Huh....I’ve never listened to the whole kh3 secret episode in jp before, just the bad ending (which I also highly recommend watching). It’s strange...it gives me quite a different impression of Yozora but I’m not sure how to explain it. He does have a much softer voice in jp but it’s not just that. He sounds a lot less annoyed and more just. Tired. With everything. Exhausted. And almost sounds relieved when Sora tells him his name, like- “Finally, I found you”.
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I have been awake all night and I think, since we got to follow Zuko from S1 even though he didn’t join the Gaang until the bitter end, we should’ve gotten the same for Toph. In between season 1 and early season 2 plots, we’d occasionally cut to this earth kingdom noble family for seemingly no reason.
Ok they are rich and they have the daughter. Alright she’s blind that’s interesting. The Beifongs will comment about canon events and their daughter is quiet and perfect in the background. Then one episode we see her earthbend something small, intriguing. Also intriguing she only looks helpless and lost when other people are around. We get more solo perspectives of her, she’s a bit more coarse away from her parents. Her earthbending continues to be used secretly, impressive but not monumental. We suspect she’ll be similar to Katara, an eager, untrained bender who learns as she teaches Aang. We wait with anticipation for this vulnerable girl to see the world and own her power.
And then they drop The Blind Bandit episode and every episode that follows are unchanged and oh. Oh. Now we are really meeting Toph.
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so the thing is I don't really give a shit about shipping edwin with charles or monty or the cat king or whatever. I'm much more interested by his internal conflict.
I don't want charles to magically be like 'oh wow it turns out I do love you back yippee let's live in domestic bliss forever after!'. I want edwin to grapple with the guilt that comes from being attracted to your friend (sucks bad. from experience). I want him to eventually get over his feelings, except for in moments of weakness where they rear their head and hiss in his ear and goddamn he thought he was done with this, it's not fair to charles.
I don't want him and the cat king to fuck and do kisses. I want edwin to deny and deny the way he feels until he has to admit to himself and grapple with his sexual attraction to him. he doesnt even like the cat king, why is he so attracted? would charles think badly of him if he knew? does this make him a bad person, would he have been condemned to hell even without being sacrificed? would he belong to that lust room? the people in there did try to pull him in after all.
internal conflict !!! self flagellation !!!! guilt and shame !!!!!
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what do you think of mimzy? and her friendship w alastor omg ( bcs things were looking kinda shaky at the end of dad beat dad 😭
i think mimzy is one of those friends that's an absolute blast to get hammered with but you wouldn't trust her to dogsit for you, you know? she can watch my drink but nothing else. i imagine it's probably a situation where they started off genuinely close, but then alastor became more and more powerful while mimzy got herself into deeper and deeper shit, and alastor's laxness with his friends probably only enabled mimzy's belief that she could keep using him to bail herself out every time she got into something new. rosie could get away with swinging him right off his feet, so there's a precedent of alastor indulging his friends beyond what he would normally allow anyone else. i think he is honestly fond of mimzy, but it's impossible for him to acknowledge that someone else might be taking advantage of him. it hurts his pride too much to say no to her, because that would mean she's affecting him somehow, which doesn't align with his mental image or his very highly treasured reputation. but he can cut her off if it's not for himself, it's for the hotel - when it's an investment of his that she's threatening, not his ego. sorry, this was supposed to be about mimzy but it turned into another alastor character study, i just can't help myself
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Real big fan of robots and monsters and aliens btw in case u couldn't tell.
And a trope I Hate is forced humanization, in general. If a non human character is supposed to become connected to humankind, then fine. It's not atrocious on it's own. I don't care.
What I do care about is when they're belittled for not being "human enough" in a "weird way". Like, yeah, maybe the alien that doesn't celebrate birthdays is strange to the protagonist. They don't have to call them out on it. The alien doesn't have to be seen at the end celebrating their birthday to solidify how human they've become.
If you want it to happen have it happen gradually. Have them become curious about it, and find out they actually like the customs they're not used to yet. Aliens finding pleasure in a playground, monsters enjoying food they'd never gotten to taste before, and robots discovering they genuinely like watching TV. Whatever!
Just work around their differences, make it be gradual, and not born from the main, human cast making fun of them or pointing out how weird they are for not liking X thing. And for the love of god, don't make "Becoming Human uwu" the center of their story. It's so... Heartbreaking. Bleak, even.
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I am eternally thinking about how Whole is a concept of the fandom and not canonical at all.
Arguably, maybe someone would say the inclusion of Whole diminishes the original message of the album, to which I do not disagree but I do not agree either.
He changes the context of it, I suppose?
