#''Maybe this is the point in our heroes journey where things get a little bit darker'' thank you 4x01

[imminent-danger-came]

Okay, yeah, LEGO isn't gonna go full revenge-based murderous death cult.

... revenge-based murderous CHAOS cult, however...

#god I love you anons in my ask box. #you all have been so fucking funny #literally who knows where they're going to go with s4 being the way it was #mAyBE tHiS iS tHe PoInT iN OuR HeRoS JouRnEY WhERe thIngS gEt A liTTLe biT dArkER #asks #lmk #lego monkie kid #lmk meme

[darkcircles4lyfe]

labor of love

Thinking back on the books and shows that have captivated me most over the years, I’ve noticed that a significant part of my enjoyment comes through glimpses of the creator themselves. The human, fallible, subjective, personal, and unique perspective that bleeds through. I'm forever trying to see things from the other way around instead of as the audience. As I become more familiar with a person’s work, I almost imagine myself as the close friend who can see bits and pieces of their loved one in everything the write. 

When I deal with fandoms or read and listen to media criticism, I inevitably get slapped in the face by the absence of this habit in other people. Maybe it’s because of concepts like “entertainment” and “consumption” making art into a product we spend our money on, and therefore we feel it owes us something. Maybe it’s the trend of pretending arbitrary differences in taste are actually somehow a basis for objective criticism. Regardless, even though I see plenty of reminders all over fandom spaces encouraging people to just enjoy things without worrying about whether they have some sort of intellectual merit, I don't see much acknowledgement of the creator’s point of view here. 

So let’s talk about creative work as what it is: somebody’s dream, which brewed in the dark and solitary chambers of their mind, real but invisible to the outside world. By some miracle of good fortune and incredibly hard work, that dream is made accessible to us, the audience. It’s difficult to express how surreal that really is. Not all media is like this, of course. But sometimes you can see when a story is made with love, that the creator is so in awe of this miracle that they bring all of themselves into it. When that happens, I too fall in love, and preference no longer seems to matter. It’s not, “I enjoy this thing because it’s so ME,” it’s more, “I enjoy it because it’s so THEM.”  

I worry sometimes that I have rose-tinted glasses on, but here’s the thing. We seem to over-associate criticism with logic, and praise with delusion, when in reality they are both limited. What I’m talking about here is neither. Sorry if this sounds cheesy, but I think “to love,” means “to know.” It’s where flaws and strengths blend together into a whole that is understood as it is cherished. 

All these various observations have been tumbling around in my head more and more since I’ve gotten into this funny little thing called Boku no Hero Academia. It’s so popular, so polarizing, it draws in such a wide range of opinions from so many different kinds of people. I find it fascinating to watch, but, like I just said, it also tends to slap me in the face. Not out of personal offense, mind you. More than anything I’m stunned by how disconnected a lot of people are from this human element, whether they are being negative or positive. Even if they know enough to invoke the name of Horikoshi, they treat him like more of a figure than a real person. 

It’s true none of us can actually truly know him. However, I think that while the author/audience relationship is a somewhat parasocial one, it’s worth acknowledging the mutuality of it as well. Let me take you all on a little journey to bring “the creator” down to Earth. 

First, a few plain facts: Before bnha, Horikoshi was able to get two other manga into serialization: Oumagadoki Zoo and Barrage. The former lasted 37 chapters from 2010 to 2011. Barrage lasted 16 chapters, in 2012. Juxtapose this with Boku no Hero Academia, which as of writing this, has been running for over 370 chapters spanning 8+ years since 2014. Horikoshi is currently 36 years old (born in 1986). 

Now let’s go back even further. His first one-shot was published in 2007, when he was 21. It’s called Tenko, and you can read it in English here. Most obviously, we can see that this Tenko character was later adapted to the Tenko we know in bnha, with a similar power, backstory, and appearance. But I actually think there are a few other ways we can draw comparisons from this genesis of Horikoshi’s career, all the way to the present. 

Here is the intro that prefaces the 2007 one-shot:

^I get chills looking at this, and it makes me grin, no joke. Please take a moment to read all the little tidbits. It sounds like the intentionally foreshadowing first scene of a famous person’s biopic, but no one had a clue back then. I just find that so hilarious and moving at the same time.

So think of the Tenko one-shot as a window into who Horikoshi was as an artist and a storyteller pre- pro industry, with the assumption that certain aspects of his work are probably simultaneously a bit more upfront but also underdeveloped. You know, like a kid. There’s both honesty and naivety there. I can also think back to being around 21 myself (only a few years ago lol), about the stories I was writing in school, the workshop classes I was in with other people my age, what they were writing, the things that were important to us that we discussed informing our work. It’s a formative time, right?

One of the primary things I notice about the Tenko one-shot is that it centers themes of power, heroism, and trauma, and has a resolution which involves bridging misunderstandings. 

It’s all very ideological, but also full of raw emotion. I read somewhere (sorry can’t remember where) Horikoshi saying that in formulating his idea for the ending of bnha, he has kept asking himself, what does it truly mean to be a hero? It seems he started asking that question way back in 2007, through this little story about swords and their wielders. The Tenko one-shot acknowledges that people and power are morally complicated, as is the idolization of heroes. The ending is hopeful, and looks ahead to times changing for the better by the will of progressively-minded and determined people. 

This reminds me of the current arc of the bnha manga, and how the whole story might eventually end. Horikoshi has shown us that the villains are worthy of sympathy, that they are a product of society’s willful ignorance, that “heroes” have also done abhorrent things. But he has also embraced the pure optimism of youth. He seems eager to ask the big questions about right and wrong, and present us with both ambiguity AND certainty. The final fights are not at all a contest of strength, and there are no winners and losers. I’m very curious to see how far he takes this. I’m sure it will ruffle some feathers, and leave some people unsatisfied, but that’s probably a good thing.

The other major thing I notice in the one-shot is the character Hana. Now, as she shares her name with one of the main characters in Oumagadoki Zoo, and they are also similar in personality, that could be where the comparison ends. However, that’s nothing to say Horikoshi didn’t continue her themes elsewhere. The Hana in the Tenko one-shot is primarily preoccupied with her goal of becoming a warrior, and she was inspired some time ago by a warrior who saved her. This other warrior, conicidentally, turns out to be a brutal, a-moral, self-proclaimed demon, and he actually doesn’t take Hana seriously. In some ways, this reminds me of Hawks with his own idols, Endeavor and Lady Nagant, and more generally the idea in bnha that someone you look up to might not be all you imagine them to be. Like All Might and his hidden suffering. Or like Ochako looking up to Izuku up until his solo arc, after which she proclaimed, “special powers are one thing, but there’s no such thing as a special person.” 

Speaking of Ochako. Hana’s primary source of angst in the story is that since she is a woman, her “masculine” ambition is laughed at and dismissed. Her dialogue with other characters is very direct about this, which I find pretty interesting. 

You can really feel her frustration and see the blatant misogyny in how she’s treated. Even though things are stated kinda bluntly, it feels genuine, ya know? Note that she also wears men’s clothes, and nothing about her appearance is catered to the “male gaze.” I mention all this because to me it contextualizes Horikoshi’s more recent female characters. We can infer that he carried this perspective on, but in subtler and more nuanced ways that might not be immediately noticed. They may sometimes look like shonen stereotypes and be influenced by a misogynistic world, but this is likely an act of parody and/or criticism on Horikoshi’s part. For example Ochako’s fight in the sports festival illustrates a similar point to Hana’s struggle as Katsuki is the only one who takes Ochako seriously while other male classmates see her and other female opponents as inherently weak or potential love interests. 

Hana remains ambitious, fostering her own motivation beyond her previous idol, and her ultimate goal is to help people. She reminds me so much of Ochako’s recent convictions. Ochako is fully herself now, and I’m confident her fight with Toga will show this even more, in a way that is much more direct. Since ch 374, I anticipate we may be getting confirmation of things pretty soon, so I wanted to restate that ASAP. 

I’ve said this before, but it really does trouble me how a lot of people assume so much about bnha based on other shonen, disregarding the fact that Horikoshi is his own person. This either leads to undo criticisms or expectations that will likely not be delivered on. It makes me sad because I want people to enjoy this story for what it is. I hope this is a reminder that although it may seem on the surface like Horikoshi is rehashing the same old thing, his work really is a labor of love, of knowing. It is an homage, which both celebrates and deconstructs. Please remember that for the day when folks will be scrambling trying to figure out how we got here. Ironically, the signs were there all along, from the start of Horikoshi’s career, if you only care to look. 

#Im back? kinda #please be advised that I am busy and tired etc etc #bnha 374 #bnha 375 #bnha 376 #bnha manga #bnha meta #media criticism #shonen #mha #boku no hero academia #my hero academia #uraraka ochako #toga himiko #bakugou kastuki #shimura tenko #lin speaks #long post

[cloudninetonine]

Remember that au I proposed where the boys never forgot Player but don’t tell them that they all know them due to the reaction they have? What if…

—

Things were… uncomfortable, the smithy found. Being forced into another journey wasn’t anything new, it was kind of expected at this point. However, the circumstances lining up to have nine heroes haphazardly shoved together in environments mostly unfamiliar without any real knowledge of each other made the whole situation tense.

The vet, traveler, and cook were by far the most suspicious of their new partnership. From the little Link had gathered from their journeys, they had pretty much no companionship, and thus were quicker to mistrust.

That didn’t mean no one else was giving side glances though. The Hero of Twilight often shifted uncomfortably when someone was too close, the Chosen Hero refused to let Link near the “Master Sword” to polish it (not that he particularly trusted the blade), and even the mature Hero of Time sometimes gave the scrutinizing side-eye glare.

The smith was guilty of this as well, though he liked to think he handled the strangers better than most, not as good as the captain, but alright enough.

Speaking of the captain, it had seemed that he had finally snapped.

“All I’m saying is that things are awkward, too awkward. The group dynamic needs a change and fast. Let’s all share something good from our journeys! Surely we all have something nice from our time heroing?” The Hero of Warriors prompted, half finished bowl in his lap.

“Right right.” The Hero of Legend spat sarcastically, arms crossed with a sneer plastered on his face. “You’re probably just trying to butter us up, or get information on us that you can use to your advantage. Well I’m not falling for it, pretty boy.”

Four watched as the captain’s eye twitched, the man took a deep breath in before continuing. “First of all, drop the attitude. Second, I’m not trying to scrape up dirt in you or stab you in the back, we are doing poorly in battle because of our lack of communication and it’s caused us to use more resources than necessary. Besides, what’s the harm in a bit of story telling?”

“I agree with the captain,” said the old man, the official-unofficial leader of their group. “We’ve been dancing around each other like blind cuccos, it’s about time we open up at least a small bit.”

Silence, no one wanted to speak up.

We should do go first, Vio murmured.

What? Why? Blue internally raised an eyebrow.

No one else is willing to speak up, and I’m sure we’ve got some sort of happy or even funny story to share, Vio explained.

He’s got a point there, we’ve got a metric ton of tales about our bad reactions to green peppers, Green laughed.

That’s too easy though! It’s gotta be something special for the first campfire story! Red argued.

…What about our guide? Vio proposed with a twinge of hesitation.

That may be a bit too personal-

IT’S PERFECT! Red exclaimed, interrupting Blue.

Wait, Red we haven’t agreed- but Green was too late, Red was already running their mouth.

“I had a guide.” Eyes turned toward the shortest hero, who sat straight despite the need to cower.

Good going Red, now we have to keep it up, Blue groaned.

“I’m not sure what they were, maybe a being sent by Hylia? Though they denied having affiliation with her, and didn’t speak with the formality you’d expect from an angel. No, they were silly, and fun, and stupid, and kinder than the word kind.” The smithy continued with caution.

“They took the form of a glowing light in my chest, no one else could see, feel or hear them but me, and only magical creatures had any sort of sense they were there.” The smithy felt himself getting enraptured in the story, not really ever getting much of a chance to do a whole lot of story telling made this one of the few that he hadn’t told to his father, Zelda, or Smith. It was exciting.

His happiness made it harder to notice the sparkle in the others eyes…

“They were there throughout all of my journeys, every last one of them. They gave me such a feeling of support and comfort… something I couldn’t ever think to let go.” It was getting too personal now, he knew that, but he was too far in.

“But after my most recent journey, they… left. I had noticed they weren’t talking much after the initial victory, their light felt weaker too, and I was starting to get worried.” None of the colors noticed their now wobbling vision, nor the wet fell sliding down his cheeks.

“After they didn’t say a word at the celebration over my victory, I confronted them, asked what was wrong. They said they had to leave.” He wiped at his eyes, forgetting it was strangers he was speaking too. “I begged them to stay, did everything in my power to keep them close, but nothing I did helped, and they faded away that awful night.”

Link get his grip on his spoon tightly, veins popping out from his skin at the force as his hand shook. “I regret trying to get (Name) to stay, I don’t think they had a real choice in the matter, I’m sure my tears only did them more harm than good a the end- GUHK-“ Hands grabbed his shoulders he yanked him closer. Link found himself looking up at the Hero of Winds, who was on his knees in front of the short hero with a wild, desperate, and sad look in his eyes.

“Was their name (First Name) (Last Name)?” Link froze, staring at the young hero with shock.

“Y-yes, how did you know…?” The smithy startled when the sailor began to cry, resting his head on Link’s shoulder as he feel against him.

“Wait- did you two both have a guide called (Name) too?” Link looked over at the traveler, who was normally a silent shadow slinking behind them, he now held a shimmer of pure hope in his gaze.

“You guys as well?!” The cook shouted, looking at the three heroes with tears stroking his cherry cheeks.

“Did… did we all have the same guide?” The skyloftian questioned, shrinking as all eyes leveled on him.

“I- I never thought of the possibility that (Name) would be there for you guys as well.” Twilight said, licking his lips nervously.

“But was- were they the same one? Or were they like us, having the same spirit but not being the same person?” The hoarder said, voice uncharacteristically soft.

The smithy paused while gently pushing a sniffling sailor to sit on anything that wasn’t Link’s lap. He pondered briefly, we’re they the same light?

Wait… I remember! Vio exclaimed, already opening their mouth.

“They were the same! When (Name was fading they told us- m-me that they ‘have more silly heroes to watch over now’. They must have been talking about you guys! Or, at least, whoever comes after me.” Link rambled.

