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canmom · 1 year

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Animation Night 153: Kara no Kyōkai, part 1

We are entering... a slightly tricky phase of Animation Night. It’s not that we’re out of great animated films, far from it. Hell, we’ve yet to screen such classics as The End of Evangelion or Adolescence of Utena. But that’s the puzzle: a lot of such films are awkward fits for the format, requiring a lot of context, or standing too short or too long to fill the format.

Nor are we short of beautiful, artistic films from Europe. AniObsessive recently did a column on The Swallows of Kabul, which might finally be an answer the question of ‘what the hell could go beside Funan’. But I think we’ve had a bit too much war and genocide on this blog lately, so we’ll save that for another day.

Instead, let’s keep it chuuni!

It’s been a long while since Animation Night had anything to do with the Nasuverse. Back on Animation Night 60, I wrote a fairly brief description of Fate, and we enjoyed the spectacular Heaven’s Feel movies with only mild confusion.

But this was far from the only time that studio Ufotable adapted the the works of the enigmatic king of chuunibyou, Kinoko Nasu.

Let’s set the scene to begin. I’ll try and go over what I’ve been able to find out about the history, bearing in mind that Nasu-san is insanely prolific and his meta-setting is a seemingly infinite rabbit hole of lore...

...but as far as the man* himself there’s only the barest information to go on about his earlier life. He went to Hosei University, and afterwards started creating novels with his high-school buddy Takashi Takeuchi. Their first project was 空の境界 Kara no Kyōkai, lit. The Boundary of Emptiness but titled in English The Garden of Sinners in 1998 - that’s our subject for tonight, so more on that in a minute!

(*Wikipedia offers a citation for ‘man’ to a 2004 blog post where he jokes about being called a girl in a newspaper, in which he remarks もともと女々しいのがワタクシの芸風ですものボンソワー。[My style’s always been feminine, bonsoir.]; no further comment on that.)

In 2000 the pair founded a dōjin circle called TYPE-MOON to publish the visual novel 月姫 Tsukihime (lit. Moon Princess), which was a mega-hit when it launched at Comiket, and from that went on to create another visual novel called Fate/Stay Night, which was an even bigger mega-hit. This led to a forest of spinoffs with increasingly baroque titles like ‘Fate/hollow ataraxia’ or ‘Fate/kaleid liner Prisma Illya’, the most successful being the gacha game Fate/Grand Order, which launched in 2015. That gacha game has in turn spawned many many adaptations of its various storylines, such as (deep breath) Fate/Grand Order - Absolute Demonic Front: Babylonia or Fate/Grand Order: Final Singularity - Grand Temple of Time: Solomon. Really rivaling Kingdom Hearts there. Some of these films have been described as creative and ambitious, others very staid and playing it safe, but to be honest I am a foreigner in this land and I can’t tell you too much about them.

Anyway, as far as biographical details go, perhaps there’s more buried in an interview somewhere? But if so, I’ve yet to find it.

Our subject for tonight is a seven movie series produced by Ufotable from 2007-9, adapting Nasu’s first work. You might say, Bryn, that’s nuts, seven entire movies! To clarify, these movies are for the most really short, each just about an hour long with a couple of exceptions. So we should be able to pretty comfortably view the whole thing over two Animation Nights.

So what’s it about?

Set when it was written in the late 90s, it follows a teenage girl demon hunter called Shiki Ryougi, who has ‘Mystic Eyes of Death Perception’, which let her see indications of how things will die. She becomes a detective specialising in supernatural cases, alongside her eventual husband, Mikiya Kokutou. So romance and supernatural battles.

Many of these ideas, particularly the death perceiving eyes, would be reprised in Tsukihime. Within the meta-narrative, Kara no Kyōkai is an alternate universe, but not one completely disconnected from the rest, with its characters showing up for minor roles - and even playing a role in the end of Heaven’s Feel.

Except, that’s selling it short, because it’s also the first outing for the more esoteric concepts of the Nasu’s works: the Akashic Record, the Jungian anima and animus, and the paradoxes of the Taiji in Chinese philosophy to name a few. And to ground that, all sorts of dark shit: Wikipedia reels of suicide, rape, patricide, incest and murder, along with DID. It sounds like a lot!

Of course, it’s also about ridiculous psychic powers with long names, magic eyes, and so on. It’s easy to mock all these chuuni elements as hollow and pretentious, but imo the resulting blend is to strike out somewhere fascinatingly weird and achieve effects that a more reserved work couldn’t. We’ll see whether that comes together here!

