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#But basically I don't think there's just one way to solve it
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What's your evidence for Watts and Murdoch being autistic? (I totally agree btw)
Hello, internet stranger. Buckle up cause I've thought too hard about this.
Ok disclaimer I have not really sat down and watched the whole thing for a hot minute. Its past nine, you're just gonna have to trust me this one.
Credentials: Mega autisitc
Murdoch:
Does not understand social conventions. Like this ones pretty obvious. He doesn't understand why people keep dogs. Raises his kid in a completely non traditional way. Frequently doesn't get why people care about something that he sees as not being worth it (sports and popular trends and so forth).
Doesn't like small talk
Cares about justice NOT the law. The thing that really makes me think he's autistic is that he cares about things being just and is prepared to break the rules to do so. The main example being he lets that woman out of prison depsite the fact that he could go down for it. He turns a blind eye to Watts and lets Giles go even though they're both criminals in the eyes of the law. And on the flipside he sends George to prison because I think that's what he percieves as justice (if anyone's seen the bridge this really reminds me of Saga at the end of season 2)
Sees through hierarchy. There are so many epsiodes that play out like "I think Mr X is the killer." "But Mr x is extrememly important and influential!" "I don't care he killed her."
Interest in science and inventing. Look I know we joke about stereotypes but like, its a stereotype for a reason. He builds things with an autistic brain. He uses pattern repition through learning about previous inventions and applying them to his own devices.
Visual learner. This is not autism exclusive but he solves cases in such a unique way that it screams ND to me. Murdoch often literally builds a case. They make a joke about clue/cludo but he literally has to make the model of a house to picture where everyone is. He makes all those model of the ladies that were covered in metal. And let us not forget his famous chalk board.
Buzzkill. I say this as a long-term sufferer of leaves parties at 8:45 syndrome. He does 'boring hobbies' which autistic people often have because we don't feel the need to take up traditional ones.
Remember that scene where he attempts to read out his and Julia's book and just absolutely cannot tell that no one gives a single toss about anything he's saying.
Wears the same thing for nearly 20 years. If it ain't broke don't fix it.
Refused to let his wife cut his hair because he didn't want to change from the lady who used to do it.
breather. Part 2: watts.
Cannot read social cues: Frequently insults other station house four people. Pretty sure he called someone's baby ugly but I might have hallucinated that. "You're face is symetrical." Got chucked out of station house because he didn't get on with any of them
Disregard for societal norms: doesn't feel the need to be polite or tactful with anyone or to really follow police protocol. Acts very 'improper' a lot of the time. Only got one shoe shined that one time because that was all he needed. Puts his feet on the sofa, lies on the desk and leans over tables.
Makes limited eye contact.
The man will fidget with anything: Look this is clearly a character decision from Daniel Maslany but its an autistic character decision if ever I saw one. We're talking pencils, cups, fabric, anything. If it is on the set, he will find a way to play with out. And I don't normally like to assign autistic traits onto behaviour implemented by actors but it's basically stimming at this point. I dare you to keep an eye on this man's hands for any scene and I garuntee you they will not stay still.
Disorganised, but not: He always has tiny bits of paper and whatnot in his pockets but always seems to know where everything is. organised but doesn't have to time to be tidy. Same whenever we see his flat, it's equally disorganised. as an autistic person I find things end up all over the place because I don't have the capacity to keep them in order.
Bad handwriting and can't spell
Physicality: Most autistic people will have some sort of problem with co-ordination. He walks uneavenly. He has an odd posture. I always think about that scene where he steps in sick and moves around like a dear on ice. He's clumsy, can't sit straight and has a strange posture.
can't think when being interrupted
can't focus on two things at once.
George realised he'd been possessed by aliens because he was acting normally.
pretzels: dare i say safe food. If not, they're bland, usually the same everytime and take little mental effort to consume.
Strong sense of justic: see william murdoch.
SPECIAL MENTIONS:
Dr Emily Grace: didn't become a doctor becuase she didn't want to adopt a 'cheerful bedside manor.'
Dr Julia Ogden: Married to Murdoch (like calls to like) and sees through the bullshit of victorian society.
Susannah Murdoch: has those two as parents and I have the full confidence of genetics on this one.
In conclusion:
There's probably so much more I could talk about that I just don't remember because there is a lot more of this show than most others. But anyway. Murdoch is autistic because he has to be for the show to work and becuase he often comedic-foils far too close to the sun. And Watts is autistic because there is no way on God's green earth a man who stands like that is neurotypical.
Thank you, internet stranger, I am here all week.
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sothischickshe · 1 year
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Please tell us how you would fix the wire tap strip search scene thank you!
Thank you for asking! 🥺🥰💜
...i feel like this might get long😅
1. Make the scene make sense
I find the scene difficult to take seriously, bc I don't understand why rio thinks Beth would be wired up. He didn't turn up when they were supposed to meet, and I don't think there's any particular suggestion he told Beth he was coming round so ???
Now the idea that rio has no idea how surveillance equipment works/believes it to have been permanently soldered to Beth's skin is very funny to me thus I'm willing to accept it as a headcanon pretty easily, but an alternative interpretation which I think kinda makes sense given his love of setting up his terrible dramatic punchlines is him doing all this purely TO drop the tracker as an almost gotcha 🤷🏼‍♀️ if the latter IS what's (supposed to be) happening, I think it comes off kinda both too creepy AND not horny enough. And if that's NOT what's happening in the scene then I think it just feels like a lazy handwave as to why exactly he might think she's wearing a wire, and they couldve put a little effort into eg making it clear he forewarned her but not with adequate time for the secret service to mic her up/equipment was malfunctioning again, or he stormed round (drunk) immediately upon verifying the tracker so wasn't really thinking it through.
Particularly in a scene which is to some extent intentionally jarring (espec in how the undressing begins, but also in its mostly-silence), I don't think it's a good idea to leave your audience this confused??
2. Use an appropriate body double (in appropriately sized bra)
This just feels lazy!!! Idk if shooting restrictions couldve played a part but if you can't do those shots well it would be better not to include them!
3. Make it hornier
I can def understand why some ppl find the scene offputting, espec bc of point 1. If it doesn't make sense for him to think she's wearing a wire then him starting to undress her with no preamble is really jarring. I know some ppl think it's an intentionally sexless and/or clinical stripping, but I don't think it succeeds in being that (if indeed that is its intention), especially with the demand for her underwear to come off but not her socks 🤯
I think this scene & the weird pool table groping one are in conversation with each other, espec bc theyre each in conversation with intimate s2 brio scenes, and i don't think it's possible to not view this as somewhat intimate and charged? Both scenes felt like they were trying too hard, but i do think they were attempting to ~remind the audience of their sexual history, and hint that it would be rekindled.
I think the show should have leaned into that MORE and made it more fucked up tbh. They're messy!!! Like hi she's married he's her boss he's threatened to kill her a bunch she's tried to kill him multiple times they've betrayed each other they've protected each other lather rinse and repeat. They love being inappropriate and weird!! The first time they have sex she's on a date with her husband then he beats a car up over it; his plan to kill her turns into a weird money making date where he stares at her ass for hours; her idea of gaining back his trust is dressing up and saying I'll do anything...within reason wink wink wink.
Maybe particularly bc I think the visual of rio going to unbutton Beth's shirt out of nowhere is probably supposed to parallel Beth going for fitz's belt in the exact same room in their unsexy standoff (and thus also Beth going for rio's belt subsequently in his grandma's bedroom) I do kinda query the choice to have her be all 'what are you doing' (though it's clearly a reasonable q lol), espec bc they were recently weirdly grinding on a pool table? I think even a momentary leaning in to it would give the scene a different (less creepy) flavour? (plus I do think that could have been played for humour lol.)
Basically if it seems like a silly sexy wire stripping scene that's fine I don't mind it, & I can handwave away rio having no real reason to think Beth's wearing a wire if she's being (canon typically) horny here. Without that it does come across as having an almost predatory vibe which seems strange to me given the show was pretty thoughtful about how it portrayed both the belt-reaching-for scenes it's sandwiched btwn :/
4. Not try so hard with the parallels
I get what they were trying to do with the 209 parallels, but they threaten the sense of the scene imo.
Demanding underwear come off but not socks (???🤯) In a context which can easily come off as creepy (espec bc see point 1) doesn't work for me 🤷🏼‍♀️ easily solved I think by still having the socks shot, followed by Beth angrily throwing her socks at him lmao (then watch, then earrings...)
The sunlight is nice and all, and I'm pretty into exhibitionist Beth so w/e it can stay, but the door is im sure unlocked lol and she's right by a window so idk a bit of Beth @ least glancing to see if anyone could see in maybe would've been cool?? Plus we've got too much of a gap from the night before to this scene I think? I understand why the meet up was at night & why they wanted this scene to be a daytime one, but along with everything else that gap makes it seem MORE like a premeditated plan to be like yea well w/e I found this tracker so ha! (ofc I can explain that away if i feel like it eg someone needed to check what it was properly & that took some time, but the show certainly isn't giving me any suggestion of that.)
Maintaining silence kinda makes sense in the context but idk, I think particularly cos Beth doesn't stop talking after being shushed (good for her!), it's a lil random that she does stop saying things? I reckon there should have been some confused mouthing or whispering or the classic scribbling on a notepad (the last, with his penmanship, couldve been an avenue for comedy haha), and/or if she's stuck in a situation where he's refusing to reply I feel like she should have called him a moron a couple of times for good luck lolol
I'm all for callbacks, but not to the point of sacrificing the rest of the scene, and I think these overall weaken it. Plus parallels can work very well in terms of inversions and contrasts, not only similarities!
5. Have some greater payoff
Beth is basically like yep fine sure I'll randomly strip no further questions (just not the socks, I shan't bare my toes, some lines can't be crossed). That's actually kinda funny in the circumstance, bc who would do that other than someone who knows (why) you suspect them of wearing a wire sfggdssg so her going along with it in a situation which makes so little sense almost feels like (it could be played as) a tacit admission of guilt.
