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#Borderlands/La Frontera
d1anna · 9 months
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that dark shining thing by Gloria Anzaldúa from Borderlands/La Frontera
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plantbutter · 2 years
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Gloria Anzaldúa, Borderlands/La Frontera: The New Mestiza
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cityofchapin · 2 months
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Indoctrinated As Straight
Photo by Kamaji Ogino “There ought to be a time in one’s adult life which is dedicated to rediscovering the most important readings of our youth. Even if the books remain the same (though they too change, in the light of an altered historical perspective), we certainly have changed, and this later encounter is therefore completely new. –Italo Calvino, Why Read the Classics? 90s Queer I came…
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latamclassiclitbracket · 10 months
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Round 1
Info post Grande Sertão: Veredas
Info post Borderlands/La Frontera: The New Mestiza
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thelibraryiscool · 1 year
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on touching ghosts
          Once I accidentally ran my arm through her body           felt heat on one side of my face.           She wasn’t solid. The shock pushed me against the wall. A torrent of days swept past me           before I tried to “see” her again. She had never wanted to be flesh she told me           until she met me.
-- Gloria Anzaldúa, from Interface (for Frances Doughty)
    When I wake, I am sure Petra has gone for a run, before I realize that my hand has sunk into the luminous cavern of her chest.     I tip into her completely, choke like I'm being waterboarded. She wakes up and screams as I flail around inside her.     After a minute, we calm down. She moves away from me, to the edge of the bed. We wait. Seven minutes go by. Ten. Half an hour.     "Is this it?" I ask her. "Is this it?"
-- Carmen Maria Machado, “Real Women Have Bodies”
What I write is a great marvel. It is said that a certain woman laid hold of a ghost and carried him on her back into a certain house in presence of some men, one of whom reported that he saw the hands of the woman sink deeply into the flesh of the ghost as though the flesh were rotten and not solid but phantom flesh.
-- from “Twelve Medieval Ghost Stories” of Byland Abbey, transcribed by M.R. James and translated by A.J. Grant
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kingsofeverything · 6 months
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hijolehijola · 2 years
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“La gente Chicana tiene tres madres. All three are mediators: Guadalupe, the virgin mother who has not abandoned us, la Chingada (Malinche), the raped mother whom we have abandoned, and la Llorona, the mother who seeks her lost children and is a combination of the other two.
Ambiguity surrounds the symbols of these three “Our Mothers.” Guadalupe has been used by the Church to mete out institutionalized oppression: to placate the Indians and mexicanos and Chicanos. In part, the true identity of all three has been subverted - Guadalupe to make us docile and enduring, la Chingada to make us ashamed of our Indian side, and la Llorona to make us long-suffering people. This obscuring has encouraged the virgen/puta dichotomy.”
- Borderlands/La Frontera: The New Mestiza, Gloria Anzaldúa. 1987
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king-sassy08 · 1 year
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FUCK nobody told me it was 10 already. I'm still fucking around on serirei tag instead of looking for sources. Anybody know anything good on nepantla or alterity
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every-sanji · 1 year
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Omg I hope your final paper turns out well!! Congrats on graduating ‼️🎉
KDJDJEJEJS THANK YOU!!!! Its almost done! I have a little over 4 pages written of 6 i just have to focus today and I can get it done and then....my capstone presentation which is due Wednesday and I'm officially done!
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starswallowingsea · 1 year
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taking another hispanic literature class and i am going to bitch and moan about the '2-6 hours of reading students will be expected to do every week' thing while also trying to enjoy the experience. guess i wont have much time for personal reading this semester
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d1anna · 9 months
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The Cannibal's Canción by Gloria Anzaldúa in Borderlands/La Frontera
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quotesfromall · 9 months
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Prior to 1982, U.S. store owners thrived on retail sales to Mexicans who came across the border for groceries and clothes and appliances. While goods on the U.S. side have become 10, 100, 1000 times more expensive for Mexican buyers, goods on the Mexican side have become 10, 100, 1000 times cheaper for Americans.
Gloria Anzaldua, Borderlands
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cityofchapin · 2 months
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Dear Gloria
What follows is a slight rewrite of a class assignment. The assignment was to write a response letter to “Speaking in Tongues: A Letter to Third World Women Writers” by Gloria Anzaldúa which can be found in the pages of A Bridge Called My Back: Writings by Radical Women of Color, an anthology edited by Cherríe Moraga and Gloria Anzaldúa. Because I am a creature of habit, I did deviate from just…
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latamclassiclitbracket · 11 months
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Borderlands/La Frontera: The New Mestiza - Gloria E. Anzaldúa
Borderlands/La Frontera: The New Mestiza is a 1987 semi-autobiographical work by Gloria E. Anzaldúa that examines the Chicano and Latino experience through the lens of issues such as gender, identity, race, and colonialism. Borderlands is considered to be Anzaldúa’s most well-known work and a pioneering piece of Chicana literature. In an interview, Anzaldúa claims to have drawn inspiration from the ethnic and social community of her youth as well as from her experiences as a woman of color in academia. Scholars also argue that Anzaldúa re-conceptualized the theory of the "mestiza" from the Chicano Movement. Anzaldúa alternates between Spanish and English using a technique such as “code-switching.” Borderlands has been a subject of controversy; it has been promoted in educational spaces for its role in affirming student identity, but also targeted by Arizona House Bill 2281, which banned the teaching of ethnic studies courses and literature that were thought to “promote resentment towards a race or class of people”.
Read more about this novel on Wikipedia.
Borderlands/La Frontera: The New Mestiza - Gloria E. Anzaldúa
Borderlands/La Frontera: The New Mestiza es una obra semi-autobiográfica de 1987 de Gloria E. Anzaldúa que examina la experiencia chicana y latina a través del lente de temas como el género, la identidad, la raza y el colonialismo. Borderlands es considerada la obra más conocida de Anzaldúa y una obra pionera de la literatura chicana. En una entrevista, Anzaldúa afirma haberse inspirado en la comunidad étnica y social de su juventud, así como en sus experiencias como mujer de color en academia. Los especialistas también argumentan que Anzaldúa reconceptualizó la teoría de la "mestiza" del Movimiento Chicano. Anzaldúa alterna entre español e inglés usando una técnica conocida como "code-switching". Borderlands ha sido objeto de controversia; ha sido promovido en espacios educativos por su rol en la afirmación de la identidad estudiantil, pero también ha sido blanco del House Bill 2281 de la Cámara de Representantes de Arizona, que prohibió la enseñanza de cursos de estudios étnicos y literatura que se pensaba que "promovían el resentimiento hacia una raza o clase de personas".
Lee más sobre la autora en Wikipedia.
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queerographies · 2 years
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[Terre di confine. La frontera][Gloria Anzaldúa]
"Terre di confine. La frontera" torna in libreria in una nuova traduzione di Paola Zaccaria, grande studiosa dell'opera di Gloria Anzaldúa
Texana, docente di Chicano Studies, Feminist Studies e scrittura creativa, e attivista del movimento per i diritti dei lavoratori agricoli migranti, Gloria Anzaldúa ha dato grande impulso alla letteratura e alla coscienza chicana, ponendo al centro del dibattito politico ed estetico la questione della frontiera e le sue implicazioni culturali. In Terre di confine. La Frontera si mescolano diversi…
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irmagallosstuff · 2 years
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My Own Piece of California
"Aquí vive la gente más valiente y trabajadora que he conocido en la vida. También algunos de los más generosos": My Own California.
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