#Copyrights

[heckyeahponyscans]

The Wayback Machine is a treasure. It saved the PDF for the lawsuit Mitchell Goldman v. Hasbro which otherwise would have disappeared off the internet.

I saved the PDF to my Google Drive. Feel free to copy / save it and disseminate it!

>>Google Drive link<<

>>The Wayback Machine link<<

#my little pony #g1 #Mitchell Goldman #Cotton Candy Cloud Castle #Hasbro #Cotton Candy #lawsuit #copyrights #I am still reading the PDF and every page delights me #HASBRO PRESENTED COLLECTOR FAN SITES AS EVIDENCE

[igotanidea]

Speaking as a writer on the subject of AI.

You know what, I'm thinking about this whole AI related stories/art/else stealing.

I think about people being greedy online, taking other's hobbies, which results' they they share in good faith so we can all have a little fun and a "safe" space in the internet.

I think about copyrights, making money on someone else's work, replacing people by the fake creature, stemming from people .

Let me tell you one thing: STEALING IS STEALING.

Let's call it by the name.

Honestly, I don't know (YET) how to deal with this shit, but my mind has this wierd ability called intuition that once set into motion won;t stop until it figures out a resolution.

Just you wait and see.

We're coming for you...

#authors note #nes rambles #ai generated #artificial intelligence #copyrights

[stairnaheireann]

Brehon Laws and the Establishment of Copyrights

Copyright law actually began with the Brehon Laws of Ancient Ireland over 1000 years before it appeared in English legislation. It started and ended in a bitter and brutal dispute over royalties. The dispute arose in 563 AD between two of the top contributors in the monastic schools of Ireland: Saint Colmcille and Saint Finian, each claiming to be the original author of a manuscript called ‘St…

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#Battle of the Books #Benbulben #Brehon Law #Co Carlow #Co Derry #Co. Donegal #Copyrights #Gartan #History #Iona #Ireland #Irish History #Psalter #Saint Colmcille #Scotland #St Finian #St Jerome’s Psalter #St Patrick #Uí Néill Clan

[transhumanitynet]

Stifling Innovation: US Federal Copyright Office's Discriminatory Decision Against AI-Generated Works

Artificial intelligence (AI) is a rapidly developing technology that has the potential to revolutionize countless industries. However, recent decisions by the US Federal Copyright Office threaten to stifle progress and limit the power of AI. Specifically, the Copyright Office has decided to prevent the copyright of works created by generative AI, such as Open AI’s ChatGPT. This discriminatory…

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#AI #Copyrights #Generative AI #law #policy

[theantitheticallogician]

how one direction believed they'd rip off of "everybody wants to rule the world" on "stockholm syndrome" and no one would notice, and how they were right, is beyond me.

#stockholm syndrome #one direction #everybody wants to rule the world #tears for fears #ripoff #rip-off #one direction played dirty #copyrights #petition #Spotify

[vaguely-none]

vagueblogging:

resource that claims to be hashtag copyrightfree and "no copyright"

dictates usage conditions, who is allowed to use things, and sells/offers commercial licenses

that's the opposite of "no" copyright! that's copyright right there!

#Meta #vagueblogging #vague #meanblogging #copyrights #free culture #creatoring

[opencharacters]

It looks like Mickey has something to say

#mickey mouse #public domain #copyright

[keatxu]

abandonware should be public domain. force companies to actively support and provide products if they don't wanna lose the rights to them

#free software #fuck copyright

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

#shut up e #long post #Saturday thoughts #this has been in my drafts for a week haha #also this is the heart of why AI art feels so wrong #forget the discussion of copyright and theft etc - even if models were only trained on public domain they would still feel very wrong #because they’re not art. art is the labor of creation #even commercial art and art commissioned by the popes and kings of history: there is humanity in the labor of it #unrelated: I did not know living in the Bronx was now something to brag about. How the fuck do y’all New Yorkers afford this city???

