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aerialworms · 1 year

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Hiya! Thank you for responding to my poll about DDDNE! You are the first person to explicitly call out that you see “so don’t complain” as judgy, and I expected that to happen MUCH earlier in this poll’s circulation. May I ask what fandom(s) you tend to read in? Again, thank you for your contribution to Science!!!

Huh, that's wild! I assumed others would have put that before I did, too. I currently tend to read Supernatural fic, but I used to read Good Omens, Jeeves and Wooster, BBC Sherlock, and Original/Granada Sherlock Holmes. I rarely see it actually used, but I tend to read older fics - most of the fics I've read that used it have been fairly recent, like the last 5 or so years if I had to estimate?

For your data: I learned about DDDNE on Tumblr about 8 years ago, where the post I read explained that it usually goes hand in hand with Don't Like; Don't Read as a reminder that the reader is responsible for curating their experience, and after you've read the tags, it's your choice whether to continue or not. I've never seen it as a moral judgement on the reader or the author, just an acknowledgement that the subject matter of the fic is not for everyone and readers are responsible for curating their own reading experience.

The reason I took issue with the phrasing of "so don't complain" is that if I were ever to use it, I would mean it like "this fic contains some heavy stuff, so double-check the tags and make sure you know what you're getting into" and that's how I interpret it when I see fics tagged with it. It's not really "so don't complain," more like "so if you read the tags, see that this fic contains something you find upsetting, and still choose to read it, that's on you, I warned you, and it's not fair to be angry at me for it." No shade on either party, just a reminder that you're in charge of your media experience, and that the writer has done their best to warn you of what's inside. Completely neutral in my mind.

It's handy to me because sometimes I forget to/just skim-read the tags before clicking on a fic, and that tag being there reminds me to double-check for potential triggers. Of course, it's only useful when combined with appropriate tagging. A fic just tagged with "Dead Dove Do Not Eat" with no additional tags is like a sign just saying "Danger!" - I'm just gonna back away and find somewhere else to go.

(although I'll admit I have sometimes, out of curiosity, clicked through to a dead dove fic where I've seen it's completely untagged or tagged for something that squicks me, and then when it inevitably does squick me I'm just like welp. Shouldn't have done that! and click back out. Not judging the author, just knowing my limits!)

#my asks #this got long lmao #i have Opinions on this #ive seen some people saying stuff like 'writing dead dove fic is immoral' or whatever but (setting aside the morality thing)#dead dove is just a warning #not a specific label #it could be used on literally any fic - its just to remind you to check the tags #it's just associated with darkfic because those are the fics where people are more likely to ignore the clear warnings (i.e. the tags)#and get upset that the fic contains what was warned for and take it out on the author #so authors tend to use it more for darkfic to try to remind people to be nice and curate their own experience #and just walk on by and let the author be if its not your thing #it's similar to the 18+ content warning on ao3 actually - you have to click through to acknowledge that you have been warned there is 18+#content behind the wall and that you are willing (and of age although i know people lie about it) to see it #therefore if you see 18+ content after clicking you've been warned! and you don't really have a leg to stand on if you want to get mad at #the author for writing that kind of content #you could have just backed away and not read it #anyway. yeah #Many Thoughts #(i hope this doesn't come across as aggressive to you #I do not mean it that way! Just rambling lmao)#artie talks

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pa-pa-plasma · 2 years

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I just really want to say, the reason good & accurate grammar is important in writing isn’t because it makes you look smart, it’s to make your writing as easy to read as possible. I (& many other people with certain disabilities) can’t read your writing when the paragraphs are longer than my phone screen & several people are talking at once with no commas or apostrophes.

#i'm not saying this to put people off writing i'm saying this because i'd like to read some people's thing but physically cannot #because of the above example #i've seen people complain about how ''good'' grammar doesn't exist & whatnot & like. true ya #but also no. 100% completely false #grammar is made up but that doesn't mean it isn't important #like. the point of good grammar is to get your idea across to the reader. it is to help them understand what's going on #they can't be expected to understand what's going on if you never use apostrophes to indicate possession or whatever #plus not using commas & apostrophes can lead to. interesting results.#best example would be that ''lets eat grandma'' one. you're either a cannibal or you're inviting your grandma to eat #& yes the reader can figure out which one you mean regardless of whether you use the proper grammar but like.#you don't put all that onto the reader. it pulls them out of things & now they're thinking ''wow okay we're eating grandma lol''#they're no longer in universe. they're now just reading words. you pulled them out with that #i'm begging for people to read books. any books. don't just write & read fanfiction please just go to the book store & pick a book #that looks good & bring it home & read it. analyze the writing style. incorporate the parts you like. repeat #please im begging you people to get past a 1st grade level English class. you're a 20yo native speaker #you've gotta know how to use punctuation at this point. or you gotta know you need to learn at least #okay sorry the more the think about it the more frustrated i get. writing is a hyperfixation

