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english-history-trip · 1 year

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Ever see a depiction of St. George and the Dragon? It's pretty fair to say if you've seen one, you've seen them all: Georgie on a horse stabbing a flailing dragon creature, princess piously kneeling in the background, vague landscape alluding to the homeland of the artist's patron.

The most varied part is the dragons. No one had a real definition for the thing, it seemed. For your pleasure and entertainment, I have ranked some medieval depictions based on how impressive George's feat seems once you see the dragon.

Paolo Uccello, 1456

This is a terrifying beast. The hell is that. Uccello was one of the first experimenters with perspective, so the thing also looks surreal, like it's taking place on Mars, or a Windows 95 screensaver. I would not want to fight that, I would not want to be tied to that. (Sometimes the princess is tied to the dragon for some reason.) 10/10

Horse thoughts: Maybe if I look at the ground it will be gone when I look up

Unknown artist, c. 1505

This is a rare change of form for the dragon; it's the only one I've seen actually flying (or at least falling with style). It doesn't look particularly deterred by the spear through its throat, either. Also, George looks appropriately nervous. On the other hand, it hasn't got teeth, it seems to be fuzzy rather than having scaly armor, and George is bolstered by his army of Henry VII and his children, most of whom definitely didn't actually die in infancy. Still, wouldn't want to fight it, wouldn't want my pet sheep near it. (Sometimes the princess has a pet sheep for some reason.) 9/10

Horse thoughts: I am so glad I wore my mightiest feather helmet for this

Raphael, 1505

We are coming to Dragons With Problems. This guy looks about comparable in size to George, and does have wings, but doesn't seem to be using these things to his advantage (and has he only got one wing?) And how does he deal with the neck? He does have a comically small head, but holding it up with such a twisty neck seems complicated at best. But most egregiously, he is doing the shitty superheroine pose where he is somehow simultaneously showcasing his chest and his butt, with its unnecessarily defined butthole (more on this later) (regrettably). 8/10 bc it's Raphael

Horse thoughts: AM I THE BESTEST BOI? AM I DOING SUCH A GOOD JOB? WE R DRAGON SLAYING BUDDIEZ

The Beauchamp Hours, c. 1401

We had a spirited debate about this one at work. Again, the dragon has gotten smaller, and this one hasn't got even one wing. He's basically a crocodile. So the debate became: would you want to fight a crocodile if you had a horse and a pointy stick? Would the horse trample the animal, who can't get on its hind legs, or freak out and throw its rider? Would the pointy stick be enough to pierce the croc's thick hide? In this case, George seems to be controlling his horse and putting his pointy stick in the dragon's weak spot, so we can be impressed by his skill and strategy. However, his hat is dumb. 7/10

Horse thoughts: Dehhhh

Book of Hours, c. 1480

Here we have the same kind of croco-dragon, but George's focus on his strategy has gone out the window. He's flailing around, not even looking at his target, he's about to lose his pointy stick, he hasn't got a hand on the reins, and his sword seems to only be poking the invisible dragon over his shoulder. All he's got going for him is that his hat is slightly less dumb. 6/10

Horse thoughts: Yay, new friend! Come play with me, new fr- what is happening

Final dragons put behind this Read More for your safety:

Rogier van der Weyden, c. 1432

I'm thinking this guy is at least semi-aquatic. Webbed feet, wings that seem more like fins, bipedal but top-heavy, jaws that seem more for scooping than biting. Maybe she's crawled up here from the nearby body of water to lay her eggs, and this is all a big misunderstanding. Moreover, George's dagged sleeves seem entirely impractical for the situation. 5/10

Horse thoughts: i got my hed stuk in a jar and now it is this way forever

Unknown artist, c. 15th century

I hate this. I hate everything about it. Why has it got human eyes and teeth. Why is its nose melting. Why has it got a dick on its face and balls under its chin. The fin/wings are back but they look even more useless. Also, George is shifty as hell, schlumped over in his saddle with his bowler hat thing over his eyes. The baby dragon at the bottom eating some hapless would-be rescuer is kind of metal. 4/10 at least the thing is gonna die

Horse thoughts: I Have Smoked So Much Crack

Book of Hours, c. 1450

Remember what I said about the buttholes? First, sorry. Second, yeah, we're back to that. I'll admit this one is less about the danger from the dragon itself than the very specific choices the artist has made. They didn't need to do that. It's a lizard. They don't even have. And it's like they had an orifice budget and they skipped an exit wound for the spear to focus. Elsewhere. It's so detailed. And George had an even dumber hat. 2/10 take it away

Horse thoughts: I Have Smoked So Much Weed

Book of Hours, c. 1415

This is just bullying. There isn't even a princess. That is clearly an infant. Look at that smug look on George's face as he swings his sword that's bigger than the whole little guy. This is the equivalent of when DJT Jr. hunted those sleeping endangered sheep. 1/10

Horse thoughts: ....yikes

And this is the previous one, but now the baby dragon is cute. He's chubby. He's got toe beans. He's Puff the Magic Dragon. His eyes have already gone white, implying that George is just kicking its corpse around for funsies. What's the difference between the dragon and the lamb in the background? That the dragon is dead, like our innocence. This George is truly deserving of the dumbest hat of all. 0/10 plus one more butthole for the road

Horse thoughts: Perhaps it is we who are the buttholes.

#art history #nonsense #hot takes #I am doing a St. George painting and have been wading through reference material #manuscript #fuck me I didn't notice van der Weyden managed to sneak a butthole in his too #the definitive list #when knighthood was in flower

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avelera · 4 months

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Thinking about Hob Gadling in 1589, or rather in the decades leading up to 1589 when we see him as Sir Robert Gadlen

Thinking about how he went north, twice, to come back as his own son, presumably to build the myth of the Gadlen family. Before that, as a soldier, a brigand, and a tradesman in printing, he probably didn't have enough money to need to "leave it" to a son, because he'd had no real assets. No houses, no businesses, nothing besides his weapons and armor, the proverbial clothes on his back, and what spoils of war could be carried with him.