[heckyeahponyscans]

Forget grisly murders and celebrity drama, THIS is the case I would've wanted televised

#Hasbro #my little pony #2003 #lawsuit #Mitchell Goldman #Goldman v Hasbro #lawsuits #Cotton Candy #Cotton Candy Cloud Castle #copyrights #the absolute nerve to offer a Cotton Candy for $65 in 2005

[mostlysignssomeportents]

“If buying isn’t owning, piracy isn’t stealing”

20 years ago, I got in a (friendly) public spat with Chris Anderson, who was then the editor in chief of Wired. I'd publicly noted my disappointment with glowing Wired reviews of DRM-encumbered digital devices, prompting Anderson to call me unrealistic for expecting the magazine to condemn gadgets for their DRM:

https://longtail.typepad.com/the_long_tail/2004/12/is_drm_evil.html

I replied in public, telling him that he'd misunderstood. This wasn't an issue of ideological purity – it was about good reviewing practice. Wired was telling readers to buy a product because it had features x, y and z, but at any time in the future, without warning, without recourse, the vendor could switch off any of those features:

https://memex.craphound.com/2004/12/29/cory-responds-to-wired-editor-on-drm/

I proposed that all Wired endorsements for DRM-encumbered products should come with this disclaimer:

WARNING: THIS DEVICE’S FEATURES ARE SUBJECT TO REVOCATION WITHOUT NOTICE, ACCORDING TO TERMS SET OUT IN SECRET NEGOTIATIONS. YOUR INVESTMENT IS CONTINGENT ON THE GOODWILL OF THE WORLD’S MOST PARANOID, TECHNOPHOBIC ENTERTAINMENT EXECS. THIS DEVICE AND DEVICES LIKE IT ARE TYPICALLY USED TO CHARGE YOU FOR THINGS YOU USED TO GET FOR FREE — BE SURE TO FACTOR IN THE PRICE OF BUYING ALL YOUR MEDIA OVER AND OVER AGAIN. AT NO TIME IN HISTORY HAS ANY ENTERTAINMENT COMPANY GOTTEN A SWEET DEAL LIKE THIS FROM THE ELECTRONICS PEOPLE, BUT THIS TIME THEY’RE GETTING A TOTAL WALK. HERE, PUT THIS IN YOUR MOUTH, IT’LL MUFFLE YOUR WHIMPERS.

Wired didn't take me up on this suggestion.

But I was right. The ability to change features, prices, and availability of things you've already paid for is a powerful temptation to corporations. Inkjet printers were always a sleazy business, but once these printers got directly connected to the internet, companies like HP started pushing out "security updates" that modified your printer to make it reject the third-party ink you'd paid for:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Now, this scam wouldn't work if you could just put things back the way they were before the "update," which is where the DRM comes in. A thicket of IP laws make reverse-engineering DRM-encumbered products into a felony. Combine always-on network access with indiscriminate criminalization of user modification, and the enshittification will follow, as surely as night follows day.

This is the root of all the right to repair shenanigans. Sure, companies withhold access to diagnostic codes and parts, but codes can be extracted and parts can be cloned. The real teeth in blocking repair comes from the law, not the tech. The company that makes McDonald's wildly unreliable McFlurry machines makes a fortune charging franchisees to fix these eternally broken appliances. When a third party threatened this racket by reverse-engineering the DRM that blocked independent repair, they got buried in legal threats:

https://pluralistic.net/2021/04/20/euthanize-rentier-enablers/#cold-war

Everybody loves this racket. In Poland, a team of security researchers at the OhMyHack conference just presented their teardown of the anti-repair features in NEWAG Impuls locomotives. NEWAG boobytrapped their trains to try and detect if they've been independently serviced, and to respond to any unauthorized repairs by bricking themselves:

https://mamot.fr/@[email protected]/111528162905209453

Poland is part of the EU, meaning that they are required to uphold the provisions of the 2001 EU Copyright Directive, including Article 6, which bans this kind of reverse-engineering. The researchers are planning to present their work again at the Chaos Communications Congress in Hamburg this month – Germany is also a party to the EUCD. The threat to researchers from presenting this work is real – but so is the threat to conferences that host them:

https://www.cnet.com/tech/services-and-software/researchers-face-legal-threats-over-sdmi-hack/

20 years ago, Chris Anderson told me that it was unrealistic to expect tech companies to refuse demands for DRM from the entertainment companies whose media they hoped to play. My argument – then and now – was that any tech company that sells you a gadget that can have its features revoked is defrauding you. You're paying for x, y and z – and if they are contractually required to remove x and y on demand, they are selling you something that you can't rely on, without making that clear to you.

