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advestager · 6 months

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I feel like saying Josuke doesn't have any daddy issues whatsoever isn't entirely fair (I've seen some fic and comics go further into how he and his mom might have been treated due to the circumstances of his birth that were pretty compelling) but people who act like he grew up without any father figure are definitely off base imo. Every single adaptation and extra material have always had a focus on his close relationship with his grandpa for a reason!

see, that's precisely the thing. it is literally impossible to be a grown up human without having internalised some sort of illogical Feeling about oneself or the world – but fandom as a whole tends to just assign arbitrary ones to characters based on stereotypes rather than what they actually are like.

i do think josuke feels some sort of way about his lack of a father growing up, but that's as inevitable as joseph himself (or giorno, or jolyne, or even jonathan) having feelings about his own dad, and yet somehow jorge's absence does not get brought up despite joseph and josuke's fairly similar upbringings. the fact is that most of western fandom tends to view the JJBA characters through a (white, usa-centric) lens that simply does not lend itself to a fair or accurate reading when most of the cast is either POC or from an entirely different cultural background. that's why i'm so resistant to label josuke as having 'daddy issues'; the term means something entirely different to me than it seems to do to most of the fandom, based on all the fic, comics, and discussions i've seen (and had) about the topic. it's not exactly like the organised crime aspect of VA, but it fills me with a similar kind of frustration. i don't think one needs a degree in cultural studies or history or whatnot to enjoy a silly series about people punching each other with slutty soul-ghosts, but it's exhausting to see the same thoughtless, very specifically westernised takes being regurgitated over and over as Absolute Truth until the characters are so flanderised they seem nothing as much as a caricature of their original versions. i love transformative works as much as any other fan creator, but i also happen to like the source material. it is infinitely more interesting to me to think about what kind of relationship josuke might have to his heritage as a mixed-race person, or his identity as the son of a single mother or the obviously cherished and spoilt child of a family such as his own (especially in a place and period like canon's late-90s/early 00's japan), than to hear yet another iteration of 'haha, josuke has daddy issues' where the person saying it has no intention of analysing that premise beyond the puddle-depth obvious.

at barely sixteen years old, even as interested in high-end fashion (and as very much part of a working class family who could definitely use the nest egg) as he is, josuke's immediate reaction to being told his missing father is incredibly rich and wants to take care of him is to say that it's not necessary, and he's fine as he is. sixteen. i worked as a teacher with kids as young as a year old and people as old as mid-seventies; that kind of ease of mind is one-in-a-million and not something you'll find on someone who fits fandom's definition of 'daddy issues'. he's not angry at joseph, he's not grasping for money, he hardly even wants to find out more about the missing part of his origins. his only thought is to wish he wouldn't be the reason other people were hurt, and to protect his mother once there is a risk she might find out and be distressed about it. his entire morality system is (from what i remember of canon) mostly based around the question What Would Grandpa Do?, with some leeway allowed for the temper he clearly got from tomoko and for the fact that he is, again, a big and slightly spoilt sixteen year old.

so yeah. it might not sound fair to say he doesn't have daddy issues, but i don't think the terms fandom's operating under are fair to start with, so i'd rather recuse myself (and my interpretation of the character) from it all til we're playing the same game. the sandbox's wide and wild, and the block and mute buttons are there for a reason, so i'll just stay in my corner writing about higashikatas wielding their feelings like sledgehammers til my mum says it's time to go home.

#tl;dr: everyone's absolutely entitled to their opinion! i just happen to find the most common one the equivalent of soap-flavoured cilantro #i definitely agree with the part about his rship with his grandfather! it's a whole thing in my own writing for them #it's just 'daddy issues' has become shorthand for a combination of takes i quite dislike the past few years #so yeah. i'll just... Not. if y'all don't mind #(i do think Other characters have daddy issues in the traditional sense. and even in the popular modern sense. but not josuke particularly)#anyway i hope this doesn't read as confrontational as i fear it sounds bc that was. so not my intention orz #ty for the ask!!!! i really love discussing character analysis i'm just rly tired rn so i probably sound super Debate Team Mode haha #ps ryohei was 100000% josuke's favourite person in the world growing up and he's still tomoko's special baby gremlin at age 50 pass it on #josuke higashikata #jojo #the funny thing abt my fic is i'm really at ease abt posting my shippy stuff bc it's just like. treating myself to sth nice #and then sharing with everyone as a bonus #but the stuff where i actually talk abt familial and platonic rships for my faves lives in eternal development hell bc i just LOVE it #and never feel like it's perfect enough to share. it's never complete because it's always evolving #which is why i once wrote a novel allegedly about detectives in love but in reality about 100kish of family/friendship character analysis #meaning there was no way this ask could've ever been answered succinctly lol #ask tag #joji.txt #joosk #anonymous

