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#Alice Borden
sensitive-trait · 3 months
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3 Peas: 1 Pod
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maudeboggins · 11 months
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exit flapper, enter siren, featuring clara bow (who is growing out her bobbed hair), catherine dale owen, dolores del rio, alice white, olive borden, billie dove (1929)
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siliconesoul · 1 year
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The Decline of Western Civilization Part II: The Metal Years (1988)
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thegirl20 · 6 months
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Everything is fine, Lizzie, we will find a better way. If you stay with me, Lizzie, I will protect you.
Lizzie the Musical at Musical Theatre Raves
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susandsnell · 6 months
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House of Borden doodles feat. An Alice
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ohlookapan · 4 months
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Listen I know I'm late to this trend but I debated sharing this to be honest. I honestly didn't it would even be considered for my Wrapped but it is such an underestimation of how many times this has entered my eardrums--not just this song, but this entire fucking album and show.
This musical is just too damn good to ignore; 4 cast members, all female, badass rock songs, badass rock outfits, badass symbolism, badass love arc. badass. Period. Everyone should give this album a listen.
Afterwards, let your Wildest Dreams fly along with you and the Soul of The White Bird.
Honestly this song and show just makes me lose my head in the best way possible, it's so fucking underrated.
Okay, off the soapbox now I go.
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matiiiih · 2 years
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Some of my personal favorite frames from the new Lizzie- animatic!
Remember to watch it in hd settings since for some reason Youtube makes the bright red frames look a bit unclear if watched in low quality
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alatariel-galadriel · 2 years
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Lizzie--Will you stay?
ft Kailey Boyle as Lizzie (Playhouse Square, 2016)
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eleancrvances · 1 year
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Some lyrics from “Lizzie″ that make me go absolutely feral because yes and we don’t talk about this musical nearly enough:
in the house of borden there’s a lock on every door / in every room a prisoner of a long, silent war
to the beating of your wings / and the violence of freedom / i love you / i am hopeful / am i doomed? / i clamor and i moan / that house is not my home / my silver wings are pinioned with green gold
for years I've tried to keep you safe / from the darkness in my heart / but now i see my troubled soul reflected // i look into your cold blue eyes / and they tell me everything / and now I know that no one's been protected
the pear is jealous of the rose / because she hears of all your woes / but she never gets a chance / to taste your pleasure / and though she's luscious to the taste / she's always eaten in great haste / for the autumn winds that blow / steal all her treasure
the pear is frightened of the rose / for now your thorns are all she knows / and she's seen the pain / that comes with your displeasure / and though the prick is most unkind / you think it leaves no trace behind / but it leaves a drop of blood / upon the measure
you say that i'm not weeping / that i'm not dressed in black / call me a yankee clytemnestra / well imagine that / i've done my share of crying / lord my dues is paid
and if there are survivors / they will be on the mountain / like doves of the valley / all of them moaning
turn of the century / turn of the screw / turn of the tables / between me and you
mercury rises as the drops / of stifled rage collecting weight / begin to fall
now that you mention it i can't stand the night / i sit here in the darkness waiting for the light
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4x09 · 11 months
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characters that could be friends stuck in different media. 12 dead 500 injured
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solbach-colbrock · 6 months
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SEPARATED - Seth Borden X Reader
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SUMMARY - During a solo investigation, Seth comes into contact with a spirit that wants to harm you while you are three floors away from him. He needs to check on you
WARNINGS - very briefly proofread (yes that is a warning)
WORDS - 2.1k
~*~*~*~
Seth was getting more comfortable with the alone investigations. They still freaked him out a bit, owing to the fact that those investigations tend to leave people feeling incredibly vulnerable. Safety in numbers, and all. He also still had trauma from being grabbed twice in the Conjuring basement. Frankly, one of the things that kept him calm was your attitude about the investigations. 
You had ways been a go-getter when dealing with the paranormal. Of course, you always took proper precautions both before and after you had been at any location any of the boys took you to. You were very good at swallowing your fears for the sake of the investigations and have (on more than three occasions) run directly towards some sort of perceived danger in an attempt to catch something on camera. You were seemingly fearless, something that Seth admired about you. He was trying to be more like you, though his anxiety got the better of him sometimes.
The hospital that Josh had brought you to had seven floors. This was the second night of the investigation. The night prior, the three of you had done a walk through and attempted an EVP session on each floor. Some floors didn’t seem to be active at all, while others felt they had something much more sinister lurking around. 
