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missluthorwillseeyounow · 7 months

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What do you do when someone you love is a psychopath and a serial killer? How do you pick up your life and move on from it?

If you're Lionel Luthor, you don't. Your son betrays you and the legacy you built for him, and so your heart betrays you too. You sit at your desk with those damn pills your quack of a doctor prescribed and one too many drinks. You feel a warning twinge on your arm before excruciating pain, red and angry, blooms in your chest, and you never see the morning.

The only good thing about this is that you never see your son go to trial for killing 47 people over a span of 6 years. People whisper that you are one of Lex Luthor’s victims.

If you’re Lillian Luthor, you don’t either. You clean the damned mess these Luthor men left you. You take over the company that your husband had the gall to leave you, just as he left you with your only daughter. You clean up the tatters of your family’s reputation and legacy that your son left behind.

In the eyes of the world, you move on. You rise, finally able to flex the muscles so long held back by your husband and the rest of the world's expectations. And you bring Luthor Corp with you.

The millstone of the trials and scandal hang heavy on your neck, but all your life you have taught yourself to walk gracefully among lesser beings with your back straight and your head held high, just as you did as a young girl with textbooks on your head. This is no different.

But once a month, you make a pilgrimage to Stryker’s Island. To Lex. To the son you loved the best way you knew how, the only way you knew how - with a firm grip and the relentless, uncompromising push to achieve excellence, the intractable determination to make him grow into his fullest potential. That this potential was realized in murder, malice and manipulation was not your intent, but the world is far too quick and vindictive in their judgement because he is a Luthor. The mightiest always fall the farthest, and those beneath them wait hungrily for the chance to pull them down.

Your daughter leaves you too. The daughter who emerged, not from your body, but from your husband's infidelity. The same one who once looked up at you with eyes full of innocent trust that you vowed you would reciprocate in the best way you knew how. And so you did your best to prepare her, to mold her in your own image - into what a Luthor woman should be in this cruel, savage world that both worships and hates Luthors.

You’ve seen what the world does to Luthors who do or say the smallest wrong thing and you never want her to suffer those whispers and so you tell her yourself. Better she hears it from family than the mouths and forked tongues of strangers.

But she is too hard-headed and too soft-hearted to comply. She rejects your bequest, the ungrateful girl, and tries to escape the Lena Luthor you tried so hard to cultivate all these years.

As if you don't know. As if you could forget that it was her who brought this down upon all of you. Her, and that detestable Clark Kent.

And if you are Lena Luthor, you cannot move on. You cannot escape it. No matter how far you stray from your family. No matter how many reparations you make, no matter how hard you strive to separate yourself from the curse it brings -- it always finds you.

It finds you in the dark hours when you’re by yourself without the touch of another woman or the burn of alcohol to distract you - and suddenly you’re a scared little girl again, walking into an ominous house made of grim oak, unforgiving marble and dark shadows. And the only warmth you receive is not from a largely absent and formidable father nor from a condescending and controlling mother, but from a charismatic and mercurial brother who taught you how to play chess and promised you the world.

But it turns out his shadow was the darkest of all, and you didn't see until it was too late.

How could you not see it?

You were just a girl at that time, Agent J'onzz once tried to comfort you with that fact. Back when Lex was arrested.

Just a schoolgirl home for the holidays -- shoes polished as bright as the naivete in your eyes, uniform pressed to Lillian's exact standards, picture perfect but always with just one tiny detail you forgot that was enough to attract notice and invite criticism. This time it was the glasses sitting slightly crooked on your face.

You were more concerned with weathering the scorching disapproval just long enough until you got back to boarding school that you failed to notice Lex's distance. You failed to recognize the signs. You failed to decode his lies.

You failed.

By the time you got back to boarding school, he would have killed 2 more people.

By the time you caught on, he'd already killed 31. Those lives are all on you, because you were so absorbed by yourself, you didn't see what was happening under your nose. And those 3 agents Lex killed because he refused to come quietly? The judge and jury he poisoned at the trial? That's on you too.

Forty-seven lives taken. Forty seven more than there should have been if you hadn't been so blind.

If only you hadn't been comforted by the gentle hand holding yours under the table throughout Lillian's litanies of your shortcomings everytime you were home from school. If only you hadn't fallen for the "adventures" he had tricked you into that always ended with you in disgrace or punished, like that time you stole Lionel's prized pen from the King of Jordan, just for him.

If only you hadn't believed the fairy-tale dream of the two of you escaping to the snow-covered mountain peak, of finally being free of the Luthors’ oppressive presence.

And now he's serving 20 consecutive life sentences, and you've devoted your life to studying and stopping people like him.

Now you have 10 years of experience as a profiler and an undercover operative for both the Interpol and the FBI. Your work has taken you from Toran, to Kaznia, to Corto Maltese, to Metropolis, and now to National City.

You have seen the worst humanity has to offer, from terrorists to human traffickers to serial killers. But you keep looking into the abyss.

Because you looked into it once, you stared it in the face, and you didn't recognize it for what it was.

_________

Or, a Supercorp Criminal Minds AU

There's actually 3 major plots in this, and they all intersect in varying ways

The first is Lex as a serial killer

The second is about Sam and Reign

The third is the most vague one, which includes Lena’s birth mother and Leviathan

It starts (as the intro says) with Lex being a serial killer who killed 47 people. In one version of this story, Clark is a reporter who, like Lena, made the connection between Lex and the murders. One night after dinner with the Luthors, Clark sneaks into Lex’s study to find evidence he can use for his story.

He’s rummaging in a desk when he hears a voice from the doorway.

“You won’t find anything there.” Clark whips around to find Lena standing there, silhouetted against the light coming from the hall. He tenses, thinking she’s about to tell her brother what Clark was doing.

“If Lex really is behind these murders, and I know you think he is, you won’t find anything there. He’s not foolish enough to hide evidence here."

Clark doesn’t say anything, he just stares at her. Lena pauses, looking away. "I… I didn’t want to believe it. Not Lex… He wouldn’t…” Steel injects itself into her green gaze. “But the more time I spend with him, the more clearly I see the truth. You see it too, don’t you?"

Clark straightens up and nods gravely. “Yes.”

The FBI eventually becomes involved in the investigation, and the team includes a certain agent on the fast track to becoming the unit chief, J’onn J’onzz.

J’onn meets Lena only briefly, but he’s struck by the young girl’s keen intelligence and remarkable calm. (Eventually, he becomes the one who suggests that Lena consider a career in profiling and criminal psychology).

