the only downside of my personal art and self portraits being semi well received (thank u by the way) is that on occasion some wah wah transphobe blog will get ahold of it and sing my praises of Wombmanhood and Femininity. which is so fucking funny, because terfs harassed me relentlessly about the fact that I pursued a breast reduction (butchering my body, reducing my femininity, being brainwashed, and so on) only to sing praises to my current body as The Natural Female Form. very, very funny.
I normally do portraits of my body, for the extremely, *extremely* obvious reasons, which include but are not limited to: I have infinite reference images of my own body. but I think I would like to expand, in the future
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Not a question, but I just saw your Barbie piece with the part 6 girls, and It's so fucking gorgeous, everything you draw is just *chef's kiss* fantastic!
Sometimes to truly heal is to draw hot women in pretty outfits 🩷
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I wanted to adapt one of my favorite scenes from the Iliad into a comic ✨ the dialogue borrows and takes direction/inspiration from various translations, although pacing, general flow of the words, and page space got the final say in what I ultimately ended up deciding to letter.
(Iliad, book 20, trans. fagles)
(same scene, trans. lattimore)
society6 | ko-fi | redbubble | twitter | deviantart
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I just want to make a small update here-- this blog is officially on hiatus when it comes to new posts. I'll mainly be focusing on cleaning up and making some edits to a few older posts when I do post here, or answering questions in the askbox that don't require full-on meta analysis posts, or sometimes just reblogging my older posts every now and then.
This is mainly because I've got quite a few projects I'm working on right now, as well as being currently quite stressed in my day-to-day life. I will come back to writing new posts here in a few months or so, but probably a bit more sporadically for now.
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I'm a sucker for the idea that after Chuck is defeated and once Michael and Adam are reunited Michael just leans heavily into the protective trope, bordering on possessive.
Of course they have their initial rush of emotions when they first reunite but slowly about a week after everything is resolved Adam starts noticing that Michael insists that they don't leave the house which, yeah that's strange, but Michael never been one for interacting with any other human aside from Adam, so he shrugs it off.
But he also notices that Michael's been getting touchier lately, Michael's never really been big on physical touch and yet Adam finds that whenever he's making something in the kitchen Michael's always right there hugging him from behind. Or when they're watching something late at night on the couch, they no longer sit just next to each other like they usually would, now their cuddling in every cuddling position that was ever made. When Adam goes to bed, Michael joins him instead of his usual 'doing other things until Adam wakes up' thing. Now he crawls into bed with Adam and holds him tightly, as if he was afraid that if he let go then Adam would fall out of his grasp forever.
Adam hasn't felt this kind of warmth since he was a kid and would crawl into bed with his mother when he had a nightmare, so he accepts it and rolls over to hold onto Michael as well. Michael shifts and pulls Adam's legs up by the thigh and around his waist, willing to be even closer to his Adam. He wraps his arms all around the humans torso and tucks his face into Adams neck breathing in his pulse, knowing that he's alive and protected by Michael. As Adam falls into unconsciousness Michael opens his eyes to watch the man breath deep and slow breaths into the silence of the night. Adam looks so peaceful, so innocent and...so breakable. His mind wanders into thinking about loosing Adam again, having him be taken away somewhere Michael can't reach, having the skin of his flesh be tortured and filled with suffering pain when he shouldn't ever have to suffer, having him be killed
Without realizing, Michael tightens his grip around Adam.
Silently, Michael promises to never allow anyone, no matter how powerful, to take his Adam away ever again. He brushes the hairs that fall onto Adam's face back and places his lips on his forehead in a gentle kiss. How Michel wishes to keep him here like this, to bask in their shared love together until everything ends.
But alas, Adam does eventually have to wake up. That little job of his makes him so happy, and that's all Michael now wants, Adam's happiness.
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dazai approaches life with the idea that wanting anything is pointless because it will be taken from you
chuuya keeps losing everyone important to him and yet he keeps going, he finds new friends, he keeps living as his own person
in a way, chuuya's life is like a confirmation of dazai's bias; any time he has something good, someone important to him, a connection, it gets taken away from him
and yet unlike dazai, he doesn't give in to despair
and i think that might be one of the reasons dazai finds him interesting enough to care about. because chuuya actively challenges the way he sees life itself just by doing his own thing. he doesn't go out of his way to talk dazai into seeing value in life, and i think this is the sort of language dazai has an easier time speaking
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its required by law for you to gaze upon this floor I did for a comm
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