“Okay, what do you guys want to bring? I’m taking the DR60 to the children’s floor. We got a lot of EVP there yesterday,” Josh said, taking the device from its box. Seth pulled the spirit box from the bag, and you followed by retrieving the Alice box. 
“First floor seemed the most calm last night so I’m staying here. I’m not dealing with any demonic shit tonight,” Seth said. You rolled your eyes at him, turning on your camera.
“God, you’re such a baby. I’m taking fourth floor. Hopefully I can actually catch that door slam this time,” you declared. Seth looked at you with wide eyes.
“You’re insane. I don’t understand how you haven’t had an attachment yet.”
“I always get sick evidence. You can judge when you capture a shadow figure as clear as I did a few months ago.”
“They got a point,” Josh cut in, throwing his bag over his shoulder. “Everyone ready?”
~*~*~*~
The fourth floor was designated for the psych ward, back when the hospital was operational. The guides that you had taken the tour with yesterday said that the energies on this floor were more demonic, given how violent they typically were. You wanted to test a theory about that tonight. Something told you that the energies were just the violent patients. They were treated horribly when they were held in this hospital. A fair amount of hostility was to be expected. 
“Okay guys, so I’m on the fourth floor, which was the psych ward, and I’m completely alone tonight. I have the… Alice box with me. I really want to figure out if its truly demonic, or if it's just violent spirits. Frankly, I just think it’s the patients because it didn’t feel very demonic to me. Now where do we want to go first…”
There were a few spots that felt the most active to you, including the reception area and the singular children’s room, where the guides said they had watched a ball roll on its own only a few days ago. The most unnerving was the isolation room, where they would lock up the most violent patients for up to three weeks at a time. There were multiple recorded suicides in that room alone, which earned it the name of the ‘suicide room’. It was the room that the door had slammed closed on the previous night. If you were going to get any activity, it would most likely be there. The Alice box beeped in your hand as soon as you touched the door.
“Hunger.”
“Hunger… there were rumors that the staff would borderline starve the patients as some fucked up punishment when they were annoyed with them. Did the nurses not feed you while you were locked in here?” You placed the camera on the edge of the bed and crouched in front of it, keeping the device on the floor in front of you.
Beep. “Rare.”
“They rarely fed them. God, that’s so fucked. I’m so sorry that you were treated like that. You didn’t deserve it. I heard that there were patients that killed themselves in here. Is that true. Did you commit suicide in this room?”
Beep. “Stop.”
Beep. “Rude.”
“Was that rude to ask? I apologize, I just want to know your story. People should know how badly these nurses treated you. You deserved better.”
Beep. “Get out.”
Beep. “Room.”
Beep. “Mine.”
“Guys, I don’t think I’m very welcome here. Can you at least tell me your name before I leave? I’d like to know who I’m talking to.”
Beep. “Fuck off.”
~*~*~*~
“Alright guys, so I am on the first floor, which was where they had the emergency rooms and ICU, and they also did a lot of like, the lab work down here. Now, according to the guides, these two rooms right here are where they would keep the bodies of the recently deceased until either they were identified by a family member, or they would just stay here until the morgue had the space for them.”
A chair was sat in the corner of the room, the only piece of furniture in the space aside from the shelves drilled into the far wall, where Seth placed the camera. He sat in the chair, turned on the spirit box, and started his session. Static filled the empty room, echoing off the walls.
“To any spirits that reside in this room, the next room, or even any of the spirits on the entire first floor, if you would like to communicate, please feel free to come into this room and talk to me. I’d love to hear your story.”
“Hi, Seth.”
“Hello. Are yo-“
“Help.”
“Do you need help. Are you a patient here? If you were, can you say-“
“Yes I am.”
“ ‘Yes I am’. Do you need me to get you a nurse?”
“I’m dying. Seth.”
“I swear it just said-“
“Danger. Y/N.”
~*~*~*~
Beep. “Demon.”
“Well that’s comforting. Okay, you obviously don’t want to really communicate with me, so I’m leaving. Is there anything else you’d like to say to me before I leave? This is your last chance to… get a message out….” A wave of dizziness hit you halfway through your last sentence, leaving you to place a hand on the floor to stabilize yourself. “Shit, I’m lightheaded. I’m gonna have to take a second. This isn’t a good sign.”
