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#clara bow
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Only when your girlish glow, flickers just so, do they let you know: It's hell on earth to be heavenly. Them's the breaks, they don't come gently. Clara Bow - The Tortured Poets Department (2024)
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wasahothouseflower · 2 days
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The future’s bright, dazzling
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lenoreamidala · 2 days
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"The crown is stained but you're the real queen Flesh and blood amongst war machines You're the new god we're worshipping Promise to be dazzling"
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rachgreenes · 12 hours
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promise to be dazzling.
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cardsharksplayingames · 16 hours
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You look like.... Taylor Swift
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lavendergrace13 · 18 hours
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I love it so so much how Taylor chooses to tell the stories of women that have long been forgotten by history, if they ever made it. Who had ever heard of Rebelah Harkness before tlgad? Who remembered Clara Bow before the song? I’m sure they’re both not entirely forgotten but I have never ever heard anyone in the general public talk about them the way people like Elizabeth Taylor and Marilyn Monroe were talked about, and there’s also her grandmother Marjorie. I sincerely hope she will continue to use her storytelling for this.
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dzllparts · 3 days
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"you look like Clara Bow in this light, remarkable."
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shyjusticewarrior · 3 days
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taylortruther · 16 hours
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Rae, we actually have the same favorite (The Black Dog) and least favorite (thanK you aIMee) songs lol. I subjectively really love the album and have resonated a lot with it, although objectively I do recognize that as an art product, it's not as excellently curated and of the technical quality (cohesion, thematic continuity, etc) as say folklore or Midnights, but that's not the point of this album. Imo she really needed to put out this entire album as it is, completely raw, bloated, and unedited, in all of its glorious messiness. As a fellow pathological people pleaser, I find it very admirable that for once she decided to not cater to anyone's demands and expectations when in the past she has very obviously curated her work to be what the Recording Academy looked for (1989), what the public outside of her fans wanted from her (folkmore), or just to prove herself against critics (og Speak Now). She said "fuck that, I'm doing this for me because I need an exorcism from this" and not only do I really respect that but I also love it as personal character growth for her. I think this body of work is a very natural evolution of her artistry. I made a post about this but basically something that stood out to me a lot from this album is the intentional de-personalization of extremely personal feelings and stories. She seems to have decided for this project that in order to be free to be completely honest in her art, she needs to visualize herself, and thus her stories, as a third party, an external entity on which she's conducting a post-mortem examination. Consequently, the characters in her life are, too, bestowed upon fictional characters (Cassandra, Peter Pan, Ken, Sarahs and Hannahs, etc) from stories that have been told before and/or are familiar in some way to the listener. Then, the 4th wall is delightfully broken in Clara Bow, where she refers to Clara Bow and Stevie Nicks as the inherent precedents to Taylor Swift. But what's even more brilliant about this is that in this way, she is making Taylor Swift into a character in and of itself. She is actually attempting to externalize Taylor Swift from Taylor the real-life woman. By narrating her stories through tangible entities presented as completely external to herself, she is inhibited by the safety of this fictional/allegorical lense through which she's allowing her stories to be consumed, and as a result, she has unlimited freedom to be more personal than she has ever been in her art before. I'm really fascinated by this with this album and it's much more interesting to me personall than the muse discourse although I do find that fun and important too, but yeah right now ttps is my second favorite after folklore lol
yesss and i especially love that both closers - clara bow and the manuscript - have her externalizing these things. clara bow separates Taylor Swift, Commodity from taylor swift, flawed human being, and the manuscript separates the legacy of all too well, and the relationship that sparked it, from who she is now. it feels like a huge turning point in her work as an artist and a human tbh.
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magickiss · 3 days
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Invisible String // Clara Bow
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yourivygrowss13 · 3 days
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Idk I came up with this idea and thought it was cute, wdyt?
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midnightsslut · 3 months
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btw clara bow had a nervous breakdown, got married, had her husband deny they were married for the sake of privacy, and never acted in films again after she made enough money to stay out of Hollywood.
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therewasholyground · 3 months
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"my life in Hollywood contained plenty of uproar. I'm sorry for a lot of it but not awfully sorry." - Clara Bow
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You look like Stevie Nicks
in ‘75, the hair and lips
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