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#HAROLD ROAD
streetsofdublin Β· 1 year
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TWO MURALS IN STONEYBATTER
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leo-bandito Β· 2 months
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4 YEARS!! πŸ§ͺβœ¨πŸ«§β˜€οΈπŸŒˆπŸ”₯‼️
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sidetongue Β· 7 days
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follow the yellow dog
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pjshermann Β· 3 months
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OHHH THIS LINEEEEE MOTHERFUCKER
Now, Sullivan said this in response to Jude telling him he was raised in a Catholic monastery by the Brothers. Since Harold's more liberal beliefs generally don't align with traditional Catholic ones (And Sullivan hates Haroldβ€”and his beliefs by extension), Sullivan says that Jude's upbringing might come into conflict with what Harold teaches him. And this is true, we see throughout the novel that the vestiges of Jude's Catholic-centered education does permeate into his belief system, which causes some arguments with Harold. While he might not be Catholic anymore, his upbringing still has some foundation in the way he approaches things.
Now Sullivan wouldn't mean it like this because he'd have no idea of knowing, but this line could also be read another way. What did the Brothers give Jude? They might have given him a well-rounded education, enough that he was far ahead of the other kids his age and went on to a prestigious college despite never formally attending school. But what else did they give him? Everything the Brothers told him, everything horrible, dehumanizing insult they filled his head with and made him believe that he was inhuman, disgusting, ugly, shameful, he is hated. That he was to blame for everything that happened to him because he was bad. Now compared to what Harold has always told him, has been constantly telling him, that he's smart, he's kind, he's beautiful, he's a good person, he's the most wonderful person he knows, he is loved. He has nothing to blame himself for, nothing to be ashamed of. The things Harold has been "filling his head with".
And yet, Jude believed the Brothers over Harold. What they gave him, his sense of self-hatred, was strong enough to "protect" against what Harold has tried to fill his head with instead. No matter how hard Harold tried, the belief system that the Brothers instilled into his head was too deeply ingrained to let Harold's words completely reach Jude.
The saddest part is that Harold kept trying. He never backed down. All the way until the day Jude died, he kept trying, hoping that maybe today Jude would finally believe him. But in the end, he didn't. His farewell letter showed that he died still believing what the Brothers told him. Harold's words never reached him. He could never get into Jude's head the way Brothers did.
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reneserseya Β· 4 months
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Jack and Harold
(2023.12) Road to the NHL Winter Classic 2023
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pepaldi Β· 2 months
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Photos taken in May 2010. The month he got sick.
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queen-mabs-revenge Β· 11 months
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hold up tho -- i was too busy being mad about everything else, but as a certified Cat Stevens Enjoyer (inherited dad music taste ppl rise up) now that i'm stopping to think about it even using 'father and son' in the final context is itself an empty symbol???? it's like they took the name of the song and the lyrics 'i have to go away' and were like oh yeah nice 1!
but like the song? is about? intergenerational conflict??? specifically the conflict btw a father advocating for a conservative, settled, traditional and pleasant life and a headstrong son resenting that repressive upbringing and making the decision to break away towards his passions? it's not meant to be one person singing throughout the whole thing, it's a really compassionate and heartbreaking dialogue between the idea of settling for the well-trodden road, and the need to leave it behind: the son not convinced by the comforts of the expected, and the father in some ways advocating settling for the traditional because he just doesn't want his son to leave him.
like in that context, it's the avatar of traditional singing 'find a girl, settle down - if you want you can marry. look at me i am old but i'm happy' over ted's car pulling up to michelle's house.
it's the avatar of the need to break from the repression of that life who frankly wails out (mr stevens i owe you my life) 'all the times that i've cried keeping all the things i felt inside, it's hard - but it's harder to ignore it. if they were right, i'd agree -- but it's them they know not me. there's a way and i know i have to go away'
like???????????????
using that song there is a whole ass choice but it's uhhhhhh at the very least a deeply complicated one, which doesn't really seem to click with this supposedly uncomplicated and 'unambiguously happy ending' they were apparently going for:. again like i said, feels like they just were like 'oh yeah father and son. people cry to this song right? bingo ringo!'
again, like with barbecue sauce and the pinball machine, it's borrowing those emotions from symbols instead of actually building them up in the story, and whoooo baby this song is just another case of those symbols not really matching up with the empty narrative they're being asked to prop up.
