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#( one day i'll write a post elaborating on it & i've touched on it a few times but ren's current grasp over anemo is kind of?? bad )
erabundus · 1 year
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scaramouche turning himself into electro for fun jumpscare shenanigans was 100% based on my brainrot theory that he would have an alt sprint and i'm too attached to let it go.
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fragilelittlething · 2 years
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[LONG POST]
TW: Dissociation, suicide
DEPERSONALIZATION DEREALIZATION DISORDER
#1
When I first found out the name of the state I was in, I was terrified. Sure it was comforting to know there's a name and not only me experiences it. But it didn't mean I would gladly welcome and accept that I may have this disorder. I got scared because I knew what it felt and I didn't want to live with it every day.
But here I am, after four months of denial and forgetting about this disorder, I stumbled upon it again the other day. When I found an online community, I was relieved. However, I realized mine might be more worse than many. And that's the root of my fear, the cause of my surrender.
One day, I'll be gone. While I can still keep my sane state, I'll try my best to write down/record my experience for my fellow prisons of their mind and medical researchers who would use my experience for their study. I hope that this little information would reach people and make the other sufferers feel a bit comfort even for a short period of time.
BACKGROUND
My name is [redacted] and I'm [redacted] years old. I identify myself as female. I hate introducing myself because I don't connect with it. A few hours ago, someone asked my name unexpectedly (irl) and when I told him what it was, it felt like saying an ordinary word.
I live in a poor corrupt country where mental health is not a priority, is expensive, and difficult to access. Therefore, I wouldn't wait a thousand years searching for a doctor before telling myself "Hey, you have DPDR." The kind psychiatrist only said I have clinical depression. To be fair, I didn't tell her that I don't feel real because you know, I didn't believe I have DPDR at the time. Not to mention, many practitioners don't even acknowledge its existence. What more in a poor country. I've been living in a disconnected state for months and even memories of my life since I acquired this mental illness were blurry. I'm still hoping I get a proper medication and treatment but right now, it seems nowhere near possible. Most likely, death will come first. Hopefully, this month.
THE FEELING
I've described it a thousand times in my head and on my notes app that's why I also hate doing it all over again. I have too many questions about this disorder and even I wanted to share everything that may have caused this to develop in my personality, I feel like I can't. If I get enough engagement though, I might feel willing to share.
Right now, I'm not fully disconnected. Most of the time, I'm 40% in touch with reality. The constant feeling is that I'm not real. That nothing makes sense. Here are the list of the feelings I feel every day/sometimes (as far as I can recall): (I wouldn't elaborate them in vivid details because it's mentally draining.)
I feel dead. Obviously, when you don't feel your memories and emotions, there's also that feeling of emptiness and absence of self. I cried so hard when I realized I didn't have it.
I'm just a nameless entity. No connection with my name and memories. I hate my memories when I was normal because it reminds me of what I lost and probably never get back.
I feel like floating.
There was a rare moment that I felt like my body was melting.
I could never concentrate in the moment the same way like a normal person does.
Once I was reading a book, it was difficult to understand it when you thought the letters were just meaningless characters inked on a paper. And my vision would distort my hand holding the book.
I experience mild weird sensations in my head. One time my head felt it was being split apart.
I have weak to zero sense of time. I'd forget the time gap between the previous action I did and the current time as if waking up from a dream you barely remember. It happens when I'm lying on the bed.
I'm trapped in my head. There's the real me inside my head who holds all the logic, memories, and emotions that I have. Now, I'm just a shell of it who could not perform like a normal human being. Every day feels like I'm being reborn, or reincarnated. I still remember my past but seems like I'm a new person and those memories are not mine but a stranger's.
I can't recognize people. I know them but I don't feel them.
I have no interest in the future.
HOW IT'S AFFECTING ME/IT HAS AFFECTED ME
Lots of suicidal thoughts (vivid images)
Severe depressive symptoms
Unhealthy eating/starving myself
Isolation from people
I'm dumber now and more forgetful
Locking myself in my room
Not using my phone
Just crying (endless)
Irrational/intrusive thoughts
Insufficient communication with "friends"
Poor performance in uni (considering dropping out now but it's another depressing story personally, maybe next time)
Talking to myself (I have no one else to talk to)
Despising reality
Social anxiety
Feeling alienated. Or not human.
Loss of talent and creativity
Wasting time doing nothing
Trouble sleeping
Learning was a chore
ETC. ETC.