Because the original album, Whole is a concept to be strived for. He is not real, it is always just Heart, Mind, and Soul beneath the surface. They are manifested facilities of the way a person is, how they talk to themselves, the internal conversation. That "psychosocial envy" is the idea of the album. The effect that social standards have on someone who views themself as flawed beyond recognition without any idea how to fit into what the world wants of them.
Soul longs to be Whole because he longs to become what society deems is a person. All of what they are and what they want to be comes in many different forms. It could be any number of internalized ideals of what a man should be, or who you should love, or what you should strive for in life.
Two Wuv as a song is that realization that even after Mind and Heart are better, after they've been able to communicate and function "properly", there is no Whole coming. This is who they are, and that is fine. He is not perfect, he is not what society wants, but he IS a person, and to him, he is Whole.
It is a concept of self forgiveness and grace. The ability to have nuance that what society seeks of you is not so important as truth of the self, owning your flaws and seeming imperfections.
Ultimately, everyone's brain runs differently. Everyone talks to themselves differently, refers to and conceptualizes their inner-world in many ways, and none of it is definable. We have no capable way of putting the way somebody speaks to themself, refers to, and functions within themselves entirely into a box. We are a collection of lived experiences turning itself into informed reactions and responses. If that makes any sense at all.
Of course, the things we have put labels to are definable and are all a part of how we interact with ourself, and there are always commonalities and similarities. There is so much variety in it, being human is fluid...
Anyways.
Without Whole, the "end" of the album means they are in acceptance of one another, that there is a positive relationship with your inner dialogue for some time before something happens and causes a harsh reflection to shatter it all. With him, it is essentially the same, just that there is a more literal or tangible figure to represent that cohesive self-acceptance.
Whole being a tangible character doesn't change Soul, but as I said, informs him more. Whole and Soul are mirror images, they are had to separate and Soul is what Whole is without the interwoven Emotion and Thought.. I suppose. Soul strives for him, and without him, comes to accept this is how it is and who he is. With him, Soul may miss that aspect, or more so, get it only to discover Whole is real, and everything he did worked, but now he sacrifices himself for that.
The dynamic is interesting but incredibly devastating in that regard, especially because it is unlikely Whole's intention to ever split. Nobody wants to have a mental breakdown, y'know?
I could go on about this forever. Whole not being a real character (at least not in the way we often think of him) in the album but something very real and even achievable within the fandom space is.. I dunno, so unique? Its not often fans get to create something that while entirely uncanon to the project, is very important to it.
Side note, what I mean by not how we see him is that Whole is real because they have always been Whole. In album there is no separation. If anything, Concord is like leaving CJ's inner dialogue and witnessing just all of them in tandem being him.
Okay okay. I'm done.
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🍦 ⇢ name three good things about a character you hate
asahi sas brutus:
-INCREDIBLE voice acting (in the english version, i haven't heard any of the other languages but i assume they're also stellar)
-his frothing-at-the-mouth blind devotion is such a fun switch to flip while he's playing a calm and collected dignitary
-no one else could pull off the fringe like him
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NGL: Stuff like Brambleclaw being a terrible namer is like. really fun but also kinda hits with the 'he;s not some meglomaniacl villain hes just a shitty guy'. like. you could see squirrelflight finding that really endearing. IDK if this is some mastermind shit, or if i'm just reading wayyyyy to into this, but i like how you give characters that are pretty bad dudes very humanising qualities. Especially when they're silly/cute. Kinda reminds you that like. theyre like. a person. well. cat but yknow. and they chose to do bad shit, with influence from their past, rather than being inherently terrible. 👍
YEAH MAN, that's what I'm SAYING
Abusers, ideologues, and other terrible people are not masterminds. They aren't born evil. They're not inherently smart OR stupid. They can love, they can be funny and polite, they do things they believe are justified and want to be good people. They don't think of themselves as villains.
Evil isn't complex. It's really, really not. I feel like that's the #1 cause of confusion when I get a question like, "Why does this person do this malicious act, when it's bad/inconsistent/mean?" The answer is always simple;
They wanted to control someone.
They wanted something and didn't mind who they hurt.
Spite and short-sightedness.
Look for anything deeper and you will not find it. Heroics are complex, being a good person is ongoing and changes over time. We're in a constant state of growing. Malice is childishly simple; it feels good to get what you want.
With Bramblestar especially... it always goes back to what I said here, when talking about the idea of an Evil!Bramble. He's a person, and you ruin everything that's so interesting about him by stripping away that nuance. Squilf and Bramble loved each other, truly, and legitimately. He can be charming. He can be nice. He still hurts her. Reconcile with this.
He is not wiser for what he went through, as a child. His pain doesn't make him better. Man's just a jerk... that's it.
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