#Yoshikazu Iwanami

[demifiendrsa]

Urusei Yatsura (2022) TV anime - PV1

Urusei Yatsura (2022) TV anime will premiere in October 2022. The 2022 TV anime will adapt selected stories from the manga and run for four cours (a full year).

Key visual

Cast

Hiroshi Kamiya as Ataru Moroboshi

Sumire Uesaka as Lum

Maaya Uchida as Shinobu Miyake

Mamoru Miyano as Shūtarō Mendō

Wataru Takagi as Cherry

Miyuki Sawashiro as Sakura

Staff

Director: Hideya Takahashi, Yasuhiro Kimura

Series Director: 

Series Composition: Yuko Kakihara

Character Design: Naoyuki Asano

Sub-Character Design: Kazuhiro Takamura, Mikio

Mechanic Design: JNTHED, Yoshihiro Sono

Prop Design: Ryō Hirata

Art Design: Kaoru Aoki

Art Director: Masanobu Nomura

Color Key Artist: Ayaka Nakamura

CG Director: Kanji Ōshima

Compositing Director of Photography: Yuuichirou Nagata

Editing: Kiyoshi Hirose

Sound Director: Yoshikazu Iwanami

Music: Masaru Yokoyama

Animation Production: David Production

#Urusei Yatsura #Urusei Yatsura 2022 #David Production #anime #TV anime #long post

[bungerc0re]

does anyone know who did the sound design for the part 3 adaptation? i’m seeing either Yoshikazu Iwanami  or Yasumasa Koyama but im not sure if that’s trustworthy

#jjba #stardust crusaders #jojos bizarre adventure #jjba part 3 #for reference im looking for who to credit for the world sfx

[anm-blog]

[newsconduct]

Alderamin On The Sky Season 2: How Does Alderamin Season 2 End?

Alderamin On The Sky Season 2: How Does Alderamin Season 2 End?

Alderamin on the Sky is a fantasy animation directed by Tetsuo Ichimura and produced by Madhouse. It is an adaptation of a Japanese light novel series written by Bokuto Uno and illustrated by Sanbas. Yoshikazu Iwanami served as the series’s sound director throughout its whole. In the meantime, Keji Inai will continue to serve as the anime’s music composer. Back in July of 2016, the first season…

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[geekcavepodcast]

JoJo’s Bizarre Adventure: Stone Ocean Trailer

In 2011 Jolyne Cujoh and her boyfriend get into an accident in Florida. Jolyne is framed sentenced to fifteen years in prison. “The final battle in the century-spanning, intertwining fate of the Joestar family and DIO begins!” (Netflix)

JoJo’s Bizarre Adventure: Stone Ocean stars the voice talents of  Ai Fairouz,  Mutsumi Tamura, Mariya Ise, Atsumi Tanezaki, Yuichiro Umehara, and Daisuke Namikawa. Kenichi Suzuke serves as chief director. Toshiyuki Kato will direct. Yasuko Kobayashi will serve as series composer with Yugo Kanno as composer. Masanoru Shino serves as character designer. Shunichi Ishimoto serves as stand designer. Yoshikazu Iwanami is onboard as sound director.

JoJo’s Bizarre Adventure: Stone Ocean hits Netflix in December 2021.

#jojo's bizarre adventure #jojo's bizarre adventure stone ocean #jolyne cujoh #ai fairouz #mutsumi tamura #mariya ise #atsumi tanezaki #yuichiro umehara #daisuke namikawa #kenichi suzuke #toshiyuki kato #yasuko kobayashi #yugo kanno #masanoru shino #shunichi ishimoto #yoshikazu iwanami #netflix #TGCLiz

[fighterxaos]

One-Punch Man Second Season Details Revealed

One-Punch Man Second Season Details Revealed

The official One-Punch Man anime website has updated with new details about the 2nd season of the series.  While there is no current release date announced it has been revealed that most of the production team has changed for the second season.

