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#I mean I can say a lot more
mapoeggplant · 8 months
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skip to loafer chapter 55 general thoughts // spoilers
it's crazy to think that takamatsu-sensei would be able to condense all the points of what makes skip to loafer special in one chapter alone, but surprise: she did that, beautifully — as always.
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like a hot summer night, everything about this chapter feels warm. I can also compare it to a hug. what I want to say in the end is that there's a lot of empathic points and moments on this chapters that brings out the best on sensei's writing and how she build her characters.
giving mika a chance to share her point of view right after so many chapters that focused so much on shima's struggles was a great move. the reason why I say this is because I can see mika as someone who's personality and character construction is very similar and linear to shima's. both of them have this scar of their past that keeps coming and going up to their adolescence and they are trying to find a way to surpass is — and both of their worries lie on loneliness, but a different kind for each one.
while shima fear loneliness as in disappointing everyone around him, mika feels it as in never finding a place she could really be who she wants to be. yes, she found a safe space with the girl group, but she still feels like she can't tell them everything, and I don't think she's wrong for that. even tho it's comforting and they make her happy, it's hard for her to really break this wall she took so long to build. it's not something you can change overnight.
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and following this with nao connecting the dots from her past to present was amazing. that's because it was easily an introduction to nao's feelings about her hometown and all the pain she still feels in relation to it. even though she's living in tokyo with a new happy life, there will always be that teenage sitting on the beach, crying and feeling lonely in the back of her mind. by relating to mika's pain and loneliness, nao can finally find a way to put an end to what hurts her so much and make peace with her past. as i said before: she looks at mika and sees a second chance.
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different from grumpy mukai, I don't think mika was in any way making that moment about herself. liking it or not, her crush on shima was the reason why her relationship with nao started, so it was the best way for her to make that bond stronger (and find a partner in crime).
now for the one!!! the one we never could imagine had thoughts: mukai! exploring a little more of mukai on this chapter elevates more the complexity of the scenes around them. and also, when he starts to think about mika's feelings and shima's complexity, we're transported to the beginning of the chapter, when mika is asking herself basically the same questions.
mukai realized how sharp and precise mika is, but something inside him still wants to deny. that's because she's "the type of girl" he thought he knew and didn't liked it, but now he's seeing a side from her that is challenging him on his own believes. it's a way for him to break a little out of his shell, to break from the stereotypes he once thought he knew.
there's a lot to come, specially because he's very curious about her — always had been. she's intriguing, beautiful and much braver than he thought she could be. for now, I'm happy that that's all that we have: a little "I notice this but I don't want to think about it" from him.
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takamatsu-sensei relies herself on human connections, and here we are again, having the privilege to experience this. the whole chapter is a callback to relationships, bonds, the complexity of one another and our own. it's about connections, forgiveness, moving forward.
it might take time, but mika will find her peace sooner or later. I mean, if someone ever told teenage nao that she would be calling her boyfriend and inviting him to visit her hometown, do you think she would believe it? we're always moving on our own pace 💛
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as always, thank you for reading, sorry for any mistakes (I just follow my stream of consciousness basically) and I hope we can talk more about it, together 💛
you can also find this thread on twitter
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asteraws · 1 month
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my clown college grad project from december last year 🎪
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slyandthefamilybook · 6 months
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A NON-EXHAUSTIVE BUT NEVERTHELESS EXHAUSTING LIST OF NEO-NAZI AND WHITE SUPREMACIST DOGWHISTLES
since some of y'all apparently need a refresher course. as always, use your judement when deciding if it's a dogwhistle or just innocent usage of a number or symbol
NUMBERS
100% - 100 percent white
109 or 110 - A reference to the 109 countries that have expelled, in whole or in part, their Jewish populations. 110 refers to the hope that more countries will do so, usually specifically the United States. Often posted on its own as a reply, or phrased as a question (e.g. "If you were kicked out of 109 bars it's probably our fault")
1290 - A reference to the Edict of Expulsion of 1290, which expelled the Jewish population of England