In discussing the film series, Nasu described the original work - which he came to view as a rough early work - as ‘like a prose poem’, inherently very difficult to adapt. He turned down proposals to adapt it as a TV series and a movie, imagining it would be too hard for audiences to follow. But when a seven-movie series by Ufotable was proposed, he changed his mind:

It was such an off-the-wall idea that I got caught up in the enthusiasm; the offer was so awesome that turning it down seemed rude, so I agreed readily.

So, that’s one of the two characters in our story. What of the other?

Ufotable would later make ‘adapting Fate works’ into a steady line of work alongside popular shōnen like Demon Slayer. But at this time, they were a much more experimental studio. At sakugablog, kVin writes...

[Aniplex producer Atsuhiro] Iwakami had been ruminating about how to put together an adaptation for Kara no Kyoukai that actually lived up to the potential he saw in Kinoko Nasu’s world since 2004, and by the following year, the solution to his woes manifested in front of his eyes. Futakoi Alternative was an eccentric reboot of a milquetoast, twins-themed harem series. It reimagined everything about the original series into a simply indescribable mix of genres and crazy scenarios. The motto of ufotable’s founder Hikaru Kondo resonates throughout the whole series: if making as many things as possible is the way to ensure you’ll get some of them right, why not jump around from noir cinema, to sci-fi epics, then back to face some humanoid squids before some surprisingly earnest romance? For viewers like Iwakami, this irreverent spirit was a wake-up call about new ways to create animation. So, why not approach them when he was planning something grand that wasn’t quite like anything seen before in anime?

In fact, Iwakami’s original idea was merely a trilogy; it was Ufotable founder Hikaru Kondo who was like nah man let’s do seven. Within the studio were type-moon fans such as director Takuya Nonaka and character designer Tomonori Sudo, whose passion inspired Kondo to go big. Recklessly big. The initial plan was to release a new film monthly, but this soon proved predictably impossible. Even so, they managed to complete the series within two years, which is pretty astonishing in its own right.

As you can see from the clips in this post, the visual style of these movies anticipates - if perhaps in a cruder form - the studio’s later Fate adaptations: chiaroscuro lighting and gradients and filters on top of gradients and filters. Not everyone’s cup of tea, but as far as a house style goes, it’s worth acknowledging.

Internally, its direction was shaped by the flatter-than-usual hierarchy of Ufotable (whose name refers to a round table in the Arthurian sense). Each movie was assigned a different director without a structure unify the production as a whole beyond adherence to Nasu’s work.

I’ll pull in kVin to describe the resulting vibe of the project:

At its core, Kara no Kyoukai is a pretty cute love story that asks itself whether it’s possible to stray away from your fate; to put it plainly, Kokutou claims that he can fix her, even if the fixing involves getting over a pesky character flaw such as a predisposition towards murder. While not a groundbreaking scenario, its commitment to that relationship in spite of all the extraneous elements makes it work, and Shiki in particular is a slaughterer with very charming body language that evolves according to the major shifts to her character.

At the same time, these films are also highly atmospheric and committed to the sensorial experience in a way that no other Type-Moon anime is. While the expository worldbuilding and dense dialogue that Nasuverse works are known for are still very much present, the Kara no Kyoukai films are also willing to stay silent for minutes at a time. The mystery aspect to these films—Shiki and Kokutou work for Aozaki Touko’s detective agency after all—is honored with an appreciation for the mystique; even if you know that long-winded answers are likely to come, they tend to relish the opportunity to soak the viewer in the grim, mysterious atmosphere of its world. There is a quiet appreciation of the things that are yet to be known, and those that may not be spelled out.

At the time, he writes, the staff were intimidated by the idea of theatrical animation, which in the 90s called to mind Patlabor and Satoshi Kon - a tough act to follow, no question. But the dense image boards of art director Nobutaka Ike, who worked on those very same films, brought the confidence needed.

The films follow the same release order as the original novels, which is narratively non-chronological.

Nasu, for his part (link again), was anxious about his early works being adapted...

In Kara no Kyoukai, the first story, "Overlooking View" (俯瞰風景) is the clumsiest. I've always thought I wanted to do something about it, and I told a staff member, "If we're making this into a movie, I'm going to rewrite the first story; please let me do that." But he said, enthusiastically, "No, I want to work with it the way it is. I want to animate this!"