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maddy-ferguson · 8 months

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today's my 1dversary #11yearsagotoday

#don't ask me how i know. jk i'll tell you #they were just on this radio show that i listened to all the time. like every day. they weren't on the show every day but i listened to the #show every day and i wasn't interested in them AT ALLL like a few days before my friend who would go on to ghost me (10 years later) and i #were talking about them and we were like we are NOT like other girls (we said that like verbatim) we're not dumb girly girls who are into #one direction...and then well. i mean i literally listened to i want to write you a song and history this morning and i'm talking about my #1dversary an anniversary i celebrate every year. so yeah i know because it was a thursday and i went back and checked the date and then for #the rest of the year and the year after on the 11th of each month i would be like omg! 10 months of directionism! today is my 132nd month #ig. 150 in a year and a half!#i was a super fan of that radio show and it's literally so embarrassing like oh my god i really should not have been listening to that at..#i started listening to this and another one i really liked at NINE YEARS OLD and oh my god. whatever youre imagining it was definitely that #and probably worse like if i found out that a 9-year-old i knew listened to that i would kill myself maybe. but it was just me so it's fine #the way i celebrate it every year is by saying the following words: today's my 1dversary #and like i say: brf slt

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astrxealis · 2 years

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actually i'll change them to look like this

#⋯ ꒰ა starry thoughts ໒꒱ *·˚#okay just random rambles now :>#he goes by apollo !! unless i change it. bcs i have now associated myself w that name even more ORHEODHSK anyways they r uhm #okay so. he/she/they ?? he/they/he. i don't want to do they first bcs rhat's a bit too similar to me KDHSKDNS #i love that vieras can canonically be trans!! it is part of their lore!! i wna make this guy uhm. idk. ftm or mtf or nb masc or fem leaning #maybe i'll just make him like. bigender. OKAY THAT WORKS. idk what assigned at birth tho ... anyways i love them #he/she/they i think. prefers they as default from others but she defaults to he for himself <3 #his hair originally was like . really light. like the one for my actual wol rn uhh rlly light purple #i didn't mean for it to be purple but it fits perfectly and i dont want to change it >< i changed it for this guy just now tho bcs he wld #be too similar LFHSKDJS they have little white freckles!!! theyre like stars :] hehe #idk if name apollo still sobs. thats the name of my other vv important ffxiv oc and that is also my other name #polaris wld probably be nice !! oh shit wait hyacinth for his counterpart. perfect. oh god #and then to my wols yeah that is apollo HOLY FUCK IM SO BIG BRAINWD. okay but his name uhhhh polaris mayhaps #i'll check my pronouny for other names i like :O #anyways this is my male viera alt!! he is min height ofc :> but still sm taller than me SOBS #he's kind of mischievous but also quiet . he's uh. i'm in love with my oc yes T_T #tag later #his hair reminds me of milk chocolate ... mixed w vanilla!! thsw was the hair color i used for fun actually back on my wol b4 i canonically #changed her hair to the vv light white-purple it is now :> uh. i still need to work on lore LMAO #my goal is to properly work and write on lore of my ocs b4 7.0 !! a few years :] <3 #this also includes my fandomless ocs hehe ... maybe ill talk abt them more one day

