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#Guardians of the Galaxy Vol. 3 icons
wiccantwav · 8 months
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Star-Lord (Guardians of the Galaxy) - Icons
Don't repost, that's not cool.
Like or reblog if you save.
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favorite-characters · 22 days
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𝔾𝕦𝕒𝕣𝕕𝕚𝕒𝕟𝕤 𝕠𝕗 𝕥𝕙𝕖 𝔾𝕒𝕝𝕒𝕩𝕪 𝕍𝕠𝕝. 𝟛
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Bradley Cooper as ʀᴏᴄᴋᴇᴛ (dir. James Gunn • 2023)
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yeamarvel · 10 months
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Improvised by Chris Pratt, Guardians of the Galaxy Vol. 3 features the first F-bomb to be uttered in the Marvel Cinematic Universe. 
GUARDIANS OF THE GALAXY VOL. 3 (2023) dir. James Gunn
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mondlevan · 1 year
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guardians of the galaxy vol. 3 headers
“♡” or reblog if you save/use — follow me.
twt: @szamofada
may 5 in all theaters🌌
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lockzade · 2 years
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MARVEL HEADERS (PT 3/3)
please like/reblog if you save
DON'T repost | all made by me
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1lhm · 2 years
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Victory Pose, Baby! | Guardians of the Galaxy | PS5 | In Game Photo Mode
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elgaberino-mcoc · 1 year
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New Wishlist Icon ADAM WARLOCK
This is the second in a series of listing updates for future champs that could help offset the controversial recent removal of Revive potions that have been available to Summoners for almost a decade. #MCOC @MarvelChampions
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aliasrocket · 11 months
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“𝐈’𝐦 𝐬𝐨𝐫𝐫𝐲. 𝐈 𝐜𝐚𝐧 𝐨𝐧𝐥𝐲 𝐚𝐟𝐟𝐨𝐫𝐝 𝐭𝐨 𝐥𝐨𝐬𝐞 𝐨𝐧𝐞 𝐟𝐫𝐢𝐞𝐧𝐝 𝐭𝐨𝐝𝐚𝐲.” — a collection of works I’ve done, mainly surrounding rocket raccoon. last updated : 07.25.2023
𝐅𝐈𝐂𝐒. full summary in links below. All go to AO3. click to scroll previews.
───── 𖤐 rocket raccoon / reader. 𖤐 ─────
⌗ HORRIBLE. 11k. smut. friends with benefits goes wrong.
⌗ LAST (FRIDAY) NIGHT. 16k. smut. angst. one night stand, catching feelings + a little adventure.
⌗ MISERY BUSINESS. 7k. smut. hatefucking. that’s actually it.
⌗ CHERRY CHAPSTICK SMILE. 2.3k. fluff. first date.
⌗ YOU’RE MY BABY (SAY IT TO ME.) 6.7k. smut. angst. one night stand pt. 2. drunk sex.
⌗ ANTIQUE DOLL. 2.1k. smut. fluff. kitchen sex, established relationship + a twist.
───── rocket raccoon. ─────
⌗ LOWER YOUR WEAPONS. 1.8k. angst. nebula visits rocket months after vol. 3.
⌗ HOW CAN I TRY TO EXPLAIN? 1.6k. angst. rocket goes to therapy. And it’s messy.
───── rocket raccoon / peter quill. ─────
⌗ ROCKET IS NOT DEAD. 0.5k. angst. “I am not. Letting him. Go.”
───── gotg. ─────
⌗ GROOT’S ROCKET. 1.8k. Since the extinction of his entire species, Groot had been hopping around, getting released from one prison to the next. That was until he met Rocket.
𝐓𝐔𝐌𝐁𝐋𝐑. click here to scoll the drabbles.