The main production staff for the second season includes:

Chikara Sakurai – Director (Originally Shingo Natsume)

Yoshikazu Iwanami – Sound Director…

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#Anime #Anime News #Chikara Sakurai #Chikashi Kubota #Darkon633 #Hero Club #J.C. Staff #Madhouse #Makoto Miyazaki #One-Punch Man #One-Punch Man Season 2 #Shingo Natsume #Shoji Hata #Tomohiro Suzuki #Yoshikazu Iwanami #ワンパンマン

[transfemstarscream]

thank you keiichirō miyoshi for not making the robots in disguise (2015) japanese dub fourth wall breaking and heavily reliant on character tics. God Bless.

#.txt #'he tried to emulate the style of yoshikazu iwanami; though the adlibbing was not as extensive' GOD BLESS!!!

[satoshi-mochida]

Publisher Koei Tecmo and developer Gust have announced Blue Reflection Ray, an anime series based on the 2017-released RPG Blue Reflection. It will begin airing in April as part of the “Animeism” slot on MBS, TBS, and BS-TBS in Japan.

Get the first details below.

Introduction

This is a story that connects “emotions”…

Joy, sadness, anger… Emotions are a power that everyone has, but cannot be seen by the naked eye. And in some cases, that power may even be able to change the world.

Hiori Hirahara, who is always positive and unable to neglect someone in need, and Ruka Hinari, who is clumsy and unable to make friends with others even if she tried. How will the encounter between these polar opposites change the girls themselves and the world around them…?

As part of the new “Blue Reflection Project,” Blue Reflection Ray is a TV anime based on the Blue Reflection game released by Koei Tecmo Games’ Gust brand in 2017.

A new world is about to begin…

Staff

Original Work: Blue Reflection

Director: Risako Yoshida

Series Organization and Script: Akiko Waba

Character Drafts: Mel Kishida

Character Design: Kouichi Kikuta

Sound Director: Yoshikazu Iwanami

Sound Production: Magic Capsule

Composer: Daisuke Shinoda

Opening Theme Song: EXiNA (SACRA MUSIC)

Animation Production: J.C. Staff

Cast

Hiori Hirahara (voiced by Manaka Iwami)

Ruka Hanari (voiced by Haruka Chisuga)

Watch the teaser trailer below. Visit the official website here.

#Blue Reflection Ray #Blue Reflection #J.C Staff #Gust #Koei Tecmo #Gematsu #A little bit more information on here.

[demifiendrsa]

JoJo’s Bizarre Adventure: Stone Ocean TV anime - “Jolyne Cujoh” PV

“Stand” PV

“Father and Daughter” PV

“Aquarium“ PV

English subbed Date Announcement trailer

The first 12 episodes of JoJo’s Bizarre Adventure: Stone Ocean TV anime will stream worldwide on Netflix on December 1, 2021. It’ll also air on television in Japan on January 7, 2022.

Stands

Stone Free

Kiss

Foo Fighters

Weather Report

Diver Down

Star Platinum: The World

Cast

Ai Fairouz as Jolyne Kūjō

Mutsumi Tamura as Ermes Costello

Mariya Ise as F.F. (Foo Fighters)

Atsumi Tanezaki as Emporio Alnino

Yuichiro Umehara as Weather Report

Daisuke Namikawa as Narciso Anasui

Daisuke Ono as Jotaro Kujo

Toru Ohkawa as Narrator

Staff

Chief director: Kenichi Suzuki

Director: Toshiyuki Kato

Series composition: Yasuko Kobayashi

Character designer: Masanori Shino

Stand designer: Shun'ichi Ishimoto

Sound director: Yoshikazu Iwanami

Composter: Yūgo Kanno

Sub-Character Design: Kei Tsuchiya

Prop Design: Daisuke Niitsuma

Art Designers: Reiki Taki, Junko Nagasawa, Yuriko Watanabe

Art Director: Keito Watanabe

Color Designer: Hiroko Sato

Director of Photography: Kazuhiro Yamada

Editing: Kiyoshi Hirose

CG Producer: Yutaka Hamanaka

CG Director: Kōtarō Shishido

Animation Production: David Production

#JoJo's Bizarre Adventure #JJBA #Stone Ocean #David Production #Netflix #anime #TV anime #long post

[yurimother]

Princess Principal First Sequel Movie: New Trailer and Spring Release

On September 29th, the official Princess Principal Twitter account posted a teaser trailer and visuals for the first theatrical anime movie. The movie series will continue the story where the 2017 TV anime left off. The first movie, Princess Principal: Crown Handler, will premiere on April 10, 2020.