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keeps-ache · 1 year

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things to do (that i decided need to be done at 11:52 a.m.);

find that black shirt with the good texture

how draw clothe?? figure out

organize that one playlist

write, if fortune is kind

find music to lose my mind to at 3 a.m. so i can actually write for once

reread old draft

start sketch

make new sketch, last one sucked

work on anatomy

stare at art i like until my brain melts and i absorb the Vibes

#just me hi #hiiiiii it's 11:57 now #//i have like 2 black shirts with nice stretchy textures and i luv them #one of them is tighter the other one's more drapey and they both feel very Gender to me :)#//holy shizzle how do people draw clothes like that. woah dude what th. woah man waoh #the answer is probably Real Life References but. auhghuh.#//the blu3 space playlist is a Mess (a mess that i haven't tried to listen to since the first/last time cuz the vibes were Disorganized if #u knoy wadda mean) so i Need to work on it buuuuttttttttttttttt #i dun wanna but also i really need to cuz i. well idk why but i'll figure that out later #//holy frizzle i haven't opened word in like. at least a minute [i t ' s b e e n l i k e t h r e e w e e k s-]#i really gotta get on that. [lays down and ignores the world AND my little fantasies]#really though new music that makes my entire system go 4000 mach always gets me making stuff lol #just gotta figure out how to concentrate that into pure undisturbable focus ;v;#//just remembered an older writing thing from like. idk when but i DO remember it was fun to write and i disappoint myself every time i #reread and it isn't finished </3 #//art art ar ta rta rta ar ta rt ar tr ar ta r ta tra t a tr a t a tart ar t rat ar t art ar t art a rt a tr at ra ta #i'm so lukewarm to it right now auhhhhhhhhhhhhhhhhhhhhhhhhhh ;=;#didn't mean to put a = but ykno what #//how. how body ? i haven't studied the actual human form Ever and i feel like that fact stares me in the eyes every time i draw hbvka #//anyway. also [telepathically beaming Something at all the cool art i see]#that is all #it's 12:08 now lol i think my leetol Brayn is melting

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musical-chick-13 · 6 months

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What if I made a 4-hour video about why something is NOT garbage, would people listen to me then?

#I mean. they seemed to listen to the original video in question. but also people love Criticism™ and Picking Things Apart™ so like.#probably not lmao #and don't get me wrong. I ALSO love me some criticism. but it's like people don't know how to ENJOY things anymore #and it's also like people are ASHAMED to admit they enjoy things anymore #like yeah yeah I know I joke all the time about how much of myself I put into ctrlz and I DID criticize it a lot #for what I think are good reasons related to the story #but I DID genuinely enjoy it. and I'm not going to pretend I didn't or feel embarrassed that I did #I wouldn't have written so much about it or liveblogged the entirety of seasons 2 and 3 if I actually legitimately hated it #I see so many people APOLOGIZING for their interests or putting them down and I just...that can't be healthy I don't think.#maybe I'll write up something about musical theatre and Cringe™ in the coming weeks idk

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medicinemane · 7 months

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#I'm having to choose my words carefully and not just come out and say what I want to #because at the moment I just feel like being spiteful; but I know I'll regret it #sometimes I'll talk about wanting to delete my tumblr #and some well meaning person will be like 'it's ok to take a break from social media'#and it's like you're carrying but you're also completely incapable of reading the room #this isn't something about wanting a break from my main source of company #this is about people around me doing things that are hurtful and me wanting to hurt them back #it's about spontaneously removing myself from their life; probably saying why; and giving no recourse #it's about making people feel consequences for their actions #(and you may say why not deal with this in a healthy fashion?)#(and the answer is because when I tell people they've hurt me I'm met with dead air)#(they probably just don't know what to say or even missed the message; but that's why that doesn't work)#but the problem is that while maybe in this moment I want to make people hurt like they hurt me #even in the time I'm writing this I'm hitting the point where I don't want them to hurt #so I'd regret deleting; regret losing everything; regret hurting people #I don't need a break; I just wish people would work with me literally ever #I try to explain what I'm asking for; I try to say when I'm hurt even though that's very hard for me #and... and it's never rewarded; which hurts more and makes me want to isolate more #I want to hurt people back because I want to go 'this is what you're fucking doing'#'so now you know what you're doing could you possibly stop?'#anyway; all these feelings were made worse by my mom sneezing #which sounds crazy but like... it hurts so bad listening to it cause of the past I hit my head for the first time in a while #just wish that fucking anybody would treat me with any respect or like they care #wish I even occasionally came first instead of existing to serve everyone around me #love doing what I can for people but... I don't know...#I do truly doubt I'll even be missed when I eventually kill myself #a couple people will feel bad for a bit; but they'll be relieved long term #and they'll find I'm just as replaceable as I've said #... filled with an urge to make a post that's just like 'anyway fuck you all' after this... but I won't #mm tag so i can find things later

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andiv3r · 4 months

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I've seen a lot of people doing these posts, and since Tumblr decided to blow up one of my last posts, it probably won't happen again so this is low risk...

