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natromanxoff · 2 years
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Why the young roll in to see rock’s pied pipers
By JAMES GREEN
THEY are the phenomenon of our time. There is nothing within traditional showbusiness that can match the Pied Piper lure of open-air rock and pop concerts.
For a whole new young generation they are the look and sound of 'eighties entertainment, and any reservations were shattered exactly one year ago today by Bob Geldof's global Live Aid spectacular at Wembley Stadium.
And the bandwagon rolls on.
On Friday, and again last night, rock showman Freddie Mercury and Queen, with Status Quo on the bill, drew 72,000 ecstatic fans both evenings to a stadium more noted forthe magic of Kenny Dalglish or Gary Lineker.
COLOUR
A week ago, 41-year-old Rod Stewart and The Faces played for 62,000 on the same turf, and in June 72,000 (the crowd limit) attended an emotional farewell gig for Wham!
I found the age range interesting. The kids turned out for Wham! Rod Stewart's following was in the 20 to 30 bracket, and Queen appealed from the kids to wrinklies.
If you have never seen a big arena rock show, it is a revelation to emerge on the Wembley terracing and look down on the carnival antics of the mass of humanity occupying the pitch.
It is a blaze of colour. There are T-shirts, golf umbrellas, shorts, anything goes fashions, long and mini skirts, scarves, the odd shirtless wonder, and the yellow jackets of stewards. You could be a health risk in suit and tie.
Some jig and dance. Others punch the sky in response to the thudding beat. And still more are singing. They all seemto know the words.
That, coupled with the sound spewing from enormous speakers — like a jet taking off from nearby Heathrow — makes a football crowd roar a mere whisper.
But while Wembley maybe the prime venue, there are many more, and bigger, around the country. When Queen are at Knebworth Park on August 9, around 120,000 are expected.
There were 60,000 recently for rock at Ibrox Park, and 150.000 when Bob Dylan sang at Blackbushe.
The Queen concerts, like most others, sold out almost overnight. There were 500,000 applications for Wembley; the ticket queue at Newcastle was longer than when the "Magpies" were in the Cup Final; and Manchester experienced a similar rush.
Tickets cost one price of £14.50 or £15 and there are no reserved seats. You can stand out front with the majority or find a seat under cover.
So what has produced the phenomenon?
I put that question to two leading British promoters Harvey Goldsmith, 40, who presented Queen and Derek Block, who had the Rod Stewart show.
“First,” said Harvey Goldsmith, “the artists (…) are always a worldwide attraction.
“We have a generation that wants to be involved and be part of ‘the event’. There is a sense of camaraderie and (…) having a day out.
“The fans are there to (…) themselves and they behave very well. They want to see the star band, have a good time and circulate among thousands of others, and share in a special occasion.
“The real magic comes as the sun and light go and the arena darkens. Then you can feel the atmosphere.”
Derek Block says: “These concerts have become possible because of the new technology. They are an event and the public walk around afterwards wearing a T-shirt announcing that they were there.
"In Britain it started 20 years ago with the Bob Dylan Isle of Wight festival. It was unsophisticated and there were no large TV screens.
“It was a time of flower power and anti Vietnam war feelings, and what we had was a young generation expressing themselves. They didn't want to have chicken in a basket and watch cabaret like their parents.
"I remember in the early days discussing with Harvey whether there was a hippie feel in Britain. Would they sit in a field or puddles when they couldn't hear much and the star was a tiny distant dot?
CRUSH
"Thanks to technology and giant TV screens that has changed. But we take a chance with the weather."
Today mounting such a show is a mind boggling operation. This is Andy Zwek, production manager for the Queen and Stewart concerts:
"For six days this week, I had 100 men working on day and night shifts preparing the stage and all the other things. There were 15 trailer loads of steel for the scaffolding.
"The stage measures 120 ft, that's on the ‘D’ behind one goal, there are 120 speakers, a 30ft by 20ft starvision screen has a huge water reservoir to counter balance the weight, and the grass is covered by foam rubber, then 2,000 sheets of plyboard, and on top of that is a plastic surface.
"There are over eight miles of cable, and without doing my sums, the equipment has got to cost over £1 million.
"A lot of fans like to crush together in front of the stage, and with the closeness and excitement they get dehydrated.
“In America they cool them down with a hose but we've given that up. We've taken a tip from Mexico and we've had thousands of bags of water prepared.