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tearlessrain · 3 months

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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

#I found their original stuff while I was researching various waterhorses and their folklore for no reason #because one of the characters in their original work happens to be an each uisge #and then it turned out it ALSO included a lot of figures from welsh folklore in general #so yknow if you happen to have my incredibly specific hyperfixations you'll love it but even if you don't it's great #I didn't mean to bring up phantom of the opera so much it just happens to be very relevant to a lot of my talking points #I haven't actually seen it in years

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forcedhesitation · 3 months

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soooooo satisfying to watch a nea, who earlier in the match tried to be irritating with ftp & buckle up, finish the last generator in my face, confident she will escape me, only for her to go down immediately to noed and fuck her whole team over.

not so clever now, are we?

#dbd #thoughts about media #she just sat there and did the generator completely unbothered that I was right there.#there is such a small window of time you have to make noed useful before someone cleanses it.#and she just handed it to me FOR FREE.#I hope this was a humbling experience for her.#just because I'm the first singularity player you've seen all month...#...does not mean I'm some hapless beginner stumbling about on a newborn foal's legs.

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paganinpurple · 1 year

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AO3 Etiquette -UPDATED

Based on both decent and not so decent replies, I have made some changes to my original post below.

It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:

As well as likes, kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.

If you really liked it, you should try to comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.

No critisism unless the author has specifically asked or agreed to hear it (so use your notes to say if you want some constructive feedback). Even constructive critisism is a no-no unless an author note tells you it's okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don't ruin that for them. I've seen so many authors just stop writing coz they can't handle the negative emotions the critism brings, and it's only meant to be a fun thing shared for free (pointing out tagging errors is not included in this).

Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.

There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.

For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.

The tag exception is if you don't want to tag a million things or spoil your story, you can rate it as "chose not to use warnings," and maybe tag the bare minimum.

Don't censor tags. How can someone exclude a tag if the word isn't typed out correctly? There are no content bans for terms so don't censor them.

If the tags are mostly content/trigger warnings, especially if they are things considered very fucked up or graphic, you might want to use "dead dove - do not eat" to ensure people know that you're not messing around with tags and what they get is exactly what you've warned them about.

Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.

Nothing is banned. This is an rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.

People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.

Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite or an exchange youve written for going public). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.

Instead of deleting a story you wrote if you hate it - consider making it anonymous or orphaning it so others can still enjoy it, without it being connected to your name anymore. If you still want to delete it, fair enough.

It's come to my attention that metaworks ARE allowed on AO3, which is something I wasn't aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it. Art is also allowed.

The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed. If anyone does link, it leaves the archive open to people claiming it's for profit and having the whole thing removed.

I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.

I invite anyone to add to this, but please explain, don't berate.

#ao3 #using ao3 #archive of our own #fanfiction #fanworks

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racefortheironthrone · 1 year

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Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?

Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).

So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.

Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket line and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.

But for most of us, unless we're actively working as writers in Hollywood, most of that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/streaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.

That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the cause and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.

The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.

#labor #unions #wga strike #labor history #labor 101 #boycotts

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sant-riley · 7 months

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[Touchy feely] [tf141 headcanons]

(Romantic impied Task force 141 boys x gender neutral!reader headcanons :))

Summary: Being the sweetheart of the task force means the boys are not shy about the fact that they're all simps and always want some sort of contact with you at all times.

Consists of romantic/suggestive headcanons for each of the guys and little things they do with you <3

Words: about 1.5k (this was supposed to be short, whoops)

Warnings/Info: Can be read separately but it is intended that they all harbor feelings for you at the same time, possibly out of character for everyone, some swearing, the guys manhandle you, as always, let me know if I miss something!

Thinking about how each of the boys is so touchy with you, it doesn't matter where you are or who you're with, they're shameless.

Other units and teams who will sometimes share the base with 141 know better than to ask questions or directly say anything to one of the guys or you for that matter. Not that they could anyway, seeing as you always have at least one of them attached to your hip.