If this post gets 3k notes, I will:

go in for an autism screening (which i've been meaning to do for 5 months)

put aside time every night to do my homework, no matter how much i don't want to

work on my writing WIPs (specifically wc!omens) at least once a week

I don't think this post will reach 3k, so again... low risk. But if it does, I'll add another list of things for 7k notes. All of these are things that have been personal goals for a while, and I just... haven't been doing them.

Edit: uhhh. Okay. So, you did it. I... guess I have to do all of those things now. Wow. Time to add the things for 7k notes then-

If this post gets 7k notes, I will:

start driving more... i need to get my license but i'm too scared to do the driving necessary to get the practice in (i have my permit)

stand up for myself more in regard to my pronouns

#andiv3r rambles #personal goals

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maniculum · 8 months

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Medieval Scorpions Effortpost

So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:

The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".

Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.

As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".

Let me tell you. This is not a problem unique to this illustration.

See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:

That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?

So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.

And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.

*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.

Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.

And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.

11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)

12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)

12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)

12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)

13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)

13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)

13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)

13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))

13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)

13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)

13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)

13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)

13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)

13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)

13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)

13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)

14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)

14th-century Germany, MS Additional 22413. (That is clearly a turtle.)

14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)

15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)

I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.

#medieval #medieval creatures #medieval art #scorpions #medieval scorpions #manuscript #medieval manuscripts #illuminated manuscript

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ao3commentoftheday · 6 months

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my biggest obstacle as a writer is that i desperately want to be a popular and well-known fic author, but my main fic inspiration comes from characters most fans don’t want to read fic for, or ideas that go against popular fanon/characterization and so are doomed from the start. i end up feeling paralyzed and like i can’t write the unpopular ideas I want to write, because i hate knowing i could have done better by writing something with broader appeal. but whenever i try to write solely for numbers i lose motivation while the halfway through the fic. so i end up unable to write anything and feeling miserable because of it.

i want to see my unpopular ideas come to life, but i don’t want to see my fics crash and burn and keep missing the chance to create fic that people really love. so most times, i don’t write anything, but i hate that i’m so hamstrung by my own anxieties. i so desperately wish i could create one of those extremely well-known long fics that most people love and always rec everywhere, but i feel like i’m completely incapable of that. i know i should be writing for myself, but i’m greedy and want results and for people to like my fic, however unlikely that is. wanting to write my ideas but knowing i’ll limit my audience if i do is something that’s constantly on my mind. do you have any advice for me?

My biggest question after reading your ask is simply: why?

You're very clear about wanting to be a popular writer. You want to write a fic that lots of people talk about, and you want people to know who you are. Have you examined that desire at all?

You say that the things you actually want to write are not the things that will make you a popular author. That means you have a choice:

write things you don't care about with no guarantee of becoming that Big Name Fan or

write things you love and enjoy spending time writing and know that BNF status will probably never happen.

Writing fanfic is really not a great way to try to become popular. It's an even worse way to try to become "famous" in any kind of way. So dig into what it is that you hope to get from the "broader audience" that you could appeal to by writing something you don't really like.

Are you trying to get a feeling of being liked? Respected? Looked up to? Do you want to be someone other fans look to for advice or for setting the tone of the fandom? Do you want love? Power? Some kind of community connection? Recognition of the effort you put into your works?

Some of those things likely will require you to pretend to be someone you're not. You might even manage to write that one big fic that gets thousands of comments and tons of people talking about it on tumblr (or wherever else you care about, social media-wise).

Others you can probably still get by writing your "unpopular" ideas but seeking out your fellow fans. It will take more legwork to find them and you'll need to be willing to be the first one to reach out for a conversation, but it can definitely be done.

I'll leave it up to you to decide what you actually want, anon. But take your time and scrape off the top layer of shiny thoughts about popularity first. Then you'll be able to see what's underneath.

