WAAH okay I just finished the first ep of season 4 for bsd and I just OTL
I remembered something from the light novel that season 4 is opening with (book 3, The Untold Origins of the Detective Agency), so don't peek if you don't want to be spoiled for those who either haven't read and want to, or want to wait for the anime to release more episodes
BUT MAN I'm so sad remembering this, but seeing it happen and reading is just???? It hits different but in a good way (or as good as angst can get lmao)
but just seeing 14 yr old Ranpo versus 26 yr old Ranpo and realizing that he really hasn't changed-
He knew, when he was 14, that people didn't see what he saw and understood that his 'ability' was something that was unique to him due to his upbringing and parents (both brilliant people--his father specifically being an incredibly well-known detective- so really, it makes you wonder if this influenced his bragging but that's something for another time), but kept himself under the guise that people understood because...
If adults can't see what he can see, then how are they supposed to help him out when he's still a child? A child can't do everything themselves, so the idea that no one would be able to help him just makes his parent's death that much worse
And despite Fukuzawa not really knowing this straight out, it's interesting to see how he handles it
Not sure how to comfort a child whose essentially jaded with a lack of trust towards others and a continually decreasing will because he just keeps on getting beaten down? Oh easy, just tell him that the thing that's been giving him indirect woe is a skill. He only is being affected by his own brilliance because it's something that can't be helped. Give him a reason to be proud of it instead!
Uh but I'm getting carried away.
Anyway-- then we see 26 yr old Ranpo now who, really, has known the entire time that his 'skill' isn't a skill, but instead accepted Fukuzawa's attempt at comfort those 12 years ago because now it's more the idea that...if it isn't a skill, then what is he useful for? Within a group of people so talented--not just due to their individual skill, but their combat abilities and all that--why is he so special that he is a part of them? And why would he be so deserving of everyone's praise if he's just...normal?
Long story short, I just mainly remembered Ranpo's deep insecurity that's rooted in his view of his own competence and the effect of the loss of his parents at an early age and I just wanna grab his cheeks and stretch
ALSO ALSO in season 4's first ep when he's trying to nab a bite of the actress' sweets and she eats it instead that was soiefhoih what a brat
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"restraining myself from talking about it" Honestly go ahead and talk about it if you want because none of my friends read books like that (or read much period) and so I myself couldn't say much about it aside from the fact that I started reading it in the bookshop out of curiosity, then bought it, and then finished it later that day. One of the best books I've read this year. Still not over the final page.
in one day?!! honestly its short enough i dont doubt that.
but YEAH the ending of it always gets me a bit fucked up, especially with the congressmans (i believe it was the congressman in the last chapter with him?) shock at realizing that hes not in his 20s. being lost without any idea of what to do because so much "big stuff" has already been done, living in the age of "well, what now?" doesnt just stop happening when you hit 30. (especially when you want to feel like youve done /something/) but no the whole end scene, the maybe of him dying coupled with the anxiety of the congressman is something i think about years later.
i dunno!! just really love this book. story wise and i guess technical wise is the best way to say it? i think the style of dialogue only and conveying all the actions through said dialogue is neat, and how different the characters all are help with it. the swapping warehouses hes holding all of them in as chapter changes is so fun too!!
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Yknow what? The longer warriors goes on, the less the characters have going for them. Hear me out I guess.
The first series is so so good. The characters are unique, they’re described, they’re lovable! You do not have that past arc 4. The erins stop telling you about the characters and you are blindly following what some random cat you don’t care about is doing.
I’m being serious???? Even past arc 2, the books lose all of their character. There is no wise Whitestorm, no mysterious villain Tigerclaw, no brave Lionheart, no beloved Bluestar, no honorable Fireheart. Nothing. The cats lose their personality and their uniqueness. All the cats become the exact same. They melt into the narrative and are no longer relevant, leaving the books eventually with a huge mess of fifty+ cats floating around that have NO PURPOSE and no LIFE. Just a name you hear in the book, that has no face.
The possibility of a cat is the ONLY thing behind new names like Fernsong and Birchfall. Who are they? What do they look like? What purpose do they serve?
All these random cats do nothing but work after arc 4. There is no heart between them and there is no moments of peace and there is no cats they care about. They do not care the same, they do not feel the same.