Price:

Anyone who walks into Price's office late at night to turn something in is used to seeing you next to the Captain on the little dingy loveseat he has in there.

John is usually smoking a cigar, taking care to not blow smoke your way while your head is resting on his shoulder. Your eyes closed as you hum at his words. It's terribly domestic for a military base.

John likes to gently play with your hair while he speaks about missions he's been on, always somehow trying to braid despite not knowing how to for jack shit, whether it because it's you or just the mindless motion, he's not willing to say.

John will usually walk you back to your room after dinner or time in his office unless he's swamped with work.

A small hand on the small of your back while he leads you. It's always a respectable touch, though he tucks you into his side, nodding at everyone you may pass.

If you're comfortable with it, he likes to press a kiss to your head, smiling that goofy ass smile, and tells you to get a good night's rest.

He lets you help him trim up his beard, he won't let you do all of it but he likes the closeness of it, him sitting down while you gently shape it up, tilting his head up and he tries his best to not stare directly at your chest.

The fact that he's letting you this close to his neck with a razor is a sign of trust, maybe small for others but for a man that doesn't drop his guard and doesn't truly trust others, it speaks volumes.

The first time he let you, you were barely putting any pressure and he grabbed your hand in his and showed you. "You're not gonna hurt me, put more force into it, yeah?"

Don't get me started on going out on walks in London with Price, he wraps you up in his beanie and some big leather jacket he has that dwarves you, helping you move through crowds by once again holding the small of your back, or taking your smaller hand in his. (He doesn't correct anyone if they mistake you as married)

He likes to kiss the back of your hand and laughs when it makes you blush and sputter out that his beard is scratchy.

Ghost:

Ghost is a subtle one, he won't actively reach for you or your hand but he does have some part of him against you most times.

Whether it be his leg, arm, or thigh, anything works. A normal place yall will be seen together is in the dining hall, you've both learned to ignore the stares from everyone else.

Simon never eats there, just sits with you until you're finished and then you both move on to either his quarters or somewhere else so he can peel his mask up to eat a bit.

However, while you're eating and telling him about anything under the sun, he'll lean over and wipe some crumbs off of your mouth with his thumb softly, which again, you're used to so okay whatever but Recruits always are taken aback in their seats.

Ghost's reflexes kick into overdrive with you. His hand going to cover a corner of a table 9/10 times before you completely wreck your shit, but when he does miss (sometimes on purpose).

He'll bring a hand up to rub at your head for you, chuckling under his breath before cooing down at you "That hurt pretty? Sure look like it did."

Whenever you two specifically are paired onto a mission, doesn't matter if any of the guys complain, he will share a cot/tent with you. He claims he runs the hottest (he doesn't, it's Johnny but he will not lose on this) and can keep your body the warmest.

He pretty much lugs you on top of him and wraps his arms around your waist, he'll press a hand against your head if you keep fidgeting, rasping at you to go to sleep. He takes great pride in the fact that you're usually out like a light very shortly.

I've said it once and I'll say it again, Ghost likes to hook a finger into your body straps and pull it really hard and let it smack you to get your attention if you're not actively paying attention to him, he'll soothe the area but he's smirking behind that fucking mask.

On that note, he definitely does the "You got something right here." And points at your chest and immediately pull up to flick your nose hard as fuck, he KNOWS his own strength but sometimes your eyes water and he immediately feels bad.

Ghost rests his head on your chest a lot, he finds your heartbeat to be soothing and reassuring, also grunts if you don't wrap your arms around him in return, bro literally shoves his head into you and groans

This is a grown man but it's cute so you let it slide bc he'll never ask for it outright, he just assumes you'll cradle his head.

Soap:

Johnny is the most shameless motherfucker here, I'm talking about draping himself over you, grabbing at your cheeks, ruffling your hair, kissing you dangerously close to your lips (it drives the others mad), he's the most unapologetic about it and will gloat to the others.

Manhandler #1, isn't above grabbing you by your hips and picking you up to move you somewhere, he's literally gone and grabbed you from some rookies side to come stand next to him with a smile and you're just so used to it that you just shrug and go along with it. (He gets slightly jealous, why would you stand next to some random ass dude and not him??)

Throws you over his shoulder, or likes you to cling to his front or his back and just carries you, he says it's a comfortable weight. If you ever dare say you're too heavy, he's gonna go to the gym and work out even more to PROVE to you that he simply doesn't care, he will carry you.