Wow Vio, good slip up there, it’s not like we’re trying to keep ourselves a secret or anything, Blue snidely commented. Vio winced, the noise carrying over to the real world.

“So, each of us were truly guided by them?” The old man finally spoke up, voice quiet.

The Hero of Warriors laughed, flicking away a tear in his eye. “Do any of you perhaps remember how they’d worry about you? Like, I could get the tiniest scrape and they’d be screaming the most vile things at whomever did it, sometimes it was enough to make me blush.”

The veteran chuckled, “I remember telling them off for that, as half the time they’d get me into trouble on purpose. I can’t tell you how many times I was tricked and attacked by cuccos because of them.”

The group laughed at that, reminiscing their guide’s good ol’ mischief.

“Oh! Do you remember those terrible puns? I swear, every time we were out at sea they would make a fish joke. Every. Single. TIME.” The sailor groaned, falling flat onto the grass, no longer crying.

“They did the same to me, I would complain to Navi about the awful jokes, which got her to start making them as well.” The Hero of Time said dramatically, causing a torrent of more stories that evolved and got longer as time went on.

The Hero of the Four Sword hadn’t meant to start this full group chat, but it felt… really nice. With the pit his guide had left within his heart, he found something that could just about fill it, even if it wasn’t the same.

—

“I’m a little worried about them.” The traveler chewed on his cheek, looking at the champion’s door.

Link sighed. “They’re fine, you and Gilda said it yourselves, the shadow didn’t harm them.”

“Yeah- but- I don’t know, I just have this… this feeling.” The Hero of Hyrule said.

“What type of feeling?” The Hero of Warriors said with a smirk.

“You know what I meant. I just think they’re… familiar, they’re familiar to me.”

The skyloftian hummed, “You aren’t alone in that, I felt a little weird when we found them.”

“You think they’re evil?” Vet said, glaring up at the window you were probably behind.

“I sincerely doubt their bad, they aren’t a monster.” The Hero of Twilight tiredly grumbled, helping himself to a second serving of breakfast.

“Yeah, but they’ve got weird circle ears! Isn’t that kinda odd.” The Hero of Winds said with an upturned lip.

“The people of Ordonia have round ears, they aren’t special.” Ranch-hand argued, sitting down on the grass with a thump.

“Yeah, but I’ve met like everyone in Hyrule, and no one here has ears like that.” The cook pointed out, shushing Epona as she nickered for another apple.

The smithy huffed, “Well maybe-“

The door flew open, the person they had saved there with a panicked expression. They’re eyes bugged at the sight of their large group, landing on Sky, who was the closest, before slamming the door.

“-Ohp, oh there they go.” Sky said with a startled blink.

“Goddesses almighty.” The veteran groaned, muttering as he rose to his feet and walked into the house. There was a shout of surprise from him and-

“STAY BACK!”

…What?

The Hero of the Four Sword was moving before he could think. He knew that voice, he knew it too well.

He shoved himself between the other’s legs, who were also scrambling to get into the champion’s abode. He stopped, staring at the person, at you with awe.

He had never seen you before, how could he? You were sort of stuck in his chest as a disembodied light during every journey he had. You were almost exactly how he expected, both from how you would describe your appearance and from how you sounded. A kind yet mischievous face, soft hands without a cut in sight, and bright, emotional eyes.

Eyes that were currently nervously glaring at the group’s stares of awe.

“Who are you- no, where am I?!” You demanded, zero recognition within your gaze.

…Huh?

—

Oh nooooooo, they forgot theeeeeeeemmmmm, how saaaaaddddddndndnfjfjnfnd.

This is that memory au I had a long while back! I told it from Four’s perspective because I like him, though I’m not sure if I did his colors as it is intended??? Nor do we know how Player leaving works

Also, completely unrelated, but remember like- all the way back when I first started drawing art here? I drew the colors hugging Player, how do you feel about a redraw? I kinda want to do it but am unsure

OKAY BUT I LOVE THIS SO FUCKING MUCH I REALLY HOPE YOU MAOE MORE BB

This was literally an amazing read I've fallen in love

#cloud answers #bloodybloob #BB

[creativeafterdark]

Chapter 9 and 10

Heyo folks taking a @journeythroughjourneytothewest

Had to take a break from book club last week, burn out was very bad. But I've had a week to relax, celebrated my birthday and slept most of the day lol. Let's get back into Journey to the West

First: Chapter 9.

We finally meet our Monk and learn the story of his family!

We don't spend a lot of time learning about them (minus his Dad, gets a thumbs up from me. Kind to all and easy going enough to be like "I got hit by a ball-- oh I'm married now? Okay cool". Like talk about a shotgun wedding), but we do see little bits that remind me of our Monk. He does share his kindness with his Dad, and I genuinely think his anxiety is from his mom. I'll talk about her in a minute because she is a whole other thing.

My one question is... wouldn't other officials notice that Liu Hong, essentially becoming Chen E, had no idea what he was doing??? He went on business trips, did no one recognize he wasn't who he said he was????? I mean you would think anyone who took the exams with him who got positions would be like "uh... that's not him tf??". Or they just did not care. Who knows at this point. Apparently he had Six Eared Macaque level disguise skill, rolled a nat 20 in bullshitery.

Now. Lady Yin. The poor lady went through hell for over 18 years. She had to watch her husband get murdered, had to abandon her baby, and had to play wife to a murderer. Even when her husband came back... I'm not surprised she still ended up passing. That's a lot of guilt (and I'm sure Liu Hong was not kind to her) on her mind for a LONG period of time, nearly two decades. I wish there was a happy ending for the family but I get why it ended how it did, knowing what depression and anxiety can do to people.

Now our baby Monk. Our Xuanzang. I am so proud of him for being as brave as he was. This recently turned 18 year old did everything he could to help his family. Licking his grandma's eyeballs was...a choice. But it was for a good cause so good on him. I can see why he was a good choice as the Scroll Pilgrim.

And as promised, a sketch of Xuanzang

And as a bonus baby Monk with a doggo

But now we move to Chapter 10.

...I legit got annoyed going thru the debate between the fisherman and woodman. Like it went on far longer than it should have. I'm sure there was a profound moment that we're supposed to glean from it but I just wasn't receptive to it. Maybe I'll read it again.

Anyway.

I have been doing some looking into of Chinese historical heroes (I desperately want to read Romance of the three kingdoms, and I need more reading material about folk heroes and heroines) so seeing some references to the stuff I learned made me happy. There was mention of Liu Bei and Zhuge Liang and the painting of The Emporer's Generals on the doors (supposedly the Tang dynasty is where this practice was first used. A few three kingdom folks also get this treatment as door gods, or menshen, along with other important heroes and deities. Makes me wonder if the Emperor essentially deified his Generals and Wei Zheng. How does Heaven handle that?)

Fun fact! In my jttw x mythology story Wukong will work with Asena, mythical wolf mother of the Ashina Clan of Gokturks. Guess which dynasty of China had to deal with them a lot? :)

Anyway.

I've also come to the conclusion that Dragons just like to fuck around and find out. Like, the Dragon King just goes against heaven's orders to spite a very accurate fortune teller, does not even THINK of the consequences, and is surprised Pikachu face when he gets in trouble. Also not sure why he thought appealing to an earthly emporer would save him from THE SUPREME DAOIST DEITY'S JUDGMENT. Like, y'all, I'm beginning to think dragons just don't give a crap or just don't think. Got what he deserved for being dumb. Did the emporer make promises he shouldn't have? No doubt, you don't promise supernatural beings anything because it will make you want to die if they catch wind of you breaking promises, regardless of nationality. Did he deserve what he got? .... I mean historically probably but in the sense of this story, no.

I find the Tang dynasty interesting (because it gave us a certain Empress and had some fun female warriors, like Taizong's sister, who helped her father found the dynasty) and I can definitely thank jttw for getting my attention about it.

I think that's all I have as far as thoughts. And I apologize if my rambles just jumped around too much lol.

Over and out ✌️

#journey to the west #jttw book club #jttw tang sanzang #jttw Xuanzang #xuanzang #slight mention of #jttw x mythology #the more you know

[apocalypticavolition]

Let's (re)Read The Eye of the World! Chapter 46: Fal Dara

Another day, another spoiler warning. Do not read this reread if you don't want the entirety of Wheel of Time to be spoiled for you. The revelation that the seven seals are the fragments of Lews Therin's childhood sled Rosamund needs to be experienced within the text itself, not blabbed on some internet blog. Block the tags and move on!

This chapter has the tree at night icon, which is interesting since this chapter takes place in the day and the journey the heroes undergo isn't the main thrust of the chapter. Perhaps it reflects Fain? Or maybe Jordan couldn't think of a good fit for this chapter but didn't want to make up a whole new icon just for one single one.

Rand shook his head. Trees bursting? And that was during an ordinary winter. What must this winter have been like? Surely like nothing he could imagine.

As a young lad growing up in Alaska, I could only laugh at Rand's naivety. Really, there were almost no winter scenes that could impress me in fantasy worlds. Shit's cold, y'all.

“Curtains.” Perrin chuckled. He immediately wiped the smile off his face when the two women raised their eyebrows at him. “Oh, I agree with you. There wasn’t enough rust on that scythe for any more than a week in the open. You should have seen that, Mat. Even if you missed the curtains.”

Perrin, don't mock Egwene for having pretty decent Sherlock Holmes deductions. You can't even hide your supernatural powers from everyone else. Why is the people ta'veren so bad at subterfuge?

“So many?” Perrin said. “The stories say the Green Man is hard to find, and no one can find him twice.”

When I first read this bit, I was immediately put in mind of The Neverending Story's Childlike Empress, who (at least in the books) operates on similar rules. More on that in a moment.

If you boys . . . you men, can do what has to be done when you’d rather do almost anything else, why do you think I will do less? Or Egwene?

Isn't Nynaeve wonderful? She's got every reason to beat Rand over the head with a stick for this suggestion - and let's be real, that's absolutely her habit - but instead she sticks with complimenting Rand and insisting at staying by his side.

“I only danced with Aram, Rand,” she said softly, not looking at him. “You wouldn’t hold it against me, dancing with somebody I will never see again, would you?”

Was Egwene being super possessive about all of this because she thought Rand would behave the same way? Just trying to beat him to the punch because he's been so consistently shitty during this adventure? It seems like a better explanation for her behavior than anything else, and lets us move past this, right? We're never bringing this up again book, RIGHT????? PLEASE?

It's such an annoying subplot...

A number of others shouted, “Glory to the Builders!” and, “Kiserai ti Wansho!” Loial looked surprised, then a broad smile split his face and he waved to the guards.

Poor Loial, wasting all of his time in the south where people think everything interesting is all snarks and grumpkins instead of going to the North where the people know that all the myths are true. The Ogier stoneworking probably has done more to forestall the fall of the west than any specific person.

From one of the gate towers an armored man called down, “Welcome, Dai Shan.” Another shouted to the inside of the fortress, “The Golden Crane! The Golden Crane!”

This chapter is also our first taste of just how wildly popular Lan is in the Borderlands. It's probable that he gets the most love here in Shienar, since presumably most of the diaspora ended up here and the countries used to be neighbors, but he gets plenty of respect everywhere else too. It's a shame his relationship with his people and supporters is so tenuous at this point.

“Things are never as bad as they appear, Dai Shan. A little worse than usual this year, that is all. The raids continued through the winter, even in the hardest of it. But the raiding was no worse than anywhere else along the Border. They still come in the night, but what else can be expected in the spring, if this can be called spring. Scouts return from the Blight—those who do come back—with news of Trolloc camps. Always fresh news of more camps. But we will meet them at Tarwin’s Gap, Dai Shan, and turn them back as we always have.”

Good on Ingtar for being so optimistic. Shame it's all a damned lie and he genuinely thinks that it's only a matter of time before the Trollocs finally overwhelm humankind and drive them to extinction. It makes him a rather funny contrast to Lan, who as we've established is not remotely optimistic about anything but is completely faithful in his service to the Light.

“Ninte calichniye no domashita, Agelmar Dai Shan,” Moiraine replied formally, but with a note in her voice that said they were old friends.

The sheer amount of Old Tongue being thrown at us in this segment is a bit annoying because most of it is just nonsense at this point. (And really later on too.)

I am so sad that we'll never get to know how Moiraine and Agelmar became old friends. They must have crossed paths many times in her twenty year search for such a relationship, which makes me wonder: why? What Black Ajah schemes was Moiraine trying to thwart? It's still a damn shame we never got the other two prequel novels.

Agelmar hesitated, pulling a map from the tangle on the table. He stared unseeing at the map for a moment, then tossed it back. “When we ride to the Gap,” he said quietly, “the people will be sent south to Fal Moran. Perhaps the capital can hold. Peace, it must. Something must hold.”

I have to note though that Jordan's having the Borderlands in this kind of state so early on in the novels really hurt the overall momentum of the story. In just a few books - a year and a half of in-universe time - the Blight will be unnaturally quiet and the monarchs of the land utterly derelict in their duties. The later quiet does make a good deal of sense (the Shadow is holding everything it has back for the Last Battle), but the overall arc isn't strong as a result and the monarchs look incredibly stupid for having forgotten what just happened and being unable to connect the dots even as Maradon comes under siege.

When he raised his head his blue eyes burned with a fierce light, but his voice was calm again, and flat. “I am a Warder, Agelmar.” His sharp gaze slid across Rand and Mat and Perrin to Moiraine. “At first light I ride to the Blight.”

In a way, this moment must be something of Lan's last temptation. He's offered what he wants, a suicidal but honorable battle in the Blight. Further, from here on out, his path is set: Moiraine arranges for him to be handed him off to Myrelle next book so there's no way for him to truly leave, and then of course Nynaeve plays interception and keeps him alive until the end. For all the tragedy of Lan's upbringing, it is good he never gave way to this option and that he doesn't now; all he would have accomplished is the loss of too many good fighters in battles that didn't matter.

Rand abruptly realized the Lord of Fal Dara assumed it was Nynaeve and Egwene who with Moiraine would fight against the Dark One. It was natural. That sort of struggle meant using the One Power, and that meant women. That sort of struggle means using the Power. He tucked his thumbs behind his sword belt and gripped the buckle hard to keep his hands from shaking.

I like how subtle Jordan has been about Rand's firm denial about what's happening to him. Even here, it's not immediately apparent that he's forcing down the revelation about what Moiraine's quest means.