I guess a scene of rio being like wait hold on she was being uncharacteristically agreeable now I think abt it 20 mins later or w/e wouldve been too much to hope for ha but among all the things which make it pretty blatant Beth's working with the secret service (such as her announcing this to rio at one point🤯) I think we deserved him bringing some of it up in conversation later in the season yknow?? Otherwise I don't know why I'm supposed to believe rio isn't imaginary in all his scenes and/or too drunk to retain any information 🤷🏼‍♀️
6. A better closing line
After demanding someone strip full frontal (without making them show off their toes bc some things are sacred) telling that person to watch their back merely highlights you haven't bothered to check whether they've got a mic taped over their spine 🙄
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katyspersonal · 3 months
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It is only first month of 2024, and I've already lost not one but two subjects of nightmares, paranoia and reoccurring emotional torture. I really wish there was another way to get rid of these besides having extremely painful conversations.. but at least these scars are closing, one by one
#/vent#personal#and this time was like.. opposite of the previous one#previous one absolutely wrecked me with very ugly insight and basically made all puzzle pieces fall together#this one was just pain and crying and having my worst suspicions about other person AND self faced and confirmed#but again it got solved#I really want the power to move on without having a closure.#I hope I will be strong enough for it one day.#I just need to think..#I think I really should avoid other depressed/traumatised people until something can be done with how I react at perceived threats#(which is eternity because hell I know when I will be able to afford therapy. probably never with how my life situation is going)#as jarring as being close only with 'healthy' people would be I just can't make things worse for both me and them#until I can change my default response from aggression into avoidance I'll just stay away from anyone with depression#I say very terrible things when I feel threatened and it is way too easy to make me feel threatened. it is THE easiest thing in the world.#I won't survive without close friends anyhow but there is category of people that can't recover from these words normally#I mean I am ALSO this 'category'. I also hurt from awful words thrown at me for MONTHS don't I#it is very hard to be aware of my glaring flaws when everyone that points them out is outright malicious and wants me bullied off the Earth#and then everyone who does think I deserve my human rights either doesn't see my flaws or doesn't mention them#so at least discussing it without outright intention to harm me was helpful for a change#maybe one day I'll have a friend that can be open if I've hurt them a lot so I can work on it but that's another story I guess
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nomaishuttle · 5 months
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btw in my theoretical peculiar rewrite that Will not ever happen bc im not a writer anymore i left that life behind in 2017. but in my theoretical one its rly mostly just a rewrite of likee. maybe a bit of book 3 and then Completely rewriting books 4-6
#i like some of the stuff from the 2nd trilogy. mainly the stuff that was brought up in the first book that seemed rly interesting thar they#then forgot abt in the 2nd book and/#or solved off screen or came up with some other reason for it to not matter. like. the american conflict wouldve been so cool. but then#they just decide its the noor story and r like Oh yeah rhe ymbrynes solved all the american stuff so don't even worry abt it 👍#having the kids like. take modern normal lessons and have jacob trying to like. teach them while also trying 2 hide that hes trying to#follow jn abes footsteps. thats so fun . but i stead he just like straight up leaves and the kids r basically gone the entre time...#and the like. Omg theres like a group of normals that r hunting peculiars and have been for centuries. thats rly rly interesting. and then#theyre judt like Nah it was wights the whole time.#Like. i like noor i think shes rly cool i just think the prophecy is So stupid#im never gonna get over the way that the entire prophecy was pointless. like trying to find the other kids was pointless. bc the prophecy#didnt need 7 it needed 1 and the others were just spares. so it literlaly xouldve been like. Finished as soon as it started. and it was#just so generic and boring like... the first trilogy was very unique and like interesting and different#and then in the 2jd theyre like Omg this is the chosen one and shes one of the chosen jn this prophecy where 7 kids etc#i also think its rly stupid that theyre all light eaters..#if we Have to have the stupid 7 prophecy like were every other book on this planet can at least be like. Omg... and theyre all very very#powerful peculiars from some of the peculiar subcategories. but whatever...#but ya. the main things id change abt book 3 is like. the weird like... Omg all peculiars Used to be hollows ???? thats why jacob can ???#understand them ??? bc hes part hollow ????? Thats so fucking stupid.#its weird. and also in my au i would have emma and jacob break up bc i think that makes sense and emma is my everything girl but i feel#like in the actual books they broke up and then havob was immediately like Noor is my everything shes the reason i live im nothing without#her . and its been 2 hours since they met. and emma is right fhere and they broke up 2 days ago. yk...#i also think id just have the series be like.#a bitttt more spread out ?? like a little bit at least.. bc it takes place over the span of 6 months#roughly. which for the first trilogy i get why itd be very quick succession bc those kids were on a mission#idk. i just think its kinda silly that jacob was So into emma like Omg well never be apart she completes me etc within like. 3 months. and#then is the same with noor after like 2 days. Ik teenagers r like that Fucking trust me im so insanely aware that teenagers will fall#deeply deeply deeply in love with somebody very quickly even when tht relationship isnt rly good for either party . trust me im so insanely#fucking aware . LMAO. but it was just a bit annoying esp bc emma was just completely written out basically... it sucked :( it sucks that al#of the peculiar chuldren bssicslly werent there like. idk. it rly just felt like jacob was like Ok done with them NOOR TIMEEE#and like i said i love noor shes great im sooo down with her i judt wiuldnt make her literally the chosen one snd specialest girl on earth
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Thinking about how Ishgard isn't a full democracy if the house of lords still seems to be the final word over the house of commons, since Aymeric is still seen as the leader of Ishgard. There's no separate figurehead, or a joint weighting between the two houses. He's also still head of the army as far as I can tell, and informally carries a lot of weight with decisions on the future of the church that people are just giving him because they like him.
Then I started thinking about if there was a full election for a head of state, the guy who's been putting in the effort with the Firmament and redoing the Brume is Francel. So it would probably be a bitter run off between him and Hilda after Aymeric got knocked out because he's probably still wildly contentious with the lower classes and even if they're not quite in the mood to stab him any more, it's not like he's the perfect candidate for ALL of ishgard. Sometimes that's just how it is when you bring about dramatic change to a place, and he hopefully doesn't have the dictator instinct to claw at the power that opportunity gave him while he earnestly meant well and he deserved it as a liberator and change maker.
Anyway I'm a nerd so I'm thinking about their political campaigns.
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ablednt · 2 years
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In general though it's nigh impossible figuring out your support needs and where the fuck you fall on anything when you're an abuse survivor because you were always forced to be whatever your abuser(s) wanted you to be.
Like even my therapist thinks I'm so well spoken and fine and barely need help but I'm over here in hell trying to push myself to exhaustion because I never learned to rest I never learned to recognize where I need help
#this isnt a continuation of that last reblog or a vague or anything#I've just been struggling with this shit a lot lately#why does everyone think I'm fine? i lay in bed all day in agony cause i simultaneously cant get my brain to start and cant get it to shut up#and it's even more wild trying to figure that out on this blog bc like#I do NOT sound like this elsewhere not even in text really?#if u talk to me on discord or in a casual setting i mostly manage by repeating the same few words#i don't know how to respond a lot of the time#on here it's like. I'm absolutely exhausting myself to communicate Clearly and should I even really be doing that? idk#but it's not so much intentional as it is a subconscious defense mechanism#if I just communicated the way i normally do on here people would get confused or angry at me#just wording things slightly wrong has gotten me attacked on here before (nothing recently this isnt a vaguepost/srs) so it's like#yeah I sound way more put together on here than I really am tbh#and I think that causes a lot of disconnect between the things I talk about and the way I talk about them#i mean hell even my therapist thinks I'm basically fine even tho i told her a math test made me want 2 kms so badly i gaveup halfway through#like ik forcing myself to talk like this was a survival technique but im scared it's causing me more trouble than it solves#cause no one takes my problems seriously everyone assumes I'm low support needs and i absolutely am not afaik but then again my whole#struggle is that idfk what i need or what my problem is or if i even have one i just need 2 shut up more is the thing
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faultsofyouth · 11 months
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I kind of do need a man because I'm terrified of going out alone at night (I'm 5"1, I don't work out, & men are creepy even during the day time) but I love lurking outside from 11 pm to 7 am. I need a crowd to herd with at all hours of the night but surprisingly being in a group of only 5"1 women at night does not make me feel as safe as hanging out with even One designated man at night.
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primofate · 8 months
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Genshin Angst Headcanons - Why the two of you broke up
Note: Had an unexpected free day! I haven't written in a while, please excuse the mistakes, if any.
Disclaimer at the end of the post
Warning: Some are pretty predictable. Each of them have their own issues, lore wise, so some are lore heavy. You might not agree with some of them, but its how I see it, so to each their own. Let me know what you think! Some are quite angsty. Some scenes it's you breaking up with him and some are vice versa. Didn't feel like writing Razor, Venti and Xingqiu.
Characters: Aether, Albedo, Alhaitham, Ayato, Baizhu, Bennett, Chongyun, Cyno, Dainsleif, Diluc, Gorou, Heizou, Itto, Kaeya, Kaveh, Kazuha, Lyney, Neuvillette, Scaramouche, Tartaglia, Thoma, Tighnari, Xiao, Zhongli, gn!reader
Personal Favourites in this work: Lyney, Itto, Kazuha
Aether
Sister issues. Enough said.
He realized he didn't have enough time to spare romancing with someone.
Somewhere along the way he felt guilt that he was enjoying his time with you while his sister went through some sort of villain origin story that seemingly turned her bad.
Top off all the adventuring, searching, solving problems for other people that he did...Where did that leave you, exactly?
"...I'm sorry, Y/N... I just... I don't think this is the right time for me to be together with you,"
Albedo
Contrary to popular belief it wouldn't be his lack of time or extreme focus on his alchemical experiments that would break the two of you up. He knows how to manage his time.
It was the RESULTS of experiments and his research that would put him away from you.
The possibility that HE or his world, was way too dangerous for you.
How many "Albedos" did Rhinedottir really create? Was there more than three? Perhaps four, five? And what happens when you come face to face with another Albedo?
"I'm afraid...There are far too many dangers surrounding myself... There are answers that I can't find...and perhaps that's the reason why my answer is to part ways with you,"
Alhaitham
Too much of a nonchalant attitude.
He expressed some kind of interest in you...but it's like... once in a blue moon. 95% of the time you're not sure if he's really into you. It almost seems like he's more into that book he reads all the time.
Simply just not good at expressing himself. Like, at all. Hides behind a "whatever works" and "I don't care about what other people think of me" attitude, unfortunately that seems to include you.
Is so straightforward that sometimes it hurts, but he's really just telling the truth through logical analysis.
will act like the breakup didn't hurt nor affect him at all. In turn it hurts you instead.
"I see. So you've had enough of me... And you only spoke up now? Pointing it out earlier could've diverted us from this path...If that's how you feel already I suggest that we stop seeing each other,"
"That's it? You're not even going to try and work it out with me?"
"What's there to work out? You've made yourself clear. You're not satisfied with the way I treat you, and I'm afraid I'm not going to change the way I act just for your pleasure... It'd be more meaningful for you to find someone who fits your criterias,"
Ayato
entering a relationship with a noble was not as easy as one thought.
It's not just about being together forever and feeling lucky because Ayato is rich and your whole life is set, it's also the not fitting in, the etiquette, the whispers from townfolk that you were too ordinary for him, the work that you needed to do if you were to become his wife.
All that was not really a big problem for you, but Ayato seemed not to know of your struggles, he was extremely busy, and when he wasn't, he seemed to think that everything was well and fine, since you were getting all your basic needs met and even more.
"...So I'm sorry, Ayato. This is just... All too much for me. I'm sorry,"
"...I understand. Forgive me, it seems that I've overlooked a lot of things...Perhaps it is as you say, that it'd be better for us to grow apart rather than grow together,"
Baizhu
because he is a ticking time bomb, no matter which way he looked it's not going to end well for both of you.
