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#Arya stark
laurellerual · 2 days
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Hello friend! If you’re still taking requests, maybe Jon Snow playing with Gendrya’s child(ren) or teaching them how to stick them with the pointy end.
Love your art!
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He really want his favourite uncle to teach him.
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Mother is all for it.
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Father is proud.
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groundrunner100 · 2 days
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Upon seeing this poll & voting, reblogs are sincerely appreciated. Let as many people as you possible see this poll.
The 5 year anniversary of one of the BIGGEST tragedies in entertainment history deserves more recognition this time around.
Lastly, go in detail in reblogs as to why you voted for a certain character.
(This is the last time I ever do a poll on this subject.)
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georgescitadel · 2 days
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George R.R. Martin on the process of creating A Game Of Thrones (1/3)
You hold in your hands the second volume of A Song of Ice and Fire… but not the second volume as originally intended. Although I wrote the opening of A Game of Thrones back in the summer of 1991, as related in my introduction to the Meisha Merlin edition of that volume, it was not until October of 1993 that I drew up a proposal for my agents to take to publishers. There is no mention of any book titled A Clash of Kings in that proposal. In 1993, I was under the impression that I was writing a trilogy.
Trilogies had been the dominant form in epic fantasy ever since J.R.R. Tolkien’s The Lord of the Rings had been broken apart by publishers and released in three volumes. And the story that I wanted to tell divided quite naturally into three parts; much more so, in fact, than The Lord of the Rings, which is actually one fairly seamless narrative, and not a trilogy at all. I planned to title the books A Game of Thrones, A Dance with Dragons, and The Winds of Winter. I knew right from the start that they would all be large books. Huge books, even. But there were to be only three of them, and…and none were to be called A Clash of Kings. Sometimes the author is the last to know.
As I write this, I am halfway through the writing of A Feast for Crows, the fourth volume of my ‘trilogy.’ There is no mention of that title in my 1993 proposal either. These days, when pressed, I confidently assert that A Song of Ice and Fire will ultimately run to six books… but behind my back I know my lady Parris is smiling knowingly and holding up seven fingers. She may be right. Though I may dream of six books, plan for six books, work toward six books, the only thing that truly matters is the story. And the story needs to be as long as the story needs to be.
In Hollywood, the suits will tell you how long that is. A television show has to fit within its allotted time slot, of course, and you cannot beg, borrow, or steal an extra minute, no matter how much the story needs it. Running times are somewhat more flexible for films, though not as much as one might think. For the most part, the studios still want movies to run about two hours, so they look for screenplays of 120 pages or less, and demand cuts in any scripts that come in longer. My own screenplays and teleplays were almost always too long and too expensive in first draft, so in my later drafts, along with addressing the inevitable notes from studio, network, and producers, I was constantly trimming. In the end, I would deliver a shooting script that was the right length and under budget, but it was never a happy process… and I often went away feeling that the earlier drafts were the better ones.
The size of A Song of Ice and Fire was in no small part a reaction to ten years of trimming. I wanted to do something epic in scale, something at once grand and sprawling and complex and subtle, with a cast of thousands, huge battles, mighty castles, gorgeous costume, lavish feast, great rivers, towering mountains, vast fields… all the things I could not do in television. In short. I wanted to make a world. And for that you need a bit of room.
In my original proposal, I estimated that each volume of the trilogy might run as long as 800 pages in manuscript. The novels that I had written during the 70's and 80's, before Hollywood, had generally come in at 400 or 500 pages or thereabouts, so an 800 pages book seemed very lengthy indeed. The three books of the trilogy would be structured around the long, slow seasons of Westeros. A Game of Thrones would be summer’s book, A Dance with Dragons would take us through autumn, and The Winds of Winter… well, the title says it all. Even in the Seven Kingdoms, where a season can last for years, 800 pages ought to give me enough room to reach the end of summer and conclude the part of my tale, I reasoned.
‘Twas a lovely plan of battle… but no plan of battle ever survives contact with the enemy, it has been said. Writers know the truth of that as well as any general, though our wars are fought on blank white sheets of paper and empty computer screens. For the map is not the territory, the blueprint is not the house, the recipe is not the dinner… and the outline is never ever the book.