Then, when I read the finished script, they'd cut out over half of the unnecessary excess fat and had turned out something more interesting as a story, so I thought, "If it's like this, they don't need me to rewrite it."

In Nasu’s view, each film ought to stand alone, but the full picture can’t really be understood from just the first - but he claims that with all seven films, the viewer would have enough to understand the story without having to turn to the books. Which is lucky, because the only version of the books in English is a widely disparaged fan translation.

To support all this comes haunting music by composer Yuki Kajiura and her group Kalafina, who would later create the renowned soundtrack to Madoka. In fact these movies are the origin of Kalafina, with Kajiura putting together a new group with a couple of members of her previous project FictionJunction.

Anyway, please read the rest of kVin’s article (perhaps after the movies! x3) if you fancy a detailed retrospective on all seven films.

Tonight my plan is to screen the first four parts of The Garden of Sinners, namely...

I: Overlooking View - an introduction to the series. In 1998, Shiki lives alone in her apartment, occasionally visited by Mikiya, and working for an occult detective agency. She learns of a series of strange suicides at an abandoned building. Investigating, she finds the building is full of hostile ghosts. Someone is drawing the girls to the building by astral projection...

II: A Study in Murder - Part 1 - in 1995, Shiki and Mikiya are highschool students. A spree of brutal murders break out in the area. Mikiya discovers that Shiki (式) is plural, with a male alter called SHIKI (織) who is the inverse of her personality. But who’s doing the murders?

III: Remaining Sense of Pain - A teenage girl called Fujino is raped by a group of gangsters, and pursues revenge with her psychic powers. Shiki and Mikiya are pulled in to the case, and realise that Shiki once knew Fujino - a girl who could not feel pain. But that seems to have changed...

IV: Hollow Shrine - a direct sequel to the second film. Shiki ended up comatose, and now in the psychic void, confronts her alter. We learn about her backstory and how she got involved with the wizard detectives.

I think these summaries should convey the level of Content(TM) we’re dealing with here. Guards up!

Next time around, we’ll pick up with Paradox Spiral, Oblivion Recording, and then at last A Study in Murder - Part 2. Which will actually be longer, because PS and ASiM2 are two hours long. (There’s also an eighth movie, released in 2013, titled Future Gospel which is a new sequel written by Nasu for movie form.)

I think that will suffice for an introduction. Animation Night will be going live 7:30 UK time, about 40 minutes from this post, and at 8pm UK time we shall begin the movies! Join me at https://www.twitch.tv/canmom~

#animation night

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mikakomori · 10 months

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Fate/Grand Order: Shuukyoku Tokuiten - Kani Jikan Shinden Solomon

Summary:

After battling their way through all seven Singularities, the Chaldea Security Organization has finally arrived at the endpoint of the Grand Order: The Final Singularity, Grand Temple of Time: Solomon. Now is the time to defeat the root of all evil, Solomon, the King of Mages. Now is the time to reclaim the future. With the final operation looming large, Romani Archaman considers the choices he will soon have to make, Mash Kyrielight dwells on life's limitations, and Fujimaru prepares to receive a new Mystic Code. All their many encounters have led to this moment as Fujimaru and Mash at last embark on their final operation...

#anime #fate series #action #fantasy #supernatural #not a bad adaptation #it kinda lacked the emotion of the game a little #maybe bc they cut heavily from the scenes that hurt me the most XD

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newswvn · 1 year

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[Review]Solomon FGO: Dị điểm cuối cùng có gì hot?

Solomon FGO là tên gọi viết tắt của anime được chuyển thể dựa vào cốt truyện của dị điểm cuối cùng trong game Fate/ Grand Order đình đám của Nhật Bản. Tại dị điểm cuối cùng Solomon Fate/ Grand Order khán giả sẽ được chứng kiến những điều gì? Tại sao anime này lại nhận được sự quan tâm của nhiều khán giả đến như vậy? News-w sẽ giải đáp cho các bạn ngay sau đây.

Tóm tắt nội dung của FGO Solomon

Fate/ Grand Order là một tựa game di động rất phổ biến ở Nhật Bản được phát hành đầu tiên trên nền tảng Android vào tháng 7 năm 2015. Tính đến tháng 7 năm 2021, nghĩa là vừa tròn 6 năm sau khi ra mắt phiên bản đầu tiên, tựa game này đã thu về gần 5,5 tỷ USD trên toàn thế giới và trở thành một game rất phổ biến tại Nhật Bản và nhiều quốc gia trên thế giới.