“You have seen the Green Man, Moiraine Sedai?” The Lord of Fal Dara sounded impressed, but in the next breath he frowned. “But if you have already met him once. . . .” “Need is the key,” Moiraine said softly, “and there can be no greater need than mine. Than ours. And I have something those other seekers have not.”

The exact mechanics of how Moiraine pulls this off are technically obscure - she's probably right about need, but surely there's more to it than that since the Green Man decides and apparently never helped anyone twice before but...

There was a reason I mentioned the Childlike Empress, whose "once per customer" logic had a single, strange loophole. Visitors from our world were able to see her as many times as they wished, because each time was the first time. I can't help but wonder if Rand's ta'veren made it so that to the Green Man and his magic, something like this was going on as the party approached.

“The Trolloc Wars left nothing but memories, Loial, son of Arent, and people to build on them. They could not duplicate the Builders’ work, any more than could I. Those intricate curves and patterns your people create are beyond human eyes and hands to make. Perhaps we wished to avoid a poor imitation that would only have been an ever-present reminder to us of what we had lost. There is a different beauty in simplicity, in a single line placed just so, a single flower among the rocks. The harshness of the stone makes the flower more precious. We try not to dwell too much on what is gone. The strongest heart will break under that strain.”

I hope that when the Last Battle is done and the Blight is gone, the Borderlanders can embrace intricate and soft beauty again. They're not wrong in their aesthetic, stark and simple can be truly great, but there is something tragic in their being forced into it by the Shadow when they're clearly a far more poetic people than circumstances permit.

“Your pardon, Aes Sedai, but I must see to this. Perhaps he is only a pitiful wretch with his mind blinded by the Light, but. . . . Two days gone, five of our own people were found in the night trying to saw through the hinges of a horse-gate. Small, but enough to let Trollocs in.” He grimaced. “Darkfriends, I suppose, though I hate to think it of any Shienaran. They were torn to pieces by the people before the guards could take them, so I’ll never know. If Shienarans can be Darkfriends, I must be especially careful of outlanders in these days. If you wish to withdraw, I will have you shown to your rooms.”

Again with that beautiful hypocrisy. You probably do know, Ingtar. You might very well have been the man who set them to it, thinking and hoping that a fast and painful battle yesterday might lead to a retreat today, with more men spared to fall back in the capital and forestall the end just a little while longer.

Or maybe not. Darkfriends do operate in cells and this one might have been entirely beyond Ingtar's reach.

“He made me his hound! His hound, to hunt and follow with never a bit of rest. Only his hound, even after he threw me away.”

And since Ingtar has proven false, I wonder a great deal about the other major Darkfriend in this chapter. Is he playing up the Smeagol act so that they'll underestimate him, maybe even try to set him on a path to redemption so that they can all be corrupted or killed faster? Did the merger he just experienced with Machin Shin leave him pretty traumatized in an immediate sense? Is he really experiencing spells that have him alternating between the Smeagol and the Gollum, possibly as a result of all the different forms of evil running through him? Will any of this matter after book seven or so?

“Great Lord, your might is unquestioned, but can it stand against the Dark One forever? Do you not often find yourself pressed to hold? Forgive my temerity, Great Lord; he will crush you in the end, as you are. I know; believe me, I do. But I can show you how to scour the Shadow from the land, Great Lord.”

This seems to be the Shadar Logoth surfacing but getting all mixed up with the Darkfriendliness along the way. I feel like calling anyone in the Borderlands "Great Lord" is a hell of a way to make enemies.

Stopping behind Mat’s chair, Moiraine put a hand on his shoulder and bent to whisper in his ear. Whatever she said, the tension went out of his face, and he took his hand from under his coat.

I suspect that when Mat loses a great deal of his memories, this particular moment is one of the ones that goes out. Again we do see that Moiraine can be a human, caring mentor figure, she's just not very good at it.

#let's read #wheel of time #wot #robert jordan #wheel of time spoilers #wot spoilers #rand al'thor #loial #nynaeve al'meara #perrin aybara #mat cauthon #lan mandragoran #moiraine damodred #egwene al'vere #ragan #ingtar shinowa #agelmar jagad #padan fain

[britcision]

Our dnd monotheist is At It Again btw

I’m having a lovely time watching their journey, they’re trying to explain “their god is the only one all the rest are fake” a little differently each time

Trying to build it into the lore, to make sense of it with what the party knows, tying in the world building but at the same time…

It’s REALLY showing me where they have and haven’t been listening to the lore cuz they’re coming up with some great explanations! Great reasons why the rest of the world makes sense!

It’s just, little things the entire rest of the world knows about the world that poke instantly straight through

There was a Big Level 20 Fight 135 years ago game time (and boy the elves working out who was alive for that was funny, one of them is lying about her age by fucking 80 years)

As in, a chunk of the map is a crater where the fight took place, because one of the gods from the Celestial Plane tried to step directly into the Prime Material where everyone lives, and use the power of the ensuing explosion

(Because yeah, the Prime Material plane is much more fucking delicate and is not capable of withstanding divine presence directly, it’s “the world is made of cardboard” but the cardboard already burned to ash)

To power themself up enough and take over the surviving realms

So the world knows exactly what happens when divinity tries to walk directly

I told our monotheist this before the game started, part of our “this is how we gonna introduce cracks in his cult conditioning” because… yeah, the cult believes their leader is the only god. In the flesh

Which the rest of the world knows can’t happen, but that does not matter to the cult because they’re a cult, all except our lone PC

And this god was defeated by an alliance of powerful heroes and villains, who solved the problem by taking the beginnings of the crack, whole punching through every realm at once, and slammed the god and their mortal accomplice out beyond time

Neither of them can be remembered, not names, species, what they looked like, what they were the god of, so most of the stories instead focus on the Incredible Love Story of a villain and her rival hero Joining Forces And Dying Tragically In Each Others Arms To Save The World

Cuz yeah, can’t try and do it again if no one knows how it was done, just that it went Really Really Fucking Badly and should not be attempted again

And our monotheist knows this story, it’s come up in game and they went to a play about it and all as part of our world building, and I gave them some spoilers for part of their cult planning

And last session, oooh they did a good last session, they had their lad justify it as maybe the Incursion was the one true god trying to come through directly? And they were proud of them and I was proud of them

And I reminded the party that the only thing y’all know about the god in question is that they have been removed from time

Can’t be remembered, is no longer here

And my dear monotheist looked so surprised? Like they expected their boy to be right? And I just

It was one of my three big bullet points about the incursion

1) god tried to come to world

2) god and follower removed from time

3) Tragic Love Story That Totally Won’t Be Relevant Later

I know they remember he’s supposed to be wrong and have the revelation because He Chose Another God To Paladin To (Verenstra) and because the bit of his story we’re fucking vibrating to get to…

Is learning the cult is wrong and attacking them to get in and rescue his Beloved Brother/I Think Originally Love Interest But They Decided On Brother and helping break his conditioning

Like, most of what we talk about is the deprogramming of brother and Fan Service Best Friend (who will be getting a character arc they don’t know about yet 😈😈😈)

Just in the moment, in character, I fucking swear they forget Every Single Time and I’m starting to worry about them

We can’t get to the arc they want to get to so badly until he starts to ask questions????

But he did just tell the cleric to his face that his god is either a lesser employee or fake and the cleric’s a petty bitch so that’ll come up again when he needs healing

Monotheist is so proud of his one level of paladin cuz he can heal now but he’s about to learn just how little that first level is because oh yeah, directly after that conversation? They’re going into a boss fight

The cleric has 100% of the time been the one connecting pieces in the background and unlocking everyone’s secrets (he also takes no notes and plays drunk I’m very impressed), he remembers EVERYTHING

#big gay dnd problems #pasha’s paw patrol

[its-whitetomorrow]

Pokemon “Journeys” in a nutshell:

What’s apparently awesome:

- not just one region but many!

- old characters can return, even some of the old plot threads can be referenced!

- special events with return of non-Satoshi related characters and mons

- Team Rocket got Team Rocket mons, it’s cool and something new!

- Team Rocket got a cool secret lair, cool!

- Team Rocket is well-balanced and their episodes can be all sorts of fun, cool, funny and villainous

- Despite the gacha machine, James gets a Pokemon of his own, so both Jessie with Wobbuffet and James with Morpeko can use a Pokemon without depending on the machine

- the new pokegirl is more unique this time around, I’m interested to see more of her, maybe more stuff about her life in school and whatnot

- caching so many Pokemon by Goh is a bit on the noose but it does introduce more firepower to choose from, can be useful!

- it doesn’t feel obligated to follow the game stuff but can do its own thing

- Sakaki/Giovanni, Team Rocket boss, got a very cool intro with a brand new music theme which is literally called “Sakaki” - surely it means excitement, great things await us!

- There is no big plot or threat for our heroes to overcome. No villains. Nothing. From bigger things there was only Eternatus, at least that was pretty cool and seemed like they gave justice to this alien menace! They were not afraid to go all out and treat this Pokemon as a villain! Bravo!

- Satoshi got a great arc as a mature, more experienced trainer, though he can still act like himself not a forced paragon of heroism, at last!

What actually happened:

- most resolves around Kanto and when it’s another region you hardly even notice because they refuse to feature some of the known, famous landmarks or key characters such as different regional Professors

- old characters return for longer periods only when it benefits Satoshi’s arc and have little-to-no substance beyond it, literally everything else and every opportunity is shied away from to the point where it looks almost ridiculous where it concerns characters such as TRio, for example, who’s been there every step of the way with Satoshi but are utterly excluded from any such “call back” moments

- they can bring back Mewtwo or Team Galactic from Sinnoh anime (wtf!!!) but it hardly matters, it’s just a one time thing, completely out of a blue, with zero substance and explanation behind it, not a nicely done arc and plot

- Team Rocket got Rocket mons from the boss, but these are never used for any official business, TRio is just fooling around in their “standard” roles - but it gets worse, the series introduces a contrived, brainless plot twist with Matori who considers them “problems” but how come they got equipment from the boss then? Wut? Make up your mind!

- Team Rocket’s cool secret base isn’t used for anything substantial and cool, just a few moments on sofas and with food, so it’s even worse treatment than their Alola base! 

- Team Rocket’s characterization and balance may be OK, but they’re still such an afterthought in terms of plots and their role, so rather than actually use them for something bigger... the show usually shies away from any and all such possibilities, ultimately replacing them with “alternate versions” in literal black uniforms like in BW, and acting like Journey TRio can’t even recognize their recent past selves because they’re morons and wouldn’t recognize their own reflections in a mirror or something

- James and Jessie don’t use their own Pokemon which they both posses, it’s only the machine all the time, and Morpeko’s existence is utterly pointless to begin with!

- the new pokegirl quickly turns into a vessel for old stuff such as Poke contest call backs, feats with pokemon in circuses and most of all - yet another Eevee pandering. You won’t learn anything more about her as a character outside of her Eevee, you won’t learn more about her school life, what her dreams are or what’s her past relationship with Goh, overall you won’t be seeing much of her....

- Goh has so many Pokemon alright, even has a legendary... but there is no need to use them against a crisis or a bad guy, well nothing nothing nothing happens they’re just there, he got them, he has the pokedex numbers, the end

- anime doesn’t really follow the game stuff... only when it decides to do that at random, just for the sake of it, introducing SW/SH characters in ways that don’t really contribute anything to the series at large and don’t offer a sense of plot nor progression, merely a shallow sense of obligation. But generally, yeah, it doesn’t feel like it needs to focus on the games, it can do its own thing... except “its own thing” is just episodic content, no storyline other than battles, and overall nothing happens. NO VILLAINS here

- Sakaki, Team Rocket boss, doesn’t appear in this series AT ALL. Which makes it far worse than Hoenn or Sinnoh, where he got to make some cameos at least. But you know what that means? Because they had a track made that’s literally called Sakaki? The composer’s hard work was literally wasted and disrespected! They have music made that they refuse to use, IMAGINE THAT

- I said Eternatus was given justice? Scratch that, they brought it back just so they can explain (in a few seconds!) that people and Eternatus need to learn to coexist and that Eternatus can be supposedly “tamed” and “understood” it’s just anger issues nothing nefarious, no alien doomsdays forms and scenarios! Releasing it is a good idea! (but really just a shallow justification for the incoming loss so Dande can use it at the fight and defeat Satoshi, probably)

- Satoshi got a great arc as a mature, more experienced trainer, though he can still act like himself not a forced paragon of heroism, at last! Yeah, that’s the only one they got right here and the only part that made me engaged, and that’s despite me being a huge TR fan and usually not giving a damn about Satoshi! But watch and see it all burn anyway the moment he loses a tournament and is forced into that silly school premise and treasure hunting from new games (probably)

Honestly, I never expected Journeys to turn into such an anomaly... where everything sounds great but apparently nothing happens, both at the same time!!!

#pokemon #pokemon anime #pokemon journeys #pokemon spoilers #team rocket #pokeani

[masterchef901]

We're weird here, right? Yeah? Good. Let me tell you about the fucking MAGICAL narrative journey that is the CoD Zombies story. It's weird, it's jank as hell, and by the end it has me thinking seriously on the implicit meta-narrative to it. Also, the story ends like 4 separate times.

So we begin with CoD: World at War.

"Nazi Zombies", a minigame unlocked by beating the main story, where you get to feel more justified in sinking lead into a horde than possibly anywhere else in gaming, or life for that matter. Over the course of the original maps, the devs see positive fan response and put a little effort into it. We get perks, fancy technomagic laser guns and wonder-weapons, and even some characters and lore.

That lore, by the way, is "The nazis were experimenting on mysterious rocks that turned out to turn people into zombies. Then the zombies broke out. The end." Our heroes, meanwhile, are all simple as hell. A Japanese honor-obsessed samurai, a German mad scientist, a Russian whose only desire in life is vodka, and an ultra-macho rambo-esque American with an IQ only marginally higher than that of the zombies they'll be working together to slaughter. Basically, all stereotypes, but played for that over-the-top sort of comedy enough that I'll be generous and call them 'caricatures' instead. This group would eventually come to be called "Ultimis".

Call of Duty: Black Ops

Back by popular demand, is the Zombies mode, now no longer exclusive to the nazi brand of zombie, because the story's going international. This time, our heroes are going on a tour of WWII-era conspiracy theories. Ancient Vril mysticism, Shangri-La, nazi moon bases - basically the plot of Iron Sky 2. Simple, except not really, but definitely absurd in a fun, goofy way. Notably, the loading screens and advertising also framed these maps in a sort of "comic book"-y way, to help us understand the level of narrative consistency and complexity we'd be seeing here.