Some of these have not been happening in a while or not as severe as it used to. Not sure if it's an improvement because I always go back to the main issue of this disorder: not feeling real or present. I actually feel like I have given up that I'd recover. Seems really impossible. I will never have a normal life. I won't achieve my dreams. The future is something I don't want to think about. It doesn't feel like it exists. Maybe I don't exist. I'm thinking of cutting all my ties with all the people I've known because I couldn't accept this. I couldn't swallow that this is going to be my life every day. Same shit EVERY DAY.
Next post I'll be talking about the real me and the life I've imagined I would have. The community lessened my suicidal ideas but I'm still dead. I can't recognize myself anymore is few of the sentences I always whisper to myself.
THE ART
I made that one really quickly so I can have a picture in my post and it represents the symptoms of DPDR. No I wouldn't explain them. You understand it. I know that. Great thing that I was able to draw something again (especially an original artwork). I've been immobilized for so long. And I've been keeping it to myself. So difficult to find people who will believe me and accept me. Fuck. Even my dreams feel more real than reality itself. Better to be trapped in there and not here, in the reality but dreaming.
###
I'm new to this community because I've ignored I possibly have the disorder for so long. If you have a Discord server for people with DPDR, please reply with the link or send it to me through private message. I want to join. Or if there's none, I'll create one if I see enough people who can join it. (I have a feeling the psych ward is waiting for me. I'm defeated. Why do I feel like all of this isn't real? Nothing is real.)
Anyway, I can't change my avatar or header because Tumblr wouldn't allow me (even using my laptop, I can't!) so attaching my artwork makes me more credible at least.
Kindly PM me if you're going to use this artwork in your blog/articles. DON'T USE IT WITHOUT MY PERMISSION.
If someone wants to support my art journey so I can earn money and feel that I'm real by participating in money transactions in the capitalist world, please motivate me. I do hope this post reaches the right people because I don't trust the reality now.
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flufffysocks · 3 years
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let's talk about andi mack's worldbuilding
sorry this took forever to make! i've been pretty busy with school stuff and i kind of lost my inspiration for a bit, but i ultimately really enjoyed writing it! i wish i could've included more pics (tumblr has a max of 10 per post), and it kinda turned from less of a mini analysis to more of an extremely long rant... but i hope it's still a fun read!
i've been rewatching the show over the past few weeks (thanks again to @disneymack for the link!), and i’ve been noticing a lot that i never did the first time around. this is really the first time i’ve watched the show from start to finish since it aired, and it honestly feels so different this time - probably a combination of the fact that i’m not as focused on plot and can appreciate the show as a whole, and also that the fandom is much, much smaller now, so there’s a lot less noise. so the way i’m consuming this show feels super different than it did the first time, but the show itself doesn’t - it’s just as warm and comforting to me as it was the first time around, if not more so.
i think a lot of that can be attributed to andi mack’s “worldbuilding”. i’m not quite sure that this is the right word in this context, to be honest, because i mostly see it used in reference to fantasy and sci-fi universes, but it just sort of feels right to me for andi mack, because you can really tell how much love and care went into constructing this universe. for clarity, worldbuilding is “the process of creating an imaginary world” in its simplest sense. there’s two main types: hard worldbuilding, which involves inventing entire universes, languages, people, cultures, places, foods, etc. from scratch (think “lord of the rings” or “dune”), and soft worldbuilding, in which the creators don’t explicitly state or explain much about the fictional universe, but rather let it’s nature reveal itself as the story progresses (think studio ghibli films). andi mack to me falls in the soft worldbuilding category. even though it takes place in a realistic fiction universe, there’s a lot of aspects to it that are inexplicably novel in really subtle ways.
so watching the show now, i’ve noticed that the worldbuilding comes primarily from two things - setting and props, and oftentimes the both of them in tandem (because a big part of setting in filmmaking does depend on the props placed in it!).
one of the most obvious examples is the spoon. it really is a sort of quintessential, tropic setting in that it's the main gang's "spot", which automatically gives it a warm and homey feel to it. and its set design only amplifies this:
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the choice to make it a very traditional 50s-style diner creates a very nostalgic, retro feel to it, which is something that's really consistent throughout the show, as you'll see. from the round stools at the bar, to the booths, to the staff uniforms, this is very obvious. the thing that i found especially interesting about it though is the choice of color. the typical 50s diner is outfitted with metallic surfaces and red accented furnishings, but the spoon is very distinctly not this.