Solomon FGO là anime được chuyển thể từ game Fate/ Grand Order.

Nội dung của Fate/ Grand Order xoay quanh một tổ chức được gọi là Chaldea, đây là tổ chức được các nhà lãnh đạo và khoa học gia trên toàn thế giới cùng thành lập nên để bảo vệ sự bình an của loài người. Tổ chức này đã nghiên cứu ra một lăng kính có thể nhìn thấu được tương lai và đặt tên là SHIVA – tên gọi dựa theo vị thần sáng tạo và hủy diệt.

Khi nhìn vào SHIVA, Chaldea đã nhìn thấy thời điểm loài người sẽ bị tận diệt là vào tháng 7 năm 2016 (xin nhắc lại tựa game này ra đời vào năm 2015 nha), và địa điểm bắt đầu của chuỗi domino sẽ là thành phố Fuyuki. Chính vì vậy, tổ chức này đã lập tức tập hợp một lực lượng gồm 48 master để chiến đấu chống lại điều này, họ sẽ phải trải qua những cuộc chiến rất căng thẳng tại các dị điểm.

Sau khi trải qua cuộc chiến tại 7 dị điểm, các thành viên của Chaldea đã đến được dị điểm cuối cùng. Nội dung của anime FGO Solomon chính là nói về cuộc chiến tại dị điểm cuối cùng này, và đối thủ của các thành viên Chaldea trong tập này sẽ là Solomon – Vị Vua của các Pháp sư. Tiêu diệt được Solomon sẽ có thể kết thúc được hành trình tội ác…

Mọi việc có thể tiến hành một cách thuận lợi hay không? Có những khó khăn gì đang chờ đón các master của Chaldea? Hãy cùng theo dõi Solomon FGO để biết chi tiết nhé.

Những điểm cực thu hút của Solomon FGO

Ngay từ thời điểm 21 tháng 3 năm 2021, khi nhà sản xuất thông báo anime Solomon FGO với tên gọi đầy đủ Fate/ Grand Order – Final Singularity The Grand Temple of Time Solomon sẽ được ra mắt trong thời gian gần, rất nhiều khán giả đã cảm thấy vô cùng hào hứng. Và sau khi xem xong anime FGO Solomon, rất nhiều người đã cảm thấy rất thích thú vì các chi tiết sau:

Với cốt truyện được lấy từ game, Solomon Fate/ Grand Order khiến khán giả hồi hộp tới tận ngày công chiếu vì không biết các chi tiết sẽ được nhà sản xuất chế biến như thế nào. Chính sự hồi hộp trông ngóng này đã trở thành một món gia vị thú vị giúp bữa tiệc Solomon FGO thêm ngon miệng.

Solomon FGO là bộ anime có phần đồ họa cực kỳ mãn nhãn đối với người xem.

Không chỉ dừng lại ở sự háo hức ban đầu, ekip làm phim đã khiến khán giả cảm thấy thật sự mãn nhãn sau khi trực tiếp theo dõi Solomon FGO bởi chất lượng hình ảnh thật sự chỉnh chu, những khung hình đại cảnh và chiến đấu được miêu tả rất hoành tráng làm người xem cảm thấy như đang hòa mình thực sự vào không khí ở trong game và đem đến cảm giác phấn khích khó tả.

Một điểm cộng nữa của Solomon FGO chính là phần âm thanh được xử lý rất đã tai. Phần âm nhạc trong FGO Solomon được đảm trách bởi Keita Haga và Ryo Kawasaki, hai nhà soạn nhạc đã được khán giả đánh giá cao từ khi phụ trách âm nhạc cho anime Fate/Grand Order Absolute Demonic Front: Babylonia trước đó. Và đến Solomon FGO, cặp đôi này vẫn không làm khán giả thất vọng…

Nói tóm lại Solomon FGO là một trong những anime dựa theo cốt truyện của game được nhiều người đánh giá là xuất sắc nhất hiện nay. Không chỉ đối với những người chơi của game Fate/ Grand Order mà anime này phù hợp với nhiều khán giả để có thể có được những giây phút thư giãn thoải mái và thú vị…

Bài viết [Review]Solomon FGO: Dị điểm cuối cùng có gì hot? đã xuất hiện tại News-W

source https://news-w.com/solomon-fgo/

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sailor-arashi · 2 years

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#I love that when Gudao decides it's time to beat Goetia to death it's Dantes that shows up first #I wish they'd have let him do more than just be Gudao's flying taxi #but the Servant who is vengeance given physical form showing up at this moment was still pretty awesome #ritsuka fujimaru #edmond dantes #the count of monte cristo #gankutsuou #fate/grand order: shuukyoku tokuiten - kani jikan shinden solomon #fate/grand order: final singularity #grand temple of time #solomon #fate series #fate: screwing up tags for historical figures since 2004

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madillhethen · 2 years

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Final Singularity + LB Prologue Spoilers

I used to use the bird app more before it was flooded with GI and toxicity--I still use it to post random stuff, artwork and more personal matters.