(Before continuing, by the way, we also have the absolute TREAT that is the map "Five". Seriously, go watch its opening cutscene, and then imagine those characters being your friendly voices for the duration of the game)

The critical thing here is that, while WaW had some "easter eggs", they were just cute little bits and bobs. "Interact with some rocks hidden around the map, play a song", stuff like that. But Black Ops easter eggs were something else entirely. Trying to explain these feels like explaining the conspiracy theories that inspired the maps. "Go stand on the floor panels to enter Eclipse mode. Then find the four wall-dials and set them to specific values. Now use the shrink ray on a specific rock, which you must then shoot around the map until it lands on the temple." Stuff like that. And even though nobody realized it until the end, they were all connected - if you do all the easter eggs leading up to it, then the Moon egg culminates in the mad scientist character taking over the zombie horde. And then you blow up the Earth.

That's right, they decide to just go flying beyond all chance of imagining this stuff was happening on the fringes of history, it was all-along the story of an apocalypse enacted by a mad scientist and his rival engineering events against him. The End. This was the BIG moment that grabbed the attention and imagination of me and others as a kid. It took Zombies from "neat" to "COOL", and, for better and worse, secured this storyline and style as the "zombies breadwinner" for several games to come.

Side note: I don't recall exactly when they did this, but at some point Treyarch's writers realized that it's maybe a bad look to have one of the playable characters be "'German scientist who helped create the Nazi Zombies", on account of, y'know, the fact that that makes him a nazi. So at some point they did that thing where they "soft-retcon" in some audio clarifying that actually while he was always a psychopath, he was only ever in it For The Science (tm) and it was actually his rival Dr. Maxis who signed his research team on with the reich.

I'm not sure if there's a term for this sort of the thing - when writers don't really retcon in the sense of overwriting previously established facts, but use "reveals" to try and overwrite the meaning of those previously established facts. Yes, technically that's what all good reveals do, but it's also obvious in times like these that there used to be a clear understanding of the lore on both the authors' and audience's parts, which the author has since decided they don't like and want to redo. "Oops, that previous evidence/event didn't count because of contrived circumstances you knew nothing about and could not possibly have guessed."

If I sound like I'm going off on a tangent, I want to be clear - firstly, this sort of practice always frustrates me, because it makes it clear that the author is readily willing to "cheat" in the game that is the communication of a narrative, and secondly because that's secretly what this whole mega-ramble is actually about.

Black Ops 2: We Care About The Lore Now

So, Treyarch wanted to do more Zombies, and they liked the vibe they had so far, so they decide to stay in the storyline that exploded earth. The characters - now a farm girl, a nerd, a hobo, and a schizophrenic guy, all American, all came off more annoying than the "comedic" take Treyarch wanted. This group would be dubbed "Victis", and not only were these characters poorly received, but the story itself would feel aimless. How do you one-up a grand master scheme and the apocalypse? What are our survivors even doing? Treyarch has our old mad scientist and his rival acting as voices in the Victis gang's collective head to try and vie for control of the zombies, and this story would ultimately culminate in one of them (based on player choices involving arcane steps punctuated by some oddly sexual ones) winning the power struggle, and either way, some type of "the world ends again", either with the mad scientist turning the world into his plaything, or (the canon ending) the rival scientist enacting some weird arcane collapse that will let him be with his daughter. Either way, we don't revisit this world again.

I specify world because the characters will return, and even in the same game, actually.

But first - in the middle of the Victis plotline we take a brief visit to Alcatraz for an unexpectedly great zombies experience that's entirely disconnected from either of the plotlines so far. I bring this up only for completeness sake, and for a point that'll hopefully become clearer later.

Anyway, we now return to our regularly scheduled zombie programming - by which I mean, a whole new experience, Origins, featuring "modernized", more tasteful renditions of our original Ultimis team. We're introduced now to a strong-but-disciplined American soldier, a now safely WWI-era not-quite-mad German Scientist, a world-weary Russian who uses alcohol to tastefully take the edge off, and a Japanese samurai warrior who's struggling with the decaying traditional idea of "honor" in a World-War 1 setting.

This "new" (yet chronologically older) variant of the team would be dubbed "Primis".

And this time the plot has them freeing the spirit of a young girl, Samantha, daughter of Science Rival Guy Dr. Maxis who we'd just seen end the world (twice) from some weird arcane trap on the battlefield "of the Great War" so she can go to a mysterious place called "Agartha". Also, the ending cutscene shows her and "Eddie" (who appears to be a child version of our playable german scientist) to be playing with dolls and action figures of the zombies and the playable characters - implying that in fact our whole storyline thus far was "just a game", and the shift of control over the zombie hordes in the first game to Edward Richtofen was in fact just "Eddie" taking his turn playing as the zombies.

It's easy to forget for those of us who've kept up with the story since this, but I cannot overstate how confusing this entire situation was to resolve from a lore perspective. Options were:

1: As implied in the cutscene, acktually "it was all just a game". The lore that players had worked hard to uncover was all, within its own canon, a game being played by children. This was wildly unpopular, but also quite possibly the authors' intended interpretation because in a very real sense, it all WAS a game, and the lore mostly WAS made-up by players out of scraps of lore they'd found.

2: Our four protagonists had acktually all met for the first time in WWI, then again incidentally wound up together again after un-developing as characters due to Magic Rock Exposure (tm) in WWII. Somehow the little girl freed in Origins and her dad whose brain got put in a drone during that process both get put back into their bodies, I guess.

3: It's all a parallel universe with its own separate continuity; the little girl and Eddie believe they're just playing games with toys when in reality they've been shipped off to copyright-safe-Heaven and "games with toys" is how they cope with the trauma of their zombie-filled lives.

BLACK OPS 3: MORE

So, Treyarch picks option 3. Makes sense, it keeps us gamers feeling like our investment was in something worthwhile and not arbitrarily patched together, while also allowing them some more narrative liberty. Easy, right?

WRONG

Rather than just roll with "We're doing zombies again in a newer, cleaner universe", they have to tie everything up ALL together. Our new plotline is that ACTHSDHALY the zombie-rocks came from a bunch of eldritch tentacle-creatures called Apothicons from super-hell. We meet Dr. Monty, who's basically like if Willy Wonka was actually secretly God who's trying to get the kids safe and sound up in heaven and the now eldritch-based zombies sealed back away.

We follow Team Primis as they go back into our first universe to harvest the souls of Team Ultimis (so, their own original souls) which will somehow allow them to go to I-can't-believe-it's-not-Heaven too. They go there, shit accidentally goes wrong when eldritch-satan breaks out, but the gang beats him up with guns and Monty is able to re-establish his perfect world.

Except, uh, he tried to delete the Primis crew while he was it it, but don't worry, that random moment in Alcatraz earlier was act[coughing fit]ally super-duper important and drinking the blood of those prisoners let out heroes survive! BUT ACTASKFHALY THIS WAS MONTY'S PLAN ALL ALONG and he teleports them back in time to fight in-

oh right so "the great war" from origins wasn't in reference to WWI, it was

actually

the site of The Great War between humanity and the apothicons, and Monty time-travels the crew back then to be the heroes of legend that set up Origins to happen, creating a time loop. Characters are, this whole time, saying "the paradox must be resolved" without ever explaining what it is.

But yeah anyway the whole ride this game leads to a big "it was all a time loop" cycle deal, and also the tone has slowly shifted from BO1 comic-style to something that feels more like an "Avengers"-style quiptacular with MORE budget, MORE stakes, MORE lore that actually isn't a good thing because the more lore they pile on the more twisted and absurd the story has to get and also it occurs to me that "going avengers" actually is kinda the natural conclusion to "being like comic books".

BLACK OPS 4: BUT WAIT THERE'S FOUR

So at this point, Treyarch and Activision in general are spending more focus on trying to figure out a new angle to Zombies, but nothing takes off. Infinity Ward's "Zombies in Spaceland" was a whiff, Cod:WW2's "reboot" of Nazi Zombies didn't stick, and their new "Chaos" storyline featuring mixed-religious lore was also met with lukewarm-to-poor response (sidenote here: now that we're in a proper era where it's common practice to ask "What if Ra punched Odin in the face while Ares watches" we really should establish a term for it, like "Mixed-Religious Combat" following the form of "Mixed Martial Arts).

SO They felt some pressure to go back once more to the cash cow what is their absolute mess of an "original" zombies story, now termed the "Aether" arc. They don't have many maps left to develop this but that doesn't stop them from opening the story again, and this time the writers have fucking HAD IT with this story so they decide it's time to fucking END it.

Here's your finale: Victis crew (the all-american team nobody liked) are back, slightly better written this time, on the map that had gone the longest without a remake (notably, in keeping with modern media practice, every zombies map from from the Ultimis-Primis plotline had been remade at least once by now), and they make a macguffin.

Then Primis Nikolai (the russian guy) uses it to wish a new, zombie-free universe into existence and sends the kids away into it.

Also he poisons and kills all of Ultimis and Primis. Then has the kids shoot him. THE ADULTS ARE ALL DEAD NOW AND THEY GOT BANISHED TO SUPERHELL WITH THEIR MULTIVERSE THE END. Nikolai gives us some lore mumbo jumbo about how the arcano-babble and the eldritch-babble had done some techno-babble that "bound the team's destiny forever to the apothicon menace", so that the only way a universe could ever be free of zombies would be for him and his friends to all die.

And the thing is, he's right. Because if you've followed this far, you're probably seeing a pattern: People like these characters, even in their worst-written moments, and Activision isn't going to just let that go unmilked. As long as there is any possible way for these characters to return, they'll be brought back and the lore is going to be held and gunpoint and forced to cook up a reason for them to be there shooting zombies. So the only possible way to let this tortured, tangled mess of a plot finally reach an actual ending is to kill its protagonists - and not just kill them, but write them off so conclusively that there's no chance of resurrection, no more alternate universes containing them, NOTHING. THEY ARE GONE. And true to the Homestuck-ass law that was inspired by this exact effect, the only way death can stick from a narrative sense is if everyone's death is either a Just end or a Heroic sacrifice to nobly ensure a better life For the Kids.

Samantha and Eddie (at this point nobody asks why Eddie even exists or what timeline these kids are from) are finally safe. The end.

COD COLD WAR THE STORY KEEPS GOING

As if to prove my point, Cold War Zombies picks up with a new set of protagonists... and an easter egg featuring the return of Samantha, now slightly more grown up, I guess, and also with superpowers? And then she flies around a bit, before finally heroically sacrificing herself out of the story for good. Eddie - now a full adult Edward Richtofen once more - is a "big reveal" in a cutscene afterwards, confirming that, in fact, there will be no peace fucking ever until every last character from this beautiful, twisted plot is gone.

EPILOGUE

And I want to be clear, it is beautiful. I wouldn't have followed it this far or spent two hours learning just how much I have to type about it if I didn't love every second of it, especially the seconds spent hating on it. I could, and probably eventually will write another essay at some point on how fucking much I love jank-ass "broken" things like this.

But for now, I hope y'all see my points here. It's this weird case you see happen every now and then where people just fall in love with their characters, and won't ever let go. Certainly doesn't help that the authors of those characters can't figure out how to write anyone else decently, but this is just one of many franchises I've seen where the unwillingness to let go of a fan-favorite leaves the plot tied in knots as it constantly has to try and present a NEW BIGGEST THREAT EVER that becomes a BIG DRAMATIC CONCLUSIVE FINALE that then needs even bigger contrivances to bring the favorites back.

It's done a fucking number on Halo's story, which is impressive because a lot of halo's core fans never even really consider that it has one. It's hard for me to talk about Halo here without thinking to myself "STOP TALKING ABOUT JOHN"

Same deal with Marvel, same with Homestuck, same deal in a lot of cases that I'm sure you're aware of too.

So as my closing thought and my reward to you for reading this far, here's some homework! What the fuck do you call these problems? What do you call it when lore starts to go sour because it's spent too long being about the same thing? What do you call it when fan demand forces writers to rethink their endings repeatedly? What do you call it when writers "cheat" their way around prior writing, re-contextualizing everything so much that it's hard to actually believe anything they say anymore and we're just left to sigh and feel odd relief when they say "Somehow Palpatine has returned" without further explanation because at least that means ONLY the ending of the original trilogy has its weight retroactively worsened?

#zombies #cod #call of duty #narrative analysis #overanalysis #idk #rule #i guess #ramble #rambles #E #this became about #media #like media in general I guess #thank you for reading

[yandere-sins]

Hiii, it's my first time here !! I wonder if you could ask my question, if possible of course of Yandere Geralt of Rivia...

Imagine a scenario where the reader is from our world and went to Geralt's world, then the reader find him at him and tells his story and asks for help to return to his home... Of course, as time goes by, Geralt becomes "sick with love " for the reader to the point of becoming Yandere.

Note: the reader sees Geralt as best friend or older brother.

Thanks for your request ♥

»»———————— ♡ ————————««     

You were simply relieved you weren’t alone. 

There were a lot of terrible things that could happen to you, reaching from being mauled by a monster to cut down by a sword, and so, so many gruesome things more. Whatever Geralt saw in you, you were glad it didn’t make him leave you alone to your misery, no matter how strange you were.

Truthfully, you weren’t even a good choice as a squire, but aside from grumbling about your unhelpfulness when it came to battle, Geralt hadn’t driven you away. Despite being rough around the edges, he truly was the hero you needed in your predicament, and for that, you were thankful. 

Whatever you could do, you did, may it be fetching water or helping set up a tent. While the life of a traveling witcher was nothing you wished to pursue forever, you put up with everything you could so that you wouldn’t end up on your own again. The first week spent stumbling through the wild and running from monsters had been enough bad experience in this world for you. Now, your mind was only on one thing: Getting home.

It probably was a luxury to have Geralt’s help in not dying and achieving your goal, but all the more, you were relieved that whatever power made you fall into this strange world had enough mercy to send you this angel of a man. No matter how many dirty, uncomfortable looks you got for being with him whenever you two came into a town, you would endure them, knowing Geralt was the key to make this situation just a memory and send you back home to your family.

Home. It sounded heavenly. 

