gender neutral y/n x III
your welcome
WAAAAAAAHHHHHHH LOVE LOVE LOVE LOVE LOVE YAAAAAAA :DDDDDDDDDDD
GIVE THE MAN LOOOOOVE ALL THE LOOOOVVEEEEE IT'S FOR HIMM MY BABYYYYYYYYYY 🥰🥰🥰🥰🥰🥰🥰🥰
MLELEKRKEJEJFJEJJDJDJFJFJFJLDLFLI THANK YOU BEEP 💕💕💕💕💕💕 I LOVE YOU MY MOST BELOVED !!!!! THOUSANDS OF KISSES UPON YOUR ADORABLE FACE ☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄☄
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okay but what are the three nhthcth songs tho
So it’s important to note that Songs for me don’t always have a perfect correlation or fit with lyrics matching the story and is more based on the overall Vibe somehow clicking with what I want the story to be.
1. Bad Habits by The Federal Empire
This was the original Song and it was the background for the vast majority of plot creation. I listened to it so many times that skewed my Spotify wrapped to a ridiculous degree. It specifically became the Song because of Daisy and Jon’s relationship in nhthcth.
Like, when I build a plot, there’s a lot of jumping around and figuring out how it all fits together. It’s always a fun, pleasant surprise when my brain knits together the very separate parts and tells me how we get there. Which gives me a very distorted perspective of the story, because the order I get information in tends to be very different than the order y’all get information in.
nhthcth loosely went: initial Tommy bradstaff confrontation-> daisy and Jon buddy cop adventures-> horrible devastatingly sad backstory that got us there-> ohmygodisthatDannystoker-> rest of it
Bad Habits really had sort of off the cuff, mildly ill-advised and self-destructive, chaotic dynamic I wanted between Daisy and Jon. Like, I knew I wanted them to be really messy in this, because they were supposed to live in this sort of in-between in canon characterisations for them. They’d never had the buried, but they had to be past the point of “Daisy is hunt mad and wants to kill Jon in the woods.” They had to exist in this space where neither of them had progressed to the same point as they did in season 4 to stop feeding entirely and were in this sort of half-measure where they were trying to ignore the reality of their situation and make it work as best they can—and, you know, save the world while they went.
Like, I loved them so much. They committed so many crimes. Pov you’re spooky and you get brutalised in the woods by woman who looks like she kills people for the mob and man in cardigan who looks like he died last week. They were morally ambiguous and fucking hilarious. They weren’t allowed in France anymore. Dream team buddy cop between deeply violent woman and utterly exhausted man. I was obsessed. It was so fun and zany in my head.
Then I came up with the devastatingly sad parts and devastatingly sad ended up being the tone y’all got instead of fun and zany but it was too late the Song was set. Yes, Jon’s horrible traumatic past was created while listening to this fairly upbeat song. We get One Song per story it’s the rules of my brain.
But then it became so convoluted that it ended up getting more Songs, which was unprecedented.
2. Two Birds by Regina Spektor
The second song nhthcth, and I can’t say what part of the story it belongs to because we haven’t gotten to that part yet. I will say that it is a Song that belongs to Jon & Gerry.
3. Never Forget You by Noisettes
This is actually young Jon & Gerry’s Song. I really liked the fit for them because it sounds so upbeat and energetic with lyrics that are a little bittersweet.
Like, I can’t emphasize enough that Jon and Gerry were happy together. When they ran, they were genuinely happy kids who were glad to be alive for the first time in their own memories. They loved each other, they loved each and every adventure they went on, and even though they were in a completely shit situation, it was the happiest they had ever been. And even when they lost it, that period of their lives was always a sort of light they never let go of—and never stopped trying to get back.
This Song really had the jaunty, fun vibe that I wanted Gerry and Jon to have when they ran together, and there’s this overarching yearning and bittersweet reflection that I thought echoed how it ultimately would end in them being dragged back in the most painful way possible. It sort of acknowledged that it didn’t work out the way they hoped but it doesn’t diminish the joy and love that they had before it was lost.
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