the kalosian worms are quickly eating away at my brain, folks.
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My name is [BRUTUS] and my name means [HEAVY]
so with a [HEAVY] heart I'll guide this dagger
Into the heart of my enemy
Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after.
Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers.
Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him."
Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement.
Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
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Listen.... Trafalgar Law is like Opposite Pick Me Girl.
Evidence:
He stole Doffy's whole look down to the shirtless sluttiness, feather coat and the earrings.
He COPIED DOFFY'S ACTIVATION METHOD. How "notice me, senpai!!" is THAT!?
Like Doflamingo, he acts as though your attempts at torturing him are absolutely precious.
Law straight up based his jolly roger on Doffy's. Like it's not even kinda subtle. (Not that Law does subtle. Which is weird for someone trying SO HARD to be dark, mysterious, and edge-y as Kikoku. )
Trafalgar spent years of his life travelling around the world, gaining notoriety and power, putting into place a series of intricate moving parts that all had to come together in just the right way all so Doflamingo would notice him and remember his face forever.
Law: Please, Young amaster-sama! Oh, please pick me!
Law: To kick your pathetic, subhuman ass.
[Thanks to @revlischarm who gave me this idea.]
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eeeyyyy, got bored and tried to draw you from memory.
how good is my memmory?
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i can't wait to see Penelope being in love on main w/ Colin at any and every given moment in S3
-coming to him with her concerns to hear his opinions. listening to him when he comes to her. all the razor sharp, witty banter they share
-encouraging and hyping up his writing and his interests. asking to read more of his work. just going full gush fest
-standing up for her bb boi when someone tries to make a rude comment about him (yes, including his family)
-all the squee scenes when he's being a total babe (he's a babe all the time, perpetual levels of squee)
-recognizing that her fantasy of Colin is nothing on the reality of him and telling him as much. she loves his imperfect self so much
-reaching for him whenever she wants so she can hold his hand or rub his back or go in for a snuggly hug
-telling him she's happiest when she's with him and that she likes him as a person (the 'i like you' 'i like you, too' convo is too near and dear to my heart)
-aaaaaaall the love language validations. extra touchy all the time. finding (and making up) excuses to spend more time with him. offering to edit his journals. remembering his favorite foods. telling him what she loves about him. bringing him snippets of her writing for him to read.
-i just need to see Pen love up on Colin, he deserves it
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Going insane about how silly comics for young men from the sixties are on point on criticizing biased journalism. Stan Lee, Stan Lee I wanna sit down and have a chat with him. It's such a good critique. Such a good critique.
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I have so many thoughts about this man, and none of them are acceptable to say aloud. The way I feel about him is offensive to feminism oml
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nicholas biddle, the god-favored prince of philadelphia!
beautiful and brilliant and just sweet 16!
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sometimes i'll think abt a Fandom and wish it were bigger, and sometimes i'll read something from a fandom.. and wish it were smaller
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Listening to the V7 director commentary for the first time and I almost dropped my jaw when I heard Luna call the racist drunkards the "faces of Mantle" like??
You want these two assholes to represent all of Mantle yet expect the audience to give a shit when it's threatened? Fuck em and fuck Mantle!
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I rewatched “The Richest Duck in the World!” and noticed something new. It’s only a theory, but it could easily be true, and… oh my God.
Bradford Buzzard has been working with Scrooge for about two decades or more by this episode, right? He's the CEO of McDuck Enterprises. He can overule Scrooge on business decisions and has access to and knowledge of everything, including Falcon Island, the portion of money afforded to it and that it's used for magical defence. Scrooge took the time to remove that island from all maps because he was so desperate for nobody to ever be able to meddle there. This is as top-secret as it gets. But Bradford knows. Scrooge trusts him implicitly with ALL his money. That's a lot of trust!