- George R.R. Martin, A Clash of Kings Limited Edition Introduction (2002)
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argelladurrandaun · 2 days
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Fun fact,in a storm of swords, Arya was ready to wear dresses and take baths for lady Ravella Smallwood. Because the lady was kind to arya.
Some of the women tried to put her in a dress and make her do needlework, but they weren't Lady Smallwood and she was having none of it. - Arya, ASoS
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"I do not know who you are, child," the woman said, "and it may be that's for the best. Someone important, I fear." She smoothed down Arya's collar. "In times like these, it is better to be insignificant. Would that I could keep you here with me. That would not be safe, though. I have walls, but too few men to hold them." She sighed.
Arya even feels bad for ruining her dress.
"I'm sorry, my lady." Arya suddenly felt bad for her, and ashamed. "I'm sorry I tore the acorn dress too. It was pretty."
"Yes, child. And so are you. Be brave." (Arya IV, ASoS)
And later arya even remembers lady Smallwoods kindness and that she had called arya pretty. Because it meant so much to arya.
Arya spotted a yellow tent with six acrons on its panels, three over two over one. Lord Smallwood, she knew, remembering Acorn Hall so far away, and the lady who'd said she was pretty.
Just because lady Smallwood was so kind and understanding to arya, makes arya want to listen and obey her and even do things that arya wouldn't normally do. All it takes is a few words of kindness.
Which makes me think that growing up catelyn wasn't particularly understanding or kind to arya. We know that septa mordane definitely wasn't. Otherwise arya would have been a little more inspired to do more ladylike things and would feel less like disobeying her mother, if only arya was asked kindly and shown more understanding and compassion.
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arya-jon · 12 hours
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"Your sister," Iron Emmett said, "how old is …"
By now she'd be eleven, Jon thought. Still a child. "I have no sister. Only brothers. Only you." Lady Catelyn would have rejoiced to hear those words, he knew. That did not make them easier to say. His fingers closed around the parchment.
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pixiecactus · 3 days
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because i just saw a post related in the tag and some discourse in other site (how did you guess it was quora)... did you know that this arya quote:
A thousand years ago, she had known a girl who loved lemon cakes. No, that was not me, that was only Arya
is about our lord and saviour sansa stark? if you don't believe it, or if you do, because how dares someone like arya like a dessert full of patriarchal femininity like lemon cakes too, you can found more about this in the new edition of the asoiaf books: asosas "a song of sansa and sansa" because what do you mean grrm has done interviews naming his favourites characters and sansa is not even mentioned once, i don't see it, i don't hear it. everything grrm writes is about sansa, did you know young grrm looked like kit harington when he was young, what do you mean kit harington's jon snow portrayal is not at all like the books description, of course it is, and grrm and kh both married a red headed woman, that is foreshadowing, let me show you all of my metas that's all based on jonsa fics and not in the books. all hail the red wolf of winterfell... what do you mean that this sobriquet is not even in the books? what do you mean that the animal comparison sansa get in the books is a bird? no no no she's all direwolf, the most "stark" of them all, the rest of her siblings will die and get stuck inside their wolves to finally give queen sansa the wolf pack she always deserved and was born to command. ps: talking about the fact that sansa is a lannister by marriage, and robb disinherited her in his will for this same fact, and also currently wanted by the crown for regicide is plain old misogyny... do you truly hate girls winning that much?
(this is h e a v y sarcarsm ofc, salt if you will. i do think i need it to clarify because sansa stans are definitely not known for their media analysis abilities)
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mirabritart · 5 hours
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Sansa and Arya have a lot of catching up to do, but there's still a little tension between them, so it's easier for them to talk not facing each other. This period is the most well groomed that Arya's hair has ever been.
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forgotten-fossilised · 11 hours
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Cat of the Canals/Arya in Braavos
Cat had made friends along the wharves; porters and mummers, ropemakers and sailmenders, taverners, brewers and bakers and beggars and whores.