───── 𖤐 drabbles. 𖤐 ─────
rocket & reader go to an amusement park. fluff.
rocket/bartender!reader. smut.
rocket/reader get *ahem* interrupted. smut.
bdsm!reader introduces rocket to bdsm. smut.
reader catches rocket’s fluffy fur after a shower. fluff.
rocket/reader’s first date. fluff.
rocket with a small-chested reader. nsfw. fluff.
rocket with a large-chested reader. nsfw. fluff.
rocket x engineer/mechanic!reader bickering. fluff.
rocket gets jealous over you and quill. fluff.
rocket and reader fight. angst.
rocket and reader waking up after a fun night together. fluff.
mantis outing rocket’s crush on reader. fluff.
rocket stripping off a victorian era suit while ranting to you.
complimenting rocket’s singing voice. fluff.
rocket x musician reader. fluff.
rocket introduces you to the rest of the guardians. fluff.
rocket visits pole dancer reader. fluff.
you’re nebula’s friend, and off bounds but you’re so hot. suggestive
───── headcanons. ─────
Rocket crushing on gender neutral reader.
fun rocket headcanons.
kraglin and groot help take care of the kids from h.e.
───── gifs. ─────
Rocket in his iconic orange jumpsuit.
Peter Quill (guardians of the galaxy vol. 3).
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datcloudboi · 4 months
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List of Films Turning 10 Years Old in 2024
The Amazing Spider-Man 2
American Sniper
Annie (the remake starring Jamie Foxx)
As Above, So Below
The Babadook (we stan a gay icon)
Batman: Assault on Arkham (a direct continuation of the Batman: Arkham games)
Big Eyes
Big Hero 6
Birdman (won the Best Picture Oscar for this year)
The Book of Life
The Boxtrolls
Boyhood (filmed over the course of 12 years)
Captain America: The Winter Soldier
Chef
Dawn of the Planet of the Apes
Dead Snow 2: Red vs. Dead
Dear White People (the basis for the TV series on Netflix, and made by the same guy)
Dracula Untold (this was Universal’s second attempt at launching the Dark Universe)
The Drop (a crime drama starring Tom Hardy)
Edge of Tomorrow/Live Die Repeat
The Equalizer
Exodus: Gods and Kings (a biblical epic directed by Ridley Scott)
The Expendables 3
The Fault in Our Stars
Foxcatcher
Fury (the war movie with Brad Pitt and Shia LaBeouf)
Get on Up (the James Brown biopic starring Chadwick Boseman)
Godzilla (the 1st film in the MonsterVerse)
Gone Girl
The Grand Budapest Hotel
Guardians of the Galaxy Vol. 1
The Guest
Hercules (the one starring The Rock)
The Hobbit: The Battle of the Five Armies (did you guys know the working title for this movie was “The Hobbit: There and Back Again”?)
How to Train Your Dragon 2
The Hunger Games: Mockingjay Part 1
If I Stay
The Imitation Game (the movie where Benedict Cumberbatch plays Alan Turing)
Inherent Vice
Interstellar
The Interview (the movie that almost caused World War 3)
Into the Woods
Jack Ryan: Shadow Recruit
Jodorowsky's Dune (a documentary about the Dune movie that we never got)
Joe (one of Nic Cage's best movies)
John Wick (the 1st one)
Kill the Messenger
Left Behind (one of Nic Cage's worst movies)
The Lego Movie
Life After Beth
Lucy ((the “humans only use 10% of their brain” movie. Which has since been proven false. Source: https://www.scientificamerican.com/article/do-people-only-use-10-percent-of-their-brains/ )
Maleficent
The Maze Runner
A Million Ways to Die in the Weset
Mr. Peabody and Sherman
Muppets Most Wanted
Need for Speed (Aaron Paul's first project after "Breaking Bad" ended)
Neighbors
Night of the Museum: Secret of the Tomb (the third one. Also one of Robin Williams’ last movies)
Nightcrawler
Noah (a biblical epic directed by Darren Aronofsky)
Non-Stop
The Nut Job
Obvious Child
Oculus (one of the 1st projects from Mike Flanagan)
Ouija
Paddington
Penguins of Madagascar
The Purge: Anarchy
The Raid 2
RoboCop (the reboot that was actually decent)
Selma
Sharknado 2
Sin City: A Dame to Kill For
Son of Batman
St. Vincent
The Taking of Deborah Logan
Teenage Mutant Ninja Turtles (the one produced by Michael Bay. It’s also the one where the Turtles look like aliens)
The Theory of Everything (the movie where Eddie Redmayne plays Stephen Hawking)
Third Person
300: Rise of an Empire
Transformers: Age of Extinction
Tusk
22 Jump Street
Veronica Mars (the film continuation of the TV show)
A Walk Among the Tombstones
What If? (a rom-com starring Daniel Radcliffe)
What We Do in the Shadows (the film that was the basis for the TV show)
When Marnie Was There
Whiplash
X-Men: Days of Future Past
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the-maidofmischief · 1 year
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could you make some young rocket raccoon icons from guardians of the galaxy vol. 3? thank you!