He either dies early or lives forever. In both scenarios he anticipates that the two of you are just going to be in a world of hurt.
Besides, he didn't mean to get so attached to someone in the first place, he knew his quest for immortality was long and arduous. You didn't deserve to walk that difficult road too.
While breaking up, will conceal the fact that he's only thinking of you and will possibly hurt you in the process.
"I'm sorry, but it's for the best. I ask that you continue going forward without me, there's no space for you in my... ideal future,"
Bennett
We all know it...it's his bad luck. However, it wasn't YOU who had a problem with it, it was HIM.
You understood that his bad luck was just some extended part of him, plus it's not like it was always bad, there were a lot of good times too. Plenty!
But the guilt ate him up whenever the two of you were stuck in a seemingly impossible scenario and predicament, brought on by his luck. He just had enough of it one day.
"I...I can't keep doing this to you every day! It's not fair..."
will be on the brink of tears before he even starts.
"Maybe it's better if you find someone else to adventure with, Y/N, sorry...!"
runs away before you can even get a word in.
Chongyun
Thinks he's not good enough in every aspect. It's really, seriously not about you. He thinks he's lacking in everything. Strength, maturity, experience, confidence.
So badly wants to stay with you but feels like he's not good enough and thinks that you're better off with someone else.
"D-Don't misunderstand... It's not because I don't like you anymore... I just...Please find someone else!"
Cyno
his bad jokes and TCG addiction. just kidding, you're not that shallow.
A lot of people are intimidated by him being the General Mahamatra because he gives importance to justice. While you, who had seen a bit more of him than other people had, it seemed more of an obsession to uphold the Akademiya's law and integrity.
This was not a big problem to you, you liked how he was serious at work.
Until one day when you were accused of plagiarising one of your papers and Cyno was the one sent to give you a first offense warning. The Akademiya knew of your relationship, that's probably why they sent him, to make it harder on the two of you.
Cyno didn't listen to your explanations on how it was an honest mistake, he still gave you the warning that you "deserved"
From then on it had just been different between the two of you, so it was really a mutual breakup. Or so you thought.
"...After that, I just realized that maybe this isn't the right time for us... We're both working for the Akademiya, we both take our jobs seriously...Unfortunately that seems to just be getting in the way of us...I think it's best if we stop seeing each other,"
"...I see." he pauses for a minute, as if tossing your words in his mind. "I...agree. Parting ways would certainly make work easier for both of us...it's the professional thing to do,"
Dainsleif
Has not moved on from his past.
Sure, everyone has their own baggage to carry, their own history to live through...but Dainsleif has heavier things than that. He seemed to wake up every day thinking of Khaenri'ah and the days long past. Was it regret? Nostalgia? Loneliness? You didn't know. You just knew that he wasn't really completely THERE with you in the present. Part of him still lived in the past.
When you explained that you felt like the two of you were not moving forward together and that it seemed like he wanted to go back to the past instead, he got offended.
"...My past is something that I carry forever, you'd claimed that you understood that," he starts.
"I do! But carrying it with you and letting it drag you backwards are two different things!"
He falters for a moment, only to leave you with his last words before turning away from you forever: "You will never understand, the weight that I carry,"
Diluc
is too guarded. You'd been friends for a long, long, long, long time before he decided he could let you in enough and be more intimate with you.
Even then everything was going at a snail's pace, though you were extremely patient with him.
The biggest problem with Diluc was that the two of you would progress one day, take a step forward, and then the next day it was like the two of you took two steps back.
Example: The two of you went out for a simple stargazing excursion late one night, it was nice and he had been incredibly affectionate. The next day he had trouble even meeting your gaze, and disappeared to do his work. It was also a little awkward during dinnertime. This scenario had happened more than once.
Hint: the closer he got to you the more afraid he became, thinking that he would one day lose you too.
"I...I can't. I love you but I...I've waited far too long. I'm sorry. I'm tired of this endless chase for you!"
He couldn't even say a thing. He'd wanted to ask you to stay, to wait for him a little longer, but he already knew how incredibly selfish that would have been. Instead, he grimaced, and looked away from your gaze, trying to find something worthwhile to say. There was only silence for a few moments.
"Goodbye Diluc," that's when you turned away.
Gorou
worships Kokomi too much and your insecurities just kept circling around in your head.
You know its his job. You know he isn't like that but the problem was YOU and not him.
Simply said you let your insecurity eat up the relationship between the two of you.
You couldn't bring yourself to say that you were jealous of the way he admired Kokomi so you broke up with him with another reason in tow.
Unfortunately, you're not a very good liar face to face so you did a butthole move and actually broke up with him through a letter. You just couldn't face him and tell him why.
All you mentioned in the letter was that you needed time to think and be away from him, and told him not to worry because it was your problem, not his.
Poor Gorou reread that letter over and over, trying to understand what went wrong.
Heizou
is just a natural flirt. You're not sure if he's doing it on purpose or not and you're not sure if he's even aware he's like that.
Anyway you'd seen him getting overly friendly (just another word for flirting) with a few other people a couple of times. You didn't let it get to you the first, fourth or even eighth time but you realized that he KNOWS that you're watching him do that.
So you confront him about it, but he claims that it's just his way of gathering information from others. People like to hear good things and some people are more susceptible to flirtatious comments so he resorts to that for his investigation sometimes.
You didn't really completely buy it and even if you did, it's not like this was healthy for your relationship. You just couldn't make yourself comfortable with it.
*You just chalked it up to the two of you being incompatible.
"I'm just not comfortable with that...I don't think I have to say sorry for how I feel but...I'm sorry anyway because I know you're just doing your job... It's probably best if we part ways here..."
"Is there any way to change your mind?" he genuinely asks.
You only give a lopsided smile. "You're a detective, I think you already know the answer to that,"
Yet he didn't stop you from walking away.
Itto
Kept breaking promises because he was too airheaded or too occupied doing something "stupid" with the kids or with his gang.
Pretty soon it just felt like you were an afterthought while everyone else in his life took precedent.
Got a ramen date? Oops, sorry! Got caught up looking for a strong onikabuto in the forest!
Needed his help to move some things? Gah, he was vandalising the bulletin boards, so he's running a bit late!
What's more you didn't actually mind that carefree, airheaded side of him...but it really got to you when he couldn't even seem to make you a priority. Not once.
He only realized that when he came running, late again, and stood face to face with a crying you.
"Hey sorry Y/N, I was just--...Why are you crying?!" is completely dumbfounded and clueless, mostly because when he came late, you had always shrugged it off with a smile on your face, or so he thought. This time you had a completely different reaction.
"I hate you...*hic* I hate you, I hate you, I hate you!"
Shocked beyond belief. It wasn't like you to just blow up like that, but he couldn't do anything except watch you turn and run away from him after that exclamation.
Kaeya
Sometimes you're not sure if he takes you seriously.
Recently, he's not where he says he is, you don't know why he doesn't just tell you where he is.
He said he'd be working late, but then you find out he's at Angel's Share.
He said he'll be at Angel's Share, but then you catch word from Jean that he's out on a late mission.
He said he's escorting a caravan to Mondstadt but he's actually on assignment in Liyue.
It came to the point where you altogether just stopped looking for him cause half of the time you couldn't find him. It's like he's avoiding you or something, which, actually, seems just about right since he's been so busy with "work"
It reached a breaking point when, for a week, you were unable to bring him the lunch you prepared...because he was not where he said he was going to be. It was starting to get annoying.
"I don't understand why you're lying to me! Why do you have to tell me you'll be at Angel's Share this afternoon when you're not? Do you realize you make me walk all the way there only to come all the way back with nothing achieved?"
"I'm sorry snowflake, that wasn't my intention," though he still chuckles despite knowing full well that you were about to turn away.
"You know what, let me know when you're ready to stop making jokes. Until then, don't bother contacting me,"
He just didn't expect you to actually walk away from him.
Kaveh
Entertains everyone and anyone. Naturally kind at heart, will stop for anyone in trouble...even that flirtatious man/woman who is clearly just pining for his attention.
No he doesn't quite realize this.
The same person had asked for his help at least 4 times now and all 4 times he had been happy to offer a helping hand.
The last straw was when he was invited into the stranger's house, they had apparently needed someone to help them move and re-arrange furniture and he did, working till almost dinner time.
You'd caught him right by the person's door, because Kaveh was actually honest and told you he'd be helping them today, but the person was clearly eyeing Kaveh rather flirtatiously.
"Come again next time," you heard the person say rather happily. Kaveh only replies with "If I have nothing else to do, I suppose,"
"Kaveh, they're coming onto you and you keep letting it happen!"
"I'm not certain what you're talking about...They just needed some help around their house, nothing suspicious happened at all. Even if there was, I won't let anything happen between me and a stranger!"
"Then STOP helping them!"
"There isn't anything wrong with lending a hand...It was a quick move of things, that's all,"
"How would YOU feel if I just went into someone's house and kept helping them "move" things?"
"...I would think that's nice of you,"
You actually threw your hands up. "Oh, forget it! You know what, for someone who LOVES helping others, you're not doing such a great job of helping ME," then walked away and never came back. "Good riddance,"
Kazuha
He's a wandering samurai. You knew what you were getting into but you didn't expect dating him to be so hard.
He was gone for weeks on end, and you were not getting on that boat with him. In essence the two of you were just not ready to follow each other to the end's of the Earth, and that was fair. The two of you were young.
Kazuha kind of saw it coming, whenever he visited you, you seemed less spirited and he had an inkling as to why. The time apart was just too much for you.
It was a rather clean break actually. A real mutual breakup that the two of you agreed on.
"...You could say it's just not the right time for us," you even managed to laugh under your breath and he did the same, though it was barely audible.
"...Mm. There are matters that you need to attend to here...and there are things that I need to do out there," he slowly stood up from his sitting position next to you and still gazed at you rather lovingly. "...Perhaps, in another world, you and I are bound together,"
You gazed back forlornly, "...Just not in this one, it looks like,"
Lyney
because he will always choose his siblings over you. Always.
Though that's not a bad thing because you also think that family is important...somewhere along the way you realized that family is the ONLY thing he had and saw.
Example: Lynette and you had gotten ill at the same time one winter morning. Perhaps it was the cold that was passing around Fontaine. Lyney had been so worried about Lynette, that he seemed to have forgotten about you for the next few days. In fact, Lyney didn't even realize that you caught the cold too. You had only heard from Freminet, who you happened to cross paths with, that Lynette was also ill.
You thought that incident was the end of it, but really it seemed that whenever Lyney wanted to hang out with you, Lynette had to be there too. You tried to understand...after all there's still that mystery of disappearing women in Fontaine.
The breakup was induced when Lyney completely forgot about your birthday, because Freminet's was around the same time as yours. You helped Lyney prepare everything for Freminet, and said nothing about your own.
You realized that there was nothing wrong with choosing family over everything else...but the problem here was that Lyney didn't even have space for you in the first place.
