No one touches me, no one gets near me. But now you’ve touched me somewhere so fucking deep I can’t believe […]
Sarah Kane, Complete Plays; from ‘4.48 Psychosis’
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4.48 psychosis, sarah kane
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4.48 Psychosis - Sarah Kane
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—Sarah Kane, 4.48 Psychosis.
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My interpretation of my "character" from my GCSE drama coursework. It kinda looks like some kinda radiohead creature so it fits this blog and is a refreshing change from the tf2 ADHDposting fr
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I love the quality of lyricism and visual imagery to Sarah Kane’s 4.48 Psychosis. In these excerpts, the spacing between the numbers of the serial sevens (and the outright incorrect subtraction) conveys a sense of confusion in the first passage, whereas by the second passage, the serial sevens are lined up neatly, indicating that the speaker’s mind has seemingly been purged of illness. Of course, that’s part of the tragic irony of the whole play, as even with measures of mental acuity like serial sevens straightened out, it becomes clear to the audience at the end of the play that the speaker is still suffering and ultimately ends their own life.
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From 4.48 Psychosis by Sarah Kane (2000)
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Sometimes I turn around and catch the smell of you and I cannot go on I cannot fucking go on without expressing this terrible so fucking awful physical aching fucking longing I have for you. And I cannot believe that I can feel this for you and you feel nothing. Do you feel nothing?
Sarah Kane, Complete Plays; from ‘4.48 Psychosis’
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100 aspirin and one bottle of Bulgarian Cabernet Sauvignon, 1986. Patient woke up in a pool of vomit and said 'Sleep with a dog and rise full of fleas.' Severe stomach pain. No other reaction.
Sarah Kane, 4.48 Psychosis
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4.48 Psychosis, Sarah Kane
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What am I like?
the child of negation
out of one torture chamber into another
a vile succession of errors without remission
every step of the way I've fallen
Sarah Kane, from 4.48 Psychosis
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4.48 Psychosis, Sarah Kane
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