Extremely bad habit of sneaking into your room to fall asleep with you, Price has come into your room many times to see Soap sprawled on top of you, he's drooling and snoring and you're knocked the fuck out (he's like a glorified weighted blanket).

I've touched on this before but he only wants you to cut his hair for him, yeah he can go to the barber on base but he much prefers you and loves it when you scratch at his scalp. He also likes to just have his head in between your thighs but that's something else for another time-

Soap specifically slings you over his shoulder a lot, especially off base where he truly doesn't have any fucks to give.

You're not going to bed because you have other work?? Too bad, shoulder time you go. You're not willing to get up and make yourself food? Good thing he's here, either pick what you want from the kitchen or throw some clothes on bc he IS dragging you out of the house.

Johnny likes to draw on you a lot, it ranges from scribbles, to sometimes his name if he's feeling cheeky (he's drawn it on your thigh before and you didn't notice until Gaz shot you a look), to intricate drawings of whatever he can think whether it be a landscape or an animal.

He always holds you steady and it isn't uncommon for your limbs to fall asleep but it's worth it, if only to see him smile.

Gaz:

Gaz is probably the most secretly clingy person out of the four, he CAN function without your touch but does he PREFER to? No.

His first instinct in any situation is to grab you and shield you, he's the fastest of the four so his body moves without thinking and it's saved you more times than any of you would like to count.

The one mission where you both fell out of a moving truck, he tucked your body into his despite it costing him his shoulder popping out of the socket, you couldn't help but freak out while Ghost moved to pop it back into place.

"Why the fuck would you do that? Look at your arm!" "It's nothing." "Garrick what the fuck-"

When you're out anywhere off base, he's holding your hand, good luck trying to pull away bc he is not letting go. Too bad so sad, resign to your fate.

I think Gaz is definitely good at dancing, at least with you and when the right music is on, you cannot tell me this man wouldn't twirl you around and shit-fight me on it. He'll even lift you off your feet, laughing when you scramble to grab at his shoulders.

He goes stark still if you rest your head on his shoulder, not because he's nervous but because he's worried about waking you up when he knows you deserve a rest.

He'll usually wrap his arm around your shoulder to hold you in place so the heli ride doesn't jostle you so much, gentleness rubbing his knuckles along your arm to soothe you.

Gaz is the one who holds you when you have nightmares, on rare occasions when Soap isn't in your room and you just need to be held with no talking, you always without thinking find yourself in Kyle's room, his arms wrapped around your waist as he tucks your head under his chin, no questions asked.

He'll maybe hum a tune to help you relax but other than that, he lets you lead the way.

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cryptotheism · 11 months

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I’ve seen you use the terms “hot reading”, “cold reading”, and “hard reading” in the past- what do those mean? Are the other kinds?

SKKSJDJDJJD okok

"Hot Reading" is a term from con artistry. It refers to tricking someone after you've done some background research on them that allows you to target your pitch more effectively. I.e. I'm a charismatic preacher who knows you're gonna come to my show, so I look at your Facebook to see that you had a recent death in the family, who I will pretend to conjure onstage.

Conversely, "cold reading" is when you don't prepare at all, using common tactics and lowest-common-denominator techniques. If I'm that same charismatic preacher, I channel a grandparent, because statistically you'll have at least one dead grandparent.

A "Hard Read" is not a con artist term. That's from fighting games. It refers to knowing an opponent so well, that you are able to predict what option they will perform next, i.e. beating someone at rock paper scissors because you know what they'll choose next.

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rene-darling · 5 months

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WHEN- you store things inside your boobies

...very obviously fem reader lmao, you store things in the middle of your chest...

...lyney...xiao...itto...wanderer...

Lyney

You're showing lyney a card trick that learned.

But no matter how much he tries to figure out where you hid the card he just can't get it.

He never usually does this but he's just too curious!!

So he's been asking- no, begging for you to tell him how you did it and where you hid the card!

After much pleading and you repeating "a magician never reveals her secrets" you finally spill.

You tell him to watch carefully and he nods.

His eyes widen and his mouth drops open as he burns red.

You reach down your shirt and pull out a card from in between your boobes

"I- you uh..ah.." he's stuttering, not sure what would be an appropriate response to this.

You just laugh "see, this is why I said you can't do this trick, your tits are too small darlin"

"h-hey- making you blush is my job! Not the other way around!"

he's used to making snarky remarks or dirty jokes he can't believe he fell for this!