DEMAND
"They are handed out by our team with paper cups and take some of the emotion out. It's nice that in seven years behaviour has been great. I haven't seen a sign of blood or a fight."
What about costs?
“We have nearly 700 general and backstage security men on duty," says Goldsmith. "Simply producing the two Wembley concerts, leaving aside artists' fees, the bill is £750,000.
“Do your sums right and it can be profitable. But being one per cent out in your calculations is an expensive mistake. Planning starts seven months ahead and we know almost immediately if we have a sell-out and a financial success.”
Block adds: “There are two reasons we go into the open air — the demand for tickets based on drawing power, and the basic costs. If we went into the largest indoor centres then ticket prices would have to be higher.
"Rod's production cost, including band fees, was around £700.000. Bruce Springsteen did three shows at the stadium last year, not for my company, and he would have been left looking at 800,000 to 1 million dollars for each performance.
"What we are doing is putting on a more costly show than a big West End musical, and there are few British promoters capable of handling the deal.
"It's a bit like putting on England v Scotland at Wembley.”
There are only some 20 stars or bands who can justify the operation. Goldsmith names some… " Dylan, Bowie, The Stones, Queen, Police, Madonna, Neil Diamond, Dire Straits, and Michael Jackson."
Barbra Streisand? "If she would do it, she could be the biggest of the lot."
Leaving Derek Block with the last word. "We've got to get bigger and better. People will become more discerning and must not leave disappointed.
HEROES
“Pop music goes in cycle of about eight years, with the fan starting at the age of (…) and going on to 19. It is (…) generation which is (…) reflected.
“In a year to 18 months (…) shall reach the end of (…) present cycle and the (…) batch of teenagers will (…) today’s stars as old hat (…) one like Paul Young (…) become the new Rod Stewart (…).
“So it carries on. (…) generation make (…) heroes with some (…) acts like Dylan (…) Springsteen lasting forever (…).”
[Photo caption: The mercurial talent of Queen, left, and, above, the crowd laps up the beat.]
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midnightrabbi · 2 months
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Happy Purim from Unity Bookings & Unity Marketing - Updated Unity Projects Site!
United Souls by Eli Goldsmith – a Nourished Soul, Shabbat Shalom, Intimacy Beyond & The Synergistic Journey Together! Dedicated to the real lonely Souls, soldiers & defenders of Yisrael… & Souls Globally – the United Souls that know The Truth of their Souls & for all those that know not yet. A Healthy End to Winter all 🙂 – With Spring already on the way… 🚀✨ Exciting News! Our Home Page Just Got…
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midnightrabbiinspired · 2 months
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United Souls by Eli Goldsmith - a Nourished Soul, Shabbat Shalom, Intimacy Beyond & The Synergistic Journey Together!
Dedicated to the real lonely Souls, soldiers & defenders of Yisrael… & Souls Globally – the United Souls that know The Truth of their Souls & for all those that know not yet. A Healthy End to Winter all 🙂 – With Spring already on the way… The Real Kindness Podcast – A Short Flow – Live Weekly – Happy Days – UIP! Leave a comment Good Chodesh and Good Weeks of Adar/Purim with Increased Simcha!…
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thebutcher-5 · 1 year
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Mulan (1998)
Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo continuato a parlare di horror, arrivando a discutere di un remake che, nonostante non sia al livello dell’originale, mostra di avere qualcosa da dire, La notte dei morti viventi di Tom Savini. Barbara e suo fratello sono al cimitero per visitare la tomba della madre defunta, quando a un certo punto vengono attaccati da degli…
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Tár (15): A Maestro conducting herself poorly.
#onemannsmovies review of "Tár" (2023). #tarmovie. A deep and mystical classical drama with an Oscar-worthy Cate Blanchett. 4/5.
A One Mann’s Movies review of “Tár” (2023). With Cate Blanchett having already won the Golden Globe and Critics Choice Awards for Best Actress, there’s no doubt that her performance in Tár is odds-on favourite to pick up both the BAFTA and the Oscar. But Todd Field’s movie goes well beyond just this one performance, and is a fascinating piece of work in its own right. Bob the Movie Man…
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mariocki · 1 year
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City of Fear (1959)
"You could tell them it won't wipe out the whole city. There's not enough of it, it's not a bomb. However... it will contaminate entire farms, milk, butter, eggs; get carried into markets on meat and produce, into theatres and restaurants. Get carried around by people on their clothes, on their shoes, on insects and birds, and on children. Then you'll have to describe the symptoms to watch out for: hoarse coughing, heavy sweat, horrible retching. Then the blood begins to break down, then the cells. If you merely touch your skin, the watered blood just oozes out of your pores. Finally you haemorrhage internally - blood fills the lungs. I doubt if anyone could explain that calmly to three million people without touching off the worst panic in history."