instead, it's dressed in vibrant teal and orange, giving it a very fresh and modern take on a classic look. so it still maintains that feeling of being funky and retro, but that doesn't retract from the fact that the show is set distinctly in modern times.
of course, this could just be a one-off quirky set piece, but this idea of modernizing and novelizing "retro" things is a really common motif throughout the show. take red rooster records. i mean, it's a record shop - need i say more? it's obviously a very prominent store in shadyside, at least for the main characters, but there's no apparent reason why it is (until season 2 when bowie starts working there, and jonah starts performing there). a lot of the time, though, it functions solely as a record shop. vinyl obviously isn't the most practical or convenient way of listening to music, but it's had its resurgence in pop culture even in the real world, mostly due to its aesthetic value, so it's safe to say that it serves the same purpose in the andi mack universe.
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the fringe seems to be nostalgic of a different era, specifically the Y2K/early 2000s period (because it's meant to be bex's territory and symbolic of who she used to be, and its later transformation into cloud 10 is representative of her character arc, but that's beside the point). to be honest, exactly what this store was supposed to be always confused me. it was kind of a combination party store/clothing store/makeup store/beauty parlor? i think that's sort of the point of it though, it's supposed to feel very grunge-y and chaotic (within the confines of a relatively mellow-toned show, of course), and it's supposed to act as a sort of treasure chest of little curios that both make the place interesting and allow the characters to interact with it.
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and, of course, there's andi shack. this is really the cherry on top of all of andi mack's sets, just because it's so distinctly andi. it serves such amazing narrative purpose for her (ex. the storyline where cece and ham were going to move - i really loved this because it highlights its place in the andi mack universe so well, and i'm a sucker for the paper cranes shot + i'm still salty that sadie's cranes didn't make it into the finale) and it's the perfect reflection of andi's character development because of how dynamic it is (the crafts and art supplies can get moved around or switched out, and there's always new creations visible).
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going back to the nostalgia motif though, the "shack" aspect of it always struck me as very treehouse-like. personally, whenever i think of treehouses, there's this very golden sheen of childhood about it, if that makes sense. i've always seen treehouses in media as a sort of shelter for characters' youthful innocence and idealistic memories. for example, the episode "up a tree" from good luck charlie, the episode "treehouse" from modern family, and "to all the boys 2" all use a treehouse setting as a device to explore the character's desire to hold onto their perfect image of their childhood (side note: this exact theme is actually explored in andi mack in the episode "perfect day 2.0"!). andi shack is no exception to this, but it harnesses this childhood idealism in the same way that it captures the nostalgia of the 50s in the spoon, or the early 2000s in the fringe. it's not some image of a distant past being reflected through that setting; it's very present, and very alive, because it reflects andi as she is in the given moment.
some honorable mentions of more one-off settings include the ferris wheel (from "the snorpion"), the alley art gallery (from "a walker to remember"), SAVA, the color factory (from "it's a dilemna"), and my personal favorite, the cake shop (from "that syncing feeling").
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[every time i watch this episode i want to eat those cakes so bad]
these settings have less of a distinctly nostalgic feel (especially the color factory, which is a very late 2010s, instagram era setting), but they all definitely have an aura of perfection about them. andi mack is all about bright, colorful visuals, and these settings really play to that, making the andi mack universe seem really fun and inviting, and frankly very instagrammable (literally so, when it comes to the color factory!).
props, on the other hand, are probably a much less obvious tool of worldbuilding. they definitely take up less space in the frame and are generally not as noticeable (i'm sure i'll have missed a bunch that will be great examples, but i'm kind of coming up with all of this off the top of my head), but they really tie everything together.
for example, bex's box, bex's polaroid, and the old tv at the mack apartment (the tv is usually only visible in the periphery of some shots, so you might not catch it at first glance) all complement that very retro aesthetic established through the settings (especially the polaroid and the tv, because there's really no good reason that the characters would otherwise be using these).