But to make money you have to spend it, you have to have it, you have to invest it. 1389, the year of Hob gaining immortality, corresponds to the birth year of Cosimo de' Medici, the man who would establish the great banking dynasty of Florence, Italy. I note this because this transformation in Europe corresponds with Hob's progress through immortality and rather roughly corresponds to when, as I see it, he would have moved from an individual soldier of fortune to make his living to needing some sort of continuity of identity if he was going to move beyond that.

In this instance, pretending to be his own son (or relative) would be a necessity to inherit his own wealth so he could carry it forward for the next 10-30 years, before he'd have to reinvent himself again. The money to buy a knighthood would be the work of generations.

I'm thinking about Hob building himself up from being a printer's apprentice (because printing was so new a trade that it was probably one of the few where he could get in as a man perpetually in his 30s, most apprenticeships would require you to begin as a child) to gaining his knighthood. By his own admission of faking his death twice by 1589, he'd be Robert Gadlen the Third, possibly the Fourth (not that this was a naming convention back then for commoners, but more to illustrate where 1589 Hob stood in the line of his own fictional family inheritance).

The first half of the 1500s in England under Henry VIII still saw a predominance of nobility holding the lion's share of power, but it did see something of a shift where you had noteworthy men rise to great heights from common origin, like Thomas Wolsey and Thomas Cromwell (yes, I'm rewatching Wolf Hall, why do you ask?).

But now to the point that got me thinking about this: imagine Hob in the 1500s. At the beginning of the century he is the first of his name, building his fortune. Robert Gadlen, who made his money in the printing business then invested it, through a great stroke of luck in to the powers-that-would-be that century: the Tudor shipyards. Hob building himself from very nearly nothing, peasant stock, nothing more than a soldier and a brigand before that. It's still grubby to build oneself up from trade, better to have been born to wealth of course, this isn't American Yankeedom and we're before the Puritans, where showing one's hard work was a virtue rather than an ugly necessity of the common people. But Hob still did it, with his own hands.

Imagining Robert Gadlen II, and Robert Gadlen III, the "scion" of a family on the rise, sniffing around the edges of the Tudor court, eventually finding his way in, having enough gold to buy himself a knighthood.

Imagining Robert Gadlen, meeting one of those common men in the service of Henry VIII, noting with chagrin their own common birth, the sons of blacksmiths and butchers, unlike Sir Robert, whose father was a man of means who left a growing fortune to his son.

And I can't help but imagine Hob smiling, a little slyly because he did it, he slipped passed the censors, no one knows of the fact he was born to peasant stock almost 200 years ago, and no one ever will. As far as anyone knows, he was born wealthy, a gentleman in the rising social consciousness that all it takes to be a gentleman is to have the money to act as one.

But I can't help but wonder if that smile would be just a little uncomfortable, too. Because no one will ever know. No one will ever know that Sir Robert Gadlen didn't inherit his money, that he's not some child of nepotism and generational wealth who has never worked and never starved. He is the founder of his own family, he built it himself and with each generation that goes by he has to leave more and more of that story behind him. Except with Dream.

#the sandman #sandman meta #hob gadling

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pippin-katz · 10 months

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Alex & Being Bisexual 🩷💜💙

I've seen a lot of people complaining about Alex not having as big of a crisis over being bisexual as he did in the books, but I feel like a lot of people are overlooking the development he does go through.

Henry is the first guy he has felt attracted to that he actually knew prior to getting physically involved.

Alex & Miguel

Nora's asks specifically about men Alex has "been with", not men he's liked or interested him. She means physically, and he knows that too. Alex doesn't even bother with giving any context or details for his high school hook up. His description of his hook up with Miguel is straightforward, direct, and factual, because he doesn't have an emotional attachment to that moment or Miguel.

This, and his interactions with Miguel, gives the impression that they don't really know each other that well. It seems like they met during the campaign, made out in a hot tub, and now occasionally they talk at school.

They don't seem like friends, rather acquaintances after a one night stand, which is pretty much what they did. Their first conversation is mostly Miguel trying to get quotes for his journal and flirting with him rather than any kind of real discussion.

Gifs courtesy of @phakphumm from this post

Alex isn't stupid; he knows Miguel is flirting with him, however he chooses not to acknowledge it. He doesn't discourage him, but he does not encourage him either.

He avoids saying anything about it at all. His expressions after the eyelashes comment show him at a bit of a loss for how to respond. Alex seems flattered by the compliment, but doesn't seem to have any real desire to hook up again.

Everything Miguel says, he says in an attempt to get something out of him, whether it be flirting to hook up and/or get quotes for his journal.

Same thing at the state dinner; Alex isn't fully paying attention cause he's busy staring at Henry, but Miguel opens with compliments, specifically about his memo, which is definitely an attempt to flatter him. Then he starts asking direct questions about the campaign, Alex doesn't answer, and he walks away. They're not really friends.

New Territory

It's one thing to admit being somewhat attracted to the same sex, under limited, physical circumstances. Lots of people often joke about "being straight/gay but I would sleep with this person".

It's another thing to develop an attraction to a person you know of the same sex when you've never had those feelings before. It's not just physical anymore, because you know and like this person outside of that context, and the physical intimacy gains a new meaning.

Alex VS Feelings

This is a new feeling for Alex. This man practically makes out with two women he barely knows without any qualms, but when he's waiting to see Henry? His close friend who he knows and plans to kiss?