Sure!
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Please like or/and reblog if you take any!
made by the-maidofmischief
200x200 px
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favorite-characters · 22 days
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𝔾𝕦𝕒𝕣𝕕𝕚𝕒𝕟𝕤 𝕠𝕗 𝕥𝕙𝕖 𝔾𝕒𝕝𝕒𝕩𝕪 𝕍𝕠𝕝. 𝟛
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Bradley Cooper as ʀᴏᴄᴋᴇᴛ × Linda Cardellini as ʟʏʟʟᴀ × Asim Chaudhry as ᴛᴇᴇғs × Mikaela Hoover as ғʟᴏᴏʀ (dir. James Gunn • 2023)
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Guardians of the Galaxy Vol 3: Really good flick! (if the previous reblogs were anything to go by)
And Adam Warlock is totally a neurodivergent icon
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scrawnydutchman · 1 year
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"Hooked on a Feeling”: A Retrospective on James’ Gunn’s Guardians of the Galaxy
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WARNING: THIS POST CONTAINS SPOILERS FOR THE FOLLOWING FILMS:
-Guardians of the Galaxy 1-3
-Avengers, Infinity War
-Avengers: Endgame
Thor: Love and Thunder
-The Guardians of the Galaxy Holiday Special
The Guardians of the Galaxy films . . . . .  I struggle to find the words as to how much they mean to me, which is saying a lot because I’m probably the wordiest motherfucker I know. In a franchise like the MCU that has become so oversaturated and so bland with every release that it has made the term “Superhero fatigue” prominent, the Guardians manage to stand out with their immense heart and exceptional film making. Guardians 3 is no exception. While it is a *slight* departure from the norm established by the prior films as it’s much darker and more mature, it still manages to be so incredibly fun and uplifting. In my opinion, given what James Gunn had to work with after Infinity War and Endgame (we will get to those in a minute) it truly was the perfect conclusion for all of these characters.
In celebration and tribute to these films that I love so much, I thought rather than doing a long film review of 3 like I usually do, I’d take a look back at the Guardians film franchise as a whole and see what it has meant for the evolution of these characters as well as the general impact on the Marvel cinematic universe. In this retrospective we will be covering Guardians of the Galaxy, Guardians of the Galaxy Vol 2, Avengers: Infinity War/Endgame, The Guardians of the Galaxy Holiday Special, and finally, closing it off with Guardians of the Galaxy Vol 3.
Guardians of the Galaxy (2014)
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When this film was coming out, it seemingly had everything going against it. It had to establish 5 of the most obscure characters in Marvel’s catalogue all in one film. It had to sell the guy from Parks and Recreation as the leading superhero. It had to compete with the first Avengers, which many called the best superhero movie of all time when it premiered. It had to take a gamble on whether or not the audience could buy the idea of a talking Raccoon being in a superhero movie. If this franchise was to survive, it had to be GOOD.