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besides this, andi's artistic nature provides the perfect excuse for plenty of colorful, crafty props to amplify the visuals and the tone. obviously, as i discussed before, andi shack is the best example of this because it's filled with interesting props. but you also see bits of andi's (and other people's) crafts popping up throughout the show (ex. the tape on the fridge in the mack apartment, andi's and libby's headbands in "the new girls", walker's shoes, andi's phone case, and of course, the bracelet). not only does doing this really solidify this talent as an essential tenet of andi's character, but it also just makes the entirety of shadyside feel like an extension of andi shack. the whole town is a canvas for her crafts (or art, depending on how you want to look at it. i say it's both), and it immensely adds to shadyside's idealism. because who wouldn't want to live in a world made of andi mack's creations?
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and, while it's not exactly a prop, the characters' wardrobe is undoubtedly a major influence on the show's worldbuilding. true to it's nature as a disney channel show, all of the characters are always dressed in exceptionally curated outfits of whatever the current trends are, making the show that much more visually appealing. i won't elaborate too much on this, because i could honestly write a whole other analysis on andi mack's fashion (my favorites are andi's and bex's outfits! and kudos to the costume designer(s) for creating such wonderful and in-character wardrobes!). but, i think it's a really really important aspect of how the show's universe is perceived, so it had to be touched upon.
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[^ some of my favorite outfits from the show! i am so obsessed with andi's jacket in the finale, and i aspire to be at bex's level of being a leather jacket bisexual]
and lastly, phones. this is a bit of an interesting case (pun intended), because the way they're used fluctuates a bit throughout the show, but i definitely noticed that at least in the first season terri minsky tried to avoid using them altogether. these efforts at distancing from modern tech really grounds the show in it's idealist, nostalgia-heavy roots, so even when the characters start using their phones more later in the show, they don't alter the viewer's impression of the andi mack universe very much.
so, what does all of this have to do with worldbuilding? in andi mack's case, because it's set in a realistic universe and not a fantasy one, a lot of what sets it apart from the real world comes down to tone. because, as much as this world is based on our own, it really does feel separate from it, like an alternate reality that's just slightly more perfect than ours, which makes all the difference. it's the idealism in color and composition in andi mack's settings that makes it so unmistakably andi mack. even the weather is always sunny and perfect (which is incredibly ironic because the town is called shadyside - yes, i am very proud of that observation).
the andi mack universe resides somewhere in this perfect medium that makes it feel like a small town in the middle of nowhere (almost like hill valley in 1955 from "back to the future"), but at the same time like an enclave within a big city (because of its proximity to so many modern, unique, and honestly very classy looking establishments). it is, essentially, an unattainable dream land that tricks you into believing it is attainable because it's just real enough.
all this to say, andi mack does an amazing job of creating of polished, perfect world for its characters. this is pretty common among disney channel and nickelodeon shows, but because most other shows tend to be filmed in a studio with three-wall sets, andi mack is really set apart from them in that it automatically feels more real and tangible. it has its quintessential recurring locations, but it has far more of them (most disney/nick shows usually only have 3-4 recurring settings), and it has a lot more one-off locations. it's also a lot more considerate when it comes to its props, so rather than the show just looking garish and aggressively trendy, it has a distinctive style that's actually appropriate to the characters and the story. overall this creates the effect of expanding the universe, making shadyside feel like it really is a part of a wider world, rather than an artificial bubble. it's idealism is, first and foremost, grounded in reality, and that provides a basis for its brilliant, creative, and relatable storytelling.
tl;dr: andi mack's sets and props give it a very retro and nostalgic tone which makes its whole universe seem super perfect and i want to live there so bad!!
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librareality · 4 years
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it is the 35th day of my quarantine and I decided I'm gonna post some updates on it to keep in touch with reality. otherwise I'll go bananas
but I also don't want to call it x days of productivity challenge, because I find it extremely toxic (maybe I'll elaborate on it in the future, now that we're grounded forever) so from here on it's
notes from isolation
it ain't toxic
it sounds dramatic
it will still motivate me to post more than one note
so that photo here is a lil bit cheating bc I've gone through this portion of my intro to advanced maths a few days ago BUT gotta start a daily note with sth
i've also had an idea about writing a note about un-studyblrable notes (yeeeah) and how they don't mean you can't do anything nice and should envy guys out there
but yeah, I've got two memoranda to write due this evening (aaaaaaa) and an article to make corrections in also due this evening (AAAA) and I'm probably gonna rip myself here
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demonofthelight · 7 years
Conversation
Life stories: Simon Clarke
Joanne (presenter): What keeps you awake at night, like what do you regret the most?