He is nervous; not just a little nervous either:

Alex is a pretty confident guy, able to host massive parties and dance without any reservations about it, unlike Henry who awkwardly bounces. He's a fantastic public speaker. Excluding the wedding, which were extreme circumstances, he's able to navigate a room comfortably. We know from the closet conversation that he used to get scared, but it's clear based on his campaign efforts, the DNC speech, and so on that he's grown into his role and can play it well.

Here, Alex can't sit still. He doesn't know how to stand. He's shifting around, almost pacing. He visibly tries to muster up the confidence we know he has, but can't. He's trying to pose, or look confident, and almost gets there, but the second the door opens, he panics and just stands there.

"But that's just cause he really likes Henry!"

Yes, exactly; Henry is his first step towards fully realizing his identity.

Once the tension is broken, Alex is confident again and doesn't hesitate anymore. He may not be completely sure of his identity, but he is completely sure that he wants Henry. Those thoughts take priority when he kisses him. He knows physical intimacy. He knows how to kiss with someone regardless of who they are. He has been with a couple men, and is a man himself, so he knows what feels good. His confidence stays intact during their exchange when they get to his bedroom.

There are very small moments where you can see his nerves poke through.

When Henry pushes Alex over the couch, not only is it surprising to him, it also disconnects them for a few seconds. He has a chance to look at Henry while they're not touching or kissing, no direct distraction.

When Henry starts undoing his pants, he looks up, inhales quickly, blinks a couple times, and swallows; it's almost like he's thinking "okay this is actually happening now". Again, no direct distraction, as Henry isn't doing anything yet, and Alex isn't touching or kissing him.

Both moments go by fast though because he's focused on what he knows, the physical part. He knows he wants Henry physically, so he can focus on that, and deal with the other feelings later.

Alex is aware that he has feelings toward Henry that are new to him. He doesn't know what they mean, and it's nothing even close to what he feels later in Paris and at the lake house, but they're starting to form. He's the one who suggests that he and Henry see each other again, and you would have to be blind not to see the brief disappointment on his face when Henry says it has to be very casual. It's also important to note that this is right after Alex comes out.

The Bisexual Label

While his feelings make Alex nervous, Henry is still his friend and he feels comfortable around him. He's the first person he comes out to; he was unable to say anything definitive about his identity during his conversation with Nora, despite her best efforts to help him.

Henry is the first person he tells and he distinctly shows uncertainty when he first uses the bisexual label:

He's serious about it; not overly serious, but he's coming out very formally. He's nervous, even though he's telling Henry, who he literally hooked up with five minutes ago. Henry already knows he's attracted to men. Alex is not nervous about that; it is clearly the label that he's uncertain about.

Confidence

A lot of people get taken by surprise when they start questioning their identity because they had simply never thought about it before.

The uncertainty Alex has about his identity was initiated by his feelings for Henry. Alex clearly never considered the idea of being in an actual relationship with a man. Without Henry, he may have never figured out that he was fully bisexual. He may have continued fooling around occasionally with guys, never giving serious thought to the other possibilities, unless/until he met someone like Henry who basically smacks him in the face with a mirror.

Being with Henry makes him truly think about himself, and come to the conclusion that he's bisexual. Seeing/dating Henry also makes him more comfortable and confident in his identity over time.

While Alex hadn't acknowledged Miguel's advances before, after he sleeps with Henry, he actively calls him out on it and refuses without hesitation as soon as Miguel puts the suggestion out there. Miguel even says "Well, I don't anymore", confirming that had been his intention in earlier scenes.

He had been trying to hook up with him again, and because Alex never addressed it, Miguel thought that it was possible. Alex may not have addressed his comments, but Miguel could see for himself that they had a positive reaction; he felt flattered and bashful. That response coupled with the fact that Alex did not outright tell him to stop was enough reason for Miguel to think it could happen again.

Also, Alex told Nora that he got the feeling Miguel wanted to hook up again, but that he was a journalist, which does not say he wouldn't be down. He never says he wouldn't want to; instead he expresses his apprehension to the idea due to his job. So for all intents and purposes, before Henry came along, Miguel was correct to think it was a possibility.

This seems to be the first time Alex has ever actually addressed their tension, and it occurs after he starts seeing Henry and using the bisexual label.

Owning The Bi Label

Then Zahra finds him and Henry the next morning. She is kind enough not to tell Ellen immediately, because even if she won't admit it, she does care about Alex a lot and recognizes the importance of something like this. However, she makes it very clear that he needs to tell her ASAP or she will.

When he comes out to his mom, he is significantly more sure of himself when he uses the bisexual label. He laughs and uses the shorten term "bi" which is a small detail but indicates his confidence, compared to how he cautiously said "bisexual" when coming out to Henry. He's not at all nervous to use the term, and says it grinning.

This is also indicative of his confidence in his label because Alex doesn't lead with his sexuality. He leads with meeting someone, and clarifying that it's a man, and that it's Henry. So once they're on the couch talking, Ellen is also already aware that he is attracted to men, but this time, he's prompted about his label and he shows zero nerves about using the term "bi".

Queer Identity

By the end of the movie, Alex is able to publicly refer to himself as having a queer identity. Obviously, he was outed against his will, but he is still able to stand up and acknowledge who he is without nerves about it. He has been with Henry for a year, and he knows who he is, and he’s not ashamed of it. As he says, the leaks were an issue of privacy, not shame. Alex is not afraid to say who he is, and he is queer, he is bisexual. He’s a different person than he was before Henry. He’s learned about himself because of him.

Does he have a complete, computer-error-noise breakdown over it? No, he doesn’t, but he does not immediately start waving a bi flag around either.

Okay, that’s all! This took so freaking long to put together, but I hope it helps people understand how his bisexuality is addressed in the movie. Just because he has a different journey than he did in the book does not mean he did not have a journey at all, and I hope this allows people to see it more clearly! Thank you for reading!