And boy was it.
It was so good that became a box office hit. Suddenly, these obscure marvel characters of which only the most dedicated of fans would be aware of skyrocketed into household name territory. Baby Groot merch started flying off the shelves. Everyone was talking about how funny and heartfelt the film was, because it is! All the characters were so lovable and hilarious. It was colorful, dramatic, fun, inventive. Chris Pratt was SO charismatic as the leading man. The soundtrack was iconic: a meticulously and appropriately picked set of 70s classics. It just goes to show that when your product is quality enough, anything is possible.
The success of the Avengers may have paved the way for all the crossover potential of the MCU, but the Guardians had set the tone not just for themselves but have captured a charm that the rest of the MCU has been attempting to capture ever since . . . for better or worse. Yeah, unfortunately the lesson the MCU and many other films’ took from the Guardians success is that the audience will eat it up as long as it has a soundtrack of all hits and a buttload of quips, but there’s more to it than that. The soundtrack can’t just be a collection of randomly selected pop hits: it has to be tonally appropriate for the scene and thematic to the plot. And the character’s can’t always just be quipping for the hell of it: it has to be driven by character. So yeah, this film inadvertently set a bit of an unfortunate precedent going forward, but that doesn’t change the fact that it kicks ass. Quality will ALWAYS have its bargain bin imitators.
The film’s biggest strength is how it sells such a big cast of new characters through their chemistry with each other. Backstory, character arc and personality traits aren’t enough in a vacuum: they are at their best when put in contrast with opposing characters. Even though these guys don’t spend *that* much time with each other initially, you get a very quick sense that they were arguably meant to band together. It makes the climax of this film where they join together to share the energy of the power stone all the more satisfying.
Guardians of the Galaxy Vol 2 (2017)
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So while I do certainly love the first film, I would probably say it was also the most flawed. It had a decent theme about the value of friendship and the importance of coming together, especially when you have no one, it was definitely lacking in some places. The biggest example I can think of is its villain. Ronin is lame, there’s no getting around it. He didn’t tie in to the arc of the main characters by any stretch. He wasn’t important in the grand scheme of things. He doesn’t have any particularly memorable lines (other than giving the group their team name). He was merely an obstacle for the heroes to dispose of. On top of that, while Nebula and Yondu were both present in the film, they weren’t given a whole lot of characterization just yet. They were either more mere obstacles or plot devices to further things along, with any further depth merely hinted at.
Vol 2 manages to radically improve where the first one fell short. Ego is the main villain this time around and HE. IS. AWESOME. Cunningly manipulative. Disgustingly charming. Even more disgustingly evil. The dude was a breath of fresh air at a time when many marvel villains were just so forgettable. In my opinion, Ego is still the best villain in the trilogy (we will get to the High Evolutionary later). His intimate ties with Peter’s arc about moving forward and finding new family (not to mention the definition of family) was simply fabulous. Plus Rocket’s side story where he bonds with Yondu was particularly entertaining too. Also, Nebula and Gamora’s relationship was a great source of entertainment. This is the other way Vol 2 improves upon its predecessor: Yondu and Nebula are becoming fully realized. Yondu provides a noble sacrifice that redeems him of his abusive ways while also confirming that he always loved Peter, whereas Nebula gets to shine as, in my opinion, the best female character in the MCU. She’s tragic, she’s ruthless, she’s badass . .  but she’s also very, very funny. Other MCU writers could take notes from this because she has adjectives to her personality besides synonyms for “strong” or “capable”. Not to mention we get Mantis in this movie. She was fantastic chemistry with Drax from here on out and only brings more to the group’s already stellar dynamic. This movie is great and is an improvement on the first one in every way.