So you left without saying anything. You figured he'd get over it quick. You had even gone so far as to move away from the main city of Fontaine and out into another island, because what would you say if he found you? That you were jealous of his siblings? You weren't going to ruin a family like that and it wasn't right to make him choose...so you just left without a word.
Neuvillette
Had a whole brainrot for this man:
Part 1
Part 2
Scaramouche
surprisingly it's not his anger issues.
It's the way he wouldn't acknowledge your relationship. You wonder how you even got into one with him.
There's no public show of affection, but even behind closed doors it rarely happened.
You knew that he was going to be like that, and so you didn't mind it all that much.
It was getting a bit much though when, out in public, he would walk further in front of you and refused to walk next to you. When he pretended like he didn't even know you. When he didn't stop to help you even when another man had shown interest in you, bordering on uncomfortable.
The more time passed the more you simply felt unloved...but for some reason you still blamed yourself.
"...I...don't know. Maybe you find me undesirable, or just...unappealing. Maybe you're embarrassed of me or...or..." maybe you just didn't care in the first place, you thought to yourself.
There was a long silence. Of you turning your gaze away, of him still piercing into yours. And then...
"Tsk...don't waste my time...Leave if you want to leave, door's open,"
Tartaglia
This one is simple. It's his obsession for fighting plus his complete disregard for himself. It's a constant heart attack for you. At some point the anxiety is just too much for you to handle.
Imagine living every day just wondering if he's safe at the same time knowing that he just loves to look for trouble.
The foul legacy that you know of, he uses it with disregard as well, despite knowing that it wasn't good for him.
And there are even days where you know he was heavily wounded but didn't go to you, in an attempt to shield you from worry.
It's a constant battle trying to stay sane and unworried, until one day it all just becomes too much.
"...Nothing I say will change anything, Tartaglia. This is who you are...This is who you need to be..." you whisper while bandaging his knuckles. He lets out a short hum.
It was silent all up until you finished with his hand, you squeeze it gently. "...I love you but...I can't keep doing this to myself, I'm tired...more so than I have ever been before,"
He lets your hand slip away from his knuckles, and that was the last he saw of you.
Thoma
This one is also simple. He was always taking care of others and running errands for others that he sometimes just couldn't catch a break.
Just a classic case of not enough time for you since he had a job to do for the Kamisato Clan.
He knows it, and feels awful about it. So he's the one who makes the move.
"It hurts that I can't give you what you deserve, Y/N. This isn't it... You deserve more than this but I can't give you that and I'm sorry. Please look for the love that you deserve,"
Tighnari
Remembers everything. Can be critical of things you've done, specially if he thinks there's a better way to do it.
Simply said you just feel stupid in front of him sometimes.
He doesn't mean to, but he sometimes forgets to appreciate or give praise to the things that you do well and even if he does, it tends to be short lived compared to his constructive criticisms.
Pretty soon you felt like he only looks at the bad things you do, and never the good. Though he was really only trying to teach and guide you as an equal.
He in fact feels that you are one of the few people who can keep up educational conversations with him.
The problem is he kind of forgets that you're his lover, and that you would enjoy his praise and affection from time to time.
"Do you... Do you ever have anything nice to say other than 'good work' or 'great observation'?" the words were out of your mouth before you could hold yourself back. Sometimes it was tiring to feel like you weren't good enough.
There's a flash of surprise that crosses Tighnari's expression for a split second, before he recovers. "...Had I not been praising your work enough lately? My apologies... It has a lot of merits, I just thought that you wanted my opinion on how to make it better,"
You opened your mouth to say something, but closed it again right after to ponder on his words. Somehow even that had managed to make you feel embarrassed. It was here you knew that the problem also lied within yourself.
"...Sorry, Tighnari...I think I'll need some time alone,"
He obliges quickly and asks. "That's reasonable. When would you like me to come back?"
"...Let me rephrase that... I need some time away. From us."
Xiao
Unfortunately there's a lot of things wrong here... his lack of affection. His aloof personality. His dedication to his yaksha duties. Despite that he does actually try to be gentlemanly or respectful of you.
The worst of it is that he didn't know how to be in a relationship, in other words he just wasn't ready for one, or perhaps he would never be ready for one.
He didn't understand that humans craved companionship and sometimes touch. He didn't understand that meant having to favour you over others, sometimes even putting you first over his yaksha duties.
Worst of it all was when he shut himself off from you, sometimes for days on end, when his karmic debt was too high. He only really did it to protect you, but never realized how isolated that made you feel.
When you confronted him about it, he felt attacked. Hiding away was the only way he knew how to cope...why couldn't you understand that?
"Let me help you, Xiao,"
"I don't need your help!" his tone would make you wince and just like that he disappears into a billow of smoke.
You never returned to Wangshu Inn after that. If he couldn't let you in, there was no use trying to knock on his heart. Xiao being Xiao, never sought you ought again either.
Zhongli
He had experienced so many things and you had listened to many a tales from him.
This is what caused you to realize that you hadn't even experienced life at all, and yet here you were willing to tie yourself down to him.
It just didn't feel like it added up. Here he was with all this knowledge of the world and here you were who had never even stepped outside of Liyue. By no means were you stupid, but you felt that you could be better not only for him, but for yourself if you learned more.
There was just such a huge gap in life experiences, and though you never expected to get to his level (he was a God who had lived for a long time, you would never catch up to him) you at least wanted to see what was out there with your own eyes instead of through his stories.
He understood that wholeheartedly, and had no qualms in letting you go.
"You will always have a place with me, Y/N. No amount of lifetimes will change that,"
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Disclaimer: Relationships will always have some sort of problem along the way, maybe big, maybe small but I just want to reiterate that breaking up is not always the solution. Communicating is very important. So to those of you who like taking fanfiction too seriously, let it be known that this is just a work of fiction. I don't actually suggest breaking up with someone as soon as there is the slight indication of a problem (Just saw someone commenting on a similar themed post for Haikyuu that this wouldn't happen in the real world if both parties were mature... I mean, sure, but, idk, you must be fun in parties... it's called fiction for a reason...)
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3hks · 3 months
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How to Write an IMPACTFUL Backstory
Honestly, writing and reading about backstories is probably one of my favorite parts of a character's story! It's a strong foundation for a character's goals, motives, thoughts, and actions! Its most powerful effect, on the other hand, is its ability to change one's view on a character. So, then, how do we write such an impactful past?
For beginners, the more tragic the backstory, the better. While this does hold some truth, let me re-iterate that it's for beginners. The idea behind it is that a pure, devastatingly pitiful backstory is unique and pulls at your reader's heartstrings. Unfortunately, instead, we're left with an origin story that feels superficial, overly-dramatic, unnecessary, and shallow. However in this post, I will give you some tips on how to avoid creating such 2D backgrounds and actually bring your character's past to life!
First, your character's backstory can be made with whatever components you choose, but the key is that you must balance them out correctly. Additionally, the majority of the time, you do want their story to stick out, so I suggest trying to come up with something original! It's much harder than it sounds, but honestly, every other protagonist has dead parents at this point. Be creative, add details, and don't be afraid to let your character go through things if you feel that it's fitting!
Second, don't extend their past for too long. The point of introducing the backstory is to elaborate on a (few) certain event(s) that affected your character the most and forever changed their lives. Keep it centered around one, or at most, a couple events.
Next, most writers tend to use sadness and/or to fuel the character, but it should not be overbearing and excessive. Alternatively, it should feel GENUINE. Not dramatic, but genuine. Different genres do form different types of backstories, yes, but the core concept behind it should be something natural. It should be something that your readers will be able to understand; something authentic. They should feel some sense of relatability, even if it's just a little. This could be like family issues, broken friendships, betrayals, leaving someone, mental struggles, loneliness, etc. Complexity can surround these concepts, but the basic, fundamental ideas should still be present.
Furthermore, be sure that their backstory makes sense. Even if you're introducing it through quick, brief flashbacks, ultimately, you want the reader to have all the pieces to solve the puzzle.
Last but not least, make your backstory feel personal to your character! Build it in a sense that if it were to go to any other character, it wouldn't have an effect that's as severe. Make it targeted to its owner. While this is something that can be difficult to execute, it really provides insight to your character, and is an easy way to add some intricacy to a simple backstory! A good place to start is thinking about the things personal to your character. For instance, this could be their past before the event, people they care about, their morals, etc. Then, add it in said event so that it pushes and/or challenges your character in a way that makes them re-evaluate that value.
There you go! Here are my personal tips on how to upgrade your character's backstory and have it really impact your reader! Be creative, keep it centered around a couple things, make it genuine, and make it targeted to the character!
Happy writing~
3hks <3
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thankskenpenders · 7 months
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Amy's fortune cards
The Sonic fandom has long been the kind of fandom that takes minor details very seriously, for better or worse. On the one hand, this means fans will really dig for the diamonds in the rough, latching onto fun character interactions, animations, bits of background worldbuilding, and more in pieces of Sonic media that many would write off as "the bad ones." But it also feels like every week another needlessly hostile debate over Sonic minutia erupts on Twitter, whether it's over individual lines of dialogue, fanart that makes Tails' shoes blue, or the ideal length and volume for Sonic's quills.
So it was probably inevitable that a fandom-wide debate would erupt upon seeing Amy's new gameplay style in the DLC for Sonic Frontiers, which takes the once-obscure fact that she enjoys reading tarot and shines a spotlight on it like never before.
I mean:
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The thing is, while I basically always try to tune out Sonic fandom bickering... for once, I kind of sympathize with the detractors? Don't get me wrong, I like Amy's tarot stuff, and people on all sides of the discussion are being overly nasty about their opinions, as usual. (Sonic Twitter remains my personal hell.) But when I set aside the hyperbole and zoom out, I do think I understand why some fans are put off by the sudden shift in focus for the character, even if I think it's cool.
It's complicated. Let me attempt to present the cases for and against Amy's fortune cards
For years, I was always one of those fans who thought it could be fun if they played with Amy's tarot reading, or even leaned into some kind of magic with her. Part of that is my own biases showing, but there's just something that makes sense there, especially when you look at Sonic, Tails, and Amy as a trio. (I would argue that's the real "Team Sonic" these days, especially in the comics where Knuckles is more likely to be stuck on Angel Island or otherwise doing his own thing.)
You could argue that Tails is all about logic, relying on science and technology and deductive reasoning to solve problems. But Amy is all about emotion. She wears her heart on her sleeve, is extremely empathetic, and is very prone to magical thinking - both figuratively and sometimes literally. Her origin story has always been that her tarot cards told her it was her destiny to meet Sonic on Little Planet. She's claimed to be able to "sense" peoples' presences - particularly Sonic's. She's the type to believe that The Power of Love is a literal magical force. So, on some level, it makes sense to mirror Tails's science by having Sonic's other best friend believe in magic. And then Sonic is somewhere in the middle, primarily following his own gut instincts but taking advice from both of them as needed. This isn't totally accurate to how their dynamics actually function in canon stories, but I think it's a mode that could work for them.