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Remembering George Michael...
25th december 2016
George Michael died on Christmas Day at the young age of 53
🔸“I love what’s happening with the charts in England. Frankie Goes To Hollywood are a tremendous act and so are Spandau and George. We’ve still got some of the best music in the world, there’s so much quality in it.
“I love George Michael because he moves so well and has a sense of dignity and fun. I don’t like the Thompson Twins though. I don’t know the real reason why. It’s one of those things they don’t move me"
- Freddie Mercury
Interview 01/26/1985 – Record Mirror
Blame it on Rio, by Robin Smith
Pic: 13th July 1985, Wembley Stadium, London, UK, Live Aid, benefit concert - George Michael, promoter Harvey Goldsmith, U2 lead singer Bono and Sir Paul McCartney and Freddie Mercury performing on stage during the finale of this concert
📸 Photo by Staff/Daily Mirror/Mirrorpix
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freddieraimbow74 · 2 months
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Happy Birthday to the Legendary Liza Minnelli 🎉🥂🎂
Liza May Minnelli is an American actress, singer, dancer and choreographer. She’s the daughter of actress and singer Judy Garland and director Vincente Minnelli,
Liza is known for her commanding stage presence and powerful alto singing voice, she is among a rare group of performers awarded an Emmy, Grammy (Grammy Legend Award), Oscar, and Tony (EGOT). Minnelli is a Knight of the French Legion of Honour.
Freddie absolutely adored her …. 💛
“The thought of doing more lavish stage type things does appeal to me, I’ve just got to convince the others. I like the cabaret-ish sort of thing. In fact, one of my early inspirations came from Cabaret. I absolutely adore Liza Minelli, she is a total wow.
The way she delivers her songs - the sheer energy. The way the lights enhance every movement of the show. But somehow I have to combine it with the group, not divorce from it. That’s the difficult thing. I think you can see similarities in the excitement and energy of a Queen show. We are a bit flashy, but I also think we’re sophisticated, the music’s not one big noise. It’s not Glam Rock either. We’re in the show business tradition.
I think on stage you either have the magic, or you don’t, and there’s no way you can work up to it. Liza Minnelli just oozes with sheer talent. She has energy and stamina, which she gets across on stage, and the way she delivers herself to the public is a good influence. There is a lot to learn from her.”
~ Freddie Mercury
Freddie was asked in an interview if he’d like to date Liza Minnelli:
His response, “Oh, no. I would like to talk to her, yes. I would just like to meet her after a performance and take it from there. I don’t know what she would say to me, or what I would say to her.”
Well, Freddie’s dream came true, he met the beautiful legend during Queen’s 20 year anniversary party at Groucho’s in London’s Soho on 18 February 1990.
A moment he treasured!
“When I saw Liza Minnelli at Freddie’s Tribute Concert, it has to be remembered that I was the only face she knew from Freddie’s immediate circle. We had first met at Groucho’s at a party after the BPI Awards in 1990. Our friend Ronnie Fisher who worked for Harvey Goldsmith was accompanying Liza that night and of course, both she and Freddie were desperate to meet each other. Needless to say they got on like a house on fire.
I remember at Groucho’s, once Freddie had met Liza, no one else really existed. She was, to him, not only the epitome of a real star but also the daughter of Judy Garland whose films had been part of his cultural diet for many years since childhood.
Liza looked very glamorous too, dressed all in black, in a knee-length jacket and trousers with a satin top which was cut straight over her bosom. She and Freddie sat together on a banquette and leaned in towards each other and yammered, talking and laughing, bursting out with gales of laughter. It warmed my heart to see Freddie having such a good time for by then he was sick and rarely enjoyed this sort of spontaneous joyful good time which went on for at least two or three hours.
Freddie was anxious to continue the relationship and of course invited her to come and see him at Garden Lodge and they made a date a few days later during her same visit.