You sighed deeply, slowly awaking from your slumber. It couldn’t have been long that you fell asleep, the campfire still burning lively next to you. You still felt tired, but something was different than usual. Heavy even.

Pulling down the blanket you had wrapped yourself with, you saw the big arm laying around you, making you realized the heat of a second body in your back. Geralt never slept closer than necessary to you, but without the need to guess, he was definitely sleeping right beside you, spooning you from behind. 

With a flushing heat rising to your face, you were too embarrassed to say anything, even though his arm alone was too heavy to fall asleep with again. He might have accidentally fallen asleep next to you after having some drinks before bed and mistaken you for someone to cuddle up to. But waking him wasn’t an option. Geralt struggled with his sleep enough as it is; you wouldn’t dare to interrupt him and cause a scene. But the reality was very different from what you assumed. 

You heard him take a deep breath as he buried his face into the nape of your neck, not shy to pull away the fabric covering you and pushing his face into your skin. As you listened to him mutter your name, you felt a cold shudder run down your spine, but you tried not to make him notice you were awake. “[Name], [Name], [Name]...” he mumbled, and you bit your lip. The way he said your name always made it sound reproachful, despite you not remembering what you did wrong that day. 

“Look at you, letting your guard down. Don’t you know that I...”

His voice trailed off as you felt him shift suddenly. You reacted quickly, pretending to be fast asleep with your eyes closed and lips slightly parted innocently. Geralt let out a small chuckle before you felt him reach over you, dragging his thumb over your lip. “What are you dreaming about? Your heart is racing.”

Realizing you forgot the first thing about Witcher - their heightened senses - you didn’t know how to help yourself other than stirring a little in your sleep, putting on a frown. Sure enough, that made him halt in his tracks and back away a little, as if he feared you waking up. Only when you settled down again did Geralt relax as well, returning to his spooning position. 

“Seriously...” he kept muttering. “How am I supposed to go on like this? Every time we meet a Sorceress, I am afraid she will have a way to send you home.”

Something about his words gave you a sad impression. Almost as if parting would hurt him, but you weren’t sure if this was just your impression or if the tiny bit of his past that he told you about actually gave him this fear. In your eyes, Geralt was fearless and kept his composure no matter what, but what if you had misjudged him?

“I’d like to keep you all to myself. Lock you up and never let you go. Maybe when we get to Kaer Morhen, I could--”

This time, his voice halted suddenly, and he rose again from behind you. “Are you awake?” he asked, quiet still as if he was hoping you were asleep after all. You simply remained in your pretend sleep, taking an audible breather and hoping it would fool him. He remained in this careful stiffness for a while before he finally drew back. Immediately, you were surrounded by the chilly air of the night as his body disappeared, but before you dared to attempt to move around, you heard more of his mumbles.

“No, I can’t. I shouldn’t... It’s not right...”

What couldn’t he do?

You were ready to blame all the gibberish you had just heard on the mead you two had before bed, but the questions didn’t seem to stop circling your mind. Geralt seemed to fall asleep somewhere a bit further away, while you felt wide awake now. You couldn’t believe that Geralt - of all people! - could have developed any kind of feelings for you. But why else would he be worried about your return? Why would he say those things about locking you up?

Way too freaked out, you tried to make sense of what you had witnessed. Certainly, he didn’t want you to be awake as it went down, but now that you knew, you were left conflicted. Part of you kept getting goosebumps as you remembered the feeling of his face pressed into your shoulder and his words echoing in your ear. The other part tried to justify it with any and all reasons like the alcohol, loneliness maybe. There was no sleep for you after all, and Geralt kept stealing irritated glances at you the following day until he finally asked, “Are you okay?” 

You flinched after being suddenly addressed, not even your exhaustion able to tear you out of your thoughts that still pondered about the last night. “Oh, yeah! I’m fine,” you tried to assure him, and he contemplated your response for a bit before replying, “There’s this place we should go to next. Maybe we can find some books on portals there.”

“Sounds good,” you chuckled. Nervosity spread inside of you as you hoped he didn’t mean the place that he was talking about last night. 

“I grew up there. You might even be able to sleep in a bed for a change. Kaer Morhen is also safe and...”

After that part, your mind simply shut off as the word kept repeating over and over in your head. Kaer Morhen. Kaer Morhen. Kaer Morhen. Kaer Morhen.

Kaer Morhen, lock up, never let go.

“...and it isn’t far from here,” he finished his explanation, looking at you as he waited for an answer while you could feel the horror showing in your expression. The red flags were so abundantly clear by now, but you absolutely refused to think this way about him. He wasn’t a bad man, he would never... or?

There were a lot of terrible things that could have happened to you on this journey, but you had put all your trust into Geralt to keep you safe. To help you. To be a companion so you wouldn’t be lonely. And until the end, you hoped Geralt wouldn’t turn out to be the monster or the sword you feared so much.

But who could tell what he’d do when he finally had a taste of living out the things he desired?

#Geralt #geralt of rivia #geralt the witcher #yandere geralt #yandere!geralt #the witcher #witcher #yandere witcher #yandere!witcher #yandere the witcher #yandere!the witcher #yandere #yandere imagines #yandere headcanons #yandere scenarios #yandere fanfiction #yandere writing #yandere stories #yandere oneshots #yandere oneshot #yandere drabble #yandere x reader #yandere x darling #Yandere TW

[gaal-dornick]

Nile Freeman and the Hero’s Journey

or, Once Again I’m Here To Talk About Our Main Character Nile Freeman

Anyway we’re giving a pause on the hell of academic writing to do: more writing. The fun kind now! This started as a half formed idea after some convo on the BoN discord server, and looking deeper, it fit too much to not at least write a little about it. Yeah, maybe it’s coincidence, and the Hero’s Journey is ultimately bs but it’s fun, we’ll see how much we can fit there. This analysis mixes movie and comics canon, and as such has spoilers for Force Multiplied. If you don’t want it, sadly you shouldn’t read the rest under the cut.

I. DEPARTURE or The Old Guard (2020) dir. Gina Prince-Bythewood

The Call to Adventure

This one is easy. Nile’s death and awakening are the most obvious call to adventure there could be. There’s ressurrection, there’s dreams of people you’ve never met before, we have it all.

Refusal of the Call

Nile: No. This is some bullshit. You must must have hypnotized me, or... or, uh, drugged me or something. And that was a blank that you shot me with. Andy:  And I was the one who cut your throat.

Again, obvious. Nile refuses to accept what happened, that her death and ressurrection were real despite being shot in the head again. She wants her life, she’s worried and anxious for her life, and not whatever she got pulled in.

Supernatural Aid

Nile: So are you good guys or bad guys?

Nile is presented with the whole team, the extent of their abilities and history now, and here is the first step into accepting her new life. I would run this up until she realizes Booker turned on them.

The Crossing of the First Threshold

The decision to not go back to her family and fight for the rest of the team. It’s the first big step she takes by herself, and it sets her on a path of transformation.

Belly of the Whale

The whale of change was: Merrick and corp. She goes in and comes out a different person, with full use of her new self and her newfound role in the story. She’s now ready for the next step.

II. INITIATION or The Old Guard: Force Multiplied (2019-2020)

The Road of Trials

In FM things get a bit murkier but still discernible. It’s said the trials come in threes and we can point to: working with the team, figuring out where she stands with Moose, and her feelings for the whole Andy/Quynh issue. Nile has to answer and overcome all these in her path.

Meeting with the Goddess/Woman as the Temptress

This is the one I have a little problem with. Oh yeah, Noriko is 100% the “Woman as the Temptress” when she gives Nile the idea to ask Andy about Hammurabi Code, but “Meeting with the Goddess is supposed to be something good/helfpul? Unless we count Moose as probable future help, I can’t fit this one perfectly.

Abyss

Yes, now it’s supposed to be “Atonement with the Father” but it could also be the Abyss and that’s where we’re at (also this other step comes later I think, with Andy as the Father/Mentor). We end at a low point, with Nile taking the lead as she falls out with Andy.

This is mainly a fun exercise, but I was actually surprised how closely her story follows the template. True heroine stuff.

#the old guard #nile freeman #tog meta #personal

[makeste]

BnHA Chapter 315: I Didn’t Expect This to Blow Up

Previously on BnHA: Horikoshi was all “guess which plot that you thought was dead is actually not dead and is making a comeback!” and we were all “EVIL HPSC??” and he was all “girl you know it,” and that’s the story of how we got a sexy Lady Nagant flashback with lots of guns and murder. Flashback!Lady was all “gotta murder peeps to preserve the people’s trust,” but then a little while later she was like “actually wait that makes no sense,” and so she shot her evil boss and they sent her to jail. Back in the present, Deku was all “okay fair, the hero system might in fact be a little fucked up, but hear me out... have you considered not helping AFO take over the world so he can murder like a bazillion more innocent people??” The chapter ended with the not-all-there Overhaul finally revealing himself to Deku, and I honestly have no idea where this is gonna go.

Today on BnHA: In what is unfortunately the single worst plan ever concocted by anyone in BnHA, Nagant is all “I’m going to try and get this Deku kid to panic and freeze up by putting someone in mortal danger.” Deku is all, “[doesn’t panic and freeze up at the sight of someone in mortal danger].” Nagant is all “omg no way.” Deku, who is now all of a sudden being so OP that even I have to acknowledge that it’s OP lol, is all “[smashes Nagant’s gun arm to bits]”, which sucks but is also really cool, and which also apparently makes Nagant decide that she actually likes this kid after all. Deku is all “NAGANT I REALLY LIKE YOU AND THINK YOU’RE GREAT SO PLEASE JOIN UP WITH ME AND STOP BEING EVIL.” Nagant is all “aw shucks (✿ •͈ᴗ•͈) well okay then” and everyone is all “( ･◡･) ✰ ( ˆᴗˆ ) ( ᵘ ᵕ ᵘ ⁎)” and then Nagant FUCKING EXPLODES LIKE AN EGG IN THE MICROWAVE AND FALLS TO HER DEATH!!!! except not really because Hawks saves her??? In conclusion, (a) THE FUCK, and (b) AFO TURN ON YOUR LOCATION I JUST WANT TO TALK.

so I have to tell you guys something, which is that barely ten minutes after I made that “please don’t send me spoilers” post the other day, someone replied to the comments in a stunning fit of “tell me that you’re twelve without actually telling me you’re twelve” energy and posted what seemed to be the copy-pasted spoiler summary from reddit or twitter or whatever lol. so here is my good news/bad news rundown of all that

good news: I have very well-conditioned ABORT!! reflexes and have trained myself to immediately look away from the screen (usually in dramatic fashion) as soon as I realize that whatever I’m reading is a spoiler

bad news: unfortunately as I was subsequently deleting said comments, I accidentally read the very last one

good news??: said spoiler was so unbelievably, absurdly over-the-top that I’m almost positive this person was just trolling. like, there’s just no way lmao

bad news: but in the unlikely event that it is true I will absolutely lose my shit I swear to god

(ETA: “NAGANT DIES.” that was the spoiler I read lol. like, literally all I read from the person’s comments was “My Hero Academia Chapter 315 Title: “Beautiful Words.” Chapter starts with...” and then I noped out of there, and then of all the comments to read as I was deleting, it had to be that one lol. I seriously was just like “SURE, JAN.” all “just how gullible do you think I am” sob. but I was wrong. a troll, but an honest troll they remain.

but anyways like I’m pretty sure Nagant isn’t even actually dead lol, so in the end this whole little adventure doesn’t even have a point to it, but for me it was a journey!)

anyway, so there are apparently two versions of the chapter today?? no idea what the difference is, but I’m going to go with the Bean version, because it’s the one at the top and I don’t feel like making decisions today

huh, so Overhaul is actually more coherent than Horikoshi was letting on

look at him having a whole back and forth conversation with her. side note, how is he still this jacked when he’s been sitting in a cell doing absolutely nothing for the past six months

anyway so he says he’ll go with her on one condition. I wonder what that condition could possibly be. do you think it could be the thing he literally hasn’t shut up about ever since he reappeared lol

yep! and damn -- maybe this guy will surprise me after all

still would be nice if you also felt a bit sorry for the little girl you tortured and traumatized, but this is something at least. maybe Deku will yell at him for that other stuff lol

(ETA: also can’t help but wonder if he wants to make amends because he put him in a coma, or because his plan was a failure and ended up destroying the family. just hoping you’ve finally had that “hurting other people is bad” epiphany dude.)

anyways so now Nagant’s arm is transforming again, and this particular transformation happens to be the only truly unsexy thing that Nagant has done thus far so I’m just gonna skip right on ahead lol

aaaaand we’re back to the delirious ranting

buddy. just. read the fucking room, guy

wow she really is aiming at Overhaul, then. those theories were spot-on

damn she’s really out here all “it really fucks with kids’ heads when you kill people right in front of them and make them blame themselves” like yo

I’m picturing her saying all this in a very loud stage-whispery tone while making very significant eye contact with Deku lol

uh oh but wait

um. okay. who’s gonna tell her. Nagant I might have some bad news for you about the kid you’re trying to capture here. specifically about the way he tends to do the opposite of what you’re thinking that he’s about to do

holy shit

so it’s basically just “tap x repeatedly to charge up your attack” lol

and okay, so that’s cool and all, but is anyone else wincing at the thought of what that must be like on his knees. oh to be young

anyway, but so to the surprise of basically no one, Deku did not, in fact, freeze. I am very sorry, Nagant. he’s just like this

LMAO

someone wanna tell me how getting yoloed in the fucking ribs by this fucking slingshot kid moving at literal sniper bullet speed is in any way even remotely better than getting hit by the bullet itself lol

(ETA: this is 10x funnier now that we know the bullet wasn’t even gonna hit him lmao.)

anyway so now Nagant is having an extended “!?!?!?” reaction about how Deku just moved with no hesitation, and I’m starting to get an inkling of fear that the rest of this fight isn’t going to go very well for her and maybe that’s what all the “hoo boy” is about

oh my god Deku are you about to Gomu Gomu no Rocket yourself at her you insane little man

now Three is popping up again and he’s all “I see you’ve learned your lesson and are now only using three quirks at once instead of five” like with all this effusive praise about how great and badass Deku is and sob, okay, yeah. this chapter is basically one of those machines that shoots tennis balls at people, except instead of tennis balls it shoots hot piping discourse