Beep. “Die.” A loud slam echoed through the room as the door swung shut next to you. Your head snapped up to check the viewfinder, smiling to yourself as you realized that was most likely caught on the camera. The dizziness doubled as your vision started to go white, leaving you completely doubled over on the floor.
“Oh, motherfucker. Leave me alone. Get away from me right now. You do not get to affect me like this. If you want me to leave, then let me!”
~*~*~*~
“I don’t fucking like that at all. Are you saying that Y/N is in danger? Is there something that is going to harm them if they explore the psych ward alone?”
“He’s angry. Run away!”
“Who is angry? Tell me what’s gonna happen to Y/N.” Seth’s leg started shaking now, and his free hand pressed itself against his mouth as the anxiety crept in. He already didn’t like the alone investigations very much, but to hear what sounded like something threatening you made him all the more scared about it.
“Suicide. Help.”
“Will they be in danger if they go in the suicide room?”
“Too late. They’re dead!”
“Okay, fuck no. I’m going up there. That floor scares the fuck out of me but if something’s threatening them, I’m not letting them stay up there alone.”
“Y/N.”
“Nope, nope. I’m turning this off. We’re going upstairs, now. Y/N! Y/N!!”
~*~*~*~
Your ears had started ringing. You had turned the Alice box off to cut off communication with whatever was targeting you. You had tried the door, but due to the original purpose of the room, it could only be opened from the outside once fully closed. You had also tried to call either Seth or Josh to come get you out, but inexplicably, your phone had died. You had entered the room with 73% battery, and now it wouldn’t even turn on. The room was also soundproofed on the inside, and the boys were each three floors away from you, so shouting wouldn’t help. You were trapped until they realized you were missing, and you had all agreed to spend an hour apart.
“You have no real power over me. I am stronger than you. If you want me to leave, you have to leave me alone. I can’t walk out of this room if you keep making me… this dizzy… Christ, I’ve never had a room spin this fucking much in my life.”
Beep. “Scream.”
“What the fuck? I turned that o-… I think I just heard footsteps outside, holy shit.” You pressed the heels of your hands to your eyes in an attempt to stop the spinning. You turned the Alice box off once more.
“Y/N! Y/N/N, where are you?”
“Oh thank fucking god, it’s Seth. I can hear him, but I don’t think he’s gonna hear me. I can try…” You shuffled over the door, relying on touch to find your way. You pounded your fist on the door, wincing at the volume. The footsteps grew closer, as did his voice. 
The door flew open, and instantly, your head cleared up. You breathed a sigh of relief as Seth’s terrified expression came into view. The smile that spread across your face did a good job of confusing him. Your hand made its way to his cheek. You were incredibly thankful to see him. He put down the camera to give you a once-over, making sure you weren’t physically harmed.
“God, I’ve missed your stupid face. Get me the fuck out of here.”
~*~*~*~
“You will not believe what I-… what happened?” Josh became concerned as soon as he saw you and Seth huddled next to each other on the lobby couch. Seth was still very shaken by what happened, while you were just relieved to be back to safety. He tucked the DR60 in his pocket and walked over to you, camera still rolling.
“I may stick with a buddy for the next few investigations,” you laughed softly, resting your head on Seth’s shoulder. 
“They got locked in the fucking suicide room and almost passed out,” Seth explained. His hand made soft passes over your back. You were incredibly worn out from the whole experience, and it took a lot of effort to keep your yees open for very long.
“Holy shit. That’s terrifying.”
“Something was warning me about it on the spirit box, dude. I ran up there as soon as they started saying they were in danger. They would’ve been trapped in there for almost an hour if I hadn’t run up there.”
“See, because I thought I heard the door slam from upstairs but it sounded like it could’ve been on my floor so I didn’t know. Oh my god, that’s crazy.”
After Josh told you about the sheets moving and EVP of children crying he got on the top floor, the three of you decided that you had enough footage for the night and quickly filmed the outro outside the front doors of the hospital. As you packed everything into the car, Seth wrapped his arms around you.
“Good god, Borden. I’m fine. I feel like that freaked you out more than me,” you teased, turning around to return the affection.
“It said you were gonna fucking die! It scared me!”
“Well, too bad for you. You can’t get rid of me that easily.”
“I’d never want to get rid of you. I kind of like having you around. Don’t know if you’ve noticed.” You laughed at his words, pulling away to finish packing up. 