13/50 or 13/52 or 13/90 - The supposed statistic that Black Americans make up 13% of the population yet commit 50% or 52% of violent crime, or 90% of interracial violence. Often posted on its own as a reply
14 - The Fourteen Words, a Neo-Nazi slogan
14/23 - A number representing the Southern Brotherhood, an Alabama prison gang
1488 - A combination of the Fourteen Words and Heil Hitler
C18 - Combat 18, a British neo-Nazi group
18 - The letters A (1) and H (8), standing for Adolf Hitler
21-2-12 - The Letters U (21), B (2), and 12 (L), standing for Union, Brotherhood, and Loyalty, the slogan of the Unforgiven, a Florida prison gang
23 - Often thrown up as a hand sign, with two fingers raised on one hand and three fingers raised on the other. Represents the letter W (23), standing for white
271,000 - A reference to the supposed fact that the Red Cross claimed only 271,000 people had been murdered in concentration camps. In reality, that number reported by the Red Cross only came from reports from 13 concentration camps (there were 23 main camps, plus a large number of smaller "satellite" camps)
88 - H (8) H (8), standing for Heil Hitler
9% - A number representing the percentage of the world's population that is white
SYMBOLS
((( ))) - Triple parentheses, or echo. Used by neo-Nazis to call out someone as Jewish
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Iron Cross - A German military decoration
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Sonnenrad (Sun Wheel)
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Reichsadler (Imperial Eagle) - A blocky, art-deco eagle facing to the side. Variants exist, some facing right, some facing left. The Parteiadler (Party Eagle) has a slightly different design. The Reichsadler is usually clutching a wreath with a swastika, although this is sometimes left out to maintain plausible deniability
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Totenkopf (Death's Head) - A symbol used by the SS
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Wolfsangel (Wolf's Hook) - Used as the insignia of various Wermacht (Nazi Military) divisions
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Wolfsangel (horizontal)
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Odal Rune - From the Proto-Germanic "Othala" meaning heritage
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Algiz Rune - A symbol used by German nationalists
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Celtic Cross
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"Broken Sun" Cross
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Arrow Cross - A Hungarian nationalist party that was active from 1935-1945. The symbol has been re-appropriated by modern neo-Nazis
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Valknot
EMOJI
🤑 Greedy Face Emoji - Used to refer to "greedy Jews"
💰 Money Bag Emoji - Used to refer to "greedy Jews"
🥸 Disguised Emoji - Used to refer to Jews because of the enlarged nose
🤥 Lying Emoji - Used to refer to Jews because of the enlarged nose
👃 Nose Emoji - Used to refer to Jews
🙋‍♂️ Raising Hand Emoji - Used for its resemblance to the Sieg Heil salute
✋ Raised Hand Emoji - Used for its resemblance to the Sieg Heil salute
o/ or 0/ - Used for its resemblance to the Sieg Heil salute
🐸 Frog Emoji - A reference to Pepe the Frog, a webcomic charcter co-opted by the alt-right
👌 Okay Symbol Emoji - A hand symbol co-opted by the alt-right. Sometimes said to resemble the letters WP, or White Power
🚪 Door Emoji - Refers to the fact that some of the gas chambers (such as the ones at Auschwitz) had wooden doors, and therefore could not have been airtight enough to contain the Zyklon B gas used to murder prisoners. In reality, many of the wooden doors were either replaced with airtight metal ones, or were made airtight with strips of felt that then deteriorated or were removed
🚿 Showerhead Emoji - Refers to the showerheads used to dispense Zyklon B gas in the gas chambers
⛽ Gas Pump Emoji - Refers to gas chambers
⚡⚡ Double Lightning Emojis - Used for their resemblance to the Siegrune (victory rune) badge worn by members of the SS (Schutzstaffel)
💀 Skull Emoji - Used for its resemblance to the Totenkopf (Death's Head) used by the SS
☠️ Skull and Crossbones Emoji - Used for its resemblance to the Totenkopf (Death's Head) used by the SS
WORDS/PHRASES
6MWE - Six Million Wasn't Enough. A call for further genocide against Jews
AKIA - A Klansman I Am
Annudah Shoah - A mockery of both the Shoah (Holocaust) and the fear of further genocide
Auschwitz had a swimming pool/rec center/maternity ward/etc. - An attempt to diminish the horror of concentration camps by making them seem more like labor camps with amenities
Blood and Honor - A neo-Nazi slogan
Blood and Soil - A neo-Nazi slogan
Blood Libel - Not a phrase used by the far right, but something they often believe in or claim. Blood libel is an antisemitic conspiracy theory stretching back hundreds of years. The original claim was that Jews used the blood of Christian babies to bake matzah (a ritual food eaten on Passover). It has since evolved into images of Jews drinking blood, kidnapping and killing non-Jewish babies, and conspiracy theories about harvesting adrenochrome
Bowlcut - A reference to white supremacist mass-murderer Dylan Roof
Cohencidence - A portmanteau of Cohen (a common Jewish last name) and coincidence. Used to refer to Jewish control (e.g. "All these companies are owned by Jews! What a Cohencidence!")
