne about being oblivious to his feelings for her before The Couch
michonne hits back by teasing him about Whatever the Fuck He Was Doing With Jessie 💀
you didn't ask for grimes family headcanons but:
after they got home, michonne has a moment like that scene at the end of kill bill vol 2 and has a near silent hysterical laugh-cry of relief by herself in the bathroom before calmly walking back out to join her family. only rick notices
rick on the other hand is afraid to let any of them out of his sight. he spends the first six months he's back home being a total insomniac watching the three of them sleep because he's afraid if he closes his eyes he'll wake up alone back at the CRM
antony azor who plays rj is apparently very shy and reserved but opened up unexpectedly with andrew lincoln and so obviously this is also exactly what happened with rick and rj. father and son bonded INSTANTLY
his first night back, judith asks rick to finish reading the wizard of oz to her because he never got a chance to. it takes a good five minutes for him to compose himself but she does finally get the full story from her dad
rick and michonne do have an actual wedding ceremony, but it's just for them, judith and rj.
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couldneverhurtusnow · 4 months
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[chemistry] it's not a word that actors [use]. but you must endeavor a little bit to try and fall in love, in whatever that capacity is. and andrew is a very easy person to fall in love with. he's kind, generous, talented. we shot the film at the perfect junction in our friendship where there was a lot we didn't know about each other, but there was mutual admiration and respect. and a similar sense of humor. (...) yeah, it felt fizzy when we were acting. especially with that first scene at the door -- it's so well-written. you feel like you're dancing through the scene, you can go in loads of different ways, and if i went one way, andrew would go another. if that's what chemistry is, i was aware it was happening.
-- paul on chemistry and whether ‘they (andrew & paul) knew instantly that their onscreen relationship was working’ in all of us strangers, screendaily.com (1/31/24)
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mintaikcorpse · 3 months
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IM IN TEARS APPARENTLY IN "WELCOME TO HEAVEN", AMAZON HAD TO ASK THE VOICE ACTOR TO TONE DOWN THE MOANING IN THE SONG 😭
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twinstxrs · 5 months
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there’s probably something deeply wrong with me because every time i see someone react to the pok gukgak interrogation scene it’s like “oh no oh my god is riz’s dad a bad guy?” when the first time i saw that scene my only thought was “oh my god is riz’s dad HOT??”
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prosebushpatch · 1 month
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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
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makerofmadness · 2 months
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So uh. (Man I need to get back into AAF-)
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holocene-sims · 3 months
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next // previous
august 26, 2021 4:00 a.m. a balcony, somewhere
time somehow seems to simultaneously slow to a crawl and race beyond the speed of light. grant doesn’t remember when they’d ended up perched like lovebirds at the pinnacle of a staircase, peering out over the night-drenched landscape, but it must have been a while ago. customers have long since stopped streaming in and out of the restaurant on the street below.
he remembers in better detail the stream of their conversation–they’d shifted from food and a strangely peaceful, humorous discussion of kicking the bucket to movies, and at some point, paranormal stories came up along the way.
it’d be hard to forget talking to yunha.
there’s something curiously enrapturing about her, something that had drawn him to her when he first made eye-contact with her.
the look in her eyes, maybe. it’s piercing, like she’s baring right through your skin and into your soul, but not malicious or judgmental. it’s friendly, it’s curious, it’s playful.
the way she speaks, maybe. she’s the most engaged conversationalist he’s ever encountered. everything you say, whether she agrees or disagrees, is met with affirmations and a lot of nodding. yes, yes, of course. i see, i see. i understand. ohhh, wow! really?
she’s unraveling every shard of the puzzle that is his personality and piecing it back together in one whole picture, analyzing it. figuring it out. appreciating it.
or maybe it’s the sweetness that radiates off her. she appears unafraid to smile, instead all too happy to flash those pretty, crooked bunny teeth for the world to see.
“so, i'm going to guess you’re not accidentally good at singing.”
she seems not to mind revealing her own puzzle pieces either, and the more she says about herself, the more fascinated he is with her. with who she is. with what makes her tick.