A Basket of Ribbons - Guillaume Charles Brun (1869)
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daenerysstormreborn · 14 hours
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Actually I’m making a separate post about this. Before you read, please understand that when I use the words “feminine” and “femininity” I am exclusively talking about the patriarchal stereotypes, aesthetics, gender roles, and other expectations ascribed to the female sex in a given culture. I do not mean “the intrinsic aspect of being female/a girl/a woman/however you wanna phrase it.” The concept of femininity is a construct. It’s a set of traits and roles and expectations and aesthetics that anyone can have. So when I say that some female characters are more or less feminine, I am not commenting on identity, I am commenting on presence or absence of traits ascribed to girls and women and conformity to sexist expectations. I am making this distinction because in the past it has been assumed that when I said that a girl was less feminine, I was saying she was less of a girl, which isn’t at all what I was saying. Anyway.
I have a knee-jerk reaction to the idea that the only reason Arya didn’t like “ladylike” activities is that she had bad experiences with them with Sansa, the septa, and her mother. Like the one exception to this is that I love the idea that she’d be good at embroidery if she was able to use her left hand. But otherwise I think it risks treading into gender essentialism. Like “the only reason a girl wouldn’t like and be good at “feminine” things is if she had bad experiences.” I know that’s not what most people mean to imply but I dunno I just think it would be really boring if it was like oh turns out Arya loved dresses all along like it gives Allison getting a makeover in Breakfast Club.
Like oh the girl who was insecure about not quite conforming? Well turns out that the answer to her insecurity is to conform! She just needed people to be nicer to her so she could become a feminine girl just like everyone else! No. There’s no power in that. The answer should be that social acceptance allows her to embrace who she is and have confidence in that! I want Arya to wear pants that allow her to run and play with children and a long cloak she’s embroidered with wildflowers. I feel like people generally understand that it’s sexist to have the resolution to the “I’m insecure because I’m not as feminine as other girls and have been mistreated for it” be “now that people have been kind to me I have become as feminine as other girls.” Like Chie in Persona 3. 
It undermines the criticism of the people who were doing said mistreatment. Like “You were right to be insecure! The answer is to change yourself! People bullying you for being different? Never fear! If you simply experience true kindness and acceptance, you can stop being different! No more insecurity because you can be just like everyone wants you to be and society itself doesn’t have to change!” There’s this dissonance in some fans where they can recognize that the way Arya was judged was wrong, but they still want Arya to end up being traditionally “ladylike.” And for me it’s just like. Why. That’s so boring. I don’t hate it as much as Arya growing up to be a ruthless killer but it seems like a betrayal of themes. My ideal end for Arya is that she’s home, she’s loved, she gets to be who she is. She has a family. She’s beloved by all the children in the Winterfell, not just her own. She teaches them about the wildlife and gives water dancing lessons to girls AND boys who want to learn. She braids her hair against her head to keep it out of the way and decorates the braids with flowers. It’s a very “happily ever after” sort of ending of course and not exactly what I think WILL happen (I do not have any idea what her endgame will be, to be clear, I’m just clarifying that I’m not theorizing I’m just imagining the best happiest ending for her I can think of that fits her character).
I just think that Arya doesn’t need to actually like dresses and be good at all the “feminine” activities and hobbies in order for her to be a beloved Lady, and it feels like that’s the undercurrent to the notion that Arya only dislikes traditionally “ladylike” pursuits as a result of trauma
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A€m0nd 🤝 Joffrey Baratheon apologists calling the younger children who fought back against them evil for defending someone weaker (Joff & Mycah)
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agentrouka-blog · 3 days
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Viserys sold his sister Dany in exchange of Dothraki armies to invade Westreos to claim Iron Throne. Jon got the chance to become lord of WF but he declared twice that WF belongs to Sansa. Viserys-Dany are obvious foils to Jon-Sansa.
To Jon and Arya, too, as Jon tried to have who he believed to be his sister freed from a horrific child marriage. (Unlike Viserys who sold his sister into one.)
Dany took on Viserys' catchphrase of "waking the dragon", and is constantly reminded of his abuse, while Arya clings to the memory of Jon's love and his gift of Needle.
Dany comes to understand and partially share Viserys's bitterness at the hardships he lived through, which matches Sansa's "I am a bastard too now", and her modeling Alayne on his example.
There are matching and complementary parallels. I imagine the idea that Viserys and Daenerys were originally intended to marry each other might come into play in another contrasting parallel.
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nymehrias · 1 day
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I just saw someone mention all the (living) Jon ships and say “even more strange” when they talk about people shipping Jon and Arya and it’s so funny. Because it’s the only one we know for sure, concretely was ever thought as a romantic plot line in the books. It just made me laugh.