The film also establishes Adam Warlock in its after credits scene. Given the timeline of the MCU and my knowledge of who Adam Warlock is in the comics, I was expecting him to be prepared in time for an appearance in Infinity War and Endgame considering he’s basically a primary adversary for Thanos. But, among many things, Infinity War and Endgame did not really capitalize on what the Guardians established as well as it should have. Which brings us to . . .
Avengers: Infinity War (2018) and Endgame (2019)
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Sigh . . . . . so this is around where the quality of the Guardians’ involvement in the MCU goes down. Don’t get me wrong, I like Infinity War and Endgame. I became a 10 year old boy in my seat when Cap lifted Mjolnir too.
But MAN did these movies rob the Guardians.
This is the movie where Thanos makes his move as the big baddie of the infinity saga. The Guardians, indisputably, have more history with Thanos than any other characters in the MCU. Thanos was introduced officially (not as an after credits scene or easter egg) in Guardians 1. Drax’s whole arc for a while was about wanting revenge on Thanos for the death of his family. TWO OF THE GUARDIANS ARE THANOS’ DAUGHTERS. And yet . . . . not only is almost the entirety of the team blipped away for 5 years with the only survivors being Rocket and Nebula, but when they all come back NONE of them get their own chance for licks against Thanos. Drax never gets his long awaited revenge. Neither Gamora nor Nebula have a chance to tag team Thanos the way Cap and Bucky tag teamed Iron Man. Quill never gets a chance to make up for his error that got half the universe killed. SCARLET WITCH GETS HER OWN CHANCE AT REVENGE AGAINST THANOS BUT NOT THE GUARDIANS??? ARE YOU SHITTING ME?!
Also, in my opinion, they reduce Peter Quill to a complete dullard punching bag in these movies. I know Peter is supposed to be a manchild and is somewhat dumb, but it’s like the Russo brothers have a hate boner for him or something.
The line “I’m not from earth, I’m from Missouri” makes literally no goddamn sense. Peter was 8 when he was abducted by the Ravagers. He would have to be Patrick star levels of dumb to not know that Missouri is on earth. Not to mention all the other Guardians treat him with absolutely no respect. They have SO much more respect for him than that. And then in Endgame all he gets is being a punching bag as quick jokes and then immediately going back to being belittled by Thor.
Speaking of Thor, they tease at the end of Endgame that Thor becomes a temporary Guardian . . . and then he leaves the group basically immediately in Thor: Love and Thunder (which is its own trashfire that’s for sure). That movie has weird characterization of Quill too as it essentially shows him at the end of the journey that Thor is supposed to take . . . but then in the Guardians films Gunn still has him struggling with missing Gamora. Yeah, I can’t help but feel like the rest of the MCU really messed with Gunn’s plans for these characters. He now has to make lemonade out of the fact that most of them have been gone for five years, Gamora and Quill’s relationship has hit the reset button, Thanos is now dead which means Drax effectively has no direction and Adam Warlock wasn’t brought out when he should have been. To bring it back, Gunn would have to make some serious lemonade.
Luckily he succeeded.
The Guardians of the Galaxy Holiday Special (2022)
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So this was a funny and sweet little movie to tide us over while we wait for Guardians 3. Not entirely necessary, but damn if it isn’t fun. Drax and Mantis are saddened that Quill is still struggling with how much he misses Gamora. On top of that, they learn that they’ve entered the time where Terrans celebrate this little holiday known as “Christmas”. So they have the idea of cheering Quill up by throwing him a big Christmas party and getting him the greatest gift of all . . .abducting and brainwashing his hero, Kevin Bacon. That premise alone is worth checking it out at least once because the Hijinks that ensues is pretty damn funny. But the movie also surprisingly establishes from rather important elements. For one, it introduced Cosmo the telekinetic spacedog as a major character rather than a quick cameo, who will be important for Guardians 3. For another, it reveals that Mantis is Quill’s half sibling as she too was a child of Ego. Sadly this doesn’t shake up the dynamic of the group THAT much, but it IS mentioned in Guardians 3 in a way that furthers the plot along nicely.
