I FORGOT TUMBLR EXISTED
UH-
UM-
ILL GET ON MY PEPPIBLAST SHIT SOON-
...UMM
JESUS CHRIST HOLDING BLUEY
Yeah that'll do it
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God dude these two scenes and how roxie moves hurt my heart so so bad 🥹
it's like a mix of anger, feral, emotional breakdown, and complete sadness that just fucks me up soooo fucking bad.
it's like she's a pet who got abandoned by their owner but they see them again after years of sadness and depression of them being gone and leaving them like that and all that anger and sadness just manifest's into one bundle of emotion's towards them they cannot control.
roxie baby ur gonna be okay u deserve better :[
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the thing is you have to get a good grade in being an art commissioner. you cannot be a bitch when paying for art. you have to be patient and nice. i have not been perfect in my years of paying other furries for art of my funny animals but i can, with confidence, say ive gotten a good grade. artist friends of mine agree im awesome and fankly the Keys to being Awesome at being a commissioner are just like. being nice and recognizing artists arent machines. theyre people who have their own lives and are not infront of their tablet drawing for everyone 24/7. youll find them posting about some game or movie when youve been waiting three weeks for something and thats fine. youll find them having difficulty getting something exactly like how it is in your brain because, like all people, they cannot read your mind. you gotta have everything ready and upfront and be ready to answer questions. its fine to be a little nitpicky and a little "sorry im not quite sure on this pose, could you do X Y and Z" and not be an asshole about it. after a certain number of "can you do X different" you have to realize its either not going to be exactly how you want it to be or the artist is going to want to kill you with hammers. and thats fine. i think artists have every right to want to kill you with hammers.
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“My journey has been very free. I’ve been able to work in different parts of the world and on projects that don’t necessarily obey a typical journey of a person that wants to be famous or work in film. I want young actors to know you don’t have to follow a set line to have a career. Sometimes the line is drawn for actors from the English language. But in my case I can reinvent myself all the time.” — Gael García Bernal (Total Film, 07/2021)
Also: Uruguay (El ojo en la nuca, 2001), Sweden & Thailand (Mammoth 2010), Canada (Blindness 2008, Zoom 2015), Brazil (El pasado 2007, Zoom 2015), Serbia (Zalet), Germany (Herzog's Salt&Fire 2016), Cuba (Wasp Network, 2019), Dominican Republic (Old, 2021)
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