Princess Principal follows five girls in a re-imagined 19th century London, which is divided between two territories. The main cast is a group of spies, working undercover at a school.

While most of the cast from the original TV anime will be returning, Ange, whose original voice actress, Imamura Ayaka, retired last year, will now be voiced by Aoi Koga. The series director Masaki Tachibana is set to return to direct the film. Additional staff includes:

Kouhaku Kuroboshi - Character designer

Kimitake Nishio - Chief animation director

Miho Sugiura - Art director

Morihito Ohara - Art design

Yuuho Taniuchi - Art design

Goa Sadamatsu - Editor

Nobura Kimura - Script Supervisor

Yuki Kajiura - Music Composer

Yoshikazu Iwanami - Sound director

The theatrical anime is produced at Actas and distributed by Showgate.

While originally scheduled for a 2019 debut, the movie has been delayed to early 2020. This is the first of six Sequel films following the success of the 2017 TV series.

Princess Principal (TV) is licensed by Sentai Filmworks and available to stream on HIDIVE and Amazon Video.

#yuri #news #princess principal #pripri #anime #movie #lgbt #lgbtq #lgbtq+ #queer #gay #lesbian #tv #manga #girls love #wlw #steampunk #spy #fantasy

[pkjd]

The latest key visual, cast, and PV for the upcoming "Drifting Dragons" anime has been released.  The new series from Polygon Pictures will premiere on Fuji TV’s +Ultra programming lineup in January 2020; as well as distributed exclusively via Netflix.

-Synopsis-

“Dragons, the rulers of the sky. To many people on the surface, they are dire threat, but at the same time, a valuable source of medicine, oil, and food. There are those who hunt the dragons. They travel the skies in dragon-hunting airships. This is the story of one of those ships, the “Quin Zaza”, and its crew.”

-Staff-

Director: Tadahiro Yoshihira

Series Composition: Makoto Uezu

Character Design: Kyoko Kotani

Sound Director: Yoshikazu Iwanami

Music: Masaru Yokoyama

Studio: Polygon Pictures

-Cast-

Tomoaki Maeno

Sora Amamiya

Soma Saito

Kana Hanazawa

Junichi Suwabe

Tomokazu Seki

Takahiro Sakurai

Kousuke Toriumi

Rie Kugimiya

Kentaro Kumagai

Makoto Furukawa

Takashi Matsuyama

Shunsuke Takeuchi

Yuuto Uemura

Chinatsu Akasaki

Junya Enoki

Kazuhiko Inoue

Hiroo Sasaki

via: drifting-dragons.jp

#drifting dragons #anime

[officialtokyosan]

everyone thank yoshikazu iwanami for providing beautiful the sound direction in the recent fate anime

#I HAD A FEELING THAT BABYLONIA AND APOCRYPHA HAD THE SAME SOUND STAFF #BC I FOUND LOVE THEIR SOUND DIRECTION I LOVE IT IT GIVES ME CHILLS #fate posting

[grooseman]

Fire Force definitely has the same sound director as Jojo’s Bizarre Adventure (Yoshikazu Iwanami). Though jojo hasn’t done the blown out audio for action since part 2 (which sounded great imo). I know the blown out stuff he does can garner mixed response (i.e OPM S2) but in this case I think it works. It really gives it oomph; like rocket engines exploding. It’s extremely aggressive sounding which I think fits with fire. I’m really looking forward to seeing what he does with this show and hopefully he can whip up some cool stuff. 

Also it was just a pretty good first episode in general. Great art direction, animation, and music. 

#fire force #enen no shouboutai #manga #anime #video

[newsintheshell]

Drifting Dragons: pubblicati locandina, nuovo trailer e cast dell’anime

La serie animata debutterà in Giappone a gennaio e sarà poi distribuita su Netflix.

Il sito ufficiale di “Drifting Dragons�� (Kuutei Dragons) si è aggiornato rivelando una nuova locandina e un altro trailer per la la serie animata tratta dal manga di Taku Kuwabara, che debutterà in Giappone a gennaio 2020 e sarà distribuita in streaming da Netflix.