Simon: I don't know if I regret anything because everything teaches you something. Everything we go through is a lesson in life.
Joanne: That's the diplomatic response. What's the real response? If you could change something what would be?
Simon: There's this girl, anyone that listens to this podcast regularly probably knows all about her. Well, I can't regret us ending, because she's getting married in, what's the date? She's getting married in less than a month and she's meant to be happy so I don't regret us ending. I regret being so unimportant in her eyes that we don't still speak. I regret that, more than anything. I don't know if she was the 'one' but she was a friend. A friend I will forever adore.
Joanne: Does that keep you awake at night.
Simon: I wouldn't go that far but there are days I wonder about her.
Joanne: If she was watching this show, what would you say to her?
Simon: I'm sorry I never made her happy and I'm sorry she felt pressured by me. There's this story where a mutual friend once told me, this girl who I don't want to name Joanne, I really don't. You've shown pictures there but she doesn't look the same anymore not even the same coloured hair. Anyway this mutual friend told me she 'hates me for bringing her up'. Honestly, I'm sick of talking about it but I was always taught there's no taboo subject.
Joanne: Do you wish you two stayed in touch?
Simon: Mixed. (looking uncomfortable and shifting) I wish we never drifted so apart into two different circles but the circle she mixes in aren't compatible with the circle I drift in. I don't want to sound like an arrogant asshole. I mean it's nothing to do with superiority or a god complex. The circles I drift in are quite intellectual. Political debates, university alumina, professional jobs, e-sports. The circles she drifts in are more materialistic or hobby orientated. Motorbikes, sports etc. I mean some of those people think I'm literally the worst thing to happen to her, while some of the people in my circle find those who can't debate infuriating. The reality is the person she is now and the person I am now are completely different.
Joanne: Moving on to the death of your mom. Can you remember the day you found out?
Simon: Like it was yesterday. I got woke up in the morning while the paramedics were in my kitchen. I got told that my mom had died in her sleep and as you can imagine my father was in bits. I didn't know how to process it initially so I stayed in my room for about an hour. As time passed, I just wanted to be hugged and told I wasn't as alone as I felt.
Joanne: I'm sure your sisters and brother were by your side.
Simon: Of course, but they were trying to come to grips with it too. To be entirely honest, I reached out to a friend the following day or within the next few days. It became a blur that week but I remember distinctly that the one female who I loved and depended on to that level other than my mother was my ex. I spent the time up until the funeral genuinely believing she would pop over and check up on me even after we broke up on bad terms.
Joanne: How did your friend react , how did they support you?
Simon: As we've touched on, I was a loner in school. Until near the end of high school, I was a bullied shy kid. I didn't have any true friends. But this moment, this terrible event, Matthew made me realise I would never have to go through a travesty alone. He took time out to go for a drink with me during that week and he took the day off work to go to my mom's funeral. He's a complete atheist. He think's my philosophy on the afterlife is closer to Stephen King than history textbooks but he literally walked probably a few miles to and from the funeral just to show his support. I've never told him how much that meant to me. But I'd like to think he just knows.
Joanne: I'm sure he wasn't the only friend over that time?
Simon: No, I have another fantastic friend called Andrew. I had a very bitter falling out over him trying to get me support and honestly anyone else would have knocked me out for the abuse I gave him over it. He just laughed it off. One of two friends that I can depend on, hopefully and as far as I'm concerned the rest of my life.
Joanne: You mentioned the girl again (picture of 2011 as a couple goes on screen), her family is your neighbour right so they knew about what happened with your mom but didn't she text you or call in?
Simon: Her parents lived opposite the street, but she never asked or showed concern on my wellbeing. I have no entitlement of that care. It's her right to feel or act in any legal way she wishes. I'll respect her freedom to do that for as long as I can.
Joanne: How does that make you feel?
Simon: It made me realise our perspectives on the 18 months we were in a relationship were different. For me, it was a fantastic period and I imagine for her it's best to forget it.
Joanne: Does that bother you?
Simon: Should it? People change, circumstances change. Can we move on?
Joanne: OK. We'll go to a break... Welcome back. I'd like to talk about university and is it true that you were warned before you enrolled?