#red white and royal blue #rwrb #rwrb movie #rwrb thoughts #bisexuality #alex claremont diaz #taylor zakhar perez #miguel ramos #henry hanover stuart fox #ellen claremont #firstprince

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dragon-kazansky · 1 month

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Bridgerton shade of blue

Benedict Bridgerton x Female Reader

Benedict bumps into you, quite literally, at a ball while trying to escape his mother's attempts to find him a partner. You decide to humour him with a dance, not realising just how entwined you would become with him. It seems the universe will find every excuse to push you and Benedict together, no matter how much you fight it.

{Masterlist}

{Previous Chapter} - {Next Chapter}

Season one

Chapter Nine - Late night scandals

♡♡♡

"What do you think Bridgerton?"

Benedict turns around to find the artist he had accidentally offended at the gallery the other night.

"This one more to your liking?"

"Mr. Granville--" Benedict raises from his chair to approach the man.

"Perhaps they should take it over to Somerset House so it can be skyed right next to mine."

"I believe I owe you an apology, sir." Benedict says, feeling rather embarrassed.

"Unnecessary. I actually quite enjoy the eloquent stings of your critique. So?" He gestures back to the painting on the wall.

"A touch morose for my tastes," Benedict says.

Henry points to the next one.

"A tragedy. The hound deserved better," Benedict comments.

Granville laughs. "Where is yours?"

"My..."

"Your work," Granville clarifies. "Are you tell me you're not an artist yourself?"

"Well, I-- I suppose sometimes I like to... Well, I mean, I almost--"

"I believe 'yes' and 'thank you' are the words you seek. But either way, you should come by my studio." Mr Granville holds out a small card to Benedict, who accepts it. "The pieces I do for myself are there, and I think you will find my real work far less, um... Oh, how did you put it? 'Cold and lacking inner life?'"

Benedict scrunched up his face as he nodded, still burning with embarrassment. "I shall never live that down, shall I?"

Mr Granville leaves.

Benedict returns to his table where he had been absentmindedly doodling. Eyes. He was sketching out a pair of eyes. Pretty ones. From memory.

He sighs and closes the sketchbook.

♡♡♡

As you sit in the drawing room of the Bridgerton house, as invited by Violet, you discover that she had no idea about the boxing match, or that Daphne had been there.

You keep your eyes focused on the latest Whistledown paper, though you had stopped reading it.

Daphne was playing the piano while her mother interrogated her.

"A boxing match is no place for any young lady." Violet sighs.

"Is it a place for a prince? Was he at today's match, sister?" Hyacinth asks.

"He certainly was."

"It is a loathsome and barbarous form of entertainment," Violet was very displeased.

That was when Daphne took the opportunity to mention you had gone as well, which had Violet looking at you.

"You too?"

You glare softly at Daphne, who gives you a smug little look. Crafty one, she is.

"Anthony invited me," you admit.

Violet looked terribly ill all of a sudden. You were sure she would being this up with her eldest son at some point.

"What about the duke?" Hyacinth asks.

"What about the duke?" Both Violet and Daphne ask at the same time. You eye Daphne curiously from your seat.

"Was he also present?" Hyacinth asked, less enthusiastic now.

"I do not know," Daphne says. "If the duke was there, I did not see him."

Hyacinth leaves the piano to go see what Eloise is up to. She had been scribbling away in her book since you arrived.

You put the Whistledown column down and rose from your seat to seek entertainment near the window. Watching the street was surely more entertainment than listening in on that conversation.

Anthony enters the room and greets both his mother and his sister. You turn and he greets you too.

"Did you truly take your sister to a boxing match?" Violet hounds him.

"Your admonishment will have to wait. I have news," he cuts her lecture short. "Prince Friedrich has asked for my permission to propose." He looks at Daphne.

She stops playing. "So soon?"

"Well, what did you tell him?" Violet asks.

"That I know better than to answer for my sister. I have no objections to the man. People speak well of him. Whatever you decide, Daph, you shall have my support."

You look at Daphne quietly.

"I... uh... I..." She doesn't know what to say.

"You need not decide now," Violet tells her. "You certainly have no known him long."

"Let me know when you have an answer, and I shall convey it." Anthony says to his sister.

"Indeed." Daphne looks at him.

Anthony leaves as quickly as he came in. It was clear Daphne needed time to think.

♡♡♡

When Daphne had pleaded with you to attend the next ball with her, you couldn't say no. There was a sadness to her gaze, and you wondered from where it had risen.

Something had happened between her and the duke, and she had been off kilter ever since.

The ball, like all had been so far, was wonderful. The theme was a little more out there this time, but everyone was behaving quite perfectly.

You were standing with Daphne as she scanned the crowd. Exactly who she was looking for, you weren't quite certain. You would suggest the prince on the account that the duke was apparently leaving London tonight.

The prince could be seen across the room. He was in conversation with someone. You glance toward Daphne, but your gaze shifts as Cressida Cowper comes over. You give Daphne a gentle nudge.

"Daphne." Cressida chuckles. "You look beautiful, as always."

"Thank you, Cressida," Daphne says politely.

"You could have chosen anyone," Cressida says. "You have gentlemen lined up to pay you tribute. Yet you did not hesitate to steal my chance for happiness away, did you? I knew the marriage market would make rivals of us, but I never thought youcapable of being my enemy."

"The man made his choice, Cressida. What did you expect me to do?" Daphne asks.

Daphne walks off in the direction of the prince. You look at Cressida and then walk off in the other direction.

There is nothing you could ever say to her.

You begin to walk alongside the dance floor, watching the couples dance. A hand comes into view, and you turn to see a friendly looking young man smiling at you.