Fast forward a couple of decades later, Lena is working with the BAU. The other members of the team here are J'onn, Alex, James, Brainy and Winn. Lena is a transfer from Interpol, and she's had years of experience in profiling, suspect and victim identification, as well as infiltration, under her belt (I also hc that she worked briefly with the CIA and the MI6, mostly in intel, profiling and undercover work).

For the sake of her anonymity (and also because it was necessary for her undercover work), she's erased all connections to Lex and the Luthors (including old photographs and newspaper articles until the name Lena Luthor is but a footnote in the Luthor history with nothing to tie her to who she is now). She's also changed her last name. (I'm torn because I just don't know if I can use the name Walsh for Lena, it doesn't sound.. right? Idk So for now, she's Agent Kieran).

Lena is very professional, almost intimidating. She’s revered by the younger agents in the Bureau, well-respected by her colleagues and highly praised by her superiors. But she's very guarded and keeps everyone at arm's length, doesn't go out for after-work drinks with the others, practically sleeps with one eye open — years of working undercover and living with a serial killer will do that to you.

Until a certain promising young recruit comes along.

Kara is new in town — the adopted sister of Alex Danvers, the cousin of one of J'onn's old friends (I don't think teaming family members up is actually allowed in the FBI, so some suspension of disbelief is required here). Lena is assigned to oversee her training and transition into the team herself.

Kara's sunny demeanor couldn't clash more with Lena's icy, professional facade. Lena approaches the task with thinly-veiled impatience and something remarkably close to disdain.

However, Kara quickly proves to be more than a perky attitude and a pretty smile. She squirms at blood, which Lena is quick to exploit at first (What FBI profiler can't stand the sight of a corpse? "We profile serial killers here, not celebrities in high-waisted jeans.").

But Kara displays true empathy to the victims and their families, she's sensitive to other people's emotions and knows just what to say to get a reluctant victim or witness talking. She's extremely dedicated to catching the unsubs, and relentless in her investigation. Not to mention, she's extremely handy to have around in a crisis.

Lena finds this last part out when they're on a case, trying to find a missing girl.

The team is headed to the unsub's apartment, but on a hunch, Lena heads to an abandoned warehouse near the apartment, with only Kara as backup. They enter the warehouse, and just as they're clearing the rooms and checking for the missing girl, the unsub attacks Lena and manages to pin her to the ground, choking her. Kara gets there just in time to shoot the unsub in the leg, saving Lena's life.

Later that evening, Kara and the rest of the team go to the bar to celebrate. Lena is absent, as usual.

Just as Kara is getting another round of drinks at the bar, a low, smoky voice interrupts her. "Didn't profile you as a drinker, Danvers.”

Kara squeaks, nearly dropping the drinks, and turns to see Lena smirking behind her. “I wonder what other surprises you're hiding behind those glasses and cardigans."

"Agent Kieran! I didn’t expect to see you here— No, these aren't all for me, I— " Lena's face softens at Kara's babbling, and she takes a few of the shot glasses from Kara's hands.

"You know, I have a rule..." A wry smile lifts one corner of her lipsticked mouth. "Anyone who saves my life gets to call me Lena."

Kara blushes profusely at the other woman’s arched eyebrow. "Well then, if I'm calling you Lena..."

Lena smirks. "Kara it is, then."

For the first time — much to the gaping surprise of the rest of the team she's worked with for years — Lena joins them for a post-case drink.

To everyone's — and no one's — surprise, the pair quickly become the best of friends.

Two days into their friendship, Lena starts jokingly calling Kara Supergirl. Three weeks later, they start grabbing lunch together. Three months in, Kara sends Lena a video of herself petting a St. Bernard on the street only to be bowled over in a mass of furry paws and puppy licks — and the cadets Lena is training are even more bowled over to hear the "Ice Queen" laugh. Of course, they're later treated with a scorching glare and a sharp reprimand, but it's a revelation just to discover that she's actually physically capable of laughing.

By six months, the whole department is in a secret "will they or won't they" betting pool. A year in, and every other department has stakes in the pool (Alex publicly condemns the pool, but secretly bets a hundred bucks that "they will" by winter).

One time while they're eating lunch together, Kara tells Lena why she became a profiler when her career was in journalism.

"It just felt... too late. I'd be covering these stories about these terrible things, people who were already victims, and I thought... it's too late... Don't get me wrong, I loved being a reporter. Journalism was a way to bring truth out there, to give voices to these victims, but.... I wanted - needed - to do something more. I wanted to stop these things from happening. To keep these people from becoming victims."

But despite their growing closeness, Lena has yet to tell Kara about Lex, or about her life before the BAU.

She doesn't tell Kara about the woman she'd loved once, who hates her now because of the lies Lena told her. She doesn't tell her about Reign. She doesn’t tell Kara about the sweet young girl living far, far away, who plays soccer and loves to sing and read. The little girl Lena loves from afar, but knows only through secret updates from James, because it's for her own good.

Because that sweet little girl that Lena hasn't seen since she was a baby deserves to live a life that's whole and good — away from those who love her, but could hurt her. Whether she's thinking about Sam or herself, Lena doesn't know.

There are too many secrets, Lena decides, as she shoves them all one by one into their little boxes, clamping the lid securely shut. Kara is too good to be tainted by any of them.

Kara, who gets squeamish at the sight of blood, but resolutely hunts each killer like an avenging angel. Kara, who somehow, somehow still believes in the good in people.

And when she realizes that there is very little of that to be found in Lena Kieran or Lena Luthor, Kara will hate her as much as Lena hates herself.

But then the day comes when Lena receives a package in the mail.

She reaches in and pulls out two things: one, a chess piece — the white knight — and the other, a surveillance photo of Kara and Lena having lunch together.

On the back of the photograph are three cryptic little words that fill her with dread: “See you soon, sis.”

Panic overrides logic and years of training, and Lena stashes the package and its cursed contents into her safe. Heart racing, she calls the warden at Strykers. It takes several favors, but she manages to procure video footage confirming that her brother is still incarcerated. Despite the visual confirmation, she doesn’t sleep a wink that night, nor the night after.

Everything is quiet after that, so quiet that Lena is almost lulled, if not into a sense of complacency, then at least a state of less vigilance. Everyone needs a breather, a reprieve from paranoia at some point, and that is exactly what Lex is counting on.

A string of seemingly-unrelated murders heralds Lex's return, luring the BAU — and Lena — closer and closer. Lena knows she should leave, and leave soon. The closer the team gets to figuring out it's Lex, the more danger they're in — not just Kara, but the rest of the team that Lena has now come to care for.