(anyway fun fact: the song was originally written for a proposed musical about the russian revolution and the son is actually singing about wanting to join the bolsheviks ✊🚩)
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x-heesy Β· 1 year
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L o v e 🀍
Do things for people not because of who they are or what they do in return, but because of who yeou are❣️-Harold S. Kushner
𝗣𝗨π—₯π—₯π—™π—˜π—–π—§ π—œπ—¦ 𝝠 𝗠𝗬𝗧𝗛 / π—œπ—§β€™π—¦ 𝝠 𝗧π—₯𝝠𝗣 / 𝗕π—₯π—˜π π—ž 𝗙π—₯π—˜π—˜ / π—€π—¨π—˜π—¦π—§π—œππ—‘ π—˜π—©π—˜π—₯π—¬π—§π—›π—œπ—‘π—š / π—–π—›πππ—¦π—˜ π—ͺπ—œπ—¦π—˜π—Ÿπ—¬ / π—ͺπ—˜π—œπ—₯𝗗 π—œπ—¦ 𝝠 π—–ππ— π—£π—Ÿπ—œπ— π—˜π—‘π—§ / π—‘ππ—§π—˜ 𝗧𝝝 π— π—¬π—¦π—˜π—Ÿπ—™ / 𝗬𝝝𝗨 𝝠π—₯π—˜ π—§π—›π—˜ π—₯𝝝𝝠𝗗 /π—§π—›π—˜π—Ÿπ—œπ—§π—§π—Ÿπ—˜π—§π—›π—œπ—‘π—šπ—¦π π—₯π—˜π—§π—›π—˜π—•π—œπ—šπ—§π—›π—œπ—‘π—šπ—¦ / 𝗠𝗬 𝗖π—₯π—˜π——π / π—Ÿππ—©π—˜ & π—Ÿπ—˜π—§ π—Ÿππ—©οΏ½οΏ½οΏ½οΏ½ / π—Ÿπ—œπ—©π—˜ & π—Ÿπ—˜π—§ π—Ÿπ—œπ—©π—˜ / π—žπ—˜π—˜π—£ π—œπ—§ π—¦π—œπ— π—£π—Ÿπ—˜ / π—žπ—˜π—˜π—£ π—œπ—§ π—₯π—˜π π—Ÿ / π—©π—˜π—§π / π—₯π—œπ—¦π—˜π—₯π—˜π—•π—˜π—Ÿπ—₯π—˜π—¦π—œπ—¦π—§ / 𝗠𝝝𝝝𝗗 𝗕𝝝𝝠π—₯𝗗 /π—£π—¨π—‘π—žπ—¦π π—₯π—˜π—‘π—§π——π—˜π π—— ​/ 𝗑𝝝 π—šππ——π—¦ 𝗑𝝝 π— π π—¦π—§π—˜π—₯𝗦 / 𝗣π—₯𝝝 π—Ÿπ—œπ—™π—˜ 𝗠𝗙𝗭 / π—˜π—‘π—˜π—₯π—šπ—¬π—¦π—¨π—–π—žπ—˜π—₯𝗭 𝗑𝝝𝗧 π—ͺπ—˜π—Ÿ(π—Ÿ) 𝗖𝗨𝗠 / 𝗧𝝝 π π—Ÿπ—Ÿ 𝗧𝗛𝝠 π—Ÿπ—¨π—©π π—­
#justanfriendlyreminder πŸ’‘
#thelittlethingsarethebigthings
#autosuggestion #pointofview #codingyourself #programyourself #endlessness #creatingyourself #neverstoplearning
#fantasy #empathy #equality #respect #love #basics
#textart #artfulquotes #typography #expressyourself #iphoneart #newcontemporary #popart #artsyfartsy #artfuckery
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Soundtrack: Island feat. Caro - NΓ΄ze Remix by Dapayk & Padberg ❀️‍πŸ”₯
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schlock-luster-video Β· 9 months
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On July 29, 1983, National Lampoon's Vacation debuted in Canada and the United States.
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demifiendrsa Β· 7 months
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John Woo's Silent Night - Official Trailer
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Poster
Synopsis
From legendary director John Woo and the producer of John Wick comes this gritty revenge tale of a tormented father (Joel Kinnaman) who witnesses his young son die when caught in a gang’s crossfire on Christmas Eve. While recovering from a wound that costs him his voice, he makes vengeance his life’s mission and embarks on a punishing training regimen in order to avenge his son’s death. Full of Woo’s signature style, Silent Night redefines the action genre with visceral, thrill-a-minute storytelling.