None of the cats are unique in personality or description. We have had 3 gray female protagonists. I re read the first arc and I was so amazed once more at how much better it is. I love warrior cats, but a change needs to be made in some way. I got so tired of reading about characters I couldn’t even imagine. Cats with no characteristics and with no personality became so tiring. I love warrior cats, but it needs so, so many changes.
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when i was 14, i stopped reading books. i’ve always put it down to being humongously depressed at the time, which isn’t, like, untrue, but a much more significant reason was that the time i previously spent reading, i now spent on social media.
i was allowed to get my first smartphone when i was 11, started saving up for it for, and then actually bought it when i was just shy of 13. then i got tumblr and youtube and started spending more and more time on there, and my reading time decreased until it was nonexistent, and it stayed that way for years.
then the pandemic hit and i started reading again, just a little, and then more when i switched to e-books, because it made my book as accessible as social media. it’s been a bit touch and go since then due to my mental health, but i am actually reading again, and i love it. but i’m still spending too much time on social media and these last few weeks i’ve come to realise that i don’t even enjoy it that much, really, so why am i doing it?
so i’m going to put hard screen time limits on tiktok, reddit, and twitter, hopefully for the whole summer but we’ll see how it goes. and a soft limit on tumblr. i won’t do anything about desktop because i don’t waste time in the same way there. but i’m putting limits on my phone and tablet. actually i don't know if the screen time thingy on apple lets you put hard limits but i'm going to go find out now!
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i have to get this out of the way, re: dungeon meshi discussions
major spoilers ahead, obviously.
you know for a series that focuses so much on platonic and familial relationships it’s weird that dungeon meshi has attracted so much useless ship wars though. the most important driving force in the story is two sibling relationships (laios’s search for falin, thistle’s search for delgal) and one of the central themes is how loving others way too much can lead to your downfall (thistle’s desperate attempt to keep his loved ones leads to his mental state deteriorating so much he starts torturing people he claims to protect, marcille’s fear of losing her friends leads to her being easily manipulated by the main antagonist)
even with regards to falin. thistle wants to bring the ‘brother’ he raised back at all costs, he saw a young human woman as nothing more than a dragon, his tool. marcille wants to bring falin back at all costs, she didn’t care about the repercussions of using monster meat instead of animal meat even though she was an expert at ancient magic and should know why it’s such a dangerous practice.
each and every single one of the major characters has some form of tragedy with their family one way or another: the toudens, marcille and her dad. chilchuck and his wife. senshi’s entire backstory. izutsumi’s hidden desire for a mother. namari’s father. shuro and his family. kabru and his mother(both tallman and elf). mithrun and his brother. thistle and the melinis.
even some of the minor characters: flamela and her dead twin sister. the twins and the floke couple. kuro being the closest mickbell has to a family. etc etc
as someone who has reread this manga several times by now, i wonder if people just… read it once as fast as they could and act like they’re some sort of authority on fan discussion. i’ve seen people brag about reading the entire thing in one sitting as if it’s something to be proud of. this manga isn’t meant to be read that fast, that’s how you get people claiming that laios doesn’t reaaally love falin as much as marcille does.
to these people, laios just gets in the way, as if it wasn’t his idea to go down the dungeon in the first place, it wasn’t him who said his pain doesn’t matter because falin suffered more than him, it wasn’t him who felt immense guilt for leaving falin behind, it wasn’t him who found her skull, it wasn’t him who killed her to save her from her chimera form. i feel like people forget about the ‘too’ part when marcille said “i miss falin too”
marcille knows how much falin and laios love each other. that’s why she asked him if she’s allowed to resurrect her and didn’t act on her own. that’s why when both times a shapeshifting monster copied marcille to trick laios, it was what she looked like at the time she was reviving falin.
as someone who DOES ship farcille, none of the romance is canon. this isn’t meant to be anti-farcille. one of the post-canon comics is about falin gently turning down shuro because she wants to travel the world, “you can’t tie a dragon down” after all. she wants to travel the world and find herself because she doesn’t know who she is outside of marcille and laios. even marcille, who was hoping she’d reject him, tears up because of how beautiful and tragic it was.
there are a lot of ship teases because what author doesn’t like a good ship tease. but to say that dungeon meshi is a romantic love more than it is a story about family(both real and found) is a great misinterpretation of the text.
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