Guardians of the Galaxy Vol 3 (2023)
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So here we are at the conclusion for this team of Guardians. After almost a decade of entertaining us with their antics, Star-Lord, Gamora, Nebula, Drax, Groot, Mantis and Rocket are going on one last ride before their stories come to an end. I was simultaneously so excited and so scared coming into this movie. It’s basically the only thing in the MCU I give a shit about at this point and I got so attached to these characters that I simply couldn’t take the idea of any of them dying. Gunn knew how attached we all are and played a mean trick on us. All the marketing made it seem like they were going to straight up die at the end. My heart couldn’t take that. 
Fortunately nobody *actually* dies. Most of the team just does into retirement, which is also sad but much preferable. Peter goes back to earth to get back in touch with his grandfather. Mantis sets out on her own to discover what she’s all about. Drax and Nebula become an adopted dad and mom to a whole race of kids (which is hilarious, I want to see that dynamic in action). This version of Gamora finds a new home as a Ravager. And Rocket, who is the star this time around, becomes the captain of a new generation of Guardians alongside Groot as a returning member.
This film is quite a radical departure from how Guardians usually does things. While the first two had a soundtrack comprised entirely of 70s hits in reference to Quill’s relationship with his mom, this film starts integrating 90s hits, and I like to think of this as Quill’s evolution as he starts moving forward rather than living in the past. This film is also MUCH darker and sadder. AND more violent. Like . . . holy shit the drama is cranked up to 11 and the film comes out literally swinging in the first 10 minutes. But don’t worry: it still manages to have a lot of classic Guardians fun, especially with it having the best action of any Guardians film BY FAR.
By far the biggest change is that Rocket and Quill switch roles, in more literal ways than one. In the first two films, Quill was the center focus whereas Rocket was something of a deuteragonist (secondary protagonist). But here, Rocket takes center stage and Quill’s storyline serves to further the themes of Rocket’s in a different way. Considering the mess that Gunn was left with after Infinity War, Endgame and Love and Thunder, I gotta say: He made some sweet ass lemonade. Peter and Gamora’s reset relationship resolved in a way that was thematically appropriate for the film (I.E. accepting things as they are instead of trying to bend it to fit your way). Drax was given direction back as a father rather than a destroyer, which is what motivated his revenge arc to begin with, resolving the fact that after Thanos died he didn’t have much to do. Mantis was given a lot of time to shine. Even Adam Warlock had a role in this film that wasn’t completely pointless. He got the ball rolling with his attack on Rocket, he tied in to the theme of self acceptance and discovery over being told what you ought to be, and he saved Peter at the end, solidifying his place as a next gen Guardian. He was definitely childlike, but he was literally born yesterday so that tracks, and again, only further serves the theme of self discovery and actualization.
Also, one of my more minor complaints of past Guardians films is that action has been rather lackluster. The first Guardians film suffers from sporadic editing and uninspired cinematography while the second film pushed comedic value over cathartic action (except for the Yondu arrow scene, that was sick). Guardians 3 goes SOOOO HARD with its action and it’s fucking amazing. All the Guardians got significant upgrades in their abilities on screen. Drax very much earns his reputation as “the Destroyer” in this one, which is a relief because ever since Vol 2 he’s sort of been reduced to just a walking punchline. Mantis proved how scary she can be with her empath powers. Nebula showed off how unstoppable of a force she can become. The hallway scene is the best action scene in the whole MCU, no contest. The Guardians dogpiling on the High Evolutionary was so fucking satisfying.
Also, High Evolutionary was a great villain. A bit hammy for my taste in select places and ultimately I think Ego is a stronger villain overall, but it was cool to see a villain that is 1000% scumbag and it makes him getting his comeuppance all the more satisfying.
This film will leave you crying like a baby over the drama of a little Raccoon. It’s fantastic.