Annunciato anche il cast principale della serie:

Mika: Tomoaki Maeno

Takita: Sora Amamiya

Giraud: Soma Saito

Vanabelle: Kana Hanazawa

Il progetto è diretto da Tadahiro Yoshihira (assistente di regia in Blame! Movie e nella trilogia di film Godzilla) presso Polygon Pictures (Ajin, Knights of Sidonia), la sceneggiatura è curata da Makoto Uezu (Assassination Classroom), mentre come direttore del suono troviamo Yoshikazu Iwanami (Ajin, Fate/stay night: Unlimited Blade Works).

Draghi, i dominatori del cielo. Per le persone rappresentano sia una terribile minaccia che, al contempo, una preziosa fonte di olio, cibo e farmaci. È per questo che c’è chi rischia il tutto per tutto quotidianamente, andando a caccia delle maestose bestie a bordo di dirigibili.Questa è la storia del “Quin Zaza” e del suo equipaggio.

Il manga viene serializzato sulle pagine della rivista Good! Afternoon di Kodansha dal giugno del 2016 e, ad ora, conta sei volumi in corso di pubblicazione; l’opera arriverà qua in Italia grazie a Planet Manga da ottobre. Di recente viene anche pubblicato su Da Vinci un romanzo, incentrato su Vanabelle e altri personaggi femminili.

Autore: SilenziO))) (@s1lenzi0)

[FONTE]

#drifting dragons #kuutei dragons #anime #netflix #serie tv #manga #fantasy #slice of life #steampunk #draghi #animazione #cartoni animati #newsintheshell #news in the shell

[yiulee999]

Hey! What do you think of OPM season 2? I still love it & am looking forward to next weeks new episode but i just wish Saitama had more screen time ;-(

hey nonny~! 

apologies for the late reply, its a combo of not getting notifications (tumblr u useless trashbucket) and being on surgery rotation (i miss sleeping so much) 

firstly, i am truly glad you still love it and look forward to the new episodes!!! 💖💖💖please dont let anything i say from this point on dissuade you from that enjoyment 

THAT BEING SAID 

///cut for length 

ive only watched up to the second episode, and i am having Such Difficulties convincing myself to keep watching. i know my rxns to ep 1 were overall pretty positive and I stand by it but the more i watch the more the Cringe/Hypercritique starts take over. 

Turns out, the art style had a bigger impact than i thought on the length of which i enjoy shows. personally, i just really like when anime/shows have a happy marriage between writing and artwork. and when show directors know how to interpret writing, how to set up a scene (the angle, the music, the pacing), and then communicate with artists who have the skills to bring that idea to life using the medium they’re given -- that’s when writing becomes storytelling. OPM’s writing is still fantastic since they’re going off ONE (whereas GoT has the opposite problem where the production value is 4K and the writing is early 2000s livejournal/fanfiction lol god why is everyone dropping the ball in 2019??)

As for the art, since opm switched to jc staff and shingo natsume & co. left for other projects ( ;;_____;; im emo ), its inevitable we would see a drop in animation quality and i find myself constantly getting distracted by things i never used to get concerned about in the first season (bc of the high bar of expectations set by s1 artists/directors, like theres just no way jc staff would match up it to all of that and i feel bad for them, they’re trying their best but that doesn’t mean theyre immune to critique on the artistic liberties that they’ve taken that i feel as a viewer, may not have been the best choice?) 

the shading: no, just, unnecessary and distracting and why is it the center of saitamas face, im by far no expert in lighting but a bish can tell something doesnt look right??? 

the shading pt II: color choices. just gonna say i was not expecting sai’s ‘hair shirt’ in ep 1 to be bright-ass neon green, it was a little jarring at first and i miss him in red ;-; i get hes supposed to have poor fashion choices but i dont see him as the type to pick something that stands out so much in the crowd, like he likes to be left alone. NEON doesnt really relay ‘hi dont mind me im just barely existing here lol’ 

the shading pt III: genos arms/neck. okaY so the bby looks good in screenshots. like he’s shiny and nice to look at when nothings moving. bUT this is animation?? movement of objections is different from still life manga so making every single scene almost 99% like murata’s panels translates a little awkwardly to the screen (like staff is lucky bc murata’s a force of nature with his panels playing out like a movie for ref). but when genos moves, the arms are just distracting bc everything around him is drawn simply without shadows so they stand out by themselves and i (visually) forget about the rest of him haha. 