#asks and answers

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wings-of-angels · 2 years

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The executive dysfunction is going hard today 😔

#vent tw #I NEED TO WRITE TWO ESSAYS IVE LITERALLY ALREADY HAD 4 WEEKS TO DO IT #i have only just finished gathering the quotes for one of them #i havent even properly planned it out #cos i NEED to plan out an essay thoroughly otherwise i cant organise my thoughts well enough #uGGGHHH #brain static #i mean i dont NEED to plan it out #like in timed essays i just fuckin go for it cos i know i have to and its okay if its not perfects #but when i dont have that time constrait and anxiety its like brain no work #AHHHGGGGHGJGH #i should probably go to the library cos then i'll be in an environment i can better concentrate in #cos IK being in bed is not helping #but im tired and the library is 30 mins away #which yeah yeah isnt a lot but #the whole process of getting dressed. probably making a lunch to take with me. putting myself in the mindset to do that and go out.#then id have to walk back afterwards when im already rlly tired #sorry this is such a small task but it takes energy i dont have #and i either switch between being incredibly impulsive when i want to go out #or needing to plan it out and take time to accept them as my plans #and currently im on that second option #also i have sensory issues surrounding clothing #like idk im fine wearing different clothing outside most of the time?? but at home i cannot wear anything other than certain trousers #which are old and the colours faded and not outside trousers #and like idk i cant relax in other clothes #which i think is only a problem cos im okay with not being relaxed in public i am literally never relaxed #so thats just an added thing i dont notice as much #but if im at home where i want to relax then i cant wear certain clothes cos it feels unbearable #and rubs against my skin wrong like my skins crawling #my point being like.. i dont want to get dressed if i end up not even going out :///

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genericpuff · 13 days

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Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

youtube

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

#lore olympus critical #anti lore olympus #lo critical

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lowkeyremi · 4 months

Text

jjk men and aftercare pt 2 ft. Yuji, Megumi, Sukuna, Yuta, and Toge.

a/n: part 2 babyyy hope u guys enjoy, everyone (except sukuna + megumi) are more on the softer side in this i think (here's part 1)

cw: slightly suggestive, how they are after sex basically :) (all characters are aged up!!)

Yuji Itadori

He's kind of clueless at first. No doubt he's heard about it because he was nervous about his first time and called up his long time best friend Megumi to ask about.

Of course he told him to look it up himself, which he did but he wasn't patient enough to read through it thoroughly, so he scanned through the article to get the basic idea.

"Ummm, do you want snacks? Water... uhhhhh... um.." he struggles to remember what he'd read.

"Some water would be nice to start out." To start out? What does he have to do next?

Instead of stressing though, he hops up off the bed (naked), "Okay! I'll go get you some water!!" He's quick to leave the room and retrieve a nice, cold bottle of water.

As he's about to hand it to you he snatches it back and cracks it open, "Don't want you to strain anything."

"Yuji, baby, I can open a water bottle." You giggle at how cute and careful he is.

"Oh, right! Here you go." Your fingers touch his as he hands you the bottled beverage. A small smile rises on your face and his smile widens when he sees you smiling.

You gulp down the water quickly which was a terrible idea. Small sips is always the way to go, but sex has left you parched for some odd reason.

"Do you wanna hop in the bath?" His head perks at your questions.

"Oh yeah! You probably wanna get clean, right? I'll give you a massage too if you'd like!" Who are you to tell this beautiful man, "no"?

"Of course, Yuji. Thank you for taking care of me." Pride swells inside of him at the thought of taking care of you.

Megumi Fushiguro

Sigh. Like father, like son. He's not as bad as Toji, but when you guys first slept together he rolled over and fell asleep once you came.

When you told him why you were upset his response was "at least you came, right?"

Which he admits now that that was NOT the best thing to say. He's changed since then, though.

"Here," he throws pain killers and your favorite snack at you. You'd just finished showering about twenty minutes ago. Yes, you invited your boyfriend to join you but he had to resist your offer. He knew he wouldn't be able to keep his hands off of you and you already expressed your tiredness.

Anyone else would probably be offended if their partner threw stuff at them, but this is Megumi's way of expressing his love.

"You good?" He asks when you don't move to pick up your snack.

"Mhm, but you know it's best for me to take pain killers before sex. They're useless now." He dodges the pill bottle when you throw it at him.

"They won't reduce the after sex pain? Thought they did. Well anyway, you wanna watch something? I actually started getting into that one show you like."