Liza closed the show and it was the sheer force and energy with which she imbued WE ARE THE CHAMPIONS which I felt, although Freddie wasn’t physically present, would have made him very happy as she held not only the seventy-two thousand live audience but the billion television watchers across the world in the palm of her hand.
As Ben Thompson wrote in the Independent on Sunday on May 10th 1992: “ ... Liza Minnelli is probably the only person who could carry off the finale.
Like Liz Taylor, she has the kind of fame Mercury was aiming for in his later years – when a person becomes so glamorous you don’t need to remember what they did to get there. If the billion people alleged to be watching needed proof that he’d achieved it, this show was it .”
Peter Freestone
“Freddie, he was crazy as a horse! I performed at Wembley Stadium at the concert to honour Freddie. He was a huge fan of mine, which I am still tickled to know. He was one of the best of all time.” 🌹♥️
~ Liza Minnelli
The first picture was taken by Richard Young during Freddie final public appearance in February 1990 and the other two were taken at The Freddie Mercury Tribute Concert 💔
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thegroovywitch · 1 year
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Andrew Ridgeley, concert promoter Harvey Goldsmith, Scarlet Page and father Jimmy Page backstage at a Wham! concert at Wembley Arena, London, December 1984.
(Photo by Michael Putland)
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metmuseum · 1 year
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[The Harvey Album]. 1868. Credit line: Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1998 https://www.metmuseum.org/art/collection/search/282247
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alicemccombs · 3 months
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mirandamckenni1 · 5 months
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Four Misconceptions about the Left Hand Path Find out the four biggest misconceptions about the left hand path traditions. The left hand path is often subject to misconceptions and misunderstandings. Find out more in this episode. CONNECT & SUPPORT💖 - WEBSITE & NEWSLETTER 💌 https://ift.tt/RexvUAX - BECOME MY PATRON! 🎩 https://ift.tt/xq8plgM - SUPPORT ME ON KO-FI ☕️https://ift.tt/z4qOJVu - ONE-OFF DONATIONS 💰 https://ift.tt/dbmIK0x - JOIN MEMBERSHIPS 👥 https://www.youtube.com/channel/UCPSbip_LX2AxbGeAQfLp-Ig/join - MY PODCAST 🎙 https://ift.tt/GLx4XT2 - MY SERVICES🛍 https://ift.tt/v0Rtj8r - MY MERCH 👕 https://ift.tt/U0BNHD9 - Video Trascripts https://ift.tt/E6cigFr 💬 FOLLOW ME👣 - YouTube (@drangelapuca)🌟 - Instagram (@drangelapuca) 📸 - TikTok (@drangelapuca) 🎵 - Twitter (@angelapuca11) 🐦 - Facebook (Dr Angela Puca) 👥 RECOMMENDED READINGS 📖 REFERENCES 📚 Granholm, K. (2014) Dark Enlightenment: The Historical, Sociological, and Discursive Contexts of Contemporary Esoteric Magic, BRILL. Petersen, J. A. (2016) Contemporary Religious Satanism: A Critical Anthology, Routledge. Woodman, J. (2003) ‘Modernity, selfhood, and the demonic : anthropological perspectives on “Chaos magick” in the United Kingdom’, Ph.D., Goldsmiths, University of London. Sutcliffe, R. 1996. 'Left Hand Path Ritual Magic’, in C. Hardman and G. Harvey (Eds.), Pagan Pathways, pp. 109-37 MY SET-UP 🛠️ - Canon 90D camera 📸 https://amzn.to/3yQclh0 - Canon EF-S 18-55mm f/3.5-5.6 📷 https://amzn.to/3JjU1BS - Teleprompter 🗒️ https://amzn.to/3linWCB - Shure SM7B Microphone 🎙️ https://amzn.to/3Jm5IYK - Microphone stand 🎤 https://amzn.to/3FueJOn - Lights 💡 https://amzn.to/3Zdk8k1 - DJI Wireless microphones 📡 https://amzn.to/3NWAVVQ 00:00 Introduction: Support Angela’s Symposium 01:49 Left-Hand Path in the 20th century 03:50 Misconception 1: The Left-Hand Path is evil 06:25 Misconception 2: The Left-Hand Path is synonymous with Satanism 08:40 Misconception 3: The Left-Hand Path is immoral and hedonistic 10:54 Misconception 4: The Left-Hand Path is what the media says it is 12:34 Conclusion 13:45 Support Angela’s Symposium ⚠️ Copyright of Dr Angela Puca, in all of its parts ⚠️ Music by Erose MusicBand. Check them out! via YouTube https://www.youtube.com/watch?v=WXyfxHmqELs
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erla-film · 6 months
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When you open the link, delete the "https://href.li/?" link fragment from the beginning
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fromtheothersideby · 10 months
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2Boomers Cinematic Chronicles Movie : The Omen Year : 1976
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"The Omen (1976): A Bone-Chilling Horror Classic That Haunts the Imagination"
Rating: 4 Boomers
As a second-year high school student eagerly venturing into the only cinema in town with friends to witness the release of "The Omen" in 1976, I found myself on a thrilling and bone-chilling journey into the realms of supernatural terror. Directed by Richard Donner, this horror classic left an indelible mark on my teenage psyche, keeping me on the edge of my seat with its gripping story, ominous atmosphere, and unforgettable performances.