“i hope it’s not an accident,” yunha replies, laughing, “because shit, then years worth of practice was a waste.”
“time enjoyed is never time wasted.”
the unabashed cringe of the line garners an immediate eye roll, but she still seems to find it funny.
they’ve definitely been sitting here a while. grant straightens his back, fixing his gradually slouching posture, and is is met with an immediate flash of pain, distinct from the chronic dull ache underlying every day of his life, that radiates down every vertebra.
“what got you into music, though?”
yunha’s rosy pink lips purse in thought as she dwells on the question.
“a lot of things. my parents like music. i listened to a lot of different kinds of songs my whole life, first with them, and then later with my friends. i had some time between classes and studying to spend having fun, but i couldn't spend any money, so my friends and i would go to this music store. we walked around and picked random albums to listen to on the headphones. we never bought anything.”
grant nods supportively. “what’s, like, the first album you remember really liking? or albums. you don’t have to pick one.”
“ah! i treasure so many albums. seo taiji and boys IV. i think that’s still my favorite nostalgic album ever. i also remember fondly, um, this girl’s in love with you by aretha franklin. i heard that at the music store, and i was so impressed by her talent. i still am.”
“i'm not a music expert. surprise! i know, i know, i'm sorry to tell you, i did not practice for centuries for that wonderful spice girls performance earlier. no, but seriously, i most often just listen to the same old emo stuff i liked when i was 13. so, unfortunately i don’t know the first album at all, at least not yet, but i do know the second one. you have fantastic taste, that’s a classic.”
despite his ignorance, yunha still smiles from ear to ear. “you should look up the first one! look up, like, seo taiji ‘come back home.’ that’s the most popular song on the album. i don’t wanna bias you, so listen on your own and make your own opinions.”
“wilco. and if you don’t mind me asking, how’d you turn the interest in music into a skill? you are talented, but i know it's very much a skill. it does take a lot of practice to become tangibly good at music.”
“to express myself,” yunha says plainly, “it’s easier to tell your story in art than talking about it, and singing is free. you don’t need supplies to learn it. but yes, i needed that kind of outlet, you know? i always liked singing, always did it, but i needed more than only entertainment from it over time.”
“oh yeah, art is helpful. i really should have gotten on that train earlier. i got on board about a year ago. it's much better for you than intellectualizing everything. or at least that's what i tend to do. do you perform, by the way? outside of karaoke, that is."
"sometimes. but also, not in a long time."
there falls a brief, but peaceful lull in the conversation. grant’s eyes draw to black night sky as he recalls the last haphazard art he’d created–the mushy-gushy attempt at processing the universe. seeing it hanging above him now, his thoughts are no less conflicting. light pollution washes out the shining sea of stars, but the sky still retains its beauty, its bewilderment. visible or not, an infinite chain of dimensions and celestial bodies exist in the vacuum of space, orbiting independent of him, yet factoring in the tiny fraction of his mass on the mass of the earth in their delicate ballerina dance across the fabric of spacetime.
the universe must have created me for some reason, for something other than anguish.
his own words. again. ever-present.
“i miss seeing the stars.” yunha’s buttery soft voice breaks his concentration. “you can’t see anything here.”
“polaris.” grant raises his left arm and draws his index finger across the sky until it hovers above the only star he’s seen thus far. “technically, that means we should be able to see sirius, too, but we don’t need to get all science-y and talk about magnitude and that polaris isn’t–”
“i would like it if you did.”
she was thinking of the stars, too.
synchronicity.
“aw shucks! well. i’ll say this, polaris isn’t the brightest star. we just talk about it way more frequently because it has the most cultural significance in the northern hemisphere for, you know, navigation reasons. but hey, give it about 12,000 more years, and it even won’t be the north star anymore. thank you, wobbly earth axis. but also boo, woobly earth axis, because it's a little sad to think about.”
yunha’s eyes glitter with fascination. “it’ll be something else?”
“yep! the next north star will be vega,” he explains, “come on down, you’re the next contestant!”
“maybe we’ll see it happen.”