OH MY GOD

YOOOOOOOOOO but also, NOOOOOOOOOOO

lol oh my god it’s literally two opposing reactions at once wtf. do I love this or hate this. like just for once can Horikoshi actually let a badass lady character win their fucking fight without getting their arm ripped off, BUT ALSO fucking look at that absurdly cool “SMASH” onomatopoeia though. it looks like it’s about to float right off the page holy shit that’s some seriously good art

anyway so is this really the end?? do I need to break out my ಠ_ಠ faces

lmao okay yeah I can definitely see how this would piss a lot of people off

he basically one-shotted her and she’s all “damn this kid is so amazing that I’m about to do a complete 180 turn on all of my previous angst” lmao. Horikoshi is really shounening it up today

on the plus side though, maybe this means there’s still a chance for her to join up with him after all? unless that spoiler was true lmao, then all hell is gonna break loose

YESSSSSSS

OH MY GOD AND HE SAYS THE BULLET WOULDN’T HAVE DONE MORE THAN GRAZE OVERHAUL ANYWAY, wow, I’m actually more relieved by that than I would have expected. I mean I would have forgiven her either way, but it means that there was still more hero in her than she was letting on

YES!!! FUCKING YES, THANK YOU

lol but I mean, it’s also like, “oh so today they get to have brain cells”, thank you so much lol. sometimes it’s really hard to tell which times we’re supposed to question these character decisions that seem dumb, and which times we’re just supposed to full on embrace them and switch off our critical thinking

but okay, so in this case it really was Nagant going easy on him on purpose, and not just her fucking up for no good reason even though she used to do this for a living and was the best in the game. and I know in this case it’s probably just Horikoshi giving us some consolation headpats to soften the blow of her losing so abruptly, but you know what, shit. I’ll take it

also you guys the light is coming back into Deku’s eyes again for just a moment here and I’m having feels about it?? the way it still comes back when he’s reaching out to save someone, and following his own hero path instead of the much darker and lonelier Christopher Nolan path that’s been laid out for him instead that he never wanted?? it’s both reassuring and also very sad

YESSSSSSSSSSS

DO IT LADY OMG PLEASE?? PLEASE COME BE HIS NEW IRRESPONSIBLE ADULT SUPERVISION YOU KNOW YOU WANT TO

AHHHHHHH SHE’S GONNA DO IT AHHHH

p.s. I am now absolutely scared shitless that that spoiler was actually true sob. swear to god, I will throw this manga into a fucking volcano. but we’re almost at the end of the chapter and this seems just WAY TOO GOOD to be true fuck fuck fuck fuck fuck fuck f

UCK

NOPE NAH SEND IT BACK, NOPE, NUH UH, DIDN’T ORDER THIS. “GULLIBLE” OKAY FUCK YOU?? “COUNTERMEASURES” NOPE, DON’T NEED ‘EM, WE’RE ALL FINE HERE. WE’RE ACTUALLY GOOD SO YOU CAN JUST GO, OKAY. PLEASE

fuck, lol, I don’t wanna do it. I don’t wanna scroll down what have I ever done to deserve this oh my god

WHAT THE HONEY-ROASTED FUCK

WHERE THE FUCK IS THAT FUCKING VOLCANO IN ICELAND THAT I KEEP SEEING ALL THESE PICTURES OF. WHERE THE FUCK IS THAT SHIT. LET’S GO

ARE YOU SERIOUS RIGHT NOW

can someone please give AFO a really good, sharpish kick in the balls. just really let him have it. I’m so tired, what the fuck

-- ARE YOU KIDDING ME LOL WHAT

bro. I was literally going through my Excel folders to find the spreadsheet about female characters in BnHA that I made back when Midnight died. was gearing myself up for a wholeass rant. and honestly I might just let all of that continue simmering on low to keep it warm just in case lol, because to tell you the truth I have absolutely no idea what’s happening right now

my girl straight up does not have a face. she used to have a face. people usually need those, idk. like, even if she’s alive, her gorgeous eyebrows are definitely not making it out of this and I’m gonna throw a funeral just for them

how the fuck did AFO just blow her up?? how did he know what was going on?? and if he had a quirk that could explode people at will, why is this the first we’re hearing of it?? you’d think that might have come in handy at Kamino or Jakku, like what

(ETA: present!me, who’s had more than three hours of sleep and can now actually remember facts about the series, would like to remind past!me that AFO gave Nagant a quirk, and so this is probably just more Vestige shenanigans now on his part. that’s also probably why Air Walk suddenly stopped working out of nowhere. still doesn’t explain why he doesn’t go around blowing people up more often though but maybe he thinks it’s gauche.)

Hawks just straight up out of nowhere. just Mirioed his way straight into the chapter just in time to be too late sob. here I was looking forward to seeing your face when Deku showed up with his new best friend. can’t believe Horikoshi deprived us of that moment

on the plus side, WELCOME BACK, HAWKS’S FEATHERS. I have no doubt that in this chapter of Deku being an almighty threequirk-mastering god, and Nagant losing anticlimactically only to be immediately blown up because girl characters in BnHA can only be cool for one fight and one fight only, there are still some people who are focusing solely on the “how dare Hawks get his wings back when he is a MURDERER this is an outrage what about CONSEQUENCES” discourse, and to hell with all the other discourses lmao

anyway, so yeah. wow. and now it’s just occurring to me that maybe the real reason why Overhaul is there is so he can get a head start on that amend-making by actually doing a good thing for once in his life, and using his quirk to heal Nagant. assuming he can still do that

and so now Horikoshi has got me out here actually rooting for Overhaul. you know what, on that note I think I’m just gonna go ahead and call it a day sob

#bnha 315 #overhaul #chisaki kai #lady nagant #midoriya izuku #all for one #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha

[imminent-danger-came]

While the lily orchard review didn’t do anything like calling the show bad (they actually praised it a lot but for some strange reasons imo) they did miss a lot of the main points of the show and lightheartedly insulted people who were making angsty fanart of it (they also didn’t credit the artist which was odd) I think they had only watched until season 2 at that point but season 2 was still pretty intense even if it wasn’t as bad as 3 and 4 so I don’t understand why they called it a “Saturday morning cartoon” because it clearly has an overarching plot. One of the quotes taken directly from the video is “There’s nothing in the plot that’s going to shock you or make you think about the human condition.” They said that people making the show seem dark were missing the point of the show. That’s pretty much it I think which isn’t too bad but it does not give the show credit for how they handle a lot of stuff imo

Okay so, watching s1 of the show? I totally understand the "saturday morning cartoon" perspective of LMK. That's what it is at the beginning—I have a half written meta in my drafts about LMK and "saturday morning cartoon" type tropes.

However, I also argue that s2 begings to deconstruct those tropes—take for example 2x05 "Minor Scale". That's an episode with what I would consider to be a tropey plot: "Oh no! The main character gets shrunk!". But, unlike a lot of previous episodes (like 1x06 being the "racing episode" or 1x02 being the "Main character is overworked and turns to a sketchy solution to fix their problem" episode), Minor Scale shifts us away from these monster of the week type plots. The whole reason MK shrinks to begin with is because he's belittling himself ("Maybe if someone was here to teach me! 'Oh you'll figure it out bud, just think little!' Ugh, like I could do this on my own."), which in itself is already a unique way to implement this sort of trope. But, not only that, rather than a little tease and a subtle feeling of the heroes continually losing like in the beginning of s2, the Lady Bone Demon reveals herself directly to MK. She manipulates MK, she gets inside his head, she makes him question his worth to Monkey King.

This pattern of "everything starts out normal and then dips into something darker" continues for the rest of s2. 2x07-2x10 all start out like you would expect—monster of the week "saturday morning cartoon" adventure set ups—that then take a turn for the worse during the episode.

Like, don't get me wrong, s2 isn't like s3, and I'd say it takes until s4 for LMK to truly deliver on everything it's set up, but s2 still has plenty. Minor Scale (STRAIGHT fate vs freewill directly into the veins with MK literally running away from the narrative), Macaque's shadow play ("Heroes inevitably bring darkness to those they hold dear" *sobs* THEY WEREN'T LYING ABOUT THAT), Sandy's sincere belief that helping his friends is where his true value lies (yet he breaks his vow to never fight again), MK's desperation in 2x09, LBD's inevitable victory.

Honestly, watching the way in which MK's mental illness manifests in the first 2 seasons makes even s1 of LMK unique. I remember watching Bad Weather (1x01) and being surprised that MK was so down on himself after the "I'm invincible!!!" facade fell.

But, ultimately, LMK starting with "saturday morning cartoon" tropes and then slowly transitioning into the darker and more plot focused episodes is completely on purpose. The start of the show, the "monster of the week adventures", is the home MK wishes, but cannot, return to. That simplicity and innocence turning to complexity and impiety is part of MK's "coming of age" story, and it's why I like the show.

#''people making the show seem dark were missing the point'' girly no they weren't that was the direction it was heading #''Maybe this is the point in our heroes journey where things get a little bit darker'' thank you 4x01 #smh the spider queen and MK foil must mean nothing to lily orchard #though honestly I feel like 1x09 should have made a few alarm bells ring #Like *beep beep beep* THAT'S WAY TOO SOLID OF AN EPISODE #I forgot to mention ROTSQ but comeee ON the trigram furnace scene fucks. #I think lily over there does a little bit of a disservice to s2. But I also don't really care that much lol #I just wanted to rant about LMK and tropes #lmk #lego monkie kid #story motif #lmk MK #lmk analysis #asks

[d-criss-news]

Nine Songs: Darren Criss

When Disney, Phantom Planet and Mr Hudson collide: Glee star, Emmy and Golden Globe winner and musician Darren Criss talks Andrew Wright through the pivotal songs in his life and the unexpected ways they found him.

“When we are younger, our gateway drugs to a lot of popular things don’t come from the sexiest of places. It’s up to you how proactive you want to be with your curiosity from there, and how far down the rabbit hole you want to go, if you go down at all.”

Choosing the songs that define you is a tricky business to say the least, especially when the power of song has provided an ongoing soundtrack to your life. “When you’re as avid a music consumer as musical artists are, trying to pin down Nine Songs is difficult,” Darren Criss laughs. So much so, his final choices only really crystallise as our conversation draws to its close. “It’s hard for me not to see the value and joy in literally everything,” he explains. “The curse of the creative person is that your ideas and your interests always move way faster than your body can execute.”

Criss is a creative par excellence. As well as his Emmy and Golden Globe winning performance in The Assassination of Gianni Versace, where he played serial killer Andrew Cunanan, to his upcoming role in Muppets Haunted Mansion Halloween special as The Caretaker, he’s also a prolific musician. Criss enjoyed a decadent musical consumption since childhood, so “this was a bit of an archaeological dig,” he admits. As such, everything from jazz standards, to 808s, punk rock, ‘90s teen pop, and musical numbers are excavated in the course of our extemporaneous journey through the music he loves.

Equally on his mind is how to go about approaching the task of creating his Nine Songs, full stop. “The interesting social experiment is: Are my answers going to be songs that actually shaped my life and were formative to me as an artist? Are they songs that were formative to me as a human being? Or am I picking songs that I think represent who I am to people that do not know me? All three of those things aren’t necessarily the same thing.”

He reaches a conclusion of sorts. “For the purposes of making some kind of decision, I’m gonna lean less into trying to look cool to your very cool readership, and more into the literal, ‘What made me think about music in a different way? And hit me in a very emotional way?’ I think that’s probably the healthiest route.”

Embracing the accessibility that characterises Criss’ picks - or at times the initial touchpoints that led him to them - are something he vacillates over during our chat. “I’ve seen a lot of other people’s Nine Songs and they’re super cool. It’s like Leonard Cohen B-sides and old opera records and stuff. I’m gonna be pretty honest with the pop culture zeitgeist of how I grew up but explain why there is so much value in those moments.” His contemplation continues into the next day, Criss’s publicist passes on his regrets at being tentative to admit how he encountered one of his song choices via the Shrek soundtrack.

A yearning to reinterpret accessibility and the value attached to it drives Criss, however. He tells me that a festival performance that applied the anarchic verve of punk rock to a more refined Great American Songbook number remoulded his perception of music entirely. His love of the fusion of these two genres in particular symbolises the salient musical backdrops of his childhood - the guitar bands he played in with friends, and his musical theatre endeavours that led him to Broadway and multiple Ryan Murphy juggernauts, including his breakthrough playing Blaine Anderson in Glee.

Criss employs these contrasting musical lexicons, and other areas in between, on Masquerade, his new EP. Comprising five stand-alone “character-driven” singles, it sees Criss donning different musical personas. “I’m leaning into people that might know me as an actor,” he explains. “Because if actors can do Shakespeare, romantic comedy, and then do a horror movie and wear a prosthetic nose and a wig, I didn’t understand why I couldn’t just do that with music.” The song “walk of shame” draws on jazz-standard chords interlaced with hip-hop production, “i can’t dance” looks to new-wave, and “for a night like this” is the product of Criss’ goal to create the ultimate end-of-the-night crowd-pleaser for a new-year bash, wedding or bar mitzvah. “This is all of the parts of me as a lifelong fan of these genres, trying my hand at servicing the pieces of them that I love.”

“I really love all styles of music and understanding what makes them unique and special and what makes them really pop. There are so many things that really make things sing - for lack of a better verb - and I like acknowledging those things and celebrating those things.”

“So, let’s begin. I have runners up and shit, and I have artists, I don’t just have the songs, so we might have to pick them as we go.”

“Part of Your World” by Jodi Benson

“When people read this, they’ll go ‘That’s cute, he likes Disney songs’, but it’s more profound than that. Some of the most formative pieces of music to hit me at a very early age would have been any of the songs that were coming from ‘The Disney renaissance.’ The early-mid ‘90s explosion of The Little Mermaid, Aladdin and Beauty and The Beast.

"One of the through lines between the three of those musicals was Howard Ashman, who is one of my all-time heroes. Dramaturg, songwriter - he really was the voice behind what made those songs great. I have always loved Howard’s lyrical sensibility and also Alan Menken, his partner who wrote these songs with him. There was a musical structure to a lot of the songs which I would unconsciously pick up in my own songwriting, not just musically, but the idea that not only did somebody make these songs, but they wrote them for a story.

“There’s a clip of Howard Ashman vocal directing Jodi Benson, who was the original voice of Ariel. It’s a wonderful example of his genius, where not only was he songwriting but he was storytelling in the way he would tell her how to perform it, and you can really see the song coming to life in that clip. That’s when you cross the street from ‘It’s a song’ to ‘This is an experience.’