So Bradford almost certainly knows about the Bombie. It's hard to imagine a conversation where Scrooge told him about Falcon Island and what resources it needed without telling him why it needed them; and never before this episode has the Bombie been released due to financial strain. Not even in Scrooge and his finances' lowest point, when he was blowing through savings to search for Della, resorting to draining the Money Bin, his personal store of sentimentally valuable coins. Not even with Bradford wanting more of McDuck Enterprises' money available so he can siphon it off for FOWL. There was always, always something less important than Falcon Island.
But then Louie - an inexperienced, physically weak and unskilled eleven-year-old - becomes the richest person on Earth. On his very first morning in this position, he has to compensate for his wasteful spending by taking money from the company and Bradford immediately suggests cutting funding to the Bombie's containment measures. That is the first thing he comes up with. And he agrees to it unhesitatingly without a word of warning. This is why the entire plot of the episode happens!
Even more dammingly, he has a button specifically to deactivate the magical security system on hand at that moment. Without it, the Bombie escapes in an instant. But how did such a button come to exist in the first place? Scrooge would never have asked for it. Nobody else knew anything about Falcon Island. Bradford must have made it and connected it to that magic himself. He saw that Louie was vulnerable and wasted no time engineering his fall, unleashing a lethal threat upon him that was, as far as anyone knew, absolutely unstoppable, yet in a manner indirect enough to deflect suspicion from him.
Bradford tried to murder Louie.
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Sméagol and the Gift
'Now!' said Sam. 'At last I can deal with you!' He leaped forward with drawn blade ready for battle. But Gollum did not spring. He fell flat upon the ground and whimpered.
'Don't kill us,' he wept. 'Don't hurt us with nassty cruel steel! Let us live, yes, live just a little longer. Lost lost! We're lost. And when Precious goes we'll die, yes, die into the dust.'
Devastated by this. Just a little longer, he begs. Even though his existence is a torment. Even though the will that holds him to life is barely his own anymore. He has long outlived his time but it's such a cruelty that now the only freedom for him is in death. I'm glad Sam didn't kill him but the whole scenario is awful.
When a mortal keeps a ring of power he does not gain more life, he continues, denied natural mortality as the fear of death is amplified and twisted into fear of separation, nothing matters anymore but the keeping, the continuing. In that miserable existence there is no peace, and at its end there is no graceful goodbye to life, there is only dust. Sudden, empty, and final.
It would take murder to spare him that. Or falling with the ring into the fire.
Bilbo let it go in time (did he feel anything when it was destroyed?) Frodo is freed of it now, though the toll it extracted for the separation was at very least a finger. It was too late for Gollum for the price to be anything other than it was, and that's brutal.
If you live long enough, death is no longer the enemy. What Sauron did to Gollum ensured that it would always be the enemy, to be feared and avoided for ever, once time and the ring had fashioned it into the only escape left. Evil.
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boy i love it when a battle comes together in a narratively perfect way
sixth or seventh try at the cazador battle. for once instead of opening with a call lightning, he decides to open with a blight and insta-kill my bard, who normally starts by dimension-dooring to free astarion. this means that things get perilously close to popping off ascension-wise before jaheira and shadowheart can get her back up and a Daylight off. this kind of sets the tone for the battle, which goes Badly for almost the whole time. it hits the point where both my bard and shadowheart are just spamming Mass Cure Wounds and Mass Healing Word to keep people on their feet.
however. eventually astarion gets in perfect postion to break out the scroll of disintegrate right at cazador. who fails the save. and finally takes a proper hit to his ridiculous HP pool. he then pitches a fit and runs right at astarion to try and fuck him up, but the healing from the ladies keeps him on his feet - and then cazador was in perfect 'astarion has a scroll of Sunbeam' range. he did also hit ryse with it because i didn't realise she was in range. it's fine. she gets it. she's cast fireball on herself to get enemies before now. that put him on his last legs.
and then astarion'd taken a potion of speed before, so he had another attack - and he was wearing the risky ring, so he had sneak attack from the advantage.
get fucked, cazador.
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