COORS - "Comerades of Our Racial Struggle"
Cultural Marxism - A conspiracy theory that Jews are intentionally weakening "Western values" in order to make countries like the United States more susceptible to communism. This was called Cultural Bolshevism in Nazi Germany
Da Shoah or Muh Shoah or Muh Holocaust - A mockery of the Holocaust
Day of the Rope - A day referenced in neo-Nazi book The Turner Diaries when all race traitors will be hanged
Degenerate - An insult based on the false theory that bad morals will cause human beings to regress along the path of evolution (to de-evolve). Used to describe groups, individuals, or ideologies
Early Life - A reference to the "Early Life" section of Wikipedia biographies, which will reveal that a person is Jewish or has Jewish ancestry
Every Single Time - Every time something bad happens, the perpetrator is Jewish
Featherwood - A term derived from racist prison subculture. A featherwood is a woman associated with a racist gang
FGRN - For God, Race, and Nation. A Ku Klux Klan slogan
The Fourteen Words - A neo-Nazi slogan. "We must secure the existance of our people and a future for white children"
The Frankfurt School - A school of sociology founded at Goethe University Frankfurt in 1923. Usually blamed as the originator of "Cultural Marxism"
Fren - Internet slang. A diminutive of "friend", used to diminish Naziism and make it seems more harmless. Often used in usernames to describe one's self (e.g. sad_fren_88)
Globalist - A person who desires connection between countries in terms of politics, trade, and travel. Used to scaremonger about Jews destroying countries by removing their borders
Gorillion - A mockery of the number 6 million, being the amount of Jews who were murdered in the Holocaust
Goy - Hebrew for "nation", used by Jews to refer to non-Jews/gentiles. Used disparagingly by neo-Nazis to suggest Jews view non-Jews as beneath them
Goyslop - Unhealthy food that Jews force non-Jews to eat to keep them weak
Groid - A shortening of "Negroid", an archaic terms used to describe Black people
Groyper - A follower of avowed neo-Nazi Nick Fuentes. A reference to the "Groyper" meme, a variant of Pepe the Frog
GSHW - Germany Should Have Won (i.e. won World War II)
GTKRWN - Gas the Kikes; Race War Now
HDKH - Hitler Didn't Kill Himself. A neo-Nazi theory that Hitler escaped Germany and fled to Argentina
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John 8:44 - "You are of your father the devil, and your will is to do your father's desires. He was a murderer from the beginning, and does not stand in the truth, because there is no truth in him. When he lies, he speaks out of his own character, for he is a liar and the father of lies." Part of Jesus' rebuke of his Jewish followers
Joo or Jooz - An intentional misspelling of "Jews" in an attempt to bypass censors or automatic content filters
Kate Hikes - A spoonerism of "hate kikes"
Kek - 4chan variation of "lol"
Kekistan - A fictional country imagined by white nationalists with a flag that resembles the Nazi battle flag
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Khazar - A reference to the conversion of a group of Khazars (a Turkic people) to Judaism. Antisemites speculate that the entirity of Ashkenazi Jews are descended from these Khazar converts, and therefore have no historical, cultural, or genetic tie to the Levant. This has been proven false on multiple occasions
Kike - A racial slur against Jews
Lizard People or Reptilians - A conspiracy theory by far-right figure David Icke, claiming that world leaders are really reptilian aliens. Most people who believe this theory believe that the lizard people in question are the Jews
Magic Soil - A protest against the idea that people of one nationality can become people of another nationality simply by living in a country (i.e. "France doesn't have magic soil that turns Africans into Frenchmen")
Nicker - An intentional misspelling of the N word in an attempt to bypass censors or automatic content filters
Ns - Black people (as in the plural of the letter N)
NSDAP - Nationalsozialistiche Deutsche Arbeiterpartei. The Nazi party, but using an acronym that is unfamiliar to most people
NS - National Socialist
Noticer - Someone who "notices" that Jews control the world
The Noticing - A mass movement of people "noticing" that Jews control the world
New World Order - A far-right conspiracy theory about Jews taking control over the world and implementing a single world government. Also used in conjunction with phrases like "world banks"
OFOF - One Front, One Family. Slogan of the neo-Nazi group Volksfront
ORION - Our Race Is Our Nation
Oy Vey - A Yiddish exclamation meaning "oh woe". Used by neo-Nazis to mock Jews
Pattern Recognizer - Someone who has recognized the "pattern" of Jews always being in control
Peckerwood - A term derived from racist prison subculture. A peckerwood is a man associated with a racist gang