"There are certain ingredients that are required to elevate music that goes beyond just a nice melody, a beautiful orchestration and a good voice. There are things that are required to really give a performance a characterisation, context and a vulnerability, that he architects in real-time with Jodi Benson. You see that what he’s doing is what makes the record so special, and that’s something that’s always been inspiring to me.”

“MMMBop” by Hanson

“I think my love of Hanson was because some people didn’t like it, so I was like ‘Fuck you, I like this, how do you feel about it?’ But this is difficult for me, because you know, I’m speaking to The Line of Best Fit and we’re trying to be cool! Although, do you know what’s cool? Being accessible! Writing a pop hit when you are 10 years old. Being in a band with your brothers and you’re all below the age of 15, you have a record contract where you are writing, producing and performing songs that are doing well.

“I was 10 years old when their first album Middle of Nowhere came out, and I remember reading somewhere that there were these kids that had a record. At the time, I was playing guitar and I was writing songs, but in my mind I was a kid, and that was it. I couldn’t be on the radio; you had to be a grown up to do this.

"This was the first time where I realised ‘Holy shit, kids can do stuff!’ It’s the value of seeing yourself in the media - that’s a whole other conversation to talk about - but there’s an immense value in feeling like there’s a piece of you out in the zeitgeist and doing well because it’s encouraging. You go, ‘Holy shit, maybe I can do this as well.'

“When you see children doing things, you’re ‘Wow, this is so cute and fabulous’, but then when you actually look at it you go, ‘This is miles above what most people in this age group are capable of,’ and that’s all I saw, because I was in the same age group and I was so inspired by that. This whole album was really a turning point for me, where I was like, ‘I can do this, I can do music too, because these guys can.'

“Ooh La La” by Faces

“This song really blew my mind. It became my own theme. It’s that ‘Make your heart sing’, nostalgic moment when you’re a teenager, driving in the car listening to it, playing guitar with your friends and you’re singing “I wish that I knew what I know now / When I was younger.” You’re like, ‘because I’m an adult now, I’m 15-years-old. If I only knew what I know now.’

“I was doing theatre from a young age and I was part of a young conservatory called A.C.T. in San Francisco. By way of somebody who knew somebody, I had an audition for a movie. As a kid not being near New York or Los Angeles it was really exciting, and this audition was for a film called ‘Max Fischer’, which would become the movie Rushmore, which would become one of my favourite movies of all time by the now very distinguished Wes Anderson.

“Separate from my own objective love of Wes Anderson, when this movie came out I was just around the age of getting into my own sort of identity with music, but also movies - indie movies - and trying to assert who I was. So, I see this movie Rushmore and I love it. I love the soundtrack, I love it so much, it’s one of my favourite albums ever. This song is the end sequence, and the way it made me feel - the vocals on it, I could play it on guitar and it was part of a cool movie - it really represented a lot in my life.

“And because of the acting thing, and Rushmore being great - it’s about this kid in high-school who's misunderstood but has his own agenda - everything about it was just so fucking cool to me. To this day, I cite that song as one of my favourite records of all time.”

“Recently Distressed” by Phantom Planet

“A guy that really formed the way I would sing and write songs is Alex Greenwald, the frontman of Phantom Planet. I went to see Phantom Planet because I loved Rushmore and I found out that Jason Schwartzman [who had been cast as Max Fischer] was also the drummer for a band called Phantom Planet.

"So, when I saw their name on the bill I went, but I didn't know their music. I was barely 14, but their set blew my mind. It was Rock and Roll, but I loved Alex Greenwald’s voice. I loved everything, and I would follow their career from there. I always tell people that my voice is a combination of me trying to be Alex Greenwald, Paul McCartney and Rufus Wainwright, but failing. Alex was incredibly formative for me.

“One of their biggest records was a little while after I first saw them, which was the song for The O.C., "California." That was more of an Elvis Costello thing, and they employed a lot of stuff that sounded to me like The Beatles and a lot of ‘60s mod/pop-rock. But later they would employ things from Fugazi, Radiohead and harder shit, and that eclecticism, again, only accelerated my love for Phantom Planet.

“Recently Distressed” is from their 1998 album Phantom Planet Is Missing. This was a cool rock song that employed these George [Harrison] and Paul [McCartney] background vocals and included all of the things that I loved. It was harder but melodic and employed minor 4th chords and more complicated chords than I was used to. I had grown up with power chords - which are very Gregorian - on a lot of alt. punk rock, like Green Day or Nirvana, and if Kurt Cobain was using power chords then that’s how I was playing guitar. Hearing this music was like ‘Oh, I’m using full chords, not sevenths, minor 4th chords, diminished chords’, shit that I would learn to use more and more.

“When you haven’t experienced much, anything that gives a hint towards possibility, even though it’s probably always been there, you’re like, ‘I like this, I’ve always kind of liked this, but it’s very encouraging to hear somebody else do it and it’s gonna make me reconsider my possibilities.’ That was literally the moment that my power chords turned into full barre chords.”

“Cigarettes and Chocolate Milk” by Rufus Wainwright

“I forgot the other day how I got into Rufus Wainwright, because all of this stuff I was getting into quite young. It’s like when I talk to 11-13 year olds, it’s funny to think that this was when I was really starting to build my musical identity. But then I remembered, and I didn’t want to say because I didn’t want to sound uncool, because he is such a revered artist who exists in a much cooler place than what I’m about to say.

“I loved soundtracks and I would always buy soundtracks for movies that had cool playlists. I had the Shrek soundtrack, and there’s a cover of Leonard Cohen’s seminal “Hallelujah” that Rufus does and he smashes it, and I’m like, ‘Who the fuck is Rufus Wainwright? What a beautiful voice.’ Then I saw that he was going to be at the Virgin Megastore in San Francisco one week, so I go and he’s there promoting his new album Poses. I remember I didn’t have enough money to buy the album that day, so I had him sign my sneaker and I saved that shoe.

“The first song on Poses was “Cigarettes and Chocolate Milk”, which is a very dark and reflective song about his own battles with addiction, but he’s singing it over this really beautiful, whimsical song that has a lot of really great wordplay. I always love when artists, especially lyricists, can encapsulate an idea with not exactly what they’re talking about. The song’s called “Cigarettes and Chocolate Milk”, it’s not called “Addiction”. Its talking about things that he craved and how that’s representative of other things that he’s gone through. There was a sophistication and elegance to that that I really gravitated towards, that I didn’t possess but wanted to shoot for. So when I saw him, that was a big one for me and he would also continue to influence me later in my life.

“I’ve become friends with Rufus since. I’ve performed with him and we’ve made records together, which is crazy. His songwriting was very complex and punk-rock, but he had this classic cabaret voice, the kind of voice that I don’t have. I was fascinated that there was somebody that could write this really dark material but have such elegance on top of it. He was virtuosic on the piano, which I thought was very cool because musicianship is always the thing that gets me going the most about artists.

“You know what? People say, ‘Don’t meet your heroes.' I completely disagree. Chase the living fuck out of your heroes. I’ve spent a lifetime doing so, it’s made me a better artist, and I’ve sometimes got to meet them and work with them. I’ve worked on music with Alex Greenwald of Phantom Planet. I’ve performed with Hanson. I’ve performed those Disney songs with Alan Menken at The Hollywood Bowl.

"This is all because there are people that I love who I have put on my vision board, and the things that they have done are the things that are bringing me to them. So it is nuts, but at the same time you’re like, ‘Well, what else did you think would happen?’ They did stuff that some part of me connected with, so obviously there’s a magnetic pull towards that person.

“Rufus Wainwright is one of my absolute favourite artists of all time and like I said, me trying to sing like him and failing is a big part of my own journey as an artist.”

“3x5” by John Mayer

“John Mayer’s another guy that came around when I was 15. I heard a song of his on a middle-of-the-night, singer/songwriter college radio show. This is where I used to get music. You would listen to these carefully curated playlists that you wouldn’t be able to hear anywhere else, and the host played “No Such Thing”, a new song by this young kid who had just dropped out of Berklee College of Music - John Mayer.

“I’m listening to this song and I’m like, ‘Not only is this guitar playing really interesting, but the lyrical value and everything that is going on here ticks all the boxes.' It was jazz, but it was pop. And he did something that all these other guys and girls I’ve mentioned did. They made something very unique and very accessible.

“I immediately went out to buy this album, Room For Squares, and I listened to it over and over again. It was an album that was really formative for me. "3x5” is a really beautiful song that employs a lot of chord structures and melodies that blew my fucking mind at the time, and it made me wish that I could write songs like that.

“That album was a huge turning point in the way I played the guitar, because it was the first time in my life where I would look up tabs. Up until this point in my life, if I heard a song I could play it instantly. It was like a party trick, I would get how it worked if I heard it, because most of the songs I would hear on the radio - especially those that involved a guitar - were [centred around] power chords. And now I’m hearing all of these ninth chords and thirteenths, and I’m like, ‘What the fuck is this?’ So I’d have to look up tabs.

“I think any young artist can attest to this - when you try and learn other people’s shit, it’s the best tool for educating yourself. Playing other people’s music really helps you lock in what your own style is. Trying to learn these songs - and sometimes pulling it off and sometimes not - really changed the way that my hands moved around the guitar and considered chords and voicings that I’d never really thought of.

“There’s another tie to musical theatre here, where I remember seeing Audra McDonald, who is a very venerated theatre actor, and she did a cabaret. If you’re familiar with cabaret culture, it’s more about performing the story of the songs – ‘Life is a cabaret’. She did a John Mayer song because she thought it was from a musical theatre show, and I was so tickled by this, because I was like ‘Yeah, if you really think about it, I don’t think he knows this and I don’t think his fan base even thinks about this, but there’s a number of his songs that feel very theatrical in the way that the lyrics play with each other and the way the chords move’.

"When I saw this I thought, ‘That is why I like John Mayer’, because yes, he’s an amazing guitar player, but he’s also a really strong songwriter.”

“Cabaret” by Me First and the Gimme Gimmes

“Also, around this time growing up in San Francisco, as a guitar player playing music with your buddies, the number one thing that you play is punk rock. There are different parts of the spectrum of punk rock, there's the NOFX, Swingin’ Utters, like real punk, punk. And then there’s the pop-punk thing that was happening at the same time, which was also equally influential - blink-182 and Green Day.

“Fat Mike was the frontman of NOFX. I loved NOFX, and Me First and the Gimme Gimmes were a supergroup of different members from different punk bands, of which Fat Mike was one of the main architects. They would cover songs and turn them into punk rock songs. They have an album of hits from the ‘60s, and they also have an album called Me First and the Gimme Gimmes: Are a Drag, and that record is just a tonne of musical theatre covers that are done through punk rock.

“That was completely in line with everything I loved at this time of my life but didn’t really know how to articulate. I loved punk rock but I also really loved musical theatre. Not only the performative element of it, but there was a real musicality to musical theatre that wasn’t as present in some of the other shit that was popular at the time, just harmonically, or where chords would go. There was a sophistication I loved that seemed to not exist in punk rock.

“Then hearing Fat Mike at The Warped Tour going ‘Alright, which one of you Motherfuckers loves Julie Andrews?’ and hearing a mixed bag of reactions, because people were ‘What? I was not expecting that from you, sir?’ And then they start playing “My Favourite Things”, a classic Rodgers and Hammerstein song which is very accessible, but sophisticated nonetheless. And I am just living. I’m like, ‘This has got the attitude and simplicity of punk rock, but the sophistication of a beautiful song.’

“That was the first time in my life where I went, ‘It’s just all music. All these categories and boxes are completely arbitrary.’ So I thought, ‘I can do that.' I was playing power chords in punk bands but I realised that you can take chords and make them into other rhythms and voicings and have the same song. I could take a punk song and make it jazz. I could take a jazz song and make it country. So, quite providentially, I would end up on Glee, where they took popular songs and would sometimes do their own versions.

“By that point, I had been doing this my whole life. The first time this ever became a possibility for me was seeing Me First and the Gimme Gimmes, and that way of thinking about music and genre. I’ve put that into Masquerade, and it’s all born from that moment of ‘Oh my God, nothing has to be one thing. It’s just about how you look at it.'

“Cabaret” is from a pretty famous musical that I would’ve probably heard about later in life, but I first heard that song as a punk song and then I went back and heard the original. It doesn’t matter how these things happen, the inspiration happens and then you can go from there. But Me First and The Gimme Gimmes were a huge gateway drug and I play “Cabaret” now every year at my festival. That’s why the festival is called Elsie Fest, because it covers the song.”

“Modern Nature” by Sondre Lerche

“One of the great joys of being a younger brother is that you get to inherit the music of your elders. My brother and I were both really proactive consumers of music, so we would share stuff with each other all the time. But then he would come home from college, which is like coming home from a music festival essentially, right? He was in a new time zone with new people, so he’d bring home these mix CDs that he’d made from people that he’d heard about, and he brings home this guy named Sondre Lerche.

“Hearing this guy blew my mind, because he also was using jazz chords and drawing on musical theatre. Musical theatre’s a massive category, so I can’t just say that musical theatre sounds like one thing, but when I say this, I’m referring to The American Songbook, the jazz standard songbook. “Modern Nature” was a duet that I would go on to play many times with one of my oldest musical collaborators, Charlene Kaye. When we got to college and we both found out that we loved this guy.

“There was a much more whimsical way to how he wrote these songs. And what’s crazy is that loving this guy meant that we also loved Rufus Wainwright, that we also loved these other artists. But Sondre was the first time I considered that I loved that type of music, but I didn’t know that you could be a singer/songwriter and put out music that sounded like it.

“I don’t know if ‘twee’ is the right word to use, but with “Modern Nature” there was a playfulness about it, and again, a musicality that I really gravitated towards. There is a through line - there was a sophistication that was accessible, and me trying to learn those songs did make me rethink the way that I was writing music. The structures were weird and different and I liked that.

“To this day, I find myself writing songs that I think might be difficult for people to ingest, because they’re a little too left of centre, and I realise that I’m trying to write like Sondre Lerche, or I’m unconsciously just copying him.”

“Everything Happens to Me” by Mr Hudson & The Library

“I was in an H&M in Stockholm when I was 21, and I heard this really cool groove and the lyric was “Why must I always play the clown?” It was sung with a really thick British accent, had an 808 feel on it, and lyrically it had an attitude. Who would say something that sounds so like you’re in a Gilbert & Sullivan musical, but it feels hard? It was cool.