Going off of that, it's fun to lean all the way into Amy being a magical girl, or even a witch, using her fortune telling as a foundation. Take, for example, this version of Amy from Diana Skelly's old Sonic cast redesigns from before she freelanced for Archie and IDW. This is one of MANY such redesigns for Amy.
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Fast forward to the 2020s, and Amy's tarot cards are, in fact, finally getting brought up again in canon. Which is fun! I like seeing that. I like all of the individual stories involving Amy's fortune cards. This is a fun character trait for Amy, a fun nod to old lore, AND a fun storytelling device, all in one. It's really cool that the Sonic universe has its own thematically appropriate arcana, and that the cards are getting made as physical merch. And sure enough, the official card backs and borders were designed by none other than Diana Skelly, in yet another cool example of an ascendant fan leaving their mark on the series.
BUT... when you step back and look at the big picture, I get why some fans find this shift in focus jarring. At the moment, it's starting to feel like every new story about Amy involves her fortune cards to some degree.
The most recent mainline comic arc to feature Amy as the lead character, 2021's Trial by Fire arc, prominently features a sequence where she reads fortunes while camping with the girls. The Origins version of Sonic CD now bookends the game with scenes of Amy and her tarot cards. Sonic randomly mentioned it in a scene in Frontiers. And now, just this week, we got the (very cute, gorgeously illustrated) Amy's 30th Anniversary comic with a story revolving around Amy's tarot cards, followed the very next day by the Frontiers DLC in which she gets a brand new tarot-based moveset. Even her base melee attack now has her throwing tarot cards instead of swinging her hammer. Again, I like all of these individual things, but after years of it almost never coming up at all, it's VERY noticeable that Amy's tarot cards are suddenly everywhere.
To be fair, I'm looking at this from the perspective of a superfan who's actively following ALL Sonic media. Casual fans - especially kids - aren't necessarily going to be reading the comics every month, buying the thousandth rerelease of the Genesis games, or playing the ultra-hard new alternate ending DLC for a game that came out last year. Each of these stories is going to be someone's introduction to the idea that Amy can read tarot, and that's probably part of the idea behind this unified push.
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But to play devil's advocate, for my fellow superfans, I understand why it feels like a very minor footnote of Amy's character is suddenly becoming the entire focus of her personality. While Amy has always been said to enjoy fortune telling, that wasn't really a character trait in and of itself, but rather an example of her being a typical girl who hopes she'll be able to find true love one day. It's less that Amy can literally predict the future and more like her using a cootie catcher or going "he loves me, he loves me not" while picking the petals off of a flower. So I get not vibing with this stuff, or feeling like it's being pushed very hard out of nowhere.
What I don't agree with are comparisons like "it's like if they made Knuckles' moveset revolve around him liking grapes." Like, I get it. Ian Flynn loves shoehorning in his little winking references for us nerds, and mentions of Amy's tarot cards were previously on the same level as other random bullet points from old Japanese manuals. But a multifaceted hobby like fortune telling that opens up so many narrative and aesthetic possibilities is obviously very different from having a favorite food. It's ALWAYS been a part of her story, not just a random fact, and there's no reason why the fortune telling can't be elevated to something more.
And, hell, even if it wasn't an established character trait, there's nothing inherently wrong with injecting new ideas into a character. One of the best Amy stories in recent years, the Free Comic Book Day special "Amy's New Hobby" written by Gale Galligan, came up with the idea that Amy's secretly been drawing little comics about her and her friends. Is this based on Lore? No. But it's cute, and helps tell the story of a younger Amy who's still coming out of her shell as both a hero and a friend.
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Certain fans are also looking at Amy's Frontiers moveset and using it as evidence that once again the Vile American Contributors like Ian are CORRUPTING Sonic Team's perfect vision of Sonic with their misinterpretations. And like. Come on. Ian does not control the gameplay. He's a freelance writer. The tarot stuff is clearly something that Sonic Team likes if they made it the basis of Amy's new moveset - and, you know, if they keep approving comics and animations about Amy's fortune telling. None of this gets made without their blessing, and lord knows how much they can micromanage shit and shoot down ideas over the most minor of details.
Like, yeah, Amy's fortune telling was probably conceived less as a sign that she Knows Magic and more as a pretty mundane hobby for a lovesick young Japanese girl to have. But you're gonna sit there and tell me that using Amy's tarot cards for more than that could only be the result of a cultural misunderstanding? That nobody in Japan uses tarot card theming and aesthetics (or the general idea of magical cards) for the cool factor? Stardust Crusaders? Persona? The Astrologian class in FFXIV? Cardcaptor Sakura?? Hello??? Do you think Capcom put Gambit in Marvel vs. Capcom ironically because they thought using magic to throw cards at people was stupid? There's tons of precedent for this! It's nothing like Knuckles throwing grapes at people, be for real.
Giving Amy a very magical girl-esque moveset also just makes a lot of sense. For decades her hammer attacks have literally made sparkly heart shapes appear around her. Leaning into both that and her tarot cards in her new moveset makes a lot of sense to me.
But, admittedly... I do think it's very odd that her hammer is treated as a secondary element here, rather than having her primarily use her hammer and adding the cards for extra flair. If hitting the attack button made her swing her hammer instead of throwing cards, I'm not sure we'd even be having this discussion right now.
But the tarot-cycle and Amy riding her hammer like a witch's broom are fucking SICK and I will not concede on this point
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The thing is, this whole fortune card discourse is but a small piece of a bigger problem. Amy's been a character who needed some work for ages, but there's basically nothing you can do with her without pissing SOMEONE off.
Years of stories where Amy's crush was her primary motivator and Sonic went "Ew, cooties!" have lead many casual fans to believe that being Sonic's obsessive fangirl is Amy's entire personality. At best people might call her Sonic's Minnie Mouse. This isn't just a matter of Amy having haters within the fandom - venture outside of that bubble and you'll realize that this is how MOST video game playing people seem to see her to this day. I don't feel like this is a fair assessment of the character, but this idea didn't come from nowhere. No matter how much good deeply entrenched Sonic fans may see in their old dynamic where Amy perpetually chases Sonic, this is a very real problem that Sonic Team has to contend with for their leading girl. Of course all those games where the way-past-cool protagonist thought Amy was annoyingly clingy and tried to get away from her made people think less of her.
If new stories were to go back to emphasizing Amy's crush on Sonic a little more, they'd probably be taken as confirmation that Amy's just the girl with a crush on Sonic and that this is her entire personality. Conversely, when the crush is played down, you piss off the hardcore SonAmy fans who don't seem to understand that they're Charlie Brown and Sega is Lucy holding the football. You can't win.
And so here we are. In the absence of what was once her defining trait, now reduced to an occasional blush or wink in Sonic's direction, new stories are trying to mine Amy's past for additional material to work with. Having been a thing fans wanted to see for years, right now we're getting a lot of tarot, but we're also getting reminders of her compassionate nature and her desire to go out of her way to help the little guy. This is an ongoing process. I continue to hope that her bubbly, exuberant demeanor can shine more in future stories. Now, I also hope that the tarot stuff gets balanced out a little better with other traits of hers. But I don't want it to go away. I think it's fun.
This course correcting is far from exclusive to Amy. Knuckles is getting stories that remind us that he's a competent fighter, an experienced treasure hunter, and even a self-taught archaeologist after years of him being perceived as either the dumb one or just the guy who stands in front of the Master Emerald all day. And Tails has been getting some stories reminding folks that he's a capable hero in his own right and not just Sonic's timid kid sidekick.
But no supporting character will ever compete with the sheer number of new ideas Sega has tried with Sonic himself. Like Amy, his Frontiers moveset has also given him half a dozen new superpowers that he never had before, from the Cyloop to air-slicing projectile attacks to his own take on Shadow Clone Jutsu and beyond. He's also been a hoverboarder, a swordsman, a time traveler, an Olympic athlete, a racecar driver, cursed with a Flame of Judgment, imbued with alien power, a fucking Werehog with stretchy powers, and on and on and on.
If Sonic can do all that, Amy can try out using a tarot-cycle.
Anyway TL;DR the REAL problem with Amy's current characterization... is where the FUCK is Amy's bestie, Honey the Cat???????
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fanonical · 24 days
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look people who've been around here for a while know exactly how i feel about the early doctor who serial edge of destruction but i rewatched it recently and i have feelings
so edge of destruction is the third ever serial of doctor who, right? it's an unearthly child, the daleks, then edge of destruction. and it's also kind of a bottle episode. edge of destruction is a two-parter, and is set entirely on the tardis featuring only the main cast
the plot is weird. everyone wakes up in the tardis with confusion and memory loss, not knowing what's going on. the tardis isn't safe, and strange things are happening. the ship seems to be malfunctioning, but there's nothing notably wrong with it. everyone's freaking out and accusing each other of sabotaging the tardis or hurting each other
now, as i said, this is early doctor who. companions barbara and ian had been kidnapped by the doctor and susan so they don't tell anyone that time travel is real, and at this point they don't trust the doctor and the doctor doesn't trust them. the doctor immediately starts accusing barbara and ian of sabotaging the ship to force him to take them home, which they angrily refute. they've spent the last two stories saving the doctor and susan from whatever's trying to kill them
barbara has a speech here which is brilliant and i can quote verbatim. 'do you realise, you stupid old man, that you'd have died in the cave of skulls if ian hadn't made fire for you? and what about what we went through against the daleks? not just for us, but for you and susan too. and all because you tricked us into going down to the city. accuse us? you ought to go down on your hands and knees and thank us! but gratitude's the last thing you'll ever have, or any sort of common sense either'
and the doctor spends the whole two episodes either accusing ian and barbara of being evil or being wholly unhelpful. (he straight up drugs everyone with a sedative at one point!) yeah, turns out the tardis is trying to tell them what's wrong via cryptic clues, and barbara's putting the pieces together. and the doctor still doesn't listen to her! she's so close to figuring it out and saving them all - they're all gonna die in about ten minutes and the doctor's basically given up, but barbara's trying to solve the problem
and in the end, they have the eureka moment and get out of trouble, but barbara's still understandably pissed. that is, until the doctor takes the time to apologise to her and tell her that yeah, she was right and he's sorry he didn't listen to her and he's going to do better to respect her opinions in future. they go into the next serial as friends, a first for the series to that point
so why do i love this weird little two-parter so much? because it is the moral centre of modern doctor who. this is the start of the characterisation of the doctor that we know and love. before this, the doctor is ruthless! he tries to kill a guy with a rock! he sabotages the tardis to satisfy his curiosity and lands everyone in danger from the daleks! he drugs them just because he doesn't trust them! he thinks he's smarter, better, and more important than the people he travels with
but then barbara stands up to him. she tells him that, no, she and ian are important too. and no, they're worth listening to. and yes, they can help and are worth something. and that's important, because barbara and ian are way more compassionate than the doctor is at this point. they want to help people they come across even if it means putting their own lives in danger.
sound familiar? yeah, the doctor's whole thing of helping everyone they come across and compassion towards everyone starts here. this is one of the most enduring things about the doctor and it would never have happened without barbara telling the doctor he's full of shit
and it's all because he listened to an ordinary woman
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badingsm · 8 months
Text
Warnings: really cliché, buncha fluffs, basically giving birth, cursing, and I don't know what else.