But Kara, being Kara, holds onto Lena and keeps her from leaving.

Kara knows her too well now. She knows that something is wrong. She pushes without pushing, in that earnest yet respectful way, relentless in her concern for the people she cares about, yet still mindful and considerate in her efforts. It's one of the things Lena loves about her.

And then, after coming home from a case one night — Kara is shot by an intruder in her apartment.

The whole team is thrown into chaos trying to find Kara’s assailant. They all agree that the attack cannot be random, but there’s a frustrating lack of evidence anywhere.

But Lena knows.

The lack of clues is a glaring clue in and of itself. She knows this is Lex’s handiwork. Her brother’s way of getting back at her for “telling on him”, just like he used to when they were children. Except the stakes are infinitely higher this time, and he has gone too far.

And Lena — who should've known — didn't prevent it. She was too selfish, too greedy, wanting more time — more time with Kara, more time with her team, her family — and now this is the result.

Lena knows that Lex will go after everything and everyone she loves, because he wants to hurt her. Luthors are not raised on half-measures. Win the game, or burn the board. He will not stop, Lena knows this. Not until either of them is dead.

While half the team is waiting at Kara’s bedside, and the other half is delving into Kara’s case — two people are noticeably missing.

Alex can’t bear to see her sister looking so weak and vulnerable in that hospital bed.

Instead, she goes to Kara's apartment to clean her sister’s blood off the wall before Kara gets home from the hospital.

She's just getting a bucket full of soapy water when she hears movement at the door. Alert, Alex already has her gun out and trained at the door.

When the door opens, all Alex sees is a flash of black hair and wide green eyes before she gets a gun aimed at her too.

"Lena?? What the fuck?! What are you doing here??"

Alex puts her gun down slowly, her heart still hammering. Lena cautiously does the same, her hands held out to her sides.

Alex gestures at the door "How did you—?"

"Kara gave me the key three months ago." Lena's eyes haven't lost their wary edge, but she has the decency to look a bit abashed. "She said I could come over anytime."

"Yeah, but Kara's still in the hospital. What are you doing here?"

"I know that," Lena slants her a light glare as she looks around Kara's apartment. "I just — I wanted to make sure the place is secure, and... well... I didn't want Kara to come home to that."

She gestures at the blood-spattered wall, but looks away quickly. As if she, like Alex, can't bear to stand the sight of Kara's blood.

It's funny. They're both seasoned agents, they deal with horrific things on an almost daily basis. The sight of blood rarely fazes either of them anymore. Except this is Kara's blood.

It seems impossible that Lena could get any paler, but here she is, as white as a ghost and looking just as sick as Alex feels. And yet, she's still here. Out of everyone in Kara's circle of friends and family, only Alex and Lena are here, performing a task that somehow seems more terrible than anything either of them have encountered.

It's in this moment that it begins to dawn on Alex just how special Lena is. How special she may still become.

Alex bends down and drags the bucket of soapy water to the wall. She doesn't look at Lena, and instead focuses on the wall and swallows down bile at the sight of her sister's blood. Over her shoulder, she mutters "Grab a sponge."

"That's not gonna be enough. We, um—" Lena clears her throat and chokes out. "— need bleach."

Alex nods curtly. "Under the kitchen sink."

Lena gets the bleach, and the two of them silently begin scrubbing Kara's blood off her walls, and that's that. Once they're done, Alex gets a couple of beers that Kara keeps especially for Alex in her fridge and offers one to Lena.

Then Alex gives her a mild version of a shovel talk lol

And then, two days before Kara is released from the hospital, the news breaks. Lex Luthor, convicted serial killer, has escaped from prison.

All eyes are focused on the BAU screen, except J’onn’s. He turns to his left. Lena Kieran watches the television without batting an eye.

Lena waits only until after Kara has come back home, to make sure that she's safe, that Alex is staying with her for now.

Looking at the blonde tucked into blankets on the couch, soft and vulnerable, Lena can't bring herself to say goodbye, so instead, she just leans over to kiss Kara on the forehead and says good night.

Then without a word, without even packing a bag, Lena Luthor leaves National City to lure her brother out of the shadows.

Lena makes her exit just as the team is on the cusp of finding out that Lena Kieran is Lena Luthor.

She leaves her apartment intact, knowing that Kara and the rest of the team will eventually search it. She sticks the surveillance photo of her and Kara on the bedroom mirror and writes on the glass in red lipstick: "I'm sorry. I promise I'll make this right."

J'onn is the only one who knows the truth of who Lena really is, and in the end, he's the one who tells them.

With Lena gone, it's clear to J'onn that she's about to do something monumentally stupid, like sacrifice herself for the team. He gathers everyone, and tells them the truth.

The group is gathered around the conference table, staring at pictures of young Lena on the screen.

Tiny Lena, not even 5 years old, just after she was adopted by the Luthors, her wide green eyes sad and confused, her little hands clutching a worn, well-loved teddy bear.

Six year old Lena and a teenaged Lex Luthor standing together in front of Lena's new school. The little girl in her neat uniform, holding onto the older boy's hand, looking at her big brother with an adoring smile.

Fifteen year old Lena on summer vacation, and a now-adult Lex, the young girl perched on the hood of a restored vintage car with Lex's hand on her shoulder. Lena is thinner, more gaunt, and her smile less bright, but Lex is different. He's grinning at the camera, looking every inch the charismatic billionaire playboy. You would never know from Lex Luthor's easy smile that he had already been killing for 5 years at this point.

Finally, the last Luthor family portrait, taken the year Lex was arrested. They're a beautiful family, there's no denying that. Each person in the photograph is regal and proud — but in each set face, there's a private war being waged. Lena looks far older than her sixteen years. Her face shows no emotion in each cut line, but her eyes betray all: a somber intensity that's impossible to look away from. Lex is the exact opposite. His smile is charming and draws the viewer's gaze, but his eyes are cold and dead. Within 8 months, Lex would be in prison, Lionel would be dead, Lillian would be running the company, and Lena would no longer be a Luthor.

Kara feels... she doesn't know how she feels.

There's anger, shock, confusion and... hurt. A lot of hurt, a heavy ball of it resting on the base of her spine, mixed with the ache of a longing she doesn't understand, something broken that only confuses her more. So she decides to settle on the anger.