The way your heart fluttered at his question left you all sappy and excited.

"Yeah get over here."

He's not perfect at aftercare but he's yours and he makes sure to tend to your needs in his own way.

Sukuna Ryomen

Honestly I don't even think I need to write anything for him but ima try my best!

He was confused about the way you stared at him when you joined him in the bathroom. He was brushing his teeth.

"What brat?" He asks staring at you through the mirror.

"You literally split me in half and didn't even bother to take care of me afterward.." You state awkwardly as you sit on the covered toilet seat.

"Eh? What happened to all that independent woman shit? Can't ya do it yourself?" He asks, the toothpaste and toothbrush in his mouth made his words a little bit hard to understand, but you get the gist.

"I mean I can do it myself, but it's more intimate when you do it with your partner!" Honestly it was useless trying to explain yourself because Sukuna is stubborn as hell.

"We had plenty'a intimacy when I was eatin' your pussy like less than ten minutes ago." There's sass in his voice and he rolls his eyes.

It was best to give up, because he wasn't going to listen. The walk of shame was super embarrassing and you made yourself a little spot on the couch to sleep on for the night.

Fifteen minutes later Sukuna's stomping into the living room.

"What're ya doing out here on the couch when we have a whole bed?" It's obviously a rhetorical question, he has a good idea of what you're mad about.

"You know why I'm pissed. You're an asshole, Ryomen. I don't even want to talk to you right now, so go away." The malice in your tone was evident and he switched up upon hearing you call him his full first name rather than that dumb nickname he will never admit that he likes.

"Ugh... so whiny. If I take care of ya, all the domestic shit. Will ya bring your ass back to bed?" He asks, a hand on his slutty waist.

"Yes." You quip quickly.

"Fine. Come on."

That was the start of the aftercare you deserved, and surprisingly he was good at it. When you asked him where he got all this experience from he said, "I was a human with feeling at some point. I know how to care for people, when I want."

Yuta Okkotsu

He didn't want to fuck up so he researched any and everything. From hydration to what foods are good to eat afterwards and so on.

"Thank you Yuta, this is delicious." It really is good, his cooking is phenomenal. It always warms your heart. You'd started on dinner but Yuta distracted you which led to having your legs spread on the counter for him.

"It's the least I can do for you for treating me so well." He says with a suggestive smirk and you know exactly what what he's implying.

"Also food is important to build your stamina back up after sex. Did bathing with those bath salts help any?" He's read that they're supposed to relax and calm the body. He made you soak for twenty minutes.

"It did, I don't feel as sore as I did earlier." And it's true, Yuta knew more about how to care for yourself better than you did which surprised you to some extent. Sometimes it felt more like a nagging parent than helpful advice but he usually doesn't get to that point.

"Make sure you're taking care of yourself too, babe. It's not all about me." You remind him.

He nods while chewing. "I always take care of myself after you. I'll wash up after we tackle the dishes."

Toge Inumaki

Toge is a worrier when it comes to aftercare. He wants you to be satisfied with his efforts.

Never again did you fall asleep without cleaning yourself up or letting Toge help you do it. Last time you did he commanded you to get in the tub so he could scrub you clean.

He wrote an apology on a piece of paper afterward. He just wanted you to get clean.

He cares a lot about you and your emotions, and obviously it's hard for him to do that in words, so he tries his best to do it through his actions.

Tonight is no different, he's washing your hair in the shower. The water is the perfect temperature and you can feel Toge pressed up against you. The way his finger tips graze your scalp are just right/ You about fall asleep.

"Mustard Leaf." He says in worry. He doesn't want a repeat of last week, when you fell asleep in the shower and you slipped almost causing a concussion if he hadn't caught you last second.

"I.. I'm awake. I won't fall asleep again, promise." You yawn and the worry dissipates for the most part. He trusts your words.

"Salmon." He responds and you smile lazily.

Your most earnest moments are when the two of you are in the shower. You feel the need to rid yourself of anything from the day so you tell him everything. He nods along and gives you comforting touches to assure you.

"I love you so much, Toge. Thank you for cleaning me up."

Your white haired boyfriend nods his head at you with a smile. Your eyes follow his hand as he writes " I ♡ YOU" with his finger, on the glass door of the shower.

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