Xiao

Xiao recently gifted you some adeptus beads

They were meant to ward away evil spirits and demons and keep you safe when he's not around

However, he's noticed that he can't seem to find you wearing them around your neck, so he decided to ask you about it

"y/n where are you keeping the beads I gave you? I didn't give them to you just for you to leave them somewhere to collect dust."

He huffed offended you wouldn't keep the charm on you.

You already insisted on not calling his name when in trouble so you should at least keep the beads on you!

You just looked at him amused telling him you had them on you but he insisted you showed them to him, so you did.

Pulling down the neckline of your shirt you reached your hand in to grab said beaded necklace.

His mouth dropped once you showed it to him and his face bloomed "i- y-you..you have no respect for the adepti!" he vanished after yelling that likely to hide his blushing face, and his boner

Itto

Recently you've hid one of ittos little purple bugs right before his little match with some kid

He's frantically searching for said bug, insisting that he has to take that one or he won't win! Not that he will either way

"y/nnnnn! Are you sure you haven't seen my little bugger! I really need it!" he's whining like a little baby!

Feeling bad for him you finally relent telling him you might have an idea of where his beetle could be

"REALLYYYY!!! You're the best babe-" you tell him to watch carefully as you pull your shirt down and from in-between your valleys crawled out the purple beetle you had hidden

His mouth dropped his eyes looked like they would pop out of their sockets (imagine gojo when he looked at megumi)

"not fair y/n! Why does the beetle get to stay there and not me!" he's thinking about it being unfair,

Then the next second he wants to see if the beetle would fit in between his tits,

Of course, they do. I mean have you seen his tits? He's very proud of that fact

Wanderer

Nahida recently sent the both of you on an expedition together

He acts like he's not happy but deep down he's happy to be traveling alone with his beloved

Recently you both stopped at a shop to buy something but he had forgotten his mora back at camp.

He looked towards you waiting for you to pay, he narrowed his eyes suspiciously at you when you looked at him amused and asked "you sure"

"just pay." well, he insisted, so why would you deny?

As soon as you reached down your shirt his mind short-circuited

You pulled out a mora pouch and handed some mora to the shop keeper like it was nothing and then again stuffed the pouch down your tits.

Grabbing the things you started walking away as wanderer stood there just blushing violently

Looking back you yelled "are you coming or not darling?" he snapped out of it following after you

"did you really have to do that in fucking public?" he huffed in embarrassment, walking back home with a boner is annoying

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itsbenedict · 7 months

Text

mutual 1: conventional morality is nowhere near cringe enough to be based. you agree.

mutual 2: i'm going to liveblog my attempt at solving this obscure statistics conundrum you've definitely never heard of

mutual 3, reblogging mutual 2: oh, yeah, the Obscure Statistics Conundrum, we've all seen it. i have strong opinions on the obvious easy and simple way it should be solved, somehow

mutual 4: i need. to fuck that old man.

mutual 5: picture of a bird

mutual 6: [twenty-post long reblog chain arguing about politics with a stranger in stubborn defiance of the obvious fact that the stranger is not reading a single word they're saying]

mutual 7: here's my take on the latest chapter of the current Wildbow serial that you're going to have to blur your eyes and skip past because you haven't found time to read all five million words of this cool thing you don't want to be spoiled on

mutual 8: what if [the most deranged shit you've ever heard in your life]- and we were both girls?

mutual 4: don't forget i need to fuck that. old man. please.

mutual 9: [automatically generated link to a post on some ideologically extreme underground social media site with ten users that they use instead]

mutual 5: picture of a bird

mutual 5: god every single thing about my life situation sucks so fucking much i want to cry and now you do too

mutual 5: picture of a bird

mutual 10: reblogging that last picture of a bird

mutual 5: picture of a bird

mutual 4: that old man. you know. what i need.

mutual 11: here's today's doodle :) [outlandishly beautiful piece of original art which gets seven notes]

mutual 12: only posted eighteen spicy takes about gender today, so here's a new one i just came up with. is this anything

mutual 13: hey, wanna look at this pornography that somehow hasn't gotten taken down by Tumblr yet?

mutual 14: [a pun so bad she gets put in the fucking Hague]

mutual 5: picture of a bird

mutual 15: [21st reblog on the politics reblog chain where everyone is talking past each other and has zero intention of persuading anyone]

mutual 4: i need to FUCK that old man. what do you mean he's dead

mutual 8: what if i fucked that old man. and we were both girls.

#benedict dashboard simulator 2023 #oh no popular post

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