"May I have this dance?"

You take a moment to gather yourself. You had hoped one of the Bridgerton boys would be here to dance with you, but you supposed you couldn't rely on them every time.

"You may."

You go with him to dance.

It seemed Benedict wasn't here.

♡♡♡

Benedict was, in fact, making his way to the studio of Mr. Granville. He was intrigued by the artist.

He finds the address and knocks on the door. Henry Granville answers.

"Mr. Bridgerton."

Benedict stands there a little awkwardly.

"Come in, come in."

Granville lets him in. Benedict enters and follows him. He is led further inside and finds himself in a large room. A circle of easels presented around two nude models.

"I do not know what I was expecting, but it surely was not this." Benedict says.

"Oh, simply a gathering of like-minded souls." Henry tells him. "Here, let me show you what I've been working on."

Benedict is led further inside the studio. He passes a couple of painters discussing war so causally.

"What do you think?" Henry asks.

Benedict walks over and takes a look at the canvas.

"Hmm. It's a far cry from Somerset House, I must say."

"I shall take that a compliment."

They both chuckle.

"And I must say, I'm truly jealous. Is this your life?" Benedict asks.

"There are advantages to being the second-born." Henry tells him. "Heirs have the responsibility. Second sons have the fun."

They both chuckle again.

"So... why not go have some fun?" Henry gestures to the models. He's giving Benedict the chance to epress himself through art.

Benedict picks an easel and sits down.

♡♡♡

As you dance once again tonight, you spot Anthony standing off to the side. He's staring at the opera singer.

You hard heard whispers about him being infatuated with an opera singer, but had no idea if there lay any truth to them.

You continue dancing with your partner.

Benedict was still a no-show tonight, which you found to be rather disappointing. You had been looking forward to another evening of his little quips and teasing.

When the dance ends, you curtsy to your partner and head in the direction of Anthony and Violet. Lady Bridgerton had tries to introduce her son to a rather pretty young lady, but he showed no interest.

"Shall we dance, Lord Bridgerton?" You ask, looking at Anthony.

He turns and looks at you, for half a second, thinking you were another lady his mother was intent on pushing on him.

"Yes, let's." He offers his arm, and you take it. Violet watches you both go. Even if he chose you, she would be pleased, but she knows her son will not take you as his wife. You're his friend who has come to rescue him from her for a while.

Violet downs a third glass of champagne.

"She is persistent," you say.

"Hm?"

"Your mother."

Anthony chuckles softly. "Yes. Quite."

"The opera singer..."

He looks at you.

"Nevermind. Its not my business."

Anthony's expression softens. "I was - am - found of her."

"Yes. I assumed as much."

Anthony sighs. "It's complicated.

You nod and say no more on the matter. Anthony spins you around elegantly.

"Is Benedict not here tonight?" You ask, twirling with him.

"Benedict? No." He gazes at you. "Why do you ask?"

"I just noticed his absence."

"Missing your dance partner?" He teases.

You chuckle. "Am I that obvious?"

He winks at you, and you shake your head with a smile. "I'm fond of you boys. I can't help it when I notice one of you is missing."

Anthony grins. "How lucky we are to have gained such a special friend such as you."

As Anthony gives you another turn around the floor, you spot Colin speaking with Penelope. You smile softly at the sight and then turn your attention back to the eldest brother.

At least you'll have one Bridgerton on your dance card tonight.

As the next dance begins, Anthony keeps your company longer. You're aware this may catch attention from others, especially Lady Whistledown should she be here, but none the less, you dance with him twice.

You soon see that Colin has left Penelope on the sidelines to dance with Miss Thompson, and you also find the prince talking to Daphne amidst their dance.

The dance ends, and you manage to catch sight of Daphne fleeing the ballroom.

Anthony bows, and you curtsy.

"Until next time." He nods his head at you. You smile and nod, taking your leave. You worry about Daphne and intend to go check on her, but you're stopped by another gentleman.

You sigh and realise you'll have to dance with him before you can flee again.

The dance feels like it drags on, and on, and on. You smile, you listen to your partner talk, but your mind is focused on Daphne. She did not look well when she fled.

When the dance ends, you spot Anthony leaving the ballroom. You waste no more time and follow him.

He heads outside. You follow.

"Anthony?"

He turns and looks at you. "Go back inside."

"What's the matter? What's happening?"

"Did you see him?" Anthony asks urgently.

"Who?"

"The duke."

"He is here?"

"He was, and now I can't find Daphne." You realise he's concerned about his sister.

You hear something further in the garden, and Anthony hurries off. You follow him, close on his heels.

What you find is not what you ever expected to see.

Simon and Daphne were not just kissing. His hands were all over her. Her dress had been pulled down. You cover your mouth, though you can not hide the gasp that escapes you.

Anthony runs at Simon.

"Bastard!"

Simon receives a strong punch to the face. He falls to the ground, and Anthony takes another swing. He punches him a third time and then stands beside his sister. You hurry to her other side and checks her over.

"Daphne..."

She is speechless. She has no words for you. They have been caught in a compromising position.

"You will marry her," Anthony declares.

"What?" Daphne looks at her brother.

"Immediately. We can only hope no one saw you take such liberties, and my sister is saved further mortification. You will marry her!"

Anthony is angry.

"Brother!"

"I cannot marry her," Simon says.

"You have defiled her innocence, and now you refuse her hand? I knew you were a rake, Hastings, I never thought you a villain."

"I cannot marry her," Simon states more firmly.

Daphne looks hurt.

"Then you leave me no choice. I must demand satisfaction."

"A duel? Anthony, you cannot--" Daphne begins.