Yes, anger is good. It gives her a sense of purpose and clarity, and it doesn't threaten to make her curl up into a tiny ball. She's angry that her best friend — one of the most important people in her life, second only to Alex — has been hiding all of this from her for years. She's angry that Lena, who has taught her so many things — not just about being a profiler, but about life and love and friendship — didn't trust her enough to tell her about any of this.

Anger is good, because it keeps the tears stinging the back of her eyes from falling, because... because Kara's always thought she knows Lena better than anyone. Had believed that out of everyone, Lena had trusted her, Kara Danvers, enough to get to know her. But now, it seems she doesn't really know Lena at all.

The screen flickers.

Everyone blinks up at the screen in confusion as it begins to glitch. Suddenly, the photos of Lena disappear from the monitors. It’s replaced by what looks like a grainy video feed. Kara turns to J’onn, who shakes his head, frowning. This was not his doing.

“What the hell?” Alex frowns up at the monitor and nudges Winn, who immediately squints into his computer screen. “Who’s doing that?”

“I have no idea...” Winn mutters. “Gimme a second...”

It looks like feed from a surveillance video, except it’s showing what looks like a cabin. Even from the pixelated image, it looks well-decorated, expensive, like something from a country home magazine. Outside the far window, Kara can see a view of snow-capped mountains. Outlined in the middle is a dark shadow of a man.

“They live soft, luxurious lives, don’t they? Your so-called friends. Oblivious, unencumbered by knowledge, and so pathetically... mortal. Fragile.” A smooth baritone voice cuts through the static, and Kara’s blood chills. That voice is familiar. “You and I, we have been trained in the hard school of danger and war. Haven’t we, sister mine?”

Another figure steps out of the shadows and into view, and Kara gasps. Even in the grainy image, Lena’s smile is sharp and icy. “Comparing yourself to Alexander the Great now, are you? But then again, you always were trying too hard, Lex.”

I don't know exactly how happens, I haven't figured it out yet, but Lena confronts Lex with the intention of killing him, except she's the one who's "killed".

And Lex, being the sadistic ass that he is, had the whole thing captured on a hidden camera and it's being broadcast on every BAU monitor, for Lena's family to see.

The whole team watches Lena "die".

But Lena had a failsafe. She told someone of her location, maybe Andrea or Jack or Jess idk, and had them standby to help her in case something happened.

The whole time Lex streams their confrontation, Kara is frantic. The table suffers under her fury, splintering with the force of her desperate grip.

Every time they get nowhere trying to track Lena and Lex, Kara punches the walls, and Alex has to hold her sister back, afraid of how Kara is losing control.

When the feed broadcasts Lena's death, it seems almost unremarkable. One second, Lena is standing, the next she's on the floor, lifeless and unmoving.

A deadly silence grips the BAU conference room. No one is moving, not even breathing. It's as if when Lena dropped dead on the feed, so did they. They wait. And wait.. and wait.

Lena doesn't move.

On the screen, Lex checks his sister's vitals and satisfied, steps over his sister's body and out of sight. The camera blacks out.

They all stare dumbly at the screen for a long moment, afraid to move, as if moving from their frozen spots would make it true.

It's Alex who stirs first. She jumps into action, frantic, ordering Winn to get the feed back, but it's impossible. The room erupts in a blaze of action, but Kara... Kara's the only one left staring at the screen, frozen in shock and disbelief, as if she can't believe it's real.

It’s not. It’s not.

In the interim between Lena's death and the reveal that she’s alive, Kara spends every waking moment hunting down Lex or secretly looking into Leviathan (which she also uncovers when she digs deeper into Lena’s life before the Luthors and learns more about Lena’s mother).

Kara goes down so deep into the rabbit hole, that Alex is genuinely afraid for her sister. She almost prays that they don't find Lex Luthor. Not because she doesn't want that man brought to justice, but because she's afraid of what Kara can and will do once she sees him.

Kara hasn't mentioned Lena's name in months. But then again, most of their team hasn't.

In the months since Lena’s death, two new members have been brought int the BAU team, William Dey and Nia Nal.

William and Nia know very little about Lena from the team itself, because her name is hardly mentioned. Nia only knows Lena through her reputation, and through what Alex and the other agents outside of their team have told her.

Alex is the only one in the team who says Lena's name because she hates that everyone tiptoes around it.

Lena was their friend. Her friend, and it's not right that everyone flinches at her name, that they can't look at the plaque of her on the memorial wall. She knows how hard it is to look at Lena's picture there, just as hard as it was to look at Kara's blood on the walls.

But Alex is not gonna be the one to look away. Lena didn't look away when they cleaned Kara's blood off the walls, and Alex will not look away from her either. She's gonna hunt Lex Luthor down like the animal that he is and make him pay for taking Lena from their family.

But Alex is getting worried about Kara.

Her sister doesn’t sleep anymore. Barely eats. Kara doesn't stop — she pores over old files of Lex's murders, goes over the old profile, possible places he might be. Alex is worried about her fixation with Lex. It's not healthy. Kara's grief — or her refusal to grieve — is gonna drive her to the ground.

So she confronts Kara about it.

They're in the BAU conference room when Alex finally speaks up, but Kara meets her gaze head on. With one hand, she points to the empty seat Lena used to favor, right across Kara's. "Lena's chair, Alex. What do you see when you look at it?... Nothing, right? We've left it empty all this time. No one can bear to sit it in. Tell me, what do you see, right now?"

Alex glances over at the chair, then back at her sister "Kara..."

"Tell me what you see, Alex."

Alex sighs. "Nothing."

"Exactly. Nothing." Kara nods, her eyes hard. "Do you wanna know what I see? I see her, Alex. I see Lena sitting across from me, just as clearly as I can see you now.”

Alex swallows at the intensity burning in her sister’s eyes.

“I see her everywhere, Alex. All the time. I see her smile, her eyes, and I—" Kara's voice cuts off with a sob. The agony in her eyes is almost too much for Alex to take. It takes a long moment before Kara can speak again.

"I can't stop, Alex. Whenever I stop and I look at her, I — I know she's - she's gone, but she looks so alive, and I— I know the only way I can get any kind of peace about it is knowing that Lex Luthor has been wiped off the face of the earth."

A frisson of fear shivers down Alex's spine. "Killing Lex won't bring Lena back, Kara."

"I know that, Alex." Kara's eyes are dark as flint. "Believe me. I know."

Sometime after Lena’s “death”, the BAU receives an unannounced visitor.

Lillian Luthor strides into the BAU bullpen, tall and imperial in her furs, her icy glare making everyone it lands on feel small and insignificant.