Conclusion
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So yeah. The MCU all in all has been quite the spectrum of quality, with some films being much, much, MUCH better than others, especially in recent years. But the Guardians have been consistently amazing quality from beginning to end . . . as long as Gunn is in charge, that is. This team of Guardians is where Gunn says goodbye to the MCU and the new team (plus Star-Lord’s new adventures) will likely be handled by a different director going forward. I’ll keep an open mind about how well that goes, but regardless, all I can say is thank you James Gunn for these incredible films that introduced us to such lovable characters. 
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ethanreedbooks · 1 month
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Review: X-Men '97 - Marvel Breathes New Life into a Classic Series with Dynamic Animation and Heartfelt Care
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Approaching Marvel Studios Animation's X-Men '97, there's a palpable mix of excitement and apprehension among fans. This revival of the beloved X-Men The Animated Series from the '90s holds a special place in many hearts, serving as a cornerstone for numerous shows and films featuring the mutant superhero team. With the advent of the Disney+ original series, a myriad of questions accompanies its arrival.
The landscape of animation has undergone significant transformations since the '90s. One can't help but ponder: What would a contemporary animated X-Men show look like? The original X-Men: The Animated Series was a standout in superhero entertainment, boasting intricate storytelling and characters lifted straight from Marvel comics. Unfortunately, recent efforts from Marvel Studios, such as What If...?, have left much to be desired, showcasing lackluster art styles and narrative structures that embody the worst tendencies of modern superhero storytelling and animation.
Marvel Studios has repeatedly tapped into X-Men nostalgia, leveraging beloved characters like Patrick Stewart's Professor X and Hugh Jackman's Wolverine in various projects. Yet, despite the studio's ownership of the mutant heroes, a definitive vision for their utilization has remained elusive.
Following over two decades of X-Men films at 20th Century Fox, rebooting the franchise might seem daunting. However, with the characters now under the Marvel Cinematic Universe umbrella, there's renewed hope. The inability to reintroduce the X-Men meaningfully thus far speaks more to Hollywood's disconnect than the team's viability. Fortunately, with the inaugural 10-episode season of X-Men '97, the mutant heroes may have found their stride once more.
The recent triumph of Guardians of the Galaxy Vol. 3 highlights the enduring appeal of captivating comic book adaptations. Although X-Men '97 may not formally inhabit the MCU, it distinguishes itself with a commitment to the essence of superheroes. This series prioritizes storytelling over continuity, weaving a new narrative with delightful melodrama and nerdy charm.
One of the most intriguing aspects of X-Men '97 is its immediate continuation from the events of X-Men The Animated Series' fifth season. This seamless transition offers a nostalgic yet fresh tone, immersing viewers in a world untouched by the passage of time. It's refreshing to revisit classic character dynamics amid a backdrop of familial drama and impending threats.
The animation style of X-Men '97 strikes a delicate balance between honoring the original series' visual identity and modernizing it for contemporary audiences. The meticulous attention to detail and innovative blend of 2D and 3D animation result in stunning visuals that elevate the source material. Witnessing the iconic '90s designs reimagined with vibrant colors and dynamic flair is a treat for fans old and new.
The show's quieter moments showcase the painstaking effort poured into character design, capturing each hero's essence with precision. Additionally, action sequences dazzle with inventive use of animation, bringing each character's powers to life in visually distinct ways.
X-Men '97 reunites many of the original voice actors, infusing the series with a sense of authenticity and nostalgia. Their vibrant performances encapsulate the essence of each character, striking a perfect balance between '90s cartoon charm and thematic depth.
In conclusion, X-Men '97 embodies the timeless allure of a Saturday morning cartoon, delivering captivating storytelling and innovative animation. With each episode, it claws its way into the hearts of viewers, revitalizing a beloved franchise for a new generation.