Power Level - A memeification of far-right beliefs. The more fascist your beliefs, the higher your "power level"
The Protocols of the Learned Elders of Zion - A 20th century Russian hoax claiming to be the minutes of meetings between Jewish leaders discussing how they will take control of the world
Pure Blood - Someone who is a pure member of the white race
Rabbi Smolett - A claim that Jews fabricate antisemitic hate crimes (a reference to actor Jussie Smolett who was accused of doing the same)
ROA - Race Over All
The Goyim Know - A phrase used by white supremacists acting like Jews who have discovered white supremacist activity, and are afraid that they've been found out. Often "The Goyim Know, Shut It Down", which adds the idea that Jews will prohibit any conversation that gets too close to the truth
The Red Cross - A reference to the supposed fact that the Red Cross claimed only 271,000 people had been murdered in concentration camps. In reality, that number reported by the Red Cross only came from reports from 13 concentration camps (there were 23 main camps, plus a large number of smaller "satellite" camps)
Tiny Hats or Tiny Hatted People - A reference to the Kippah or Yarmulke often worn by Jewish men
Reject Modernity, Embrace Tradition - A fascist slogan warning against social progress and calling for a return to a prelapsarian (usually ethnocentric) paradise
Rubbing Hands - A reference to an antisemitic charicature called "The Happy Merchant"
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"To learn who rules over you, simply find out who you're not allowed to criticize" - A quote often misattributed to Voltaire, which neo-Nazis use to decry claims of antisemitism as efforts to silence them. In fact, it's a quote from a neo-Nazi pedophile
Shabbos Goy - A non-Jewish neighbor of a Jew who can be asked to perform acts Jews are forbidden from doing on the Sabbath (e.g. turning of a light or turning on the heat). Used by neo-Nazis to claim someone is a slave to Jews
Sheeeiiit - An over-the-top representation of how "shit" is said with a Blaccent. Often used in memes declaring Black people to be less intelligent
Shekels - Jewish currency (from the Hebrew word for weight, similar to how British currency is called the pound. In reality, the plural of shekel is shkalim). The name has been adopted by the State of Israel for the NIS (New Israeli Shekel). "Shekels" is used by neo-Nazis to mock Jews as being greedy
Synagogue of Satan - An antisemitic term for Jews, stemming from the Chrsitian Bible
They or Them - When used to describe a nebulous group of undefined adversaries, these words almost always refer to Jews
They Cry Out in Pain As They Strike You - An antisemitic proverb claiming that Jews will make false cries of antisemitism while at the same time perpetrating atrocities
Troon - A slur against trans people, particularly trans women
Volk - German for "folk", or "kind". Used by neo-Nazis to refer to white people
We Wuz Kangz - A racist phrase ment to mock Black nationalists
White Genocide - The myth that a group of people (usually Jews) are conspiring to eliminate the white race through various means including immigration, intermarriage, and homosexuality
WP - White Power
WN - White Nationalist or White Nationalism
Wooden Doors - Refers to the fact that some of the gas chambers (such as the ones at Auschwitz) had wooden doors, and therefore could not have been airtight enough to contain the Zyklon B gas used to murder prisoners. In reality, many of the wooden doors were either replaced with airtight metal ones, or were made airtight with strips of felt that then deteriorated or were removed
Zio - An abbreviation of "Zionist". Used derogatorialy by neo-Nazis
WPRWS - 'Weimar Problems Require Weimar Solutions" (sometimes shortened to just "Weimar Problems" or "Weimar Solutions"). Prior to the rise of the Nazi Party, the democratic Weimar Republic was in financial crisis (the eponymous "Weimar Problem"). This was often blamed on the Jews. The "Weimar Solution" is Naziism
ZOG - Zionist Occupied Government, reflecting the belief that the United States government is controlled by Jews
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triona-tribblescore · 9 months
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le bae-bae
(Yo-Ho-Ho) A Ninjas Life For Me
First / Previous / Next:
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anakirui · 1 month
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i think we need to talk about this unit thematically
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i know it's "haha april fool's day, they're stuck in a futuristic city and rui wants to study the silly sekai aliens" but like... hear me out
im pretty sure these 4 were picked because they all have one major thing in common— the fact that they were failed by society.