She strides past the bullpen, past Kara, and comes face to face with J’onn. Her cold blue eyes render everyone in the room silent. She scoffs her hatred into his face.

"Taking my son away from me wasn't enough for you people, was it? You had to take my daughter away from me too. I warned her. I warned her this would be her undoing, and I was right. And now she's dead."

They end up having to work with Lillian to find Lex, because as Lillian says "It takes a Luthor to find a Luthor." [And there's gonna be an interrogation lol. I just have this vague idea of Lillian talking about Lex and Lena.]

"The truth is, I lost Lena long before now.” Kara suspects that this is the closest anyone has come to hearing regret in Lillian Luthor’s voice.

“I was.... harsh on her, in a way I never was with Lex. Lex always had a sharp edge to him, but Lena — Lena was too soft, too vulnerable. A Luthor cannot be soft. Not when the world is watching, waiting for you to make the smallest mistake."

It’s not enough. It’s nowhere near enough. Kara slams her hands on the table, unable to believe the nerve of this woman. J'onn grips her arm in warning, but Kara ignores him, snarling at Lillian, her anger plain on her face. "You abused her! You made her feel unworthy of love, unable to trust anyone—"

Lillian lifts her chin. "I made sure my daughter could face a world that's hungry for Luthor blood. I made her a Luthor."

"She was just a little girl when she came to you!" Kara shouts, her fury growing by the second. "A little girl whose mother just died, who was looking for love, and instead she found you. She trusted you—"

Lillian's voice rises, a flash of heat scorching the cool, detached dignified tones. "I made her strong!"

"She didn't need to be strong!" Kara yells, surging up to her feet, her face inches away from Lillian. J'onn grabs her shoulder, restraining, but Kara presses forward. "She needed someone to love her! And you answered that with nothing but condescension and neglect! The only one in your family who made her feel loved was a psychopath who betrayed her!"

Lillian is struck silent, her eyes wide and her face strained as she stares at Kara. Kara meets the older woman's eyes, staring her down without the fear that a younger Lena must have shown Lillian all those years ago.

Kara wishes she could've been there to hold that young Lena in her arms, wishes she could've taken her away from the family that broke her.

"The Luthor name didn't deserve Lena. You never deserved her."

#supercorp #lena luthor #kara danvers #supergirl #katie mcgrath #melissa benoist #me trying to write #I guess it could also fit with any crime drama not just CM #tbh I haven’t watched the show in I don’t even know how long. I was just watching a crime drama show and I had these in my drafts so #enjoy I guess? or not there’s a truck full of angst in this thing #p.s. this is like my FAVORITE characterization of Lillian. i tried my best 👉👈 please be kind #this is version 2.0 of my Criminal Minds AU cos i had to rework that one. and honestly i think this one is better #more fully realized i guess? idk it's 2am #sorry for the long post 😅

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columboposting · 9 days

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#House MD #I’ve been enjoying the show thus far but. Woof #Only just got to the intersex episode (I know the asexual episode by reputation)#But im confident house must butcher every letter in LGBTQIA+etc at least once #aphobia #intersexism #Hate Crimes MD

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allthecastlesonclouds · 4 months

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tell me about drawtectives. what is this little show.

oooooh my god oh my god. they are my guys. so.

drawtectives itself is a youtube series created by julia lepetit on Drawfee. it's an rpg mystery show– s1 is a murder mystery, s2 is just a mystery– that doubles as an art challenges show. she draws all of the backgrounds and npcs and most of the assets (the 'cutscenes', you could call them) and then the team gets together, knowing absolutely nothing besides what julia's asked them to prepare, and does some funky improv to create a very funky storyline.

there are 3 players and one dm; the pcs are rosé, york, and grendan/grenda/grandma/gma, and the Big NPCs are Jancy True (s1/s2) and Eugene Finch (s2) and they're, in their own words, a found family, so. beloved. their backup plan if all their jobs fail is to move out east and open a bookstore. jancy and eugene have fully accepted their titles as mom/ancestral ghost and son despite meeting each other likely once before the drawtectives dragged them together. overall though if i had to summarize, it's a bunch of friends getting together, making a bunch of puns, appreciating julia's art, and laughing together. the vibes are 10/10 so loving. in writing the transcripts i've written (Karina laughs) (Nathan laughs) (All laugh) So Many Times it's just fun.

so there's three pcs. first one we meet is gyorik 'york' rogdul, who's a half-orc come to the city to learn about his mother's culture. he is the character we have by far the most lore for– if I compiled all the lore I had about the Northern Tribes and Wild Trains, I think the document would be multiple pages. he's also illiterate, which was an interesting decision for the english major of the group to make (in other words, York Will Not Be Illiterate For Season Three bc Y'all Cannot Read) and morally gray if you think about it too hard (he killed his own brother) but yknow he's hot so it's okay. they're all hot any crimes committed are okay. he's also aroace (confirmed by the player, which is!! vibes!! THANK YOU SO MUCH FOR TELLING ME @axolotllee!)

rosé is the Human Rogue and the youngest of the party; her main trait in s1 was Millennial and she Dealt with that. she, in contrast with York, has so little lore we are scraping the barrel. she was a thief, then left everything about that life behind and changed her name to rosé when she went to work for jancy. she lied on her resumé. she knows how to sew; she's sewn Pockets of Holding on most of her clothing. she bonded with a stray cat that lived outside her last apartment. she's three credits short of graduating college. she's, in addition to being a drawtective, jancy's intern, and cried when jancy got her a cupcake. she won't tell her best friends when her birthday is or where she goes to school or what her last name is. that's all we know about her and i love her and she could probably kill someone as she has multiple knives on her person and does not use them. she's bright and funny and can be pretty dark but really does find the humor in it which is. wonderful.

so grendan highforge starts out as The Snobby Rich Boy which. already love the trope something Always Happens To Them if they're a pc. then through s1 they make an offhand comment about a character (faucon, whose name is pronounced 'falco') and how if her name was pronounced that way it'd be grenda. faucon asks how they feel about it. they are caught very off-guard by that and then ask to be called it for the next hour or so. then the next witness calls him gma, and then grandma, and then. yeah she realizes she's genderfluid. and he uses any pronouns and has a full beard and also wears a romper and loves dogs and the player is the Most Experienced TTRPG-er so through maybe using resources a bittt grandma is the most observant character of all of them. he's also a dog walker and a lightweight and does canonically have druidic magic though that was Not Touched On Much and showed up to their first day on the job slightly stoned (they did stop doing that though.) she carries around a box to make the height difference (york is 7'. grendan is 4'. rosé is 6'. you can see the formatting issue) slightly less difficult. she doesn't know how rhinos reproduce but has had a fascination with them since a police chief said one might've committed a crime. i think they could kill someone by talking too much but they don't actually have the strength or dex to do Jack Shit.

