I saw a man this morning
Who did not wish to die
I ask, and cannot answer,
If otherwise wish I.
Fair broke the day this morning
Against the Dardanelles;
The breeze blew soft, the morn's cheeks
Were cold as cold sea-shells.
But other shells are waiting
Across the Aegean sea,
Shrapnel and high explosive,
Shells and hells for me.
O hell of ships and cities,
Hell of men like me,
Fatal second Helen,
Why must I follow thee?
Achilles came to Troyland
And I to Chersonese:
He turned from wrath to battle,
And I from three days' peace.
Was it so hard, Achilles,
So very hard to die?
Thou knewest and I know not—
So much the happier I.
I will go back this morning
From Imbros over the sea;
Stand in the trench, Achilles,
Flame-capped, and shout for me.
But the best glass is in the chancel, depicting St George and St Edmund above a landscape of Suvla Bay, and is by William Aikman in 1925. St Edmund and St George remember Edmund Gay, who was a soldier in the infamous 1st/5th Battalion of the Norfolk Regiment. Largely recruited from farmworkers on estates in north Norfolk, they sailed for Gallipolli, and were wiped out during the attack on Anafarta in Suvla Bay on the 12th August 1915.
Because they had fallen behind enemy lines, they were listed as missing, and a Norfolk legend grew up that they had vanished into a mysterious cloud and were taken up out of this world. This sounds bizarre, but it was of a piece with legends like the Angel of Mons leading the British troops to escape death in Flanders, and with the great rise in spiritualism in this country in the years immediately after the War. [...] Many of the dead boys were workers from the Sandringham estate, and when the bodies were eventually found and identified this knowledge was kept from Queen Alexandra, because it was felt that the truth would be too upsetting for her. Thus, she died believing the legend.
Simon Knott, from St George, Aldborough
Just one entry in a remarkable gazetteer of the medieval churches of East Anglia...
Used a large-format display screen to visualise and communicate their expertise. It is visually appealing and connects people through playful engagement and creative inspiration.
Aimed to design an interactive medium that would create interactions internally with the staff at Populous and externally with the public as they walked past the office on the street front.
People inside the foyer have the added ability to manipulate and move these colours around the screen through motion detection – a motif to the way in which we collect data and inspiration from the public, using it to shape and mould our projects.
Interactivity between the public and the office allowed for a visual connection that was displayed through the screen.
Mussel Choir
Working with technology, and the digital sector.
Site in Melbourne on the wharf. There were previously a lot of mussels cultivated.
In a collaboration with Carbon Arts, they created a sensor driven sound-based work that connected the mussels to people passing by. The audience would trigger lights and the sound of mussels singing. Frequencies were dependent on water temperature.
Responds to the placemaking criteria around sustainability, creative and original thinkings
Immersive Storytelling Poles
Immersive interactions with digital poles that are creative depictions of Baylor University's values.
Creates an interactive and visual representation of the values Baylor University invoke.
Creates an engaging way to searching for information about Baylor University and leaves a lasting impact on visitors.
Interactivity allowed visitors to connect with the university and understand their values.
Self-guided Tour
Gallipoli to Armistice Queens Park walk in Maryborough.
It is a self-guided walking tour that features sculptures, or statues of ANZAC-related imagery.
There are sensor-activated audios that detail stories or trigger whispers of soldiers on the battlefield.
Inclusive and for all-abilities. Allows for exploration around Maryborough's Queens Park.
References
Populous. (2023, February 2). What happens when you provoke designers to bring to life a digital footprint?. Populous. https://populous.com/what-happens-when-you-provoke-designers-to-bring-to-life-a-digital-footprint
Carbon Arts. (n.d.). Melbourne Mussel Choir. https://www.carbonarts.org/projects/melbourne-mussel-choir/
Sanem, S. (2023, October 19). The Art of Immersion: Designing a Destination at the Mark and Paula Hurd Welcome Center. Populous. https://populous.com/the-art-of-immersion-designing-a-destination-at-the-mark-and-paula-hurd-welcome-center
Our Fraser Coast. (n.d.). Queen's Park . Our Fraser Coast. https://www.ourfrasercoast.com.au/queens-park
Queensland's Fraser Coast. (n.d.). Gallipolli to Armistice Memorial. Fraser Coast Tourism & Events. https://www.visitfrasercoast.com/product/gallipoli-to-armistice-memorial/
so by making extra complicated universes filled with gallipolli levels of trickery (famous for tricking the turks into thinking the brits were trying to trick them into thinking they were running away when they were actually running away) on multiple levels to piss him of as he over analyses the hell out of the universe to find that hes just wasted his time as the universe was essentially defenceless, we could eventually get him to lower his gaurd (basically have a bunch of overcomplicated time wasting universes and one of them actually has a shit ton of firepower while the rest are nothing burgers)
Are you mentioning your own universes? As much as I'd like to hear about them, I'm afraid it's making things confusing whenever I have to answer a question about Egghog. I don't mean this in a bad way, just adressing how it all confuses me.
But to answer your question, no universe knows who Egghog is, and again, when they do, it's too late. Every universe is easy for him to find and exploit it's weaknesses, even the bigger ones.
Gallipoli: the scale of our war #WWI #gallipolli #scaleofourwar #tepapa #wellington #nz #ANZAC (at Te Papa) https://www.instagram.com/p/BwnqgdMhEg2/?utm_source=ig_tumblr_share&igshid=10hvh8uwy7pbl
The countries that were involved in the gallipolli campaign were Australia and New Zeland against Germany and Turky. The British and french were also involved but they mostly mostly battled at sea. Britain, France, New Zealand and Australia on the Allies' side and Turkey and Germany were on the other.