kaito v1 was a commercial failure on release, to the point where other vocal synth companies looked at his low sales and consequently made less male vocal synths— leading to the large gender gap in vocal synths that we still have today (although its less than what it was ~5 yrs ago imo). i think clpl actually considered this when picking kaito for this unit solely because it's vbs kaito— the kaito that most strongly resembles old fanon kaito in how he can easily be described as a carefree dumbass that loves icecream.
rui was ostracized his whole life for being "dangerous" with his shows by his classmates, as well as being isolated because of how he was "different" from the other kids (implied neurodivergent). this lead to rui struggling with depression as well as a myriad of other issues (such as his abandonment issues) later on.
akito was ALSO ostracized for being too serious about his passions and having a "bad attitude", which lead to him developing an inferiority complex as well as leading to him essentially being overly polite to strangers because of his past trauma where he was publicly humiliated, had his reputation ruined, and brought disgrace to a place he loved just for accidentally spilling water on someone 💀 (find a way out is so real) ((also i choose to see akito as neurodivergent mainly because of how his behavior is framed idk i feel like him being overly polite is him masking, esp. when u compare his behavior between different people.. recent example: how he acts around rui vs how he acts around mafuyu for example)) (((also, he's rui's narrative foil, so it just makes a lot of sense???)))
and then there's haruka, who was so close to being the "perfect" idol but couldn't because of her trauma from hurting mai— she was unable to meet the expectations of being an idol under the pressure of probably not only her managers but also the large fanbase she always wanted to give hope to
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moreaugriffins · 1 month
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IDK who needs to hear this, but Egon and Ray aren't the only autistic og ghostbusters
Peter is too
Your telling me this man with two PhDs related to psychology, who always has the exact right thing to say to manipulate a situation to his favour (when it's a planned/known situation), but cocks up massively when it's an unknown situation, who has a massive reaction to getting slimed (more so than the others), who would rather joke all the time than take a situation seriously because wtf should he say
you're telling me this man is neurotypical?
nah
Winston's the only NT in this group (idk how he deals with these weirdos (affectionate))
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strawglicks · 2 months
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welcome to the Coal & Ice District!
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aether-weather · 4 months
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manifesting summer rn (it's 18 degrees)
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creativitycache · 4 months
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...what it means is they're all drawn by the same studio
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aq2003 · 6 months
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really love how throughout a lot of smith and jones martha is really skeptical and apprehensive towards ten (+ one of my favorite exchanges between them - "what, people call you 'the doctor'?" "yeah?" "well, i'm not. far as i'm concerned, you've got to earn that title."), not taking everything he says at face value, even doubting the fact he's an alien until over halfway through the episode.. And like. i really truly think the thing that wins her over isn't him kissing her or any of the other insane mixed messages he manages to send, it's this scene here, where he /earns that title/ in her eyes:
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(+ david's bit in the commentary, where he says: "[the doctor] has actually sacrificed himself, and - i would say, that that final act of selflessness is what finally, eventually, welds martha to him. [...] and she now returns it. she returns that act of selflessness.")