“In that case, we’re sharing a bed tonight because I’m sure you don’t want to sleep alone tonight and Josh snores like a motherfucker,” Seth said. You both laughed as you heard Josh’s protests from the driver’s seat.
“Aww, Seth. You know, if you wanted to cuddle, you could’ve just asked.”
“Shut the fuck-“
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sensitive-trait · 9 months
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While Tank was cautious of the little intruder at first, he has warmed up to Alice. The pair can often be found napping together on the carpet or huddled in some corner plotting mischief.
Thank you @rebouks for all the adorable infant poses ❣️
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lavender-gayz · 5 months
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Lizzie the musical at Southwark Playhouse Elephant - some little moments that I loved, part 1/?
Background: This production originated at Hope Mill Theatre in Manchester. It features Lauren Drew as Lizzie; Maiya Quansah-Breed as her neighbour, Alice; Shekinah McFarlane as Lizzie’s sister, Emma; and Mairi Barclay as the Bordens’ housekeeper, Bridget. Esteemed tumblr user thegirl20 has many lovely photosets and gifsets of the cast, including this high-definition one where you can see the faces of everyone in the main cast (and also the set!)
I was lucky enough to catch this show with the main cast in London at the Southwark Playhouse Elephant a couple of times (plus once with Emma Louise Hoey as Lizzie and Ayesha Patel as Bridget) when they went on a mini tour in Nov/Dec 2023 :)
1. The House of Borden:
Bridget ladles out impressively gloopy gruel while singing about all-purpose mutton. Both Lizzie and Emma give it a wide berth (and say no to breakfast for the rest of the show).
Emma goes, 'we’ve no personal objection BUT SHE CAN'T HAVE WHAT'S OURS' – an increasingly-concerned Lizzie rushes over and shakes her head and Emma is temporarily mollified. Fair is fair in the House of Bordennnnn!
The way their voices go up in the last ‘let us take you to an August back in 1892’ – MUAH.
2. This Is Not Love:
Lauren Drew performs the majority of this song while sitting uncomfortably in an ornate armchair where something horrifying routinely happens. It’s very effective.
She really conveys the despair and the agony Lizzie feels – there's one bit in the final verse where she gasps out, 'this is not love' and she sounds so incredibly broken.
(“I want…to see arms outstretched to hold me / wanting nothing in return / but only for me to feel safe and secure”
She’s literally next door, Lizzie.)
And at the end she tears herself out of the chair with the line ‘I don’t know what it is, but I want out of it.’
3. ‘I love you too, Father.’
4. Gotta Get out of Here:
Lizzie absently trails her hand along Alice's arms and shoulders in this one bit at the start - Alice never stood a chance tbh.
Maybe I'll do a separate Alice x Lizzie highlights thing.
LOVE the energy in this song and how Lizzie almost seems possessed when she sings about something hanging over her and how she physically throws her body around.
Alice's higher 'stay here longer' when she joins in on the chorus is what angels dream of.
5. If You Knew:
Let's have MAXIMUM YEARNING
To set the scene: we’ve just come out of ‘Gotta Get out of Here’, where Lizzie expresses her need to get out of here and is hindered by Bridget, Emma and Alice (with some very cool dance breaks). Lizzie finally breaks free and Alice chases after her but loses her. We’re now in Alice’s bedroom where she’s thinking about Lizzie.
Lizzie is just off to the side (presumably in her own home or in her yard) looking sad and letting down her hair.
Alice is singing to herself about how much she loves Lizzie and wondering how Lizzie would react if she knew about this.
(She thinks a secret’s just a lie! This may or may not come back to bite us!)
Her voice just SOARS when she sings about dreaming about having Lizzie in her arms.
I like that this song expresses the pretty relatable concern of ‘oh no if you knew I had a big gay crush on you would you still let me touch you and comfort you’ but it doesn’t come with a side of ‘oh no it’s so wrong and gross for me to have feelings for another woman’. Thanks, Steven Cheslik-DeMeyer and Tim Maner!
And good news for Alice: YES Lizzie will let you hold her close when she knows about your secret gay feelings AND she will make out with you and hold you close too! You will get to be happy for approximately seven seconds before Bad News Bridget interrupts.
6. Soul of the White Bird:
'the violence of freedom'
Emma joins in with Lizzie from the side at ‘oh if I had wings like a dove’ - the harmonies!!