"He dishonours you, sister." Anthony looks at her. "He dishonours you and me and the very Bridgerton name. I have misjudged you, indeed. You have duped us both, but I shall not see my sister pay for my own misdeeds. We will settle this as gentlemen."

"I understand," Simon agrees. "I shall see you at dawn."

"I do not understand," Daphne says softly. "You would rather die than marry me?"

You look at Simon quietly.

"I am truly sorry."

"We need to go, Daph. Before anyone should see us." Anthony says softly.

You reach out for her arm gently and pull her away, Anthony follows you both.

Daphne takes her brother's arm after he begs of you not to say a word about anything. You swear by it, looking him in the eye. Anthony thanks you.

You drift off from them as you enter the ballroom once again.

Anthony approaches Colin and tells him he is taking her home. He asks Colin to take care of their mother. You decide to step in and help. Anthony looks grateful.

Anthony and Daphne leave.

Colin looks at you, but you just smile softly at him and ask him to help you with Violet. He doesn't say anything about Daphne or Anthony.

Neither do you.

♡♡♡

@callmemana - @lilscast - @imgondeletedis - @benedictbridgertonss - @clownsdiehard - @wxnterwidow333

@sillynilly27 - @autumn-slaves - @ben-has-arrived - @ajdelilah - @aadu2173

@booknerdlife - @tamlinrose - @sarahskywalker-amidala - @cheryyluv - @louschan - @lou-la-lou - @cultish-corner

@hopshusushi - @katherinejess - @nannabug - @afunkyfreshblog - @f0x33 - @dd122004dd

@jupitervenusearthmars - @orchiidflwer - @bespinnn - @captainlunaxmen - @winchestersimpalababy - @acupnoodle

@ms-fandomgirl - @fablesrose - @anyaisinyourcloset - @meowzerzstuff - @orchiidflwer - @bespinnn - @crazymar15

@cosmixstar - @bree3parchen -

#Bridgerton shade of blue #benedict bridgerton x reader #Bridgerton #female reader #dragon writes

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luveline · 9 months

Note

𝐡𝐞𝐚𝐫𝐭 𝐬𝐡𝐚𝐩𝐞𝐝 𝐢𝐦𝐚𝐠𝐢𝐧𝐞 —send me a shy!reader request for any character (with a plot) and I'll write a >1k drabble

Can I request shy!reader and Derek? Maybe where she's really shy about pda but she finally works up the courage to hold his hand or kiss his cheek in public and he just melts <3

tysm! ♡

"Penelope, I'm not wearing that."

Penelope waves the custom t-shirt she's made at him threateningly. "Yes, you will, because you love me and you love Hotch and he deserves our support."

She's created matching garb for their entire team as well as any partner willing to support Hotch. "This is his second triathlon, and he's very much going to remember last year's triathlon and his now ex-girlfriend. Plus, it's for charity!" She slaps his chest with the shirt. "Put it on."

You smile at his reaction, the fond clench of his jaw, his rolling eyes as he peels out of his t-shirt. The smile quickly stifles, mouth dry as the Sahara in seconds. The tight pack of his abs ripple in the sunlight, dark skin practically glistening.

"It's too hot for this," he complains.

Penelope nudges you. "He can say that again."

Derek squeezes into his shirt and laughs. "This better be the wrong size on accident."

"Maybe." She leans down to grab another shirt from her tote bag, saying, "This should be the right size, sweetcheeks."

Yours is big enough to wear over your original blouse easily. Derek glares at you without any real malice and swings an arm around your shoulders, dropping a kiss at your temple. "Looking good."

Being with Derek has never made any sense to you. Or rather, Derek being with you has never made any sense —you'd be a fool to turn him down and he's a fool to think you're good enough. He's ridiculously attractive, a bombshell of a man, with ambition and a good heart, sweetness and heat alike practically drip from him. You're confused by him often and melted by him more, a melted puddle of a girl as he walks you to the crowd of BAU employees waiting at the finish line to cheer for Hotch.

Jack and Henry stand together, though Henry, JJ's son, is much smaller. Will crouches next to him to make sure he doesn't run anywhere he isn't supposed to, while JJ stands with Emily and Spencer, all already bedecked in their supportive t-shirts.

There's a chorus of hellos as you join them. Everybody Derek cares about that isn't in Chicago stands in a bubble, and it terrifies you like always. You want to make a good impression. You don't want to let Derek down.

Not that he cares about any of that. He knew you were shy to aching when you met and he has no intentions of trying to change you. "Sorry we're late," he says. "My fault."

Actually, it's your fault. You got the time wrong. But Derek doesn't embarrass you by telling them —your affection for him swells.

He keeps a hand behind your back for a while. You sway under the huge sun beating down and on tired feet for a while, Hotch your saviour as he appears across the finish line. Will takes Jack to meet him, and Jack, the poor thing, gets a super sweaty hug.

Hotch isn't first to finish, but he runs a good time.

"Better than last year's!" Emily cheers.

Penelope wolf whistles. You clap your hands with Spencer, pleased if feeling a little out of place.

"Maybe I'll sign up for next year's triathlon," Derek says, grinning.

You know he's kidding, but Derek could do anything he set his mind to. You go on tiptoes and kiss his cheek. "I'd cheer you on," you say earnestly, stepping back, wiping the tiny balmy kiss print you've left behind.

Derek looks at you plainly startled. Your heart skips a beat, worried you've overstepped.

"Can I get another one of those, or are they in limited supply?" he asks, warm and quiet, not an inch of bravado to be seen.

You turn back the unfolding scene of victory in front of you, "Maybe later."

Derek is noticeably sweet on you for hours, and declares at dinner that he'll be joining Hotch in next year's triathlon. You reach for his hand under the table and nod along. You'd love to see him at the finish line.