“if my consciousness is still floating around as little dust particles, that’d be pretty sick. you know? forget fly me to the moon, fly me to vega. why not?”
“i don’t think i'll be dust,” yunha says, not missing a beat at all, even as her focus remains fixed on the faintest twinkle emanating from polaris, “it’s kind of troubling. you don’t want to be, like, stuck in the whole cycle of the universe, but if you’re still here, you can see some really beautiful things.”
“ah. reincarnation?”
“if you’re asking me, you’re not going to be dust. either you escape the suffering or you come back in some kind of physical form, human or not, and you try again.”
grant thinks about it for a moment. and then the feelings, like usual, spill out at once.
“i'm not going to lie, that idea has always given me the heebie-jeebies. i think it’s very cool as a concept, but i'm, like, man, i don’t want to do this shit again. also, look, we're doing the thing again. oh, and shit, that sounded judgmental. i just run my mouth too much."
"most people don't know they lived before. you can't really remember your other lives without a lot of study," she answers, "and no, you don't. i prefer to hear your real opinion. it's actually stupid when people tell you what they think you want to hear."
"do you ever wonder what you were up to last go-around?"
"not too much, but i always heard strange birthmarks and scars are signs from your last death. fears, too. things you avoid. so, i guess, like, a clown stabbed me in the neck with needles."
"are you afraid of storm drains, by any chance? if so, i think pennywise had it out for you."
"hahaha." yunha shakes her head. "wait, i have to ask. is it not worse thinking you can only live once? that's not uncomfortable? feeling like you have to make everything perfect in your one lifetime?"
"oh no, it's terrifying. dying and just being done with everything is eerie, too, because there are nice things to do and see here in the real world. you’re right about that. and yeah, there is a lot of pressure to get it all right. also, that's not even mentioning that there are people i love that i don’t want to be gone forever. i'd like to think they remain somehow. conscious or not. i kind of think they do, but i don’t know. am i contradicting myself? capital-P probably."
“you don’t know what to think.”
grant immediately bursts out laughing. “yeah, no, absolutely not. i do not know. i just kinda waffle around and hope some scientist throws out some numbers and whatnot that proves some explanation of everything correct. but that’s impossible. it’s literally impossible. we can’t even simulate or predict the wacky physics that were going on at the exact moment the big bang happened.”
“not to be, like, all quirky, but...” yunha reaches over, patting him on the shoulder. “maybe don’t think about it? you’re gonna go crazy. you can just not know? and it's fine. this doesn’t mean anything anyway. the answer to anything is already in you, it’s not out there.”
and then she, too, starts giggling all over again and her cheeks blush deep red from sheepish cringe.
another stereotypical line, but he doesn't mind. they sound better coming from her than him anyhow.
a second later and she checks the time on her phone. her cheesy smile erodes into a slight frown.
“ahh, i really need to leave soon. i have a schedule in the morning.”
grant checks the time as well, drawing the sleeve of his hoodie up just enough to read the minuscule roman numerals on his watch.
on the watch an ex-girlfriend gifted him. not päivi, but...
4:00 a.m.
fuck.
right.
you’re leaving the country in two hours.
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atthebell · 2 months
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the fed workers killings also ruled from like a meta perspective bc we finally got to see a player have some agency again (before being ripped away immediately but still)
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I remember hearing about this film when it was in production, but I thought this was going to be a fully animated film and not a live action/animation hybrid that’s a…”sequel”?? I say that since Harold is an adult rather than a child now, kinda reminds me of what they did with 2010’s Alice in Wonderland by having that be a continuation of the OG story versus being a remake of the story.
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Idk, this is Carlos Saldanha’s first live action movie and he is a cool director so I guess we’ll see what happens.
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clowniconography · 9 months
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it mentions this on his wiki page so there's at least some awareness of it, but i feel like i never see people bring this up and so i wanted to gauge the knowledge of my fellow Bigtop Burger fans
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uncanny-tranny · 7 months
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Something kind of funny I never anticipated about crocheting with longer hair was pulling out a piece of my own hair out of my project that I somehow crocheted into it
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