Having just finished up a year-long background design job for animation, I have spent the past two days tossing myself head-first into sketching Lance headcannons with wild abandon (its observational drawing practice, I swear).
I’ve recently found myself becoming slightly less satisfied with the ‘Lance-as-government-agent’ schtick he’s developed over the years, and realised I could slide him sideways into something perhaps even more dynamic and useful in the Poke-verse...
So have some WIPs of fireman/air-sea rescue!Lance - featuring teenaged Galar-gap-year Lance and those iconic 80s UK fireman yellow plastic trousers!
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found family coworkers (definition multiple) of all time
[image description under cut]
Comic 1:
First panel, Ingo and Akari are standing together. Someone off-screen asks “oh, is that your dad?”.
Akari has an awkward smile and replies “oh, no no. he’s my...”
There’s a long pause as she looks at Ingo. He’s leaving it up to her.
She finishes, “He’s my coworker... friend... guy.” In smaller font, she continues “yea. that.”
Comic 2:
A dramatic panel of Volo, looking pissed off, shouting “who are you to interfere?!!”
Ingo tugs the brim of his cap lower. The upper half of his face is in shadow, while his eyes stand out. He looks threatening but has his expression is his characteristic neutral-frown, and he says “...I’m her coworker friend guy.”.
In the final panel, Machoke is throwing an incredible amount of punches, a reference to Star Platinum from Jojo. Ingo is pointing with one hand, his battle pose. The background text reads, “What does that even mean??”
Volo is experiencing off-screen violence.
Comic 3:
The comic is titled “Reunion”.
In the first panel, Ingo shows off Akari, with a faint smile on his face. She is labelled “best girl (assigned by god)”. He says, “Emmet, this is Akari, my coworker. She’s the reason I was able to return to this station.” In smaller font, Akari comments to herself, “ooh... so this is the man in white.”
In the second panel, in smaller font Ingo notes “I think I remember now...” He says, “Akari, this is Emmet. He's also my coworker.” Coworker is underlined. Emmet is crying in the background, looking confused, conflicted, distressed, and happy. He says, “Brother...?”
In the final panel, we see a framed photograph of all three together. Underneath are the words, Employee of the Month. Akari is dressed as a depot agent, and she and Ingo pose with peace signs. Emmet is red faced from crying, but he’s smiling widely. He looks happy.
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do any other artists feel like. yeah you're a 'good artist' because you draw things that look nice, but like. TECHNICALLY? you're really not great
i really hate that i can recognise that yes, my art is good, but is it VARIED? is it dynamic?? is my anatomy good? is it full of texture and colour theory? do i know how to do This? can i do That? no, not really. and that's quite painful actually
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I cannot express enough that if your reaction, as a hobby artist, to not getting that many notes on your art is to say "maybe I should just stop doing art altogether" you need to stop posting art to tumblr
not necessarily forever, not even for long, but just stop putting your art on here and start doing it for you again, remember why you enjoyed doing art in the first place and stop relying on the attention of faceless people on the internet for your enjoyment of your hard work
believe me, I get it, nothing crushes the artistic soul quite like labouring for hours on a piece only for it to get like 10 notes, so you need to find your own source of joy in the act of creation and a lot of the time that means making art and not showing it to anybody
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I think it's fascinating that the quotes:
"Have you forgotten sir, we were at war? A fight with an alien race for the very survival of our species. I feel I must remind you that it is an undeniable, and may I say fundamental quality of man, that when faced with extinction, every alternative is preferable."
"When you spend every day fighting a war, you to demonize your attackers. To you, they're evil, they're subhuman. Because if they weren't, what would that make you? What I'm trying to say... is I've been afraid to see you for what you really are. You're our brothers. Our sisters. And the things we've done to one another are unforgivable."
"These guys want to use us, take us away from our families, and send us all over the dad-gum galaxy just to test if their agents are ready for the big fight? Well... guess I'm interested in showin' em exactly what a big fight is all about! So I'm not ordering you to go. I ain't even asking. You do what you gotta do, Private."
came from the same series whose standard fare is lines like:
"What in the hell are you two doing?" / "We're being executed by our own men, sir." / "Cut it out."
"I only drink the blood of my enemies, and the occasional strawberry yoohoo."
"You always said I could sleep when I’m dead, Sarge, and guess what? I am dead. This purgatory is about to become purga-snore-y, yawn!"
...and both categories manage to be a poignant statement about the nature of war and what it does to the people in it.
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