But it's worse than that. When a tech company designs a device for remote, irreversible, nonconsensual downgrades, they invite both external and internal parties to demand those downgrades. Like Pavel Chekov says, a phaser on the bridge in Act I is going to go off by Act III. Selling a product that can be remotely, irreversibly, nonconsensually downgraded inevitably results in the worst person at the product-planning meeting proposing to do so. The fact that there are no penalties for doing so makes it impossible for the better people in that meeting to win the ensuing argument, leading to the moral injury of seeing a product you care about reduced to a pile of shit:

https://pluralistic.net/2023/11/25/moral-injury/#enshittification

But even if everyone at that table is a swell egg who wouldn't dream of enshittifying the product, the existence of a remote, irreversible, nonconsensual downgrade feature makes the product vulnerable to external actors who will demand that it be used. Back in 2022, Adobe informed its customers that it had lost its deal to include Pantone colors in Photoshop, Illustrator and other "software as a service" packages. As a result, users would now have to start paying a monthly fee to see their own, completed images. Fail to pay the fee and all the Pantone-coded pixels in your artwork would just show up as black:

https://pluralistic.net/2022/10/28/fade-to-black/#trust-the-process

Adobe blamed this on Pantone, and there was lots of speculation about what had happened. Had Pantone jacked up its price to Adobe, so Adobe passed the price on to its users in the hopes of embarrassing Pantone? Who knows? Who can know? That's the point: you invested in Photoshop, you spent money and time creating images with it, but you have no way to know whether or how you'll be able to access those images in the future. Those terms can change at any time, and if you don't like it, you can go fuck yourself.

These companies are all run by CEOs who got their MBAs at Darth Vader University, where the first lesson is "I have altered the deal, pray I don't alter it further." Adobe chose to design its software so it would be vulnerable to this kind of demand, and then its customers paid for that choice. Sure, Pantone are dicks, but this is Adobe's fault. They stuck a KICK ME sign to your back, and Pantone obliged.

This keeps happening and it's gonna keep happening. Last week, Playstation owners who'd bought (or "bought") Warner TV shows got messages telling them that Warner had walked away from its deal to sell videos through the Playstation store, and so all the videos they'd paid for were going to be deleted forever. They wouldn't even get refunds (to be clear, refunds would also be bullshit – when I was a bookseller, I didn't get to break into your house and steal the books I'd sold you, not even if I left some cash on your kitchen table).

Sure, Warner is an unbelievably shitty company run by the single most guillotineable executive in all of Southern California, the loathsome David Zaslav, who oversaw the merger of Warner with Discovery. Zaslav is the creep who figured out that he could make more money cancelling completed movies and TV shows and taking a tax writeoff than he stood to make by releasing them:

https://aftermath.site/there-is-no-piracy-without-ownership

Imagine putting years of your life into making a program – showing up on set at 5AM and leaving your kids to get their own breakfast, performing stunts that could maim or kill you, working 16-hour days during the acute phase of the covid pandemic and driving home in the night, only to have this absolute turd of a man delete the program before anyone could see it, forever, to get a minor tax advantage. Talk about moral injury!

But without Sony's complicity in designing a remote, irreversible, nonconsensual downgrade feature into the Playstation, Zaslav's war on art and creative workers would be limited to material that hadn't been released yet. Thanks to Sony's awful choices, David Zaslav can break into your house, steal your movies – and he doesn't even have to leave a twenty on your kitchen table.

The point here – the point I made 20 years ago to Chris Anderson – is that this is the foreseeable, inevitable result of designing devices for remote, irreversible, nonconsensual downgrades. Anyone who was paying attention should have figured that out in the GW Bush administration. Anyone who does this today? Absolute flaming garbage.