Simon: As a 18 year old child. I made a stupid comment about a friend publicly on Facebook. My friend found it hilarious and it's the sort of dark humour we say to each other over voice chat and in person but someone twisted what I said to imply someone who died in my local area. Well implied the post was about them. I never met and couldn't care less about them. I apologised and thought that was the end of it but a formal police report was filed and the individuals informed my university who at this point had just provided me with an offer to enrol that I accepted. I mean top business college diploma in the county, they ripped the hands off for me. So that was interesting. The university was great about it. The police were as incompetent as you can imagine but it did teach me that don't say anything on social media that can't be literally taken. Like this will go up on YouTube and Tumblr. So anything I say can be proved.
Joanne: How did you emotionally react to this event, where what you said was taken out of context?
Simon: Betrayed by others but I was stupid and naiive. You can't be those things especially as a successful businessman. At this time a lot of falsehoods and rumours came around ranging from me being a drug addict to committing sexual assault. It was obvious at this point those who had ever had a conversation with me knew that I had traditional moral values so the accusations were as ridiculous as they sound. Childish rumours spread to squash what I had to say. My friends just ignored them, and the people the bullshit influenced were better off not in my life anyway.
Joanne: I've only met you twice and you're quite outspoken about some controversial subjects but its obvious to me morally your the other way. Severely punish criminals, probably too far in my opinion.
Simon: I agree, my opinions can be quite controversial but I'm as against illegal drugs as I love a cup of tea. Even my critics would tell you that.
Joanne: You've gone from a social media account with 50000 followers overall to less than a tenth of the size. Why do you think this is and does it bother you?
Simon: I used to be a depressing blogger with poems, and writing that was soul crushing but honest about my thoughts or feelings about myself. I then started to feel less lost so naturally started writing about facts not emotions. Politics was always a topic I found fascinating. I've always been debating since I can remember. I get off on a debate, which is why it's hilarious to mock those that call you names because they can't debate the facts of the topic. I started looking at things like the wage gap and white privilege economically and they don't hold up to the scrutiny expected in academic work. They just don't. Those that believe either of those things are either stupid or lied too.
Joanne: I don't want to go down the rabbit hole of politics because it's become who you are but if I can, I want to touch on 'getting off' of those that call you names in other words 'Trolls' can you elaborate on that?
Simon: I'll give you an example. I'm quite camp just look at what I'm wearing so I got an anon message on Tumblr once that read 'you are a gay homophobic sexist Nazi that should just kill yourself'. How hilarious is the stupidity of that statement. If I was gay, I couldn't be homophobic and gay people aren't allowed to be a Nazi. It shows the idiocy of these people that are probably children.
Joanne: Does these kind of hate messages matter to you?
Simon: Of course it matters, everybody wants to be liked. Those that claim otherwise are lying. But the opinions of people I've never met who are so ashamed of themselves they hide through anonymous, do not matter to me. The opinions of friends and parents of friends matter to me.
Joanne: You once said you were 'bad with women'.
Simon: Oh God, yea. I really wish I hadn't had said that. It was on an emotional post at 3am. It was a spur of the moment thought. I don't think I'm naturally bad with women but I am a marmite figure. I'm not universally liked. Most people I meet are probably intimidated by me. I think the women that I find attractive clearly don't normally find me attractive.
Joanne: Why is that? What type of women do you find attractive?
Simon: I'm probably a 6 out of ten, if I could lose the acne probably a good 7. I tend to fall for either the tall slim blonde or the short petite unique person. I'm quite simple like that. Then if they are able to debate or disagree with me brilliantly, I just adore them.
Joanne: (laughs) So you see yourself as just above average?
Simon: In looks, I do. In style, I'm quite unique and some people hate that I stand out. In personality, I am extremely demanding but I also expect that from myself.
Joanne: Do you ever think about children?
Simon: I did. I thought about marriage and kids but I've only ever found three people in 21 years that I could see having a life with. I do think about children's names though, I have top three for both genders. For a boy: Constantine, Excalibur or Arthur. For a girl: Katherine, Kate or Kathleen.
Joanne: Do you think it's fair when some people refer to you as egotistical, arrogant or psychotic?
Simon: It's no business of mine what other's perceive me to be. I can only concentrate on who I am and I'm none of those things.
Joanne: Do you like being the centre of attention with someone claiming you 'have to be seen to be the most overdressed person because you need the attention?
Simon: I don't mind it, but I don't actively pursue it. I don't really mind whether someone outshines me. I love a challenge and I think demanding the best from myself constantly while can be quite exhausting to see, is who I am whether that's monopoly, gaming or dressing.
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