and jancy true is the head pi (a great many of the characters are puns and i love it so much) and is there to make sure things get done and clues don't get missed. she has a cochlear implant and uses a cane and solved s1 just by Reading The Paper and hearsay. she solved about half of s2 before Someone Stopped Her. she says hello children to the drawtectives and it is such a fond thing. eugene is. a guy who i love. julia started the show thinking he would be some mysterious character to join them and then made the wonderful improv decision– avoiding having to do npc-npc conversation– of saying 'yeah eugene is spinning a camera on its stand' and rosé just says so gleefully. 'guys. i think he's stupid.' and he became their son. his character is a lot of The Plot of s2 so i don't want to get into it too much but. jancy and eugene my beloved.

they're just. such a family. to quote nathan (grenda's Player) from the s2 talkback: "That's one of my favorite things about this show, is we came in with these vague ideas for characters, and just playing them with each other, they became friends and became better people as a result of knowing each other and solving mysteries. ... Like, we all kind of independently made our characters people that either were distant from their families or, you know, just had tenuous connections to other stuff, and so these are, like, the realest connections they have in their lives."

and then karina (rosé) about 10 seconds later: "Yeah, we love a found family where they bond over just being the worst."

god. them. they're chaotic and loud and feel very real to me. they have excitement and are pretty bad at social cues but they love each other and want to die together because they would hate too much to be separated. i could articulate this better but it's one in the morning and they mean a great deal to me.

#ren <3 #GOD THEY'RE MY GUYS #'my guys' really is the shittiest group of found family to exist. god. the bad kids the virals the crows and now the drawtectives. wow.#drawtectives #fuck it we're maintagging this #i'm realizing i probably should've written more about the premise of the show– s1 is a murder mystery; the murder of sorin justice.#his wife lotta justice hires jancy to solve the crime and jancy wanted to train proteges so here they are!!#s2 is. you wake up on a train with no memories. why are you here where is jancy DID YOU JUST SEE A MAN GET MURDERED WHAT'S HAPPENING #it's genuinely a really funny show and has Very Good Vibes and. i love it. the prompts are horror if you think about it which. i also enjoy #but the cast were all members of collegehumor up until jan 2020 so. they know comedy.#plus they're all very close so they know each others' boundaries #and i'm talking i guess #questionnn!#also. lmao it really does seem like grandma is my favorite #tbf she is. but rosé's paragraph should be longer i love her so much it's just. hard to describe.#thank you thank you for letting me talk about them i love them <3 <3

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moeblob · 8 months

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Pen doodles from yesterday and then digital for today

Katale and Rudyard but as little crime babies. Since he's known her for a while and just thought she looked like a little street thug despite being higher ranking than him in the crime organization at first, the cat-ear hairstyle was just A Thing for her. And it spawned the nickname he would use in private of "Kitty" and even when she grows her hair out and he grays even more he still calls her Kitty in private. They're literally just bffs who do crime and what more can you want of them??

#my characters #time for more lore in the tags #so it was brought to my attention that the funniest thing possible is to give them a few bases with my favorite meme #the color theory meme where everything is just too reminiscent of a bloody massacre #because honestly katale would be like hey rud hey i have the FUNNIEST idea ever look at this carpet pattern #and he looks at the very horrific carpet and just says go on #like keep going this is funny and very much the funniest thing we can do as crime lords keep going #and they do actually have that kind of decor in one of the nicer buildings #and the poor little agent who is on a mission to kill them walks in like HOLY CRAP ITS A MASSAC-- thats the carpet that is JUST the carpet #and has to take a minute to file that information away before proceeding #then stuff happens and the two crime bosses are like oh yeah that agent is our son now we adopted him its fine he can be here #also ruds sense of humor is super dry and he doesnt really SHOW the fact hes amused much but thats what makes kitty so happy when he jokes #he sounds very serious but hes enjoying himself and thats wonderful #like those weather reporters who see an off the wall temp and go OH YEAH EVERYONES DEAD IN THAT CITY #or the other weather man video where only some of the temps are off the wall so hes like #oh yeah this seems to be the safe area but if you go up north a bit its basically melted - there isnt anything to loot there dont bother #that is his sense of humor. hes super casual and acts like he didnt just say the funniest thing on the planet

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iamadequate1 · 4 months

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Black Pete vs Izzy (Pt 1)

I've long thought that Izzy and Black Pete are analogous like Prince Ricky and Stede. They have surface level similarities, but there is an undercurrent that sends their characters in wildly different directions. The mood has struck me to do a painstaking comparison of the two!

Starting disclaimer: Mind the "Izzy Critical" tag for realsy. I was not charmed by Izzy in S2, and I firmly view him as an antagonist all the way through. I also love Black Pete, though, and forgive all his sins.

This is going to be long and messy, but it is mine. I used to have it in one large post, but now I'm going to break this up into at least three separate posts. I have about 12 points, and it's gonna be a surprise how this develops. Let's begin!

#1: Pete and Izzy are both introduced as expressing displeasure in Stede's style of piracy

Everyone who isn't Ed seems to think poorly of Stede's pirate skills when they first meet him, but Pete and Izzy seem to be unique in that their character introductions in the series is them being most vocal about it.

Pete introduces the "real pirate" view of Stede before Stede's onscreen introduction. He gives us the first conversation of the series, and it is not flattering!

Pete: Fuck this! I'm out. Crew: Hey! Oluwande: What're you doin'? Pete: I didn't sign up to play cards. Weeks we've been out here with nothing to show for it. I should have... 20 kills by now, at least.

First of all, "nothing to show for it", and the screen is focused on Lucius. Petey, you gain a hubby from this, but you just don't know it yet!

Anyway, Pete's introducing right away that Stede is not up to real pirate captain standards when viewed by outsiders. After their first (and truly epic) raid, Pete is the first one to clearly criticize Stede:

Stede: Here it is: the spoils of battle! Woo-hoo. Congratulations on today's raid. I do have some notes, though. Uh, opening speech went well. Very inspiring. Uh, oh yes, I guess the big note is more energy! We're swashbuckling, we're looting. Let's have fun with it. Pete: Stealing a plant is hardly swashbuckling.