Bridget knits and goes la la la in counterpoint while Lizzie slowly falls apart.
7. ‘Lizzie, don’t!!’
8. Maybe Someday:
The FIRST iteration of this song and it’s Alice singing to Lizzie about how maybe someday her heart will be open. They may not get a conventional happy ending together but by god their story is integral to this show.
It is so sweet and then they end up cuddling and falling asleep!
I was going to save this for the Alice x Lizzie highlights, but this was too cute to leave out so I guess I'll just include it twice: Lizzie is the big spoon!!!
9. ‘Her bed is freshly made, as if she hadn’t slept in it at all!’ – Bridget, relishing her role as a gossipmonger-in-chief
10. Who hasn't had to kick a girl out in the morning because your sister needs to vent about developments in your father's will and is threatening to go to Fairhaven? Sisters, amirite?
11. ‘Emma, wait! What if Mrs Borden…dies first?’
12. Sweet Little Sister:
It has been said before and it bears saying again: vocals for DAYS.
The little lyric change to “I look into your cold dark eyes” to suit Lauren’s eye colour!
Bridget and Alice pop up with mic stands to sing along.
And then Emma fucks off to Fairhaven even though her sweet little sister was begging her to stay.
13. Mairi's delivery of 'oh Miss Emma you've forgotten your book! And she asked me to pack it S P E C I A L.' is so deeply funny.
14. Also hilarious: the very un-suspicious way Bridget slides the book of household poisons over to Lizzie.
15. ‘…time for Mrs Borden’s tea!’ I love Bridget.
This feels like a good time to take a break!
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ilovemyships · 8 months
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fuck it full lizzie megamix for the dash
hope mill theatre, manchester - 16th sep 2023 matinee
L-R: shekinah mcfarlane (emma borden), lauren drew (lizzie borden), maiya quansah-breed (alice russell), mairi barclay (bridget sullivan)
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thegirl20 · 5 months
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Emma Louise Hoey as Lizzie Borden and Maiya Quansah Breed as Alice Russell Will you stay?, Lizzie the Musical 🎥: @westandonshakyground
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warningsine · 1 month
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Top 5 wrongs, misdeeds, and depravity done by fictional women
God forbid women do anything, but also: how dare you make me choose only 5? ❤️
I will not overthink it; I'll just hit you with my current ones.
Without further ado:
Alexia in Julia Ducournau's "Titane." Her brutal serial killing (3 people and her parents) during the first half of the film gives season 1 Villanelle a run for her money.
Celeste Price in Alissa Nutting's (the writer of "Made For Love") "Tampa." Nutting has called her a modern take on Nabokov's Humbert Humbert.
Katherine in William Oldroyd’s "Lady Macbeth." (The script was written by Alice Birch, who created the delicious genderbent version of "Dead Ringers.") What makes her refreshingly different is her unwillingness to repent. Unlike Shakespeare's Lady Macbeth, she actually commits the murders herself and does not lose her mind. She abuses her maid and manipulates people, using her innocent appearance to her advantage. Unlike her novella counterpart (Nikolai Leskov), she survives in the end. She's the cruelest of the three, yet she wins.
You say Patrick Bateman/Hannibal/Lestat, I say Dorothy Daniels ("A Certain Hunger" by Chelsea G. Summers). She's a food critic, she's a man eater, she commits murder as a tribute to gourmet cuisine and beauty.
Tatiana Moskalev in Naomi Alderman's "The Power." So we're talking about a world where teen girls gain the ability to electrute people with their hands and can transfer said ability to adult women (and intersex people). In Moldova, Tatiana murders her husband, who's the president. On the show, she seduces an innocent woman "Fingersmith"-style, gets the power, murders and frames her. Later, she declares a new matriarchal state that imposes several limitations on men, e.g., they are not allowed to work or drive without a woman's guidance. Men are humiliated, raped and mass murdered. (Sounds familiar?)
What do all these have in common? Oh, yes, they were written by women.
Don't get me wrong, I love the various interpretations of Medea, Steinbeck's Cathy, Ken Kesey's Nurse Ratched and even characters like Zola's Thérèse as much as the next Tumblrlina, but there's something about Gillian Flynn's Amma ("Sharp Objects"), Shirley Jackson's Merricat, Angela Carter's take on Lizzie Borden ("The Fall River Axe Murders") and Atwood's spin on evil (or "evil") ladies that just hits different.
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