These were some of my posts on Twitter (it was live-blogged but I lost the energy to do those anymore.) now I just read the entire section in it’s entirety (90%) and compile my thoughts.

Looking back at some of my commentary, it’s a bit ‘cringe’.

You know I could probably accept Goetia. Lev? No. He needs to die. I’ll never forgive him for what he did to Olga Marie.

Hi, it’s Madill—making regular commentary to other popular media.

But I was really excited when I saw all the servants again. Unfortunately I was never told that I had to read all the events before Solomon so when Dante and everyone appeared, I was like hmmmm, FGO really expected you to have played all of these. Well, it was too late anyways so now I’m just going to read the events on my own time lol.

I really don’t like the Chaldea staff. They all kind of suck.

Like yeah, I wasn’t fond of Goredolf and he’s a prick but at the same time, he’s a lot more redeemable than Shinji, and he’s slowly coming around. I can’t believe Chaldea as a whole risked our lives to save humanity, we lost so much and this guy was like ‘yeah, leave Goredolf’. I understand the urgency, but I just...I just still am in shock that this was their response.

I love that Holmes and Da Vinci understood what we wanted. They knew there was a risk. They understood we could’ve died, and still, still they were going to try. If we’re all doomed anyways, we might as well try.

I know we get Loli Da Vinci but this scene still kills me. It really was the end of the old Chaldea that we knew. Everyone, literally everyone, is gone. And the worse part about it is I wish they gave Mash more time to grieve. She knew everyone. She saw most of them die.

She didn’t even get to say goodbye to Romani. I’m still mad about that, and I’m still clinging to hope that because Romani didn’t get a proper goodbye, he’s going to appear again. Hell, LB7 if it’s as everyone theorizes and comes back full circle to Fuyuki, and we see Marisbury and what went down, I’m hoping we’ll see Solomon again.

We can befriend Solomon. Yeah, that’ll be great. And maybe they can redeem Marisbury since he’s such a prick of a dad.

From how Episode 0 of Babylon showed him, he seemed really kind and really understanding--like more compassionate than Tokiomi so I’m wondering if maybe his whole neglect of Olga Marie is more that he didn’t want her to be a magus, he wanted a better future for her, he just wanted her to be a human. I don’t know, I’m holding onto hope for all of this. Also I know Romani admitted that Chaldea had a dark side, I just can’t believe Romani/Solomon would be friends with Marisbury if he was such a horrible dad/person.

We saw how Romani tried to be there for Mash, and Solomon admitted that Marisbury was his friend so I don’t know... maybe in theorized LB7 Fuyuki we can team up with Marisbury and Solomon, and learn more.

#Mad's FGO #fgo #fate grand order #fgo na #da vinci #romani archaman #sherlock holmes #goredolf musik #final singularity grand temple of time solomon #solomon #marisbury animusphere #lostbelt prologue

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otakutale · 3 years

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Fate/Grand Order: Shuukyoku Tokuiten - Solomon Visual & Trailer Revealed

https://wp.me/p4jiOt-cMD

The official website of the Fate/Grand Order anime has revealed a brand new key visual and teaser trailer for the…

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tanjaded · 2 years

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Grand Temple of Time: Solomon movie complete, 9/10 like Babylonia since they're basically connected

One of the best anime movies I've seen yet, and a phenomenal conclusion to FGO Arc 1

Honestly just the ideas put forward by the Final Singularity, the summoning of Heroic Spirits through bonds alone and the sheer scale (emotional and in terms of story beats) was enough for me to tear up and fall in love with the movie. Once again, FGO proves itself beyond incredible

#fgo #fate/grand order #grand temple of time: solomon #final singularity #tanjaded watches fate

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lastencoregraphics · 3 years

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FATE/GRAND ORDER FINAL SINGULARITY: GRAND TEMPLE OF TIME - SOLOMON BONUS ILLUSTRATION.