Like Pete, Izzy's very first scene in the series, he's not at all impressed with the Eccentric Pirate Bonnet and his savage, insane, vengeful pirate horde.

Izzy (also talking to historical Israel Hands): What kind of fuckin' idiot runs his ship aground? And this lot managed to take English officers hostage.

As a bonus, Izzy's disdain for Stede extends to Stede's entire crew! Upon meeting the entire crew in 1x4, we get Izzy's assessment to Ed:

Ed: Let's get to it. What've we got here? Izzy: Well, the ship sustained some damage in the crossfire, and the crew's completely useless, bottom of the barrel.

When Izzy is forced to partake in the teaching raid at the beginning of the next episode, he says:

Izzy: Crew of Revenge, you are not to engage. You are simply here to observe how real pirates function in the real world. Pete: Uh, we are also real pirates in the real world, so.

Yes, Petey, stand up for yourself! He was the "real pirate" in the pilot, but as the first season moved into its second act, the show starts to demonstrate more of how The Revenge is an anomaly in the pirate world even with the character who is the "real pirate" at the start. (Also, weird that we don't see Izzy on the raid that directly follows! How were they supposed to learn??)

#2: Pete and Izzy start as anti-soft

They both start the series with tinges (to very different degrees) of toxic masculinity: a push to being "manly" and dominant, minimizing emotional vulnerability, derision of the feminine or "weak." Nigel is the beginning example of this in the series as he calls Stede weak and mocks him picking flowers. On the crew side of the cast, Pete and Izzy are the ones who display these traits the strongest.

In the first episode, Pete is the most disdainful of Stede's super sweet flag activity, using misogynistic language.

Stede: Now, each of you will create a flag. And we'll vote for the best one, and that will be the official flag for The Revenge. Pete: I'm not fuckin' sewing. That's women's work. Stede: Oh, Black Pete, come on now. You know that's not true.

After their encounter with the British in the same episode, he makes disparaging remarks about a soft approach when attempting to fool the officers:

Roach: It's always the quiet ones. Frenchie: I thought that was fairly badass. Swede: You got to admit, he pulled it off. Pete: Pulled what off? Making us dress up like a bunch of fancy boys?

He doesn't make any comments as aggressively anti-femme after the pilot, but as we move along, we see him in a tender scene at the end of 1x6 when he gives Lucius the wooden finger and confesses that this feelings are deeper than a quick hookup:

Pete: So, uh, listen, I, I thought I was going to lose you. Lucius: Oh, yeah. Well, you nearly did 'cause I had a really bad infection, so. Pete: Exactly. And, uh, and, death, you know, I'm used to death, but, um, but not, um, your death. Uh, so anyway, I, uh, made this for you. It looks like a thumb, but it's a finger. I whittled it. It's, it's dumb. You don't have to wear it. Kiss: *happens, awwww* Lucius: I love it, and I didn't know you whittled. Pete: There's a lot you don't know about me... actually, that's kind of it.

At this point, we had seen Stede and Ed open up about some of their insecurities (see: Ed's bathtub confession just before this, or Stede talking to the therapist in 1x2), but this is the first scene we get a character confessing their feelings about someone to that someone in series. It's scary, it's vulnerable, and even though it's couched in violent language, it's very soft. It's also the round about confession phrasing similar to what we have with Oluwande to Jim in 1x7 or Ed to Stede in 1x9. Pete in the pilot would not have believably played this scene.

Pete progresses through the season, but in the last episode of the first season, instead of shaming him, Pete claps and makes (awkward) supportive comments to Ed's breakup song and even willingly dresses up as a "fancy boy" in the resulting talent show.

He's trying! Going into Season 2, he doesn't have a reaction at all to a woman (Zheng) calling him soft, and he just rolls with it.

Izzy, on the other hand, keeps his gendered insults throughout S1. In 1x4, we get "I'm not dying. Not for that ponce and not for you." In the next episode, we walks in on Lucius and Pete having a hookup with Wee John in the room taking a nap. He lashes out at all of them, but...

Izzy: You're all getting specific duties. Lucius: No thanks, Iggy. I only take orders from my Captain. Izzy: My name is Mr. Hands, First Mate Hands, or God as far as you're concerned, and I've got just the job for you... bitch.

Sure, it's funny in a pathetic way (the tagged on ineffective "bitch" is a big lol for me), but he ignores the disrespect Pete and Wee John give him and targets the most feminine one in the room and tosses in a "bitch" for good measure. In the end, Izzy tries to shame Lucius for being a "seductress," and it backfires as Lucius easily makes a fool of him. Izzy used the gendered insults ("bitch", "seductress", whatever that Oh Daddy thing was) as a power move, and it failed.

The next episode, he's calling Stede Ed's "pet" since they're developing a healthy friendship, and he makes sure to bring up Ed's past words re: pets that Ed is now "weak," what is a horrible, horrible thing.

This derision against the soft/weak/femme culminates in the S1 finale with Izzy's threats against Ed.

Izzy: I'm going to speak plainly. Ed: Wonderful. You know we share our thoughts on this ship. Izzy: I should've let the English kill you. This, whatever it is that you've become, is a fate worse than death. Ed: Well, I am still Blackbeard, so. Izzy: No. This, this is Blackbeard. Not some namby-pamby in a silk gown pining for his boyfriend.

(This show is awesome. The Blackbeard caricature from 1x4 has no face, but the one in 1x10 has a face and a lighthouse beside him.) Anyway, Ed is showing human emotions at having lost love, so Ed is ruined in Izzy's eyes. As mentioned above, Pete at this time was supportive of Ed (to the extent he can give), but his character mirror buddy is doing the opposite.

The beginning of this outburst feeds into the theme that will keep coming up with how deceptive and self serving Izzy is: the English were there because Izzy called them on Ed and his boyfriend. Izzy was already in the process of punishing Ed for being "weak" and having a "pet," and he thought Ed should have been punished far more harshly because he didn't immediately behave how Izzy wanted him to. The ship and crew weren't in danger from Ed and Stede sailing the seas happily, but they were in danger from Izzy. "Let the English," like he was a protector instead of the one that led them to The Revenge in the first place.

In this mocking, Izzy also continues with the derisive language. "Namby-pamby" by itself isn't a crime, but it is the same loaded language that Izzy used throughout the season, and "pining for his boyfriend" is said in a cruel mockery of the deep heartbreak Ed was going through. Ed was mourning the loss of an entire life he wanted, not the loss of a silly puppet he could scamper through meadows with when the mood struck. Izzy minimized these deep emotions so he could keep his control.

