Do you ever think about how Fakir, after him and Ahiru finally broke everything that kept the town of Goldkröne in the ghostly hands of its writer, after they finally have some air of peace over the town finally being able to live in its intended early 2000s environment, that Fakir still feels at times like it's not real and that for a while he fears that if he closes his eyes it'll be back in Drosselmeyer's control. Like it just doesn't feel real to him during that first year of calm, until he feels the dull pain on his recovering hand injury and Ahiru who follows him without a pendant anywhere to be found.
He doesn't feel it's real, the calm finality of this town, but he makes sure to feel the scar on his hand. And he makes sure to hold the little duck and realize that she is who she has always been. Him and the town are finally living peacefully.
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I DONT KNOW HOW ITS HITTING ME JUST NOW......BUT BUT!!
No wonder Kang Yohan was so gone on Gaon! Like the very first time he sees the man he is freaked out by how similar he looks to his brother more than he had thought.....and then a few hours later....the bitch jumps in an about to go kaboom bus and makes this tortured soul Kang Yohan watch as he barely makes it out of a blast.......NO WONDER HE GOES ALL PROTECC ON KIM GAON!!
They even played the same music post blast as was for the post fire church......i think I'm going on memory..but last i watched this show was more than an year ago..
Idk how it took me this long to make this connections..... believe me I've rewatched this show multiple times!
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someone remind me to filter out Hazbin Hotel later cause when this shit comes out its gonna make new discourse every other day
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[Image one: The first page of an illustrated poem about Wilbur Soot and TommyInnit. The words for this page are "breathe in the air/the act carries a risk", accompanied by a skull surrounded by flowers. The skull is missing its jaw. The flowers are both forms of dandelions, red chrysanthemums, black velvet petunias, and balloon flowers. They're arranged like the L'manberg flag.
Image two: The second page of an illustrated poem about Wilbur Soot and TommyInnit. They are both in their L'manberg uniforms, Tommy waving the flag. Wilbur is carrying Tommy on his shoulders and they're both smiling wildly. A small amount of blood drips down Wilbur’s hand. The poem on this page follows: "I./It’s a process. It’s a long story,/The poet, who was also a soldier and a politician/A child picking up shells beside/An unsinkable, absolutely unsinkable/Helter skelter in a summer swelter/Streamed in a pleasure in all their simple joys/Sworn loyalty to each other/Together and bound/Start a chain reaction/But war has no heroes, only victims/So await a favourable outcome,/There will be blood".
Image three: The third page of an illustrated poem about Wilbur Soot and TommyInnit. It depicts a bloody diamond sword elevated in a cloud of smoke. The poem on this page is: "II/A fallout shelter/The ice was here, the ice was there,/It’s beckoning/You’re paranoid/Have a cigarette to calm/The impression that it’s/Been choked with soot/Dreamed the poets/He forgot in cruel happiness/They’re out to get you/You: best shunned and left uninhabited/You: falls victim to the splinters/‘I’m cold. I’m cold.’ ‘It’s starting to hurt me,’/Snivel . whimper and die in music./A rifle hanging on the wall,/His father fired, shot the ALBATROSS./All are punish’d".
Image four: The fourth page of an illustrated poem about Wilbur Soot and TommyInnit. It depicts a dirt tower surrounded by smoke. The poem here is: "III./The lone and level sands stretch far away./Looking the other way or feigning ignorance./To the victim/Violet anger, rash action, and human mortality/Winds down, sputters and dies./It’s the last midnight. It’s the last verse./And there is/Water, water, every where,/Well, we were born to die."
Image five: The final page of an illustrated poem about Wilbur Soot and TommyInnit. The pair is standing side by side, Tommy looking to the side as Wilbur looks at him. They're dressed in their post-revival clothes, both sporting white streaks at the front of their hair. They both look upset, but as if they're holding it back. This page has the poem: "IV./They rinse off the ash in the river/And step out into the sunlight./In the reddish glow of the morning/Their skin was as white as leprosy/One questions/How long do we have until we hit the point of no return?/One answers/I doubted if I should ever come back./With the dream of Wonderland of long ago/The empty man/Managed a weak smile./He lives/He lives".]
^ source doc :)
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