the pacing: it feels scripted, person A says this so we’ll show person A in the shot, then person B is saying something so we have to cut to person B, etc etc like keeping pretty steady to manga lines to the point where i was starting to get bored bc i knew what was coming. it was really intervaled? like someone had to be saying something at a certain effect and i think s1 had more dramatic pauses (lol) but thats how you can place emphasis on scenes to have an emotional impact if the character doesnt say anything and just let the soundtrack do some talking and the cadence of the script will change too (im 10000% talking about the sunset scene in s1 god bless. like it was slow, there was MOOD there wasn’t any rush and really gave the viewer time to think about the relationship between the two characters and what that moment meant to each of them) i feel like there were several scenes that could have been more like in the scene where sai protected fubuki, could have been a little more dramatically emphasized (aka just a pause) so the viewer could get a chance to understand that he purprosefully shielded her or when genos says that strong heroes are drawn to saitama--bUT nope its the same pace, like c l o c k w o r k just like my t eARS--

the fight scenes: how do i even start. the one scene that got me INTO opm (like watching the anime, reading the manga, drawing fanart, writing fanfic, reading fanfics etc) was kickstarted by the fight scene between genos and saitama in s1 that was circulating on tumblr a while back. i thought the characters were interesting and the fight was badass and it just looked SO COOL. (also the forehead flick at the end just kinda sealed my fate). going from that to s2 fight scenes where its mostly cut scenes and freeze scenes?? where theres a cut out behind the characters back?? during a fight scene????? this isn’t a calling card or an anime opening??? i dont understand. when they dont do cut scenes, its interesting but my initial impression is just underwhelmed. i can find good parts but it feels like i have to replay the scene to notice it? theres also an overwhelming amount of graphics/cgi manipulation that overpowers the actual art sometimes. its lacking some of the fluidity that comes from hand drawn fight scenes from first season. OTL

the sound directing: so i thought that the mood just felt off for certain scenes and the sound didn’t seem to support the scene as well (unless it was like the character’s theme or smtg) and i looked it up and the sound director was also replaced (Yoshikazu Iwanami replacing Shoji Hata). i have no idea if the sound director is also in charge of character lines but there were parts were fubuki was monologuing and i had no idea she was inner monologuing, i thought she was talking out loud and that just took extra effort on my part to re-orient myself (im nitpitcking i know but its just how i watch shows lol) 

there are still some parts i like about the animation:

fubuki looks bangin and i love her👌👗

all of this just made me realize how insanely lucky we were to have an amazing s1 and just have it exist and how i really could not care less if they had just waited forever to make s2 as long as we had the same crew come back. but anime is still a business and the quicker they dish out merch/seasons, the more money they can bring in. which they do in the short run but they would bring in more if they spent a little more on quality in the long run and it becomes one of those classics that ppl will rewatch and keep recommending to ppl who want to get into anime and oh my god we’re never gonna have that now, are we. if im gonna rec it to a friend its gonna be ‘read the manga!’ or ‘just watch s1!’ uGH. its just an unfortunate situation, its not one person’s fault either, so many factors go into what made opm s1 so spectacular and seeing s2 just made me appreciate s1 more. i guess im happy to have a s2 regardless? 

i’ll still watch to support (and bc i like suiryuu and wanna see sai in a karate gi and wig lol). maybe i just have to get used to the new style. 

so in summary,

#this got outta hand real quicc #sorry nonny u really didnt ask for this😅😅😅 #i just have paragraphs of emotions #my inbox is open hit me w discourse if u disagree lol #this is just imho #Anonymous

[hjamesp]

#Drifting Dragons #Polygon Pictures #Kutei Dragons #Taku Kuwabara #Tadahiro Yoshihira #Makoto Uezu #Yoshikazu Iwanami #Netflix