this is what their relationship is built on. it isn't about martha being the second-best replacement to rose or a rebound or whatever. bc it isn't really about rose. it's about doctor-in-training martha meeting someone (quite literally, "the doctor") whose ideals she aspires to, and doing her best to be the same person to him as he is to everyone else. it's about ten in return admiring her intelligence and inquisitiveness and how she cares for human life, recovering his compassion, letting himself lean on her for support - and then remembering at the most inopportune moments that he's supposed to not need anyone and be on his own forever. And around in their little nightmare loop they go where they save each other over and over until one of them breaks
i've seen ppl look at martha and go "why she does she admire/why is she so in love with ten if he acts like that to her?" or something along those lines and like. it's not just the fact she's in love with him (in fact i'd argue she actively tries to push it aside post-gridlock). it's the fact that she knows he's the kind of person to put everyone else's lives/well-being over his own. she trusts him to save her when she's in trouble even though it's been like two days at most that they've known one another bc she recognizes that same "deep all-encompassing drive to help others" in him. and she also recognizes, much much earlier than him, that he needs someone to save him, especially when he's unwilling to save himself. and yeah for a bit she thinks he returns her feelings and is just playing hard-to-get, but she realizes pretty early on that this probably isn't the case, and i think that realization fully solidifies here:
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(this is when she's listening to ten talk abt gallifrey). And idk it might just be me but i think this expression isn't just her empathizing with his loss. it's also guilt, for wanting something from him that he's clearly unable to give when he's wracked with so much grief. (and you see it in the next episode, where tallulah asks if they're together and martha says for certain that they're not, and that he doesn't know about her feelings for him. she keeps everything to herself bc she now knows that when he shut her flirting down at the end of 3x01 it was the genuine reaction of someone who a) isn't interested and b) is scared of getting close with someone else again)
freema described their dynamic as "she's keener than him" and i think about this all the time. martha doesn't really take what ten throws at her. what she does instead is constantly poke holes in his already-failing front of "i will show someone the wonders of the universe so i can ignore what is wrong with me". what she does is stand up and fight him when he tries to go off on his own. what she does is put aside her well-being in favor of helping someone - just like what she saw him do for the people in the hospital when they first met. tldr, that's the doctor and his doctor and rip martha you would've loved who's gonna save u now by rina sawayama
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todayisafridaynight · 6 months
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journalists underestimate the magnitude of my addiction and how far i'll go for the bit
#snap chats#im lying i physically could not marathon this i got school LMAO BUT IMAGINE#my god speaking of school i signed up for a japanese history class. because of course i did#i also needed an extra class and i didnt know what else to put LMAO but i might swap it or somn#thinkin i should get back into theater..... i got like two months to decide anyway#i was thinking about how im gonna play IW during streams... if the lord will let me i might stream for 2~3 hours or so#im putting such a small time limit due to Aforementioned School but also idk if my computer can record any longer than that#when i tried saving the video to my flashdrive it only lasted about two some hours right ? maybe 3 if i remember right#i decided to record to my computer's hard drive instead of the usb since it has more space so maybe i can record longer#ill prob do a test run later today and record a nonsense video. i WILL delete it i just wanna see what the limit is#cause my plan is to just Record One -> Upload It -> Delete OG yk. Lazy Susan type of plan#didnt mean to type out my whole gameplan in the tags LOL BUT HEY I WANTED TO TALK BOUT IT AT SOME POINT#my final message is that ive Hopefully preordered the ichi statue. i say Hopefully cause i am once again doing it through jp rabbit#and i didnt get the confirmation it was successful yet so I Will Simply Wait.#point is it was a lot cheapter than i thought it was going to be <3 yay <3#ok im running out of tags tl;dr im gonna marathon IW until my eyes bleed BYYYE
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justanotherwriter140 · 2 months
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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seawing-vibes · 9 months
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Some sillay doodles!! Qinterwatcher + trans jade-winglet doodles <3 I tend to do these silly (very off model & probably real out of character) jade winglet doodles as warm ups & cool downs after bigger drawings !! They’re fun to do
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fromtheseventhhell · 9 months
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I want to make a longer post about this someday but: I think Arya's TWOW arc is going to include her coming to terms with her identity as a Lady. This has been an ongoing conflict with her since her first chapter and I think her flowering in winds is going to mark a turning point. The theory of her having an apprenticeship with the courtesans holds a lot of weight and the idea of Arya going through puberty among a group of unconventional women she's fostered a positive relationship with is just too perfect. It would really have an impact on Arya reconciling her personal idea of what a Lady should be. There's also a lot that she could learn from them in terms of courtesies, communication, appearances, body-language, etc. that would elevate her current skill-set and ways her relationship with them could push the plot.
Not to mention she will undoubtedly reclaim her identity as Arya Stark, and her being a Lady is inseparable from that. Arya Stark is a Lady Stark and being a Lady is a social position, not a measure of how well someone preforms feminine tasks. She shouldn't have to relinquish her position because she doesn't fit patriarchal standards. That's not to say that she's ever going to be the perfect example of a traditional Lady but what I think will happen is that she becomes capable of playing the part. She plays several identities throughout the series but she's always been Arya underneath, so I think it's appropriate that she learns to adopt a "persona" that's part of her. Her remembering Ned putting on his "Lord's face" (+ the various examples of other characters being separate from their ruling persona) makes me think that Arya will be donning her "Lady's face" when she makes a return to Westeros.