#derek morgan #derek morgan x reader #derek morgan x you #derek morgan x y/n #derek morgan x fem!reader #derek morgan imagine #derek morgan fluff #derek morgan fanfic #derek morgan oneshot #derek morgan scenario #derek morgan drabble #derek morgan fic #derek morgan fanfiction #criminal minds fanfiction #criminal minds #criminal minds fic #criminal minds x reader #luveline's 40k party

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moonstruckme · 4 months

Note

Glad your back love! I have a request if that’s alright. Remus and reader going on a bookstore date and lunch or something!! That would be so cute. Imagine how excited both of them would be picking out books and being affectionate. Just a lot of fluff and cuteness. Thanks sweetness hope you enjoyed your break!

Thanks for requesting sweetness!

Remus Lupin x fem!reader ♡ 1k words

You’re feeling a bit guilty about the teas you’ve snuck in, but if there are two people who can be trusted around books, it’s you and Remus. He takes a careful sip as he leans in to skim the titles, sticking one hand in the pocket of his pants.

“Island of Love,” he reads, amusement lilting his tone. “Original.”

“I think I’ve actually read some of that author’s stuff,” you say.

Remus quirks a brow at you interestedly, hand coming out of his pocket to pull the novel from the shelf. “Let’s see, a summer wedding, the groom’s brother and bride’s maid of honor hate each other, but—oh, he’s frustratingly attractive…and something about passionate summer heat.” The corner of his mouth twitches. “Wonder what that could be alluding to.”

“Alright.” You steal the book from him, slotting back into its space. “I never said this stuff was, like, literature to be studied at Oxford. If you’re going to disrespect my section, run along to yours.”

“Fairly sure it’s considered rude to abandon your date,” he muses. “What’s my section, by the way?”

“Depressing stuff.”

“Oh?”

“Mhm.” You take a sip of your own tea, trying not to fluster under his attention. You scan the shelves idly for a distraction. “It’s all rather doom and gloom. Very well-written doom and gloom, to be fair, but I’m not always looking to have my life changed. This stuff is fun, at least.”

“I see,” he hums. “Oh, this looks familiar.”

You turn to see him holding up the shiny new version of the worn and waterstained paperback that rests perpetually on your nightstand at home.

“How do you know about that?” you ask him.

Remus smiles. Your heart flutters. “It was on the coffee table when I was over last week. Are you rereading it?”

“Yeah.” You shrug, turning your eyes away from him. “I reread it a lot, it’s my favorite.”

“Mm, I noticed it looked fairly battered.”

“Well-loved,” you correct him.

He chuckles quietly, and you grin because you can’t help it. “Right, so sorry. My mistake.”

You brush a piece of hair out of your face, slotting it behind your ear. Watch Remus’ eyes track the movement. “So what’s your battered book?”

“Hm?”

“Your favorite,” you clarify. “The book that’s all war torn and full of nonsensical annotations.”

He thinks for a minute. “I’m not sure,” he admits. “I have a few I go back and forth between, but lately it’s been The Secret History.”

You have to cover your mouth with a hand to hide the full breadth of your smile, and Remus narrows his eyes at you.

“What?” he asks.

“That book is so depressing.” You shake your head, delighted at being so right. “I mean, it’s beautifully written,” you amend. “Really gorgeous. I’m just not sure I found the plot as compelling as the prose.”

His mouth actually drops open. You can’t tell how much of the shock is teasing and how much is real. “You thought that book had no plot?”

“No, I mean, plenty happened.” You turn to face him, forgetting about the books around you for a moment to focus on this one. “But I felt like it happened so slowly, and there was so much in between that was just tons of description. It was like they almost skimmed over the murder part! There were so many plotlines that were brought in and then just disappeared, though I guess I can respect the ways in which it reflected real life.”

You think for a second that Remus might argue with you (he should, really—it’s his favorite book and you’re slandering it), but he keeps his mouth shut, watching you interestedly.

“And don’t you think Richard was a bit passive? Henry and Bunny had so much going on, but the narrator could have literally been a fly on the wall the whole time. He kind of reminds me of Nick Carroway, you know?”

“From the Great Gastby?” He tilts his head, eyes squinting a bit (it’s devastatingly cute). “How’s that?”

“Just, they’re both such flat characters.” You frown. “I don’t really think either of them needed to be in the story at all. I mean, having a narrator that’s a character with no personality is effectively the same as having a non-omniscient third-person narrator, right?”

Remus is biting the inside corner of his lips like he’s trying not to smile. “Right.”

“What?”

“I’m just thinking that I need to get you talking about books more often,” he says. And that’s real affection in his eyes, mixed in with the humor.

You look down, grinning at the front of your shirt, but his little smile doesn’t waver.

“Shouldn’t be hard,” you say. An awkward, obvious sidestep of the compliment, but he lets you get away with it. “Your turn. Let’s go to your section.”

He shrugs. “If you think you can stand it,” he says, but starts moving in that direction. You notice he’s still holding the copy of your favorite book.

“Aren’t you going to put that back?”

“No.” He doesn’t need to look down to know what you’re talking about. “You’ve already torn one of my choice novels to shreds, now it’s my turn to read yours.”

A little bite of nervousness snips behind your belly button even as his sidelong look lets you know he’s only joking. “You could always borrow mine.”

Remus blinks. “I’m flattered that you’d trust me with it,” he says, and it almost has you blushing again, that he knows the significance of you offering him your copy, “but I think I’ll read the un-annotated version first. But if the offer still stands after I’m finished, I’d love to read your thoughts on it.”

He says it like it’s nothing. Like taking the time to read your favorite book twice, just so he can get to know you more thoroughly, isn’t the sweetest thing anyone’s ever so much as thought of doing for you. You worry that if you look down, your heart will be glowing right through your shirt.