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2rats1gogh · 2 days
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This rivalry between Sansa stans and Arya stans is very tiring.
Like, Sansa and Arya are literally two sisters who are also children. Both sides of their fans actively antagonize the other and it’s so annoying. Ngl, sometimes I hate Sansa as well, sometimes I hate Arya. But that’s how it’s supposed to be. Both characters are flawed, and both have positive qualities as well. They both bully each other, it wasn’t one-sided. If you disagree, you’re wrong.
It’s impossible and again, simply wrong to say that one of the two is an innocent perfect little girl who is always in the right, and the other is an irredimibile horrible monster.
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hacked-wtsdz · 3 months
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You can’t win as a woman in fiction. Be too positive, you become a Mary Sue, have flaws and those flaws are why almost nobody likes you. Be moderate, you have wet-cabbage personality, be exuberant, you are an unrealistic example. Have strong morals, and you’re badly developed, be morally corrupt and you’re hated with such vigour fans will send hate mail to the actress who plays the character. Be kind and soft and in love, you’re a representation of sexism, be cruel, harsh and cold and you’re just a bitch. Be a complex, realistic, ambiguous character, and either your flaws or your positive traits will be ignored or blown out of proportion and into oblivion. There is no winning for female characters.
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argelladurrandaun · 2 days
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'Arya growing up pretty' doesn't mean she is going to drastically change her appearance or face. Because arya is already pretty. She does have some similarly to the ugly duckling turned swan story. But not exactly. Because arya was never ugly. She has always been pretty. She is just not well groomed. Always covered in dirt and messy hair. But arya already looks (and acts) like lyanna. And lyanna was very beautiful. Only her bullies sansa and jeyne say that shes ugly. But they are bullies who are trying to hurt her so their opinion is not true.
Other than them everyone who meets arya - be it the people that love arya or complete strangers they always call arya pretty. We known that ned and jon has always told arya she is pretty.
"Lyanna might have carried a sword, if my lord father had allowed it. You remind me of her sometimes. You even look like her."
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She had never cared if she was pretty, even when she was stupid Arya Stark. Only her father had ever called her that. Him, and Jon Snow, sometimes. Her mother used to say she could be pretty if she would just wash and brush her hair and take more care with her dress
Other than them, lady ravella Smallwood tells arya she is pretty
"I'm sorry, my lady." Arya suddenly felt bad for her, and ashamed. "I'm sorry I tore the acorn dress too. It was pretty."
"Yes, child. And so are you. Be brave."
and even in braavos the kindly man tells arya she is pretty. And pretty enough to be a 'courtesan' who are the most beautiful women in the continent.
"You believe this is the only place for you." It was as if he'd heard her thoughts. "You are wrong in that. You would find softer service in the household of some merchant. Or would you sooner be a courtesan, and have songs sung of your beauty?
Also, the kindly man remarks (who is an expert on faces) , that aryas face is a pretty one.
He cupped her chin, turned her head this way and that, nodded. "A pretty one this time, I think. As pretty as your own."
Arya also have ton of swan symbolism.
The Lady that Arya would wear dresses for and act like a Lady(because she was kind to arya) ... is Ravella from House Swann. A "Swann" tells Arya she is pretty!
Add the fact that Arya literally sees 3 swans on a lake and wishes to be a swan. George adds beautiful bird imagery to her chapters like in the Mercy chapter where he compares her legs to bird wings. Even her water dancing is inspired by ballet where Arya actually wears pointy shoes and has the duality of Swan Lake interwoven in her story.
Also the fact that she is the only dark hair/grey eyes of Ned's children (Swan). Born amoung southern looking Tully siblings (ducks). Arya is figuratively born a Swan. So thats definitely important.
The only person who doesn't think arya is pretty is arya herself. Because of all the mocking and bullying has taken a toll on arya and she has internalized it. They why arya herself doesn't think she is pretty. But onlookers has always seen her beauty and commented on that even though arya doesn't believe it. But that is going to change as arya gets older. Also her next phase of training will likely be with a courtesans so she might regain some of her self confidence.
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kudriaken · 5 months
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House Stark. New fanart family portrait from ASOIAF. My favorite cute beans.
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