#arya stark#asoiaf#twow speculations#Arya has been through so much traumatic shit and I think her flowering is going to bring up a lot of her self-esteem issues#I just really need her surrounded by kind older women when that happens so she can have some comfort#George saying her arc in braavos could be the plot of a YA novel?? definitely makes me think she's going to grow up a lot there#she's already one of the most mature characters so I think part of it's going to be her accepting her duty as a Stark Lady#she wants to help and protect people and the best way she can do that is if she has political power#She could learn that first hand in TWOW#possibly through her finding out about her marriage??? and meeting Jeyne in Braavos??#and before someone says it courtesans are so much more then sex work so I don't want to hear it#they are such a big part of Braavosi high life...they're cultured and connected with very important people#I just have so many thoughts on the subject cause I think her apprenticeship with them will serve multiple purposes#the faceless men and their plans...the iron bank...the sealord...It's all connected and I think her apprenticeship with them will kick off#the braavos plot and could mark the beginning of the end of her time with the faceless men and in braavosi#half a boy half a wolf pup -> half a lady half a wolf#I think her current skillset fits well and it's likely she'll learn even more in TWOW#Arya defining her own role as a Lady and becoming comfortable means so much to me
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voiider · 4 months
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fake psychic Tim but its just. its just psych. Jason dies and batman goes off the deep end so Tim (instead of becoming robin) starts going ham on the 'tips to the police' bc if the police can deal with the smaller crimes then Tim doesn't have to worry about batman killing a petty thief.
Except he's running himself into the ground and he starts getting sloppy bc he's giving the local police info, and bludhaven info (bc dick) AND probably giving Nightwing info when he can and someone catches him or he leaves a paper trail and then Officer Dick Grayson apprehends him and takes him in for questioning and Tim is like "you can't talk to me without my parents or a lawyer present, I'm a minor. And my parents are in Guatemala, so you better call my lawyer."
and Dick is like "kid you're not in trouble i just need to know who's giving you this information." Because there is NO WAY this kid isn't working with someone. Someone who is using a child to drop off information, which while noble to help the police, is putting this child in danger and tim is like, pretty offended actually. That it's being implied that he COULDN'T do this himself.
So he's like "im not working for anyone."
and Dick is like "you have to be getting the info from somewhere. I just wanna help."
and Tim is like AUGH ADULTS "I just- i figured it out on my own" and its CLEAR that Dick doesn't believe him which is, first off, super insulting, never meet your heroes, and second he shouldn't be talking anyway or admit that he goes out at night or Dick will do something stupid like try to make him stop. So he's like (rolling eyes) "I'm psychic. Are you happy? Can I have my phone call now?"
#batman#tim drake#Cue Dick ALMOST not buying it but he's like 'okay kid'#if you're psychic prove it.#And Tim is like oh he thought i was serious??? Uh#“you're favorite animal is a bat.“ And Dick looks at him confused but then sorta pales a little and is like ”... what.”#and tim is like “and you really like nighttime... walks.”#And Dick like turns off the recording and is like “kid what are you saying to me”#and Tim is like “I know you're Nightwing. The ... spirits told me.”#and honestly it's more believable that a 12 year old kid is psychic than that he figured out who Nightwing was on his own#ted talks#anyways lots of fun hijinks can ensue. Tim is technically a security rick and even though dick REALLY doesn't wanna talk to bruce#he should tell him about this... psychic child#Which can just be more questions and Tim answering them and is like#if i wasn't psychic how would i know this.#and Bruce.... doesn't know. So they have no choice but to believe him#psych tim au#also including: bruce being like “.... can you tell my son (jason) i love him?”#tim would actually be pretty good on the field with moments notice observations#he's been trained his whole life to read people at parties and know what they want from him and what they mean#regular people are MUCH easier to read than the elite who say everything backhanded and all have like poised masks of perfection#raye was telling me their psychic tim au and i was like 'ok but what if just psych'#catch us out here both writing separate fake psychic tim aus
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tracle0 · 10 months
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Feast your eyes! My pride stars :)!
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