Hi bading! Some of you requested, so I delivered 🙌
Here's Mama DADDY Natasha welcoming her baby and her baby baby!
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"So, who's the father?" Yelena prodded for the nth time. Being your best friend, she stated that she should be the first to know whose baby it is that you're carrying.
It's been nine months filled with cravings, mood swings, and sleepless nights. Yesterday was supposedly your due date, but all you've got are the usual cramps and pains and still no baby.
As much as you love your soon-to-be child, you cannot wait for this whole pregnancy thingy to be over because of how much discomfort it causes you.
Especially to your back and limbs.
One time, you even cried when you couldn't reach to tie your shoe because of your developed bump, but good thing Natasha was there to help you solve your crisis, even though you snapped at her for seeing her face.
Simply her face.
The one that makes you frustrated when you see it but weirdly sad when you don't.
Yeah, you're really pregnant.
Going back to Yelena.
"No one. I made this myself, so stop being nosy." You scoffed at her, already imagining her face if you ever told her that her older sister—Natasha fucking Romanoff—was the one who got you pregnant in the first place.
"Oh, come on," She whined, flashing her famous frown in hopes that it could make you give in, but she's in no luck as you just raised your brows at her. "If I ever get someone pregnant, I swear, I won't tell you!"
"I'm pretty sure it'll be Bishop anyway." You shrugged nonchalantly, laughing at her gobsmacked expression. "What? Everyone sees it, Belova."
With a huff, she left you alone, probably to hide her blushing cheeks because it made her feel embarrassed.
-
You were currently in the kitchen with Wanda, watching her bake some cookies, when you felt another contraction coming your way. At the same time the pain arrived, you felt hot liquid gushing down your legs, causing you to look down to see the trickling wet patch in your jeans.
Panic settled in your chest. "Wands, Wands, Wands!"
"Yes, yes, yes?" She joked while mixing the batter in the bowl, still not realizing the state that you're in.
"I think.." You breathed deeply. "I think my water just broke!"
Just like the flash of light, Wanda looked up to see you sweating while you tried to regulate your breath. "Oh, god! Wait, wait, wait—I'll call Yelena!"
You nodded, not being able to form coherent words at that moment because you tried not to panic, but that didn't help because you just realized that Natasha was away on a mission and she probably wouldn't be back for another 3 days.
That thought alone made you whine with a frustrated, pained sigh.
That bastard.
-
You didn't know how it happened, but the next thing you noticed was that you were in the hospital bed with oxygen attached to your nose, and the doctors and nurses were assisting you.
"Oh.." You clenched your jaw, your face turning red due to the unstoppable force of pain flooding you, "Can you fucking get Romanoff here? If I have to suffer, so does she!"
"Why would you ask for my sister when you're-"
"Just call Natasha!" You yelled impatiently. "And fucking make it fast!"
Yelena was really confused and still hadn't processed everything since her mind was still in panic mode, but she did as she was told, dialing her sister and quickly instructing her to come to the hospital because you're oddly looking for her.
When Natasha heard the news that you were about to give birth, she didn't think twice about abandoning the mission and driving fast toward the hospital that Yelena had told her you were admitted to. Along the way, she had this smile on her face that she couldn't brush off, no matter how much she tried.
 "I'm here, I'm here, I'm here!"
After what feels like years, Natasha finally entered the delivery room where you were lying down. She wore her scrubs, not minding the way her sister had looked at her with raised brows when she signaled her to come out. "Yel, wait outside. I'll handle it from here."
"Why would you want to-"
"For fuck's sake, just go!" You screamed madly, causing the blonde to narrow her eyes before leaving but not before muttering her line.
"сука!"™
You had been suffering for fourteen hours of labor, and the baby still didn't want to go out yet, so your patience was wearing thin. It turns out that the contractions that you were feeling are not the usual ones that you get. You were already laboring and dilating without being aware of it.
"You!" You pointed at Natasha. "Come here! Faster, goddamn it!"
"Okay, okay, chill." The redhead obliged without another thought, grabbing your hand for support, and she tried her best not to wince with how hard you squeezed it when you felt another wave of pain, but she couldn't, muttering a low curse, "Shit."
"Oh, you think that hurts?" You glared at her sarcastically. "This is your fault anyway, so don't-"
"Baby's crowning." Your doctor interrupted your seemingly endless banter cautiously, "Give me five hard pushes, okay?"
If you weren't in pain, you'd be touched knowing that your baby wouldn't go out of you without the presence of her Mama Nat, but no, you're in pain since you refused to take some epidurals. Nonetheless, you obliged.
You pushed, screamed, and teared up until you finally heard the wonderful sounds of cries from your newly born child.
"It's a healthy baby girl! Congratulations, Mrs. and Mrs. Romanoff!"
"Oh, we're not really-"
Natasha cuts off your exhausted rambling as she flashed a teary smile to the doctor who's holding your gays' baby.
"Thank you, Doctor Alison." She couldn't take her eyes off of the wailing child even if she tried, murmuring a small, "Beautiful."
You tugged at her hand, making her snap back into reality. "Congratulations, nemesis. Such a sharpshooter!"
She laughed lowly at the second one before smiling genuinely at you.
"Congratulations and thank you, Y/n," Natasha sincerely mumbled before she slowly leaned down to kiss your forehead. "I love you."
You were surprised with the sudden confession, but some part of you is already aware of those weird feelings that she gives you—love. Before, using the word love beside Natasha's name was like the most impossible thing that could've ever existed, but now, as you realize all those moments and bickerings that you grew fond of as time went by, it doesn't feel impossible anymore.
You love Natasha Romanoff.
In addition to that, it's a moment of vulnerability, and it was rare for Natasha to show that. It's her defense mechanism, so she always makes sure that she has these walls to protect her, but now you could see it in her eyes—feel it.
She trusts you with all her heart.
And since it's a serious moment for you both, it made you uneasy, not being used to the softness just yet. That's why you tried to make it more normal between you two.
You gave her a tired smirk and decided to tease her a bit. "I know you do, Romanoff. I know you do."
"Okay, don't Han Solo me now!" Natasha chuckled lowly. "I know you—you love me too. That's why we keep on beakering. It's like our love language."
Our love language.
"You're so full of yourself." You scoffed sarcastically, though you couldn't help but agree. Not that she needs to know that. "Maybe I'll love you if you promise to change Willow's diaper for the first six months."
"Willow?" Natasha questioned, rubbing the pad of her thumb with your still intertwined hands, ignoring your second remark, "Is that her name?"
"Mhm." You hummed lazily, your eyes now becoming heavier. "Natalia Willow Y/l/n-Romanoff."
-
You obviously woke up with a painful lower body; your throat felt dry as you tried to slowly get used to the blinding light.
You saw Natasha snoring adorably beside you, her head placed above your intertwined fingers. You giggled quietly at how clingy she's suddenly become after all those banters that you two have shared before. You gently woke her up, making her stir a few times before she finally opened her forest green eyes.
"Hi," Natasha mumbled with a soft smile. "How are you?"
"Thirsty," You muttered, your voice raspy, making her quickly get up to go over the table on the corner and fill the glass with water before giving it to you, guiding you as you finished it even though you insisted that you could drink on your own. "Hi."
"Hey, detka." She chuckled at your shy side. "Are you hungry?"
"Yeah," You nodded honestly, "Where's the-"
"So where's my niece?"
"-baby?" You finished while eyeing Yelena, who had just barged in and was slightly restless but really excited.
Natasha mumbled, "They should be here-"
Knock knock!
"-now.." Natasha scoffed, "Yeah, we should really stop cutting ourselves off."
The nurse came in with the small crib, where a peacefully sleeping baby was placed. She was now wrapped in her pinkish blanket to keep her warm, and her tiny hands were hidden with her mittens.
"Oh, oh, oh!" Yelena clapped quietly, running towards the crib to catch a glimpse of her niece, but when she's already gazing at your child, her mouth falls open in shock. "Looks exactly like—what the fu-"
"Language." Captain America entered with a light knock; he was with the other Avengers behind him as they walked carefully inside the room.
"So, why does Y/n's baby have red hair?" Kate questioned, voicing one of the thoughts that was playing in Yelena's head. Thor then entered with a booming clap, having just arrived since he still fetched Jane along the way, causing your baby to be startled and open her eyes slightly, but enough to reveal the shade of her gems. "And green eyes?!"
"It's a fucking baby Romanoff, y'all!" Tony smirked to himself, "Knew you two were kinky shits!"
The others were still pretty stunned at the revelation. Some were staring deeply at the resemblance while either having their eyes wide or their mouth hanging open. Pretty much both. So, when they finally recovered-
"Natasha?!" All of them turned to the redhead who was drinking some water, nonchalantly, on the corner.
"Yeah, it's a long story, but let's just all welcome my daughter—Willow, yeah?"
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dracowars · 1 year
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H!i i love your writing and i wanted to make a request can you do a draco x reader where they have a fight and then they sleep in diffrent rooms and the reader has a nightmare so she goes to dracos room and then just fluff <3
fighter | draco malfoy
pairing: draco x reader
word count: 1,2k
summary: where y/n and draco sleep in separate rooms due to an argument
a/n: i wrote this in one flow in the notes of my phone (i usually write on my laptop that's also why the " are different) and i don't know what happend, but i've never written something so fast. i hope it stays that way lmao enjoy <3 don't forget to reblog, it's so important!
warnings: angst, mentions of death
universe: harry potter
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"I can't believe you are being serious right now!", you scream at Draco, physically retreating from him as you take a few steps back in your anger, anger about what he just told you. The atmosphere in his big dark bedroom in Malfoy Manor doesn't help the cold that is now surrounding you, neither does your light sleeping gown that you put on mere minutes ago to finally get some well deserved sleep. That is until you got into this stupid argument.
Your whole body trembles and you desperartely run your fingers through your hair, waiting for him to tell you that it was just a joke, that none of it is real.
"I knew you wouldn't understand", is the only thing that leaves Draco's mouth and if you had been a few more meters away, you would have probably missed his murmur. But you caught every word he said and it makes you even more furious.
"Oh, so you didn't even think about telling me that you want to take your father's place among the Dark Lord's entourage? The one of your father who is currently, if I may remind you, trapped in Azkaban?!", you say while fully realizing the impact of these words. Draco really wants to become a Death Eater and follow Voldemort as his faithful footman until he decides one day that he does not need him anymore either and puts him into the same prison his father is currently residing.
"See? That's why I preferred not to tell you because I knew you would react like this", Draco only sighs at your emotional outburst, rubbing his palms against each other as he looks at the dark wooden floor beneath your feet.
"So you now support the Dark Lord? Is that it?", you ask, now directly looking at him in utter disbelieve, ignoring his previous words. In your opinion, this is the only reasonable reaction when you are told your loved one wants to basically throw his life, and everything he has accomplished, away. And you are a huge part of that life which he would discard. Just like that.