Sure, Zaslav deserves to be staked out over an anthill and slathered in high-fructose corn syrup. But save the next anthill for the Sony exec who shipped a product that would let Zaslav come into your home and rob you. That piece of shit knew what they were doing and they did it anyway. Fuck them. Sideways. With a brick.

Meanwhile, the studios keep making the case for stealing movies rather than paying for them. As Tyler James Hill wrote: "If buying isn't owning, piracy isn't stealing":

https://bsky.app/profile/tylerjameshill.bsky.social/post/3kflw2lvam42n

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/08/playstationed/#tyler-james-hill

Image: Alan Levine (modified) https://pxhere.com/en/photo/218986

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

#pluralistic #playstation #sony #copyright #copyfight #drm #monopoly #enshittification #batgirl #road runner #financiazation #the end of ownership #ip

[stairnaheireann]

Brehon Laws and the Establishment of Copyrights

Brehon Laws and the Establishment of Copyrights

Copyright law actually began with the Brehon Laws of Ancient Ireland over 1000 years before it appeared in English legislation. It started and ended in a bitter and brutal dispute over royalties. The dispute arose in 563 AD between two of the top contributors in the monastic schools of Ireland: Saint Colmcille and Saint Finian, each claiming to be the original author of a manuscript called ‘St…

View On WordPress

#Battle of the Books #Benbulben #Brehon Law #Co Carlow #Co Derry #Co. Donegal #Copyrights #Gartan #History #Iona #Ireland #Irish History #Psalter #Saint Colmcille #Scotland #St Finian #St Jerome’s Psalter #St Patrick #Uí Néill Clan

[corvigae]

I keep having to tear down extremely predatory/misleading Scien.tology flyers in my school's art building. This is the third fucking time I've ripped the fuckers up and I'm getting Real Fucking Tired of it.

#they're masquerading as a mental helth help line it's disgusting #the ONLY clue that it's a fucking cult is the tiny print that says 'copyright hubbard dianetics' #personal grumblings #i'm fucking graduating i don't give a fuck abt appearing nice or accepting #i see those fuckers i shred then

[prokopetz]

Mickey Mouse's entry into the public domain comes with significant caveats. While the Mickey Mouse who appears in Steamboat Willie (and other media published in 1928 or earlier) is free to use, there's established precedent that specific elements of a character which appear exclusively in later works which still fall under copyright may be protected, if sufficiently distinctive.

(This is the basis of, e.g., the infamous "Sherlock Holmes can't respect women" lawsuit: the Doyle estate, which at the time owned only a tiny handful of the latest-written stories, the others having already fallen into the public domain, argued that specific personality traits which Holmes exhibits only in those later stories are sufficiently distinctive as to be the valid subject of an infringement claim.)

With respect to various elements of Mickey's visual design, such as his red shorts and signature gloves, the matter is clear: just don't use those for another few years. However, there's another thing Mickey's public domain iterations don't exhibit: speech.

The present consensus among copyright scholars seems to be that "a character speaking" is not sufficiently distinctive as to qualify for protection, but the vocal characterisation with which Mickey Mouse is famously associated may so qualify. So, if you want to be scrupulously safe, you can have him talk, but not in that exact specific voice.

Which raises a fun question: what voice would you give him? Wrong answers only.

#media #cartoons #animation #mickey mouse #intellectual property #copyright #public domain #voice acting

[mattpresents]

#mickey mouse #steamboat willie #disney #copyright #please holy shit that act was so bad why is no one trying to repeal this #public domain

[galvanizedfriend]

The US Copyright Office is opening a public comment period around AI

American friends! The US Copyright Office (which we know exerts huuuge influence in how these things are treated elsewhere) wants to hear opinions on copyright and AI.

"The US Copyright Office is opening a public comment period around AI and copyright issues beginning August 30th as the agency figures out how to approach the subject."

We can assume that the opposing side will definitely be using all of their lobbying power towards widespread AI use, so this is a very good chance to let them know your thoughts on AI and how art and creative content of all kinds should be protected.

#copyright #AI #writing #protect art!