#Fate Grand Order #Ritsuka Fujimaru #Edmond Dantes #artist: TCB

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aio-rya · 3 years

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Servant Classes Headcanons

「Fate x Twisted Wonderland」 — Master Reader/Dorm Leader Servants

A list of the parameters our beloved dorm leaders will have if they were servants on Fate/Grand Order universe. Why did I made this all of a sudden? Because I've been a sucker for Fate for the last 14 years and with the recent release of Final Singularity: Grand Temple of Time Solomon I decided this could be interesting... also because I've been crying since I saw the movie so I can't help it, sorry ;-; plus I'll start a fanfic about this too on mi AO3. Soon.

Spoken that, I'm officially back~

・Also known as : The Severe Queen of Hearts

・Class : Lancer ★★★★

・Noble Phantasm : Off With Your Head 「Buster, Anti-Personal」

・Alignment: Lawful Good

・Region: Rose Kingdom

・Hidden Attribute : Man

・Armaments : Sceptre of Roses

・Strength — Endurance — Agility : B+ | A | D

・Mana — Luck — NP : A | A | C

・Also known as : The Tenacious King of Beasts, The Second Prince

・Class : Assassin ★★★★

・Noble Phantasm : King's Roar 「Buster, Anti-Personal」

・Alignment : Chaotic Evil

・Region : Afterglow Savanna

・Hidden Attribute : Earth

・Armaments : Blessing of Destruction

・Strength — Endurance — Agility : A+ | A | C

・Mana — Luck — NP : B | C | A

・Also known as : The Compassionate Dealer

・Class : Ruler ★★★★★

・Noble Phantasm : It's a Deal 「Arts, Anti-Personal」

・Alignment : Neutral Evil

・Region : Coral Sea

・Hidden Attribute : Star

・Armaments : Cursed Speech

・Strength — Endurance — Agility : C | C | B

・Mana — Luck — NP : A+ | A+ | B

・Also known as : The Bright Sun of the Desert

・Class : Ruler ★★★★

・Noble Phantasm : Oasis Maker 「Arts, Anti-Army (Self)」

・Alignment : Chaotic Good

・Region : Scalding Sands

・Hidden Attribute : Man

・Armaments : Sceptre of Sands

・Strength — Endurance — Agility : D | D | B

・Mana — Luck — NP : A+ | A | C

・Also known as : The Unrelenting Beautiful Queen

・Class : Avenger ★★★★★

・Noble Phantasm : Fairest One of All 「Quick, Anti-Army/Anti-Personal」

・Alignment : Lawful Evil

・Region : Land of Pyroxene

・Hidden Attribute : Sky

・Armaments : Poisonous Smoke

・Strength — Endurance — Agility : A | C | A

・Mana — Luck — NP : B+ | B | A+

・Also known as: The Noble Prince of the Underworld

・Class: Foreigner ★★★★

・Noble Phantasm : ??? 「?」

・Alignment : Neutral Balanced

・Region : Isle of Lamentation

・Hidden Attribute : Beast

・Armaments : Underworld Flames

・Strength — Endurance — Agility: B | A | B

・Mana — Luck — NP : B | C | ?

・Also known as : The Young Dragon Prince, The Elegant Heir of Thorns

・Class : Grand Caster ★★★★★

・Noble Phantasm : ??? 「?」

・Alignment : Chaotic Evil

・Region : Valley of Thorns

・Hidden Attribute : Heaven

・Armaments : Ancient Dragon Magic, Dark Magic, Sceptre of Thorns

・Strength — Endurance — Agility : A | B | A

・Mana — Luck — NP : A+ | A | ?

ー・⚔︎・ー

𝖂𝖍𝖔 𝖜𝖎𝖑𝖑 𝖞𝖔𝖚 𝖈𝖍𝖔𝖔𝖘𝖊, 𝖑𝖆𝖘𝖙 𝕸𝖆𝖘𝖙𝖊𝖗 𝖔𝖋 𝖍𝖚𝖒𝖆𝖓𝖎𝖙𝖞, 𝖋𝖔𝖗 𝖙𝖍𝖎𝖘 𝖜𝖆𝖗?

#ツイステ #ツイステッドフンダラーンド #twst #twisted wonderland #heartslabyul #savanaclaw #octavinelle #scarabia #pomefiore #ignihyde #diasomnia #twst riddle #twst leona #twst azul #twst kalim #twst vil #twst idia #twst malleus #May do this with vice Dorm leaders

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