“Alright.” You muster your courage, taking him by the hand. “But now we also have to find one to read together.”

Remus has looked down at your joined hands, something like shyness coloring his expression, but he looks up to quirk an eyebrow at you. “Are you so sure we’ll be able to find something we can agree upon?” “So long as it involves a main character that actually does something, I think we can manage.”

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charmedreincarnation · 4 months

Text

Let me share you some examples of people outside of a spiritual realm using the law of consciousness. Reading about placebo opened my eyes to realize whether I believe it or not, use it or not, it is always operating.

1. During wartime, particularly in World War II, when medical supplies were limited, the use of a saline solution as a placebo became prevalent. One notable figure associated with this practice is Henry Beecher, a medic during the war. When morphine, a powerful painkiller, was scarce, Beecher resorted to injecting injured soldiers with a saline solution (a mixture of salt and water) as a substitute.The fascinating observation was that many soldiers responded positively to the saline placebo, reporting a reduction in pain. Beecher’s experience led him to further investigate what is now known as the placebo effect. He discovered that even inert substances like saline could elicit a therapeutic response in individuals, highlighting the power of belief and the mind’s influence on healing. Using saline as a placebo during wartime was a practical solution to address the scarcity of medical resources. It allowed healthcare providers to provide some form of treatment while conserving limited supplies for critical cases. The phenomenon observed in these wartime placebo administrations contributed to our understanding of the placebo effect and its role in medical practices.

2. And then there was another placebo test done with surgeries demonstrated the power of the placebo effect in the context of surgical interventions for knee pain.

The study, often referred to as the “fake leg surgery” study, focused on patients with osteoarthritis in the knee. Participants were randomly assigned to either receive real arthroscopic surgery or undergo a sham procedure where no actual surgical intervention took place. The sham surgery involved making small incisions and mimicking the actions and sounds associated with the actual procedure.The surprising finding was that both groups, those who underwent real surgery and those who had the sham surgery, reported similar improvements in their knee pain and functionality. This suggested that the positive outcomes experienced by the participants were not necessarily due to the physical intervention but rather to psychological factors such as the placebo effect.

3. The most fascinating one was this one: The study aimed to explore the role of mindset in reversing some aspects of aging.

In this experiment, Langer and her team created a simulated environment reminiscent of the 1950s to immerse a group of elderly participants. The participants were instructed to act as though they were 20 years younger and encouraged to engage in activities that required physical and mental activity. It aimed to create an atmosphere where the participants felt as if they were stepping back in time.The results of the experiment were described as astonishing. Participants reportedly experienced improvements in various areas, including physical health, cognition, and overall well-being. The study suggested that by changing one’s mindset and engaging in an environment that challenges typical aging stereotypes, individuals may experience positive effects on various aspects of their lives.

4. The Man Who Overdosed on Placebo" is a story about a 26-year-old man, often referred to as "Mr. A," who was part of a clinical trial for an antidepressant drug. In a desperate state of mind, he attempted suicide by ingesting 29 capsules of what he believed to be the experimental drug. This act was triggered by his depression, which had worsened after a breakup with his girlfriend.

However, unbeknownst to him, the pills he had taken were not the actual antidepressant, but rather placebos - essentially inert substances, often sugar pills, used in clinical trials as a control group. Despite this, Mr. A's vitals showed alarming signs similar to those of a drug overdose, reflecting the power of belief over the physical body, a phenomenon known as the "nocebo effect."

The nocebo effect is essentially the evil twin of the placebo effect. While the placebo effect can lead to improvements in health due to positive expectations, the nocebo effect can cause negative symptoms or even exacerbate existing ones due to negative expectations. In this case, Mr. A exhibited symptoms of an overdose solely because he believed he had taken an overdose.

5. Sam Londe, is one of the best but sad classic example of the nocebo effect, as detailed in Dr. Joe Dispenza's book "You Are the Placebo."

Sam Londe was diagnosed with esophageal cancer, a condition known for its grim prognosis. His doctors informed him that he didn't have much time left to live. Accepting this diagnosis, Londe quickly became bedridden and his health deteriorated rapidly, following the trajectory his doctors had predicted.However, upon his death, an autopsy revealed a surprising fact: there was not enough cancer in his body to have caused his death. The small tumor in his esophagus was not large enough or in a position to interfere with his swallowing or breathing. Essentially, Londe didn't die from cancer; he died from believing he was dying of cancer.

This case demonstrates the power of the mind over the body, both positively (the placebo effect) and negatively (the nocebo effect). In this case, Londe's negative beliefs about his prognosis led to physical symptoms and ultimately his death.

I've seen dozens of examples where of stuff like this particularly in the realms of hexing and witchcraft. Honestly, the same could probably be said about subliminals. But it doesn't matter much.Why? Because they work. It's all about observation and choice. You could say it’s the mind but the mind operates on logic. This goes beyond the mind and to your true being, what observes the mind observing the pain in the first place.

Actually I was talking to someone who had been struggling with shifting for a while about this and it really resonated with her which is why I decided to share it. She took a water bottle, labeled it shifting juice and just assumed that when she finishes the bottle she has “full access to shifting powers” is that how it works. Nope. Did she shift after two years of struggling. Yep. It doesn’t matter what story you create yourself whether you want to use logic or not whatever you assume and persist in and know as a fact will harden into truth and therefore reality.I just wanted to share this story bc I find it absolutely hilarious how we sometimes take it so seriously yet it can be so easy. I know placebo is just an assumption. It’s like when you tell children you checked under their bed for the monsters and drafted them and they assume so so they can sleep soundly at night. Call it whatever you want assumption, placebo, it’s all just words and each community calls it something different but at the end of the day it works wether you know the truth behind it or not.

#law of assumption #manifesation #reality shifting

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