"The Omen" tells the tale of Robert Thorn (Gregory Peck), an American ambassador, who unwittingly adopts Damien, a young boy with a sinister secret. As supernatural occurrences begin to unfold, Thorn becomes entangled in a web of ancient prophecies and malevolent forces. The film masterfully blends elements of suspense, religious mythology, and psychological horror, delivering a deeply unsettling and captivating narrative.
From the moment the film commenced, I was immersed in its dark and foreboding atmosphere. The haunting score by Jerry Goldsmith sent shivers down my spine, setting the stage for the sinister events that would unfold. The cinematography, filled with shadowy imagery and expertly crafted suspenseful sequences, added to the film's overall sense of unease.
Gregory Peck's portrayal of Robert Thorn was both nuanced and compelling. As a second-year high school student, I was drawn to his character's gradual realization of the impending evil and his desperate attempts to protect those he loves. Peck's performance anchored the film, providing a sense of gravitas and emotional depth amidst the supernatural chaos.
The young Harvey Spencer Stephens, who played the enigmatic Damien, brought an eerie innocence to the role that sent chills down my spine. His subtle yet unsettling presence added an unsettling layer of terror to the narrative, making him an iconic figure in horror cinema.
"The Omen" succeeds in building an atmosphere of mounting dread and suspense. It skillfully combines religious symbolism, ancient prophecies, and psychological tension to create a sense of impending doom that keeps viewers on edge throughout. The film's slow-burn approach, coupled with its shocking moments of violence and supernatural occurrences, leaves a lasting impression on the viewer.
What sets "The Omen" apart is its exploration of the darker side of humanity and the blurred lines between good and evil. It delves into themes of fate, faith, and the destructive power of unchecked forces. As a second-year high school student, the film challenged my perceptions and sparked discussions about the nature of evil and the fragility of the human condition.
Decades after its release, "The Omen" continues to be regarded as a classic horror film that has stood the test of time. Its impact on the genre cannot be overstated, influencing countless subsequent films and leaving an enduring legacy.
For horror enthusiasts and those seeking a chilling cinematic experience, "The Omen" remains a must-watch. Prepare to be immersed in a world of supernatural terror, where ancient prophecies collide with the frailties of humanity. Brace yourself for a bone-chilling journey that will linger in your thoughts long after the credits roll.
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debracmcguire · 11 months
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About Lone Tree, Colorado: A Hidden Gem in the Denver Metro Area
Lone Tree, Colorado is a delightful city located south of Denver within the vibrant Denver Metro Area. Offering stunning parks, award-winning restaurants and fun-packed activities for everyone in their community – including this hidden gem! In this article we’ll take a deeper dive into some of Lone Tree’s top things to see, do and eat – get ready to experience this charming city for yourselves!
The Best Restaurants in Lone Tree
Lone Tree offers an incredible variety of dining experiences. From steakhouses to cozy cafes, here are some of the top restaurants here:
1. Sierra Restaurant
Sierra Restaurant is an iconic spot for delicious American fare with a twist, offering dishes such as wood-fired pizzas, juicy burgers and fresh salads – not to mention their legendary house-made churros for dessert!
2. Via Baci Italian Bistro
Via Baci Italian Bistro offers delicious authentic Italian fare in its cozy environment, from pasta dishes to wood-fired pizza. Their tantalizing flavors will transport you straight back to Italy while their relaxing setting offers a cozy dining experience.