Izzy and Pete both began the season as angry against the softness, the weakness, that Stede was bringing into their worlds, but Pete dropped it much more quickly, while Izzy doubled down to the extreme. Pete got the soft affection confession, while Izzy angrily lashed out at someone having soft affection at all.

I should add as the last Pete and Izzy parallel that Izzy did also have his "fancy boy" moment in 2x6, but it felt more like a farewell for Con O'Neill than something that was organic or meaningful around Izzy. It's a parallel nontheless!

This is continued in Part 2!

Preview: They both wanted Stede dead at certain points! They both have a thing for the Legend of Blackbeard! They both are terrible pirates! Tune in next time. Same bat time, same bath channel!

Series: Part 1, Part 2, Buttons tangent, Part 3, S2 Izzy reaction GIF

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good-beanswrites · 3 months

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hi! may i request some mikoto + amane (platonic obvs) … anything? they are very dear to me 😭

Yes!!! Thank you so much for the request -- they really are such a good pair ;-; (The thing is, I had so many nice scenes in mind about how they parallel each other, but they wouldn't know or reveal that about each other so I kept restarting...) Anyway, here's something right after Mikoto's first trial/verdict!

Mikoto could pick up on someone’s bad mood from a mile away, though the skill was unnecessary when the other party very clearly and calmly informed him, “I’m in a bad mood.”

After refusing his offer, Amane turned back to a thick textbook she’d been taking notes on. Didn’t kids usually complain that school was already a prison? She must have wanted the full experience. He'd worked nonstop at his studies as well, but this was a new level. Amane often reminded him of his little sister, though she always took the extra step like this. His sister would have jumped at this opportunity to play a few rounds of their favorite card game.

“It’ll be fun!”

He flashed a smile, but it had no effect on her severe expression. “I know you’re just trying to comfort me about our verdicts. I refuse to be pitied.”

“Comfort and pity are two very different things. But anyway, it wasn’t either of those things.” He gave an easy shrug “To be honest, I’m just a little bored. It’s weird not having any work to do during the day.”

Mikoto couldn’t remember the last time in his life he’d had so many hours to himself. A lot of the others were fun to play games with. A few of the sportier prisoners helped him stay active. He enjoyed smoking breaks with the other men. Still, he was left to his own devices for the majority of his time. It was maddening. He’d recently requested some more art supplies, having used up the last batch, but they had yet to come in. Now with the verdict announcement, he wasn’t sure they’d ever arrive.

“That is your own problem. I already have something to do.” Her eyes lingered on the cards for the briefest of moments before returning to the book. “I told you, I’m not in the mood for it.”

Regardless of her hostility, he took a seat beside her. He leaned his arms out on the table. “We don’t have to play the same game.” The last time they'd played as a big group, several prisoners pulling the tables together to fit everyone. Amane had kept very quiet, eyes darting around at the cards as she tried to keep up with the rules. Not many of the others noticed the frustration clear in her face. Mikoto wasn’t the type to let her win out of pity, though he had begun to mutter the rules and strategies to himself a bit more as the night went on…

“Is there a game you liked to play at home?”

“No. There was no time for games in the house.”

“All work and no play… hah… I know what that’s like.” He slumped his cheek onto his arm, lazily shuffling the cards around. He felt bad for bothering the girl if she truly was upset. He thought it was the bad experience that made her reject him, he hadn’t realized there were also family issues attached. Usually he could read people well; maybe he was losing his touch. He seemed to be losing touch with a lot of things, these days.

He readied a game of solitaire.

“Mikoto?” Amane kept her face turned away. “There was… one game.”

“Yeah?” Mikoto shuffled the cards back together. He slid them over to her. “You should teach me!”

She didn’t touch them. “You probably already know it.”

“Nah, I only know a few games. I’m better with tarot cards, though those aren’t really the gaming type. Come on, what is it?”

She told him the name of the game, insisting it wouldn’t be worth playing. She kept her attention on the textbook, but her eyes weren’t reading any of it.

“Ahh, I’ve heard of that one! We start with four cards, right?” He started dealing them out.

“No, five –” she pointed to the deck, urging him to add two more.

“Right, right.” He laughed lightly. “And the goal is to get pairs, and put them in a pile, uhh, here.”

Amane shook her head. She shifted her body slightly towards him. “You must be thinking of a different game. There’s actually three piles for pairs. One here, one here, and when it’s your opponent’s turn…”

Her eyes gleamed as she explained the rules. She pointed to various cards, telling him exact moves and point values. “And to win, you need to –” Her expression shifted. “You… you already knew all this.”

“Of course not!” He put on his most convincing smile.

She deflated. “You’re not a very good liar.”

“Tch, tell that to the warden.”

His shoulders sagged along with her. If Amane could see right through him, why was the rest of Milgram still coming up with stories about what he did and didn’t do? “Well, I might already know the rules, but it’s been a long time since I’ve played. You can still give me a hand. Plus, if you really are in such a bad mood, it’ll be good to take a break from your studies. You should always take a break when things get too overwhelming, yeah?”

She gave him a withering stare.

“Eh? What’s that face for?”

“Alright, let’s play. You can go first.”

“I mean it, what was that look? Aw, come on…”

#milgram #mikoto kayano #amane momose #see - the thing is they both had crimes about 'protecting themself' but both would deny it was for that reason #they both seem to have some family trauma but would never admit it #theyre both used to putting on their best behavior and being 'good' for others but hardly realize that themselves #they are both in denial all the time !!!!!#so i tried to show them getting along for their own perceived reasons -- mikoto thinks he likes her because she reminds him of his sister #and amane thinks she likes him because hes being kind about their verdicts #and while both are right theyre Also drawn to each other because they are very similar at their core #and both have skills with reading people/picking up on cues making it tough to lie to one another #that forced honesty makes for a solid friendship haha!#i also remember a comment from yamanaka that amane would be the worst at card games because shed have trouble with the rules #she seems old enough to handle complex games but she probably never got to play a lot at home ;---; and mikoto probably learns a lot of #types of games (and tarot) so can connect with even more people #i thought long and hard on whether mikoto would let someone else win but he doesnt seem the type (plus amane would notice)#once again i know amane starts speaking in the plural but this comes a bit before that #yaay thank you so much for the request! this was really fun to do - i hope you enjoy!#ive thought a lot about amane and john but less on her and mikoto lol so this was nice :D #drabbles

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