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dazzlin-qwq Β· 6 months
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you don't understand samsung notes hit hard
More doodling
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Alenoah (??) au where alejandro tries to drive away Noah's friends so he can have him to himself, the usual
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More izzney, im uncontrollable. Also world tour scene redraw? Just if izzy was placed somewhere else on the bus. Also i can't draw courtney lolz!!!!!
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Old doodle of an au of mine where chris is some freak who tortures children, izzy being a showcase of one of his victims. That sierra flower drawing was also one of them.
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What is blud doing ❗❓ i really like this noah drawing , it also shows my hc noah design :3
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NERDS!!! Old doodle from when i was reaching action, i was literally living for the duncan-harold friendship.. Or non rivalry. Duncan and the H-Bombs literally solo and u can't coming me otherwise
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Nowen & Ozzy amirite, an earlier doodle of mine. It was a comic i had thought of for awhile :3 (don't mind how ugly Noah's nose looks in that final panel, idk anymore)
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sundry-whovengerslocked Β· 4 months
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the Doctor has a Gen Z companion
what's going to happen? will Ruby live up to her generation's humor? we've only had one episode! so far it seems like the Doctor is speaking more slang than her!
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bkenber Β· 10 months
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'National Lampoon's Vacation' Movie and 4K Review
The following review was written by Ultimate Rabbit correspondent, Tony Farinella. When it comes to comedy in films, I’m well aware of the fact it is subjective.Β  In fact, film criticism as a whole is subjective, but I feel as though with comedy, it is especially subjective. What I find funny in film, you might find painfully stupid and vice versa. When it comes to the National Lampoon films…
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sidetongue Β· 7 months
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Daz forgot what he was doing for a sec and tried to bulldoze hen
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odk-2 Β· 11 months
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Frank Sinatra - One for My Baby (1958)
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Frank Sinatra - One for My Baby (and One More for the Road) (1958) Johnny Mercer (Lyrics) | Harold Arlen (Music) from: "Frank Sinatra Sings for Only the Lonely" (LP) (2018 Deluxe Edition)
Traditional Pop
JukeHostUK (left click = "play") (320kbps)
Personnel: Frank Sinatra: Vocals
Orchestra: The Nelson Riddle Orchestra
Piano: Bill Miller
Guitar: Al Hendrickson Al Viola
Harp: Kathryn Julye
Double Bass: Joe Comfort Eddie Gilbert
Drums / Percussion: Frank Flynn Bill Richmond
Horns: Trumpet: Cappy Lewis
Trombone: Milt Bernhart Β  Russell Brown Ray Sims Tommy Pederson
French Horn: James Decker James McGee George Price
Reeds/Woodwinds: Clarinet: Gus Bivona Β  Sal Franzella Β  Chuck Gentry Morris Bercov
Oboe: Arnold Koblentz Champ Webb
Flute: Arthur Gleghorn Harry Klee
Bassoon: Don Christlieb Norman Herzberg
Strings: Violin: Israel Baker Victor Bay Β  Alex Beller Β  Arnold Belnick Β  Daniel Karpilowsky Β  Emo Neufeld Β  Ben Gill Β  Paul Shure Β  Felix Slatkin Β  Marshall Sosson Β  Victor Amo Gerald Vinci
Viola: Alvin Dinkin Β  Stanley Harris Paul Robyn Dave Sterkin
Cello: James Arkatov Β  Armand Kaproff Joseph Saxon and Eleanor Slatkin
Conductor: Nelson Riddle Arranger: Nelson Riddle Producer: Voyle Gilmore
Recorded: @ The Capitol Tower Studios in Hollywood, Los Angeles, California USA on June 25, 1958
Album Released: on September 8, 1958
Capitol Records
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taekwondolifemagazine Β· 5 months
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John Woo's Violent, Silent Night is a Bold Experiment That Works
John Woo's Violent, Silent Night is a Bold Experiment That Works #joelkinnaman #silentnight @Lionsgate
Β  November 27, 2023 (NYC)– John Woo’s Violent,Β Silent NightΒ is a Bold Experiment That Works. Β A look at Β Silent Night, the highly anticipated new film from acclaimed action Director, John Woo. Β Β Here is a synopsis and review of this Lionsgate release. SYNOPSIS: Silent Night. Photo Credit: Carlos Latapi From legendary Director John Woo and the producer of John Wick comes this gritty revenge…
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