"Y/N, you are missing my point!", Draco raises his voice now too, no longer being able to withstand the hurtful words you are throwing his way. "I need to do this, alright? It is none of your business anyway."
"N-None of my business?!", you stumble over your words, not believing your ears but one look at his face tells you that he is being deadly serious. For a moment, you hold in your breath and stare at him, looking into his eyes that seem to have darkened now.
"You know what? Alright, if it is your business and you want to follow in your father's steps, then I'm not needed here anymore", you say with a fake smile on your lips, passing him without looking at him again and leaving the room with fast steps. You do not listen when he calls after you, because if he really wanted to solve this, he would follow you. The fact that he does not, sends another dagger through your already suffering heart.
Standing in one of the cold hallways of Malfoy Manor, watched by the few family pictures that hang along the walls, you make your way to the next guest room where you plan on spending the night before being able to leave first thing in the morning.
You open the creaking door and enter the room, taking a look at the large bed with dark green bedding. Sighing, you let yourself fall onto the soft blanket in defeat and look at the panaled high ceiling.
The next moment, all the emotions come crushing down on you and you let your tears run free, crying into the soft bedsheets, grapping a fistful of it in your hand. You don't know how long you just lie there and cry bitterly, but when you suddenly jolt out of your sleep, drenched in sweat, it takes you a few seconds to realize where you are. The realization hits you painfully as you lean against the headboard, knees pulled towards your chest beneath the thick blanket and your hands trembling, pulling the safety of the fabric more towards you.
You thought you had already cried out all of your tears, but this terrible nightmare paralyzed your entire body and the tears streaming down your already puffed cheeks do not seem to stop. Trembling, you lower your forehead onto your knees, closing your eyes to dispose of those bad images, but they keep appearing in front of you. Crying into the blanket even harder, your mind comes up with the only plausible solution and before you know it, you find yourself standing in front of Draco's bedroom again, slowly opening the door.
With only your head poking in at first, you squint into the darkness, searching for any indications if Draco is asleep or not. When you only hear his soft breathing, you sneak towards your side of the bed and climb beneath the cold blanket as quiet as possible, trying to sniffle your tears.
Draco, however, senses that something is wrong and shifts in his sleep, turning onto his back. His hand slightly grazes yours and your breath gets stuck in your throat at the sensation. It only takes two more seconds until Draco opens his eyes, suddenly aware of the warm trembling body next to him.
Pushing onto his arms, he looks at you, confused, but once he hears your sobs, he takes you into his arms without any words, enveloping you in his warmth. Burrying your face in the crook of his neck, your crying grows even worse and you claw his shirt as if he could disappear any second.
"I-I was so scared, D-Draco", you stutter once you have caught your breath a bit more, holding your hands in front of your mouth to stop yourself from breaking down again. "Y-You were a Death Eater and they- they took you from me. H-He killed you, Draco."
Draco, who was busy wiping away your tears while listening, stops in his movement, his lips slightly parted in shock. In this moment, he hated himself for making you cry like this, for causing you such a horrible nightmare that you ended up thinking that you had lost him.
"He won't, Y/N. I promise", Draco whispers finally, not at all sure what he is supposed to say right now. On the one hand, he wants to make everything right again, but on the other hand he knows that he has responsibilites that he can't run away from.
"You can't promise me that", you sob, wiping away your tears by yourself now, your hands still a shaking mess.
"I'm so sorry, darling, but I have to follow him", he answers, his voice shaking as he softly takes your hands in his. "Otherwise he is going to kill me. But what is worse is that he is going to kill my family. He is going to kill you if I don't obey."
As he says these words and lets down his walls, you see a single tear running down his cheek, finding its way onto your intertwined hands below.
"We- We will find a way, baby", you try to assure him, squeezing his hand lightly. "You don't have to do this. We just need to fight. For us. For your family. For you."
"I will."
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comicaurora · 6 months
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Hey Red, I'm trying to build a better understanding of mathematics, because to my mind math has always been a collection of arcane sigils that I had to memorize to pass tests in school. I must know how these sigils came to be and why they mean what they mean. Are there any resources you recommend I use in my pursuit of these secrets? Please and Thank You 🙏
It's good you described math as something you "build," because I think that's the best analogy possible.
Mathematics, in its purest form, involves no memorization. Math is the process of taking a very small number of established truths and defined operations that preserve truth, and using those operations on your established truths to expand your space of known truths. As long as you start from a point of truth and only use operations that preserve truth, you will derive truths. If you understand the base principles from which a branch of math is constructed, you can rederive it from first principles. Memorization is easier, but you can rederive it.
For instance, we can start with two things, the number "1" and the operation "+". 1 means "a single thing" and + means "put them together." If those two concepts exist, then we also have 2, 3, 4, and every other positive integer, because we can derive them by using + on as many 1s as we want. If we drop a rock on an empty patch of ground, and then drop a rock on that same patch of ground, that patch of ground now has two rocks on it.
If we include within the definition of "+" that there exists an identity value 0, and every value has an inverse that when added to it produces zero, we also get 0 and all the negative integers, producing the group of integers. Every integer can be expressed using nothing but the number 1, the + operation, and its inverse - if we're feeling spicy.
If we decide to add another truth-preserving operation, "*", with identity value 1 and the same kind of inverse property that "+" has, we rederive every rational number. Every number in this field of rational numbers can be described as a combination of 0s and 1s using only + and * and their inverses; truthful objects combined in truth-preserving operations. We started from the truth and we used it as our only building material to create something equally truthful.
We can memorize a multiplication table, but multiplication is just iterated addition. If we forget, we can just do the addition again.
Algebra is a simple rearrangement of a simple beginning math problem by way of other truth-preserving operations. When you're starting out, you might expect to see something like
3 + 5 = ?
Algebra starts when we replace "?" with a placeholder, "x". This is just a change of terminology. It preserves truth.
3 + 5 = x
This isn't what most algebra problems look like, though. Most basic algebra problems look more like
3x + 7 = 31
But these two formulae are the same, because we can turn one into the other through operations that preserve truth.
3x + 7 = 31 -> subtracting the same value from both sides of the equation is an operation that preserves truth. We subtract 7 from both sides, getting
3x = 24 -> dividing both sides of the equation by the same value is also an operation that preserves truth. We divide both sides by 3, getting
x = 8 -> addition is associative, so we can break 8 up however we want if we do
x = 1 + 1 + 1 + 1 + 1 + 1 + 1 + 1 = (1 + 1 + 1) + (1 + 1 + 1 + 1 + 1) = 3 + 5
Solving an algebra problem is the process of breaking down the things that make it complicated using the truth-preserving operations that defeat them. Added values can be subtracted. Multiples can be divided. Exponents can be root'd.
We understand what it means to put a placeholder in a math problem. We realize, by the same token, we can put in more than one placeholder, if we want. This gives us problems that don't have single numerical solutions, but spaces of solutions. Consider
2*x = ?
We do what we did before, replacing that "?" with something that means the same thing. We use a different letter to avoid confusion.
2*x = y
Now we have multivariable algebra. Instead of getting hard numbers for both variables, we have pairs of numbers. If we pick an x, we get a y. If we pick a y, we get an x. The relationship between the values is clearly defined; x will always be y/2. If x is 3, y is 6. If x is -1.8, y is -3.6.
Now for the sake of convenience, we create shorthand - another change of terminology that preserves truth. We come up with a term that describes this relationship between x and y. We decide to call y a "function."
y = f(x) = 2*x
A function is what we're calling one half of an equation; what goes on the other side of the equals sign. It's just a rename, like when we turned ? into x. It preserves truth.
The trick at this stage is that every element of this seeming increasingly complexity is actually an attempt to make the process simpler as we handle more and more things. We don't technically need any numbers other than 0 and 1 if we're just dealing with rational numbers. We could write 378/5 with nothing but 1s and +, -, * and /, but by god we wouldn't want to. We could write [x^3 + 2x + 5] as ?*?*? + ? + ? + 1 + 1 + 1 + 1 + 1 and it would mean the same thing. The shorthand and symbols get dizzying if you lose track of what they mean, but when you remember what they mean, you understand why you need them.
Any piece of mathematical shorthand basically means "for this thing we're talking about, this set of things is known to be true." We can rederive those things if we need to, but the shorthand is there to help us avoid doing it unnecessarily. We call the integers a group because that means it has an associative operation that is invertible and has an identity element that, when used in the operation, leaves the operated-on value unchanged. We don't want to write that out every time we use + or remember what 0 means, but we can if we have to.
Calculus is where most people think math turns into wizardry, but derivatives and integrals are just another pair of inverse functions like + and - or * and /, and the building block of this branch of math is the derivative. Any formula for a derivative can, in a pinch, be rederived by calculating the difference quotient (f[x+h]-f[x])/h as h approaches 0. If f(x)=x^2, we may memorize that its derivative f'(x)=2x, or we may calculate
[f(x+h) - f(x)]/h =
([x+h]^2 - x^2)/h =
(x^2 + 2xh + h^2 - x^2)/h =
(2xh + h^2)/h = 2x + h
And the limit of this as h->0 is 2x.
Everything in math can be broken down to first principles. Everything. Sometimes it's very hard to figure out what tool you need to break it down to its next stage of simplification, but it was built from first principles and it can be broken down the same way. If it isn't making sense, break it down with truth-preserving methods until it does - even if you have to go all the way back to zeroes and ones.
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psychelis-new · 3 months
Text
pick a pile: "You are..." - Loving and encouraging words for you
take a breath and choose the photo or number that calls you the most to read some loving warm words about you. it's always nice to hear about our positive traits, right? here you can find yours and some encouraging words about your next steps/healing. keep going and take care of you! and also, be ready to let love in, you deserve it :)
don’t take the reading too seriously. only take what resonates with you and leave the rest. if you're not called by any pile, let this reading slid as it may not hold messages for you. if you're called by more than one pile, there may be messages in each of those piles. remember that is a general reading and some things may not resonate with you. energies can change and readings are based on present ones (as you read); you're always in charge of your life.