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Lone Tree offers numerous scenic parks and attractions perfect for an adventuresome exploration day, including:
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Bluffs Regional Park offers breathtaking views of both the Front Range and Denver skyline, covering more than 200 acres of open space – ideal for hiking, bicycling or simply enjoying a picnic with family or friends.
2. Lone Tree Arts Center
For lovers of art, music and culture alike, Lone Tree Arts Center should be on your itinerary. This state-of-the-art facility hosts concerts, plays and art exhibits – providing endless entertainment for both individuals and families.
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2. Bowlero Lone Tree
Bring along your friends and family for an entertaining day filled with bowling, arcade games, delicious food options and other enjoyable entertainment at Bowlero Lone Tree! This entertainment center promises fun-filled entertainment for people of all ages.
Frequently Asked Questions (FAQs)
How far is Lone Tree from Denver? It is located approximately 20 miles south of downtown Denver.
What is the population of Lone Tree? As of 2020, Lone Tree had an estimated population of 15,000.
What are some popular attractions nearby Lone Tree? Park Meadows Mall, Sky Ridge Medical Center and Fiddler’s Green Amphitheatre.
Visiting Lone Tree, Colorado
Lone Tree, Colorado is an inviting city with much to offer visitors. From top-of-the-line restaurants and parks, to exciting activities and plenty of exciting adventures awaiting you here – Lone Tree promises an enjoyable visit. So plan your visit soon and experience its vibrant city life for yourself!
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Golden
Arvada
Wheat Ridge
Happy Canyon
Monument
Castlewood
Southglenn
Columbine
Ken Caryl
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Original post here: Areas We Serve Originally published here: https://medicalhealthsolutionsllc.blogspot.com/2023/06/areas-we-serve.html
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demoura · 1 year
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5 DE FEVEREIRO DE 2023 : VERSAILLES MODIFICADA , , 101 PAGINAS DO MAESTRO SEIJI OSAWA ACERCA DA MÚSICA DE MAHLER, UM DOCUMENTÁRIO DA BBC SOBRE FREDDY MERCURY E UM CREME DE CENOURA DE HENRIQUE SA PESSOA NO ROBOT DE SOPAS : cumpri o ritual numa Versailles retocada que mostra o reforço da parceria com o grupo Nabeiro - Adega Mayor mas , felizmente mantém imutável a qualidade do croquete e do café Camelo . Num mês de fevereiro em que na Gulbenkian ouviremos a 3a e a 6a sinfonias de Gustav Mahler ( Chaslin e Viotti ) é enriquecedor ler a conversa de Murakami com Seiji Osawa intitulada “ acerca da música de Gustav Mahler .” ( Música só Música pg 184 -285) O maestro japonês foi assistente de Bernstein o mahlerite “primum Inter pares” e intérprete destacado do compositor com a orquestra sinfónica de Boston . Vi de tarde na RTP2 “ Freddie the Final Act “. notável documentário de James Rogan (2021) que cruza o clima homofóbico perante a “peste gay” na história do fim da vida de Freddie Mercury (1946-1991) e como, após a sua morte, os Queen realizaram um dos maiores espetáculos da história, o “Freddie Mercury Tribute Concert” no Estádio de Wembley, para celebrar a sua vida e desafiar os preconceitos à volta do VIH/SIDA. O documentário de 100 minutos ouve aqueles que se apresentaram no espetáculo épico, incluindo Gary Cherone (Extreme), Roger Daltrey (The Who), Joe Elliott (Def Leppard), Lisa Stansfield e Paul Young, bem como o promotor do espetáculo Harvey Goldsmith. Pela primeira vez, a história de Freddie Mercury é contada em paralelo com as experiências daqueles que testaram positivo para o VIH e perderam entes queridos durante o mesmo período. Médicos, sobreviventes e defensores dos direitos humanos, incluindo Peter Tatchell, relatam a intensidade de viver durante a pandemia de SIDA e o pânico moral que provocou.“. Finalmente o “cozinheiro improvável “ recomenda aos seus amigos a deliciosa receita de creme de abóbora do estrelado chefe Henrique Sa Pessoa que executei com primor no Moulinex easy-soup : 300 gr de abóbora , gengibre ralado , 300 gr cebola picada erva doce , pó de caril , 400 ml de leite de coco , 300 ml de caldo de legumes e coentros picados para enfeite .
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