Scheduled for release on March 20, 2024, 'X-Men '97' is the brainchild of creator Beau DeMayo, drawing inspiration from the iconic X-Men comics by Stan Lee and Jack Kirby. Executive produced by Brad Winderbaum, Kevin Feige, Louis D’Esposito, Victoria Alonso, and Beau DeMayo, the series boasts a stellar voice cast including Ray Chase, Jennifer Hale, Alison Sealy-Smith, Cal Dodd, JP Karliak, Lenore Zann, George Buza, AJ LoCascio, Holly Chou, Isaac Robinson-Smith, Matthew Waterson, and Adrian Hough. Setting the tone with theme music by Haim Saban & Shuki Levy and compositions by The Newton Brothers, 'X-Men '97' is a production of Marvel Studios Animation, promising viewers an exciting journey across its 10 episodes.
Catch new episodes of X-Men '97 every Wednesday on Disney+!
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bidotorg · 2 months
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It’s time for the #Oscars…and it’s looking mighty bi this year!
Poor Things
"Poor Things", an enthralling work by Alasdair Gray, intricately navigates the narrative of Bella Baxter, a woman brought back to life through the scientific prowess of Dr. Archibald McCandless. Set amidst Victorian Scotland, this mesmerizing tale interlaces themes of love, identity, and societal norms with a hint of magical realism, and Bella is not afraid to be bi. 
"Poor Things" serves as a thought-provoking exploration of human sexuality and the blurred lines of scientific morality.
Barbie
In a groundbreaking move, the Barbie film emerges as a beacon of inclusivity and representation in cinema. ¿Mattel's bold decision to introduce Barbie's new girlfriend in 2021, made Barbie a bi icon. With  its enchanting storyline, the film seamlessly integrates Barbie's identity, showcasing her journey of self-discovery and acceptance. As a trailblazing symbol of empowerment and authenticity,“Barbie”captivates audiences of all ages, leaving an indelible mark on the landscape of contemporary cinema.
Maestro
"Maestro" orchestrates a symphony of cinematic brilliance, captivating audiences with its poignant portrayal of the legendary composer Leonard Bernstein. The movie accomplishes a stirring representation of bisexuality, as the film fearlessly delves into Bernstein's complex personal life and relationships. With unflinching honesty, "Maestro" not only pays homage to Bernstein's musical legacy but also shines a spotlight on bi visibility, fostering a profound dialogue on love, passion, and the human experience.
Anatomy of a Fall
"Anatomy of a Fall" intricately weaves a tale of love and self-discovery, delving into the depths of human emotion and identity. Set against the backdrop of modern society, the film follows the journey of the messy but relatable bi Sandra Voyter, a writer trying to prove her innocence in her husband's death.  A cinematic gem that leaves a lasting impression, "Anatomy of a Fall" is a testament to the power of storytelling in illuminating the human condition.
Billie Eilish
Billie Eilish's contribution to the “Barbie” soundtrack is a refreshing and empowering anthem that showcases her incredible talent and creativity. In the wake of her recent coming out as bi, Eilish continues to break boundaries and inspire fans with her unapologetic authenticity and raw emotion in her music. Her powerful voice and introspective lyrics make her a true trailblazer in the industry, and the existential ballad “What Was I Made For?”, is breathtaking and beautiful.  
Guardians of the Galaxy Vol 3
“Guardians of the Galaxy Vol. 3” takes audiences on another thrilling cosmic adventure. As the Guardians face new challenges and enemies, their bond is tested like never before, making this latest installment a must-see for both longtime fans and newcomers to the franchise. Those familiar with the comics will recall that our dear Starlord is canonically bi.
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elgaberino-mcoc · 1 year
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REVISED ENTRY: High Evolutionary
New Wishlist icon to reflect his debut in the MCU this week portrayed by Chukwudi Iwuji 
New bio written by @elgaberino_MCOC should help explain why he's intuitive for #MCU & #GotGVol3 
New links to him in other games 
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