(photos found on unsplash)
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1 2 3
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pile 1
You are sunny, cheerful, bright and warm. You're also pretty welcoming and you like to hug people or generally enjoy physical displays of affection. I think people like to be around you, you basically cheer up everyone and "set the mood for the evening" (I just heard that, IDK). You have a lovely smile, everyone is in awe with it and you in general; maybe you also have a particular way to laugh? Like you maybe make a strange sound, and everyone is fond of it. They love to make you laugh honestly just to hear it. I feel like you take emotional care of others and you may feel like a sip of fresh water to many. You're extrovert (or at least seem so in specific context), confident and you know exactly what to do or say to make the day of the people you are in contact with. I think you may share smiles with people on the street and even help them if they need (eg. like if they drop something you may pick it up for them, especially for older people or you may leave your seat to them). I think you are very funny and smart, and like to joke a lot. Okay for some of you you may have changed after something happened and keep this sunny side of you a bit hidden (or maybe you occasionally fear being judged about it, or you have been), but honestly I think you only need to reconnect with it and let it flow from you. It's hurtful when some things happen but it's also something that... just happens in life, sadly (I'm not trying to invalidate your experience/pain, at all). We don't have to let those negative things change us so much, especially if we still feel that flame/desire inside. I mean... don't feel guilty for being happy, if that's what you feel. You can be happy no matter what happened. You have to be happy. Find new ways for that happiness to flow within but reach it "and let it rain" out of you. Enjoy it, let it be there and help you heal what hurt as well, if you need. You can find new happiness anytime. New reasons to be happy, too. This is also true for the few of you who tend to hide pain behind a smile, pretending it's all good. Toxic positivity won't solve it, as avoiding problems. Be more balanced (maybe you were called by pile 2 as well) and accepting of what is wrong: it doesn't mean you let it take over you (ask for help if it's too scary), it means you're not being blind to it but you're listening to it and trying to make it better (ofc you can wear a smile while you do that, you totally have to! Healing happens also with taking breaks to enjoy life and hobbies/passions...). You are such a beam of light for everyone, confront your problems (if there's any) and then keep on shining!
song: chicken noodle soup | j-hope; wake me up before you go go | wham! (I channeled the first song while doing your reading, anyway the mood for you is: jitterbug!)
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pile 2
You are strong, pure and very special. You stand out, and honestly you don't even have to do much to stand out. I think it's your energy: it also has something healing for those that comes near you, something comforting. You should be more confident in yourself: maybe you also doubt about your looks or how you may be seen/perceived by others but honestly you have/are nothing less than anyone else. You are caring and have a good heart; maybe you have buildt some walls around yourself out of past traumas, and this is blocking you a little when it comes to sharing with others or creating deeper relationships. It's okay take your time to work through those walls. You have beautiful eyes, and maybe you like to look at others in the eyes too? I think you are also sincere, honest and humble, at times also to a fault: please do stand up for yourself when you need, and set your boundaries. You may also be a bit too strict on you, especially when you make some type of mistakes or something? Maybe it's the fear I mentioned in the beginning of being perceived as you're not or in a bad way, or maybe... at times you may be scared of your thoughts somehow. It's not just the anxiety you may get from them and how they may make you spiral so you tend to stop them (it's okay to do this and distract your mind when you start feeling overwhelmed, but please come back to those thoughts when you feel calmer: to avoid thinking about a problem won't help you solve it at all, it will come back stronger. And please ask for help if you need), but there's also something else. Remind yourself usually the first thought is what we learned, our instinctive first reaction to a situation (usually comes up to "protect us") while the second thought we have is the one that comes from the heart, it really expresses what we think with a calmer and more balanced mind. I mean, eg. let's say someone says they got something you always wanted and this triggers you: your first reaction could also be being envious of them and feel not enough compared to them and potentially say or think something negative/feel resentful or angry, but if you stopped and thought about it again, you may just be really happy for this person and see yourself as on a different path: your time will come too. Be more kind with yourself, more patient: you're unlearning a negative mental pattern and that's not easy, it will take time and practice and lot of patience. You are so lovely you have no idea, please try to see and show that yourself too.
song: a little bit yours | jp saxe (indeed come back to your core self and show yourself love, and accept it too; closing chapters, changing and unlearning stuff is hard, but you can make it)
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You are multilayered. You have lovely rosey cheeks, people may want to squeeze them lol. You are sweet and cute, you probably are also a little shy or maybe you feel anxious in social settings and you may end up blushing a lot. You may also be stubborn occasionally (not too bad tbh) and can be determined or at least you reach good results in job/school. I think you tend to hide a part of yourself though or find it hard to deal with it/not like it. There's something you fear showing or that you don't want others to see about you, probably your pain, probably something from your past that you keep inside (also cause you can't accept/understand it -it could be abuse for someone, I hope you are safe now). Maybe you're also "scared"... of being loved/seen for real (having your "mask removed"?) or feeling vulnerable... Your energy feels younger or maybe just unexperienced in some fields or situations (maybe you also feel uncomfortable in some situations or you felt so in the past and you avoided joining them so now you feel a little behind maybe: honestly, there's nothing bad in this. You're not behind, you just did what was better for you and you still have time to make more experiences. You have all the time you need and want). I think there's indeed something about time here, it could be you are nostalgic about something that now you are missing/lacking, maybe feelings you could experience in your childhood, or you want to delete something from your past, or it could be that you fear running out of time, as mentioned, as you want to experience many things still but maybe you are scared you won't make it or you don't know where to start from. Just take a break: the moment you'll feel more grounded, it will come to you. Focus on taking care of you and also do take naps if you need and can. If it's about your childhood, eg. if people taught you have to "grow up" or have dimmed you in any way (or you had to, in order to gain their approval), remember you don't really have to forget about your inner child nor to be someone you're not. You can be an adult and still be in touch with your inner child. It's not that one thing excludes the other. And you can be yourself without any fear (it's hard to believe it but you won't be pushed away by everyone if you aren't as they wish). Maybe your inner child now really needs you to be closer to them, they need your appreciation and support, probably also after something you had to go through in your past: your inner child totally did great back then with all they had. Hug them and show them love. I think some of you may also love to work or be around children or pets as they may help you feel more in touch with your own inner child and more grounded. Again, be attentive to your needs, and meet them: maybe you were *unwillingly* taught you don't deserve that much (you had to accept crumbles in relationships) but it's not so, you deserve the moon: remember this. You're already perfect, there's nothing about you in your past or present that you need to fix, my love. Heal your fears about being yourself, receiving (love in particular) and don't run away from it, don't run away from yourself: you'll get all you wish for. Give it and yourself time. And, if you need this: it wasn't your fault, you were not responsible for that event/decision for which you feel like you were (and maybe you didn't even had to take). Whatever it was. You were trying to win the approval of someone who couldn't love you as you wished. Build boundaries around people (adults) and remember you are not responsible for them and what they do/their mistakes: you're not here to save them from anything. You have your own self and life to care about now.
song: heart attack | demi lovato
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ineffably-human · 8 months
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We're going to scream about Nandermo all week, but right now I need to talk about Baron Afanas. Because the Baron's arc, so to speak, always felt like a big part of the series DNA for me - and oh fuck did this episode deliver on why.
I think we can agree: in the show, vampire society is fucked up, right?
Vampires on their own have plenty to deal with that can make them crazy. They have to live by killing. They lose everyone from their old lives. They have to find new reasons to keep going on, forever, so shit can get decadent really fast.
But holy shit, what that's turned into in vampire society? Where you actively put cruelty over mercy, and violence over solving your problems? Death cults and scam artists roam free, but if someone has depression the best thing to do is ignore them. Someone can get their mind wiped or be locked up for centuries, and that's just what you do to your species.
--
So: the Baron's arrival is the first conflict of the whole show. The joke is about an ancient powerful creature of pants-shitting terror, vs three lesser vampires who just want to live their lives and not get murdered for being too lazy to conquer humanity. There's a lot of talk about how to please him: do you keep to the old ways, or pick up some new traditions? Decorate with flayed skin, or with glitter? And the Baron says: who cares, you're all soft and useless. All that matters is getting more control over this world, until people are cattle and we have no reason to hide anymore.
But later he confesses: that shit stopped mattering ages ago. He's not even real nobility, he's literally impotent, and he talks about doing horrible things because he doesn't know what else to say. He's angry and half-crazy from boredom. And admitting that, owning those feelings, means suddenly he has three new friends and a whole new world of things to enjoy.
There's the Baron the rest of the vampire world knows, but for one night we see the ancient, unknowable terror was just a guy. Maybe he's always been just some guy.
That fun puts him in a vulnerable position, and he's killed by the most unwitting vampire slayer in fiction. But Baron Afanas is changed. He sucks dirt for a year and still comes out of it with a new lightness and joy to him. He saves the Sire, another ancient terrifying monster everyone was eager to kill or send away. They adopt the hellhound. They get cozy and give advice. They make popsicle stick houses and go on walks. They live.
And that seemed like the end of the story until last night - when the Baron suddenly felt like the butt of a joke everyone knew but him. Spurred on by someone else who feels lonely and ignored, the Baron felt vulnerable. And he snapped back to how he lived for centuries.
'What the hell are you all doing, enjoying yourselves? We're supposed to be unhappy. We're supposed to live centuries of unhappiness, bringing pain to everyone in our path, and we're definitely not supposed to cheer up our friend who's sad.'
--
Nobody liked the Baron before Guillermo killed him, not even other powerful vampires we meet; they saw the Baron as a crazy far beyond their own crazy. But this is also how vampire society values you. It's how they measure Nandor's worth when they think he's dead, too: how old and powerful you are, how much you've been able to conquer and kill.
Vampire pods are both cliquish and aren't expected to last in the first place. If someone dies, you literally paint them out of your lives and forget. Everything we see discourages feelings, sincerity, or even basic companionship. The only way to earn respect is to be cruel. The more cruel you are, the more powerful you are. The more powerful you are, the more feared you are - the lonelier you are, the crazier you are. It's practically designed to create the Baron, or worse.
But new vampires don't behave that way. And the vampires we follow in the show don't behave that way - because they have each other, because they've been encouraged to have each other, often by Guillermo. (Holy shit, Nadja saying maybe she'd be fine dying, and Nandor immediately asking if she's okay? Nothing changes in this house, except everything does. They're not going to almost lose one of their own ever again.)
The vampires in the heart of vampire culture never seem happy to be like this. It doesn't have to be like this.
--
The Baron doesn't become a tyrannical monster for long. Because he never actually was one - and because he spends two evenings and a fireball to the face, watching Nandor and Nadja fight for Guillermo. Watching them plead and cling and defy, seeing Guillermo's earnest feelings in spite of his bloodline and the mistakes he's made. Seeing Nandor's perfect trust, and then his grief, the way he insists that Guillermo was never 'just' anything. The Baron can't find real fulfillment in hurting someone (because that ship sailed ages ago). He can't deride them for caring, because he's cared for a long time now.
And when the Baron admits that's who he is, when he says it out loud, he only gains more in his life. He finds new depth in the happiness he'd felt for a while now, because he's admitted and allowed himself to be happy. And now he has the children he's always wanted. Living together, the Baron and the Sire are still ancient and powerful - and they're also family, finding real joy together in a world that was ready to dispose of them.
"I suppose with the right company, it can be beautiful, this eternal existence."
--
There's an inherent selfishness to being a vampire, taking from someone else in order to live. But there doesn't have to be inherent cruelty, or lack of love.
They're all ready to admit they care. The Staten vampires have all cared for Guillermo or each other in their own ways this season. And Guillermo doesn't lack for flaws, but loving his monster family has never been one of them. (When he and Nandor work their shit out, they're gonna be insufferable.)
Now they just have to let the Guide in. Because she's absolutely starved for love, and vampires get pretty fucked up when they're on their own.
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