“I went home and looked this up and it was off the record A Tale of Two Cities by Mr Hudson and the Library, which would really, really fuck me up. I bought the album immediately because I loved this song. I had to order it on the internet because I couldn’t find it. It was doing well in England and he was on the festival circuit in the early-mid 2000s, but the first song on the album was a musical theatre cover with 808s.

“It was a pared-down, sort of a hip-hop version of “On The Street Where You Live” from My Fair Lady, and I’m like ‘No fucking way, this guy gets where my head is.’ I’d thought about punk rock musical theatre, but I never thought about 808s and 909s scoring these beautiful songs. I go down the track list and he has “Everything Happens to Me”, which is another very famous standard, and he had this really cool, what we would now call chill-hop, ‘study beats’ version of this song. I was like, ‘This is it. This guy gets that good music is good music and you can reinterpret it to offer it as a new song.’

“I would later become great friends with Mr Hudson. I got to meet him years later when I was with Columbia Records, and they said to me ‘Who do you want to meet?’ He was at the top of my list. I went to London and we’ve been friends ever since and have created all kinds of music together.

“He told me a story where Tyler the Creator went up to him once at Coachella and said, ‘Oh man, “Everything Happens To Me”, that’s like my song.’ We both wondered if Tyler the Creator knew that it was a Chet Baker cover. And we were thinking how cool it is that you can offer these songs to a new audience through a different lens. Tyler’s a smart guy, he’s very cultured, and I’m sure he did know. But it’s more the idea that if someone experienced this song and didn’t know that it was a cover, and this is like the first time they ever get to experience it.

“Mr Hudson would go on to do his own thing with Kanye and was on 808s & Heartbreak and has had his own career. I think “Supernova” was a hit in the UK, it didn’t really cross over here to The States, but before that moment for him, that Mr Hudson and The Library album changed my life. People use that phrase willy-nilly, but this literally was a turning point in my life. It all had to do with the same thing that happened with these other songs, where I saw someone do what I always wanted to do but didn’t really know how to pull off. Where he had this fusing of old songs delivered through a contemporary lens, but also laced it with his own original material that also employed the things that made that old songwriting interesting.

“It’s like changing the font of a great essay but finding the font and figuring out that that font is its own art form. He really displayed that marvellously on this.”

The Masquerade EP is out now

#darren criss #the line of best fit #press #sept 2021

[anime-grimmy-art]

Told you guys I’d ramble in due time.

I absolutely adore Bravely Default 2. It came at a really bad time cos I can’t waste 70 hours on a jrpg, but well, it’s too late to be concerned about that now. And as is tradition with me obsessing over a new game / show / whatever, you’ll basically find a fullblown review disguised as ramblings right under the cut. Be aware that I’m gonna talk about EVERYTHING, so spoilers are a given. Some maybe even for the previous Bravely Default games.

Also, if you wanna talk about this game in any capacity, hit me up, I’m DESPERATE to talk more about it.

Just for reference on how long this is gonna be, I made a voice recording while driving to remember all the points I wanna make, and that recording is almost 2 hours long. I did cut it down but still, this is gonna be a lot.

I’ll start off with the things that actually bugged me about the game, since there are only 3 things that really bothered me. First of, I really don’t like that you can name Seth. He has too much personality to be a self insert and player integration is not that big of a part in the game that this decision can be justified. It wouldn’t bother me that much if it didn’t leave a bad mark on the ending. First of all, we were robbed of Gloria desperately shouting for Seth, which makes the impact work less, and it’s just so prevalent that the name can’t be said because you have all the normal sound design going. If they’d just let the credits still play I wouldn’t have batted an eye, but because every other sound comes in it’s so obvious they’re just silently shouting in this scene, which makes it look silly. Like I said, this decision is more a detriment than an addition, and it’s a shame it casts a shadow on an otherwise heartfelt ending.

Speaking about lost potential, the other thing that really bothers me is the lost potential in certain plot points and character conclusions. I mainly mean Adam and Edna here. Both of them have been built up to be these formidable foes but they just, die. If it was just Adam I’d be fine with it, since you expect Edna to backstab him and be the actual big bad of the story, but I cannot fathom why they dropped Edna this HARD. If not Edna herself, I don’t understand why we don’t get more of a reaction from the Fairies and especially Adelle. I mean, Edna was her sole reason she left for her journey in the first place, then Edna dies and that’s it? No part where she grieves for a second? No concern from the others about Adelle? Mind you, I haven’t finished all the Sidequests, so maybe there actually is one in which this is addressed, but I think even just a Party Chat after Bad End 1 would have been sufficient to show how Adelle suddenly feels about the loss of Edna. It would have made Bad End 2 / The Secret Ending even more impactful, because, yeah, of course, you kinda know Adelle isn’t going to turn her back on fairy kind, but one of the reasons she doesn’t leave is because if Enda didn’t get a happy ending, then she shouldn’t either. It would have been amazing foreshadowing if she showed this sentiment before this scene happened. Other than that, it’s a shame that we know so little about Edna, or rather, how she became “bad”. I get she’s supposed to be corrupted by the Night’s Nexus, but how did it even come to this? It can’t have been a gradual thing, after all, Adelle says Edna was always good natured and then just disappeared one day. Really would have loved seeing more of that plot point.

Ok, last gripe I have, some choices in the soundtrack and sound design. Don’t get me wrong, I absolutely love the OST, and I will get to that, but damn, whatever Revo used for the lead instrument in Wiswald hurts my ears. It’s a really good track, but I always have to turn down my volume because these high pitched sounds physically hurt. And for sound design. Dude, the Night’s Nexus is the least threatening, nightmare fueled abomination that ever existed. I get that its growl is kinda supposed to be layered with Edna’s or sth, but it, it just sounds silly. If they went the route of just swinging between different voices or began distorting it from phase to phase, it would have been fine. But the choice they made really made an otherwise creepy design just absolutely silly.

Ok, enough jammering, on to the good stuff. Like I said, there’s going to be a lot, so I’ll try to be brief in each aspect.

Gameplay

I honestly like the new battle mechanics more than the old ones. This individual, turn based system feels way more dynamic and it’s easier to strategies in battles. Because nothing made me more angry than setting up for a heal and the enemy suddenly being faster than me and killing my healer. Now it’s easier to plan ahead a bit.

I also found myself experimenting more with the jobs. Not sure what it really is, but none of the party members leaning more towards certain types of jobs and the job leveling being way faster probably helped.

And I know some people get up in arms because the boss sometimes can be a real pain in the ass (looking at you pope dude), I still found it very interesting getting around counters or even using these counters as a benefit. As an example, I made Adelle my main physical fighter and gave her lots of counter abilities to help her profit from being countered by enemies themselves. Now, she can attack enemies, get countered, automatically evade that counter and earn a BP at the same time. Made a lot of boss fights way easier and fun to exploit.

Music

Ok, I will try my best to be really, really brief, because in my recording this part takes up almost 40 minutes. Anyways, Revo might have just become one of my absolute favorite composers ever. I don’t know what kind of magic he used, but I initially wasn’t that impressed with the OST, but every time I listened to it, I just fell in love harder and harder. Before getting into specifics, I wanna highlight the two things that made me love this OST overall. First of all, this soundtrack almost seems like a refinement of BD’s. While losing some of that fairytale vibe, it sounds even more fantasy now. And in contrast to the original, this almost sounds more balanced? Like, BD’s OST felt high energy throughout, BD2’s on the other hand manages to find a good balance between high and low energy pieces. Like, the character themes or battle themes are absolute hype, but the overworld themes are a lot calmer and easier to listen to while exploring. Second big point that makes this soundtrack amazing is that Revo is an absolute god at using emotional progression/storytelling and leitmotifs in his songs. And heck, do I love myself my leitmotifs. You’ve got some obvious ones, like the final battle theme in which all the character themes and other leitmotifs are integrated. Then you got some maybe more subtle once, just like how the overworld themes are just the main theme, just a lot calmer and using the lead instruments of the towns of the areas.

But my absolute favourites gotta be the character themes and the main theme. I love how fitting the themes for the characters are and in general, each of them is such a bop. At first I prefered Elvis’, because I sure am a sucker for jazzy vibes, but over time Adelle’s became my fav. It’s just something about the trumpets, and how the theme almost sounds a bit melancholic and bittersweet, that drew me in. And considering her story, mostly her bad end, that the bittersweet tone really fits.

Then there’s the main theme. Just like BD’s it shouts “triumphant anthem” and it definitely gives you a very familiar vibe, but I’d argue it has even better emotional progression. Heck, the first time I heard the music start up in the reveal trailer, I didn’t have to look at the screen to know this is gonna be a BD game. Also, the credit song version had me weeping at the true end. I’m someone who’s very easily affected by music (if me shouting about soundtracks on this blog wasn’t proof enough) and just hearing that ending song, getting the after credits scene, just for the second credits to start as a freaking duet. Dude, at that point I just started sobbing, I’m not gonna lie. Just this little part showed how much Revo knows how to put emotion in a song and also write it in such a way that he can elicit strong, emotional reactions from you too. 

Story

People have been complaining how the story is too boring and kinda disappointing in comparison to the last one, but I just think the games tried to accomplish different things here. Since the BD series is a celebration of old, classic jrpgs, “cliche” storytelling is a given. Though, BD did throw a lot of meta stuff in there too. BD2 in contrast just feels like a direct execution of that initial idea. It feels familiar, it feels comfy and it feels safe. Except for the little things with the endings and then overwriting the Nexus’ “save file”, BD2 doesn’t really get that meta, which is totally fine. It doesn’t try to reinvent or innovate anything, it just wants to be a fantasy story, that might be cliche, but still fun and enjoyable in its own right.

I’d also argue that the pacing is a lot better than the old game, because with BD I sometimes found myself skipping through scenes to get on with the story. Not that this game didn’t have me rushing through stuff as well, but I found it kept my intrigue way better than the original.

Characters

Next to the music, this is the part that I absolutely love the most. While, yes, they did lose a lot of potential with some characters, mostly with the villains, the main cast is just so much fun. I love these 4 dorks so, so much.

I honestly can’t stand how much people compare them to the original cast. Yes, ofc, I’ve been doing my fair share of comparisons too, but calling these four a more boring version of BD’s party physically hurts me. Because except for some initial impressions, the Heroes of Light are completely different from our beloved Warriors of Light.

While yes, Seth and Gloria give off strong Tiz and Agnes vibes at first, they both grow into such different characters that they’re not really comparable. I think this shows with Adelle and Elvis even more. I do understand how people could compare Adelle and Edea, since they’re both the feisty girl type, but I can’t understand how people can see Ringabel and Elvis as the same character type. While those two are the “suave” party members, they act so differently from another. And that’s honestly apparent the first time you meet them. 

Anyways, I love these 4 so much.

We technically don’t know a lot about Seth at all, but they manage to pull so much out of just the fact that he’s a sailor, that it makes him really endearing, really fast.

I was kinda disinterested with Gloria at first, because again, the initial impression was Agnés2.0, but she grew on me a lot. Gloria is way more hard headed and honestly sassy in comparison to Agnés and I absolutely adore it.

Elvis. Elvis, my man. I love this fantasy scottosh wizard so, so much. He’s such a ridiculous character but so endearing at the same time. You got all this dorkiness, with him setting himself on fire as a student, him doing god knows what for a good drink or just laughing danger and prejudice in the face. But then you got his super empathetic and caring side. Mind you, most of his wise moments come from quoting Lady Emma, but still, as much as he’s hopeless with certain social situations, he’s actually still really good at reading the room and playing things smart. He’s a smart and powerful idiot, which makes him a danger to everyone and himself, and I love him for it. (I also can’t believe they called him Lesley I MEAN COME ON)

And then there’s Adelle. I liked her from the start, but I didn’t think she would stick out to me. I think now she’s my favourite character. Not even talking about all the stuff that happens in chapter 3 and onward, because these story threads are awesome in their own right, but there’s just something about her personality that’s interesting and appealing to me. Like I said, I’m not surprised people compare her to Edea, I did too at first, but while Edea walks very close to the line of a Tsundere, I was really surprised that Adelle is, well, not a Tsundere at all. Yeah, of course she’s putting Elvis down a lot, but that stems more from her preventing his ego from going to his head than her being all embarrassed. No, Adelle is actually really well adjusted when it comes to communication. While it’s hilarious that she and Elvis met with her chucking her shoes at him, the two just got along well right from the start. Adelle in general has this really open and helpful personality, but also doesn’t shy away from putting her foot down, even if that sometimes comes out as an embarrassed sputter. She’s also the mother hen of the group. She looks out for the other three and gets concerned about them real fast. 

I dunno, Adelle just really grew on me over the course of this game, and then her kinda being paired with Elvis too, as partners and as partners, makes me like her even more. Because as much as I like their personalities individually, I like their character dynamic even more. I honestly love the relationships between all four of them a lot. You really feel them grow closer as friends and all the little character sidequests just always made me really happy.

Conclusion

You might not believe me, but I really held back there. This could probably have been 3 times its length. As much as I love this game, it’s of course not perfect. It struggles and flails in some parts a lot and it certainly has some aspects that might turn people off. But for me, it was just a very familiar and comfy game that didn’t necessarily deliver anything new, but that told its story in such a way that it still got me excited to keep going. The soundtrack is absolutely amazing and the conclusion of the story actually got me to cry. While not groundbreaking, this game is highly enjoyable and leaves you absolutely satisfied at the end.

Also, I would like to iterate that I am desperate to get more content about this game, so if you wanna chat about it, hit me up.

Anyways, anyone else felt like having a fever dream when everybody in chapter 2 started talking fantasy scottish? Cos I sure did.

#bravely default #bravely default 2 #bd #bd2 #fanart #review #ramblings #seth #gloria #adelle #elvis #elvis lesley

[perriewinklenerdie]

Job interview (Ethan Ramsey x MC)

Pairing: Ethan Ramsey x Claire Herondale

Word count: 1,5 k

Summary: Landry Olsen goes to speak to the Head of the Diagnostic Team in hopes of working in Ethan Ramsey's team.

Warnings: None

A/N: Just Landry being Landry. And my two idiots being in love - this time with actual words being said. Also, Ethan being protective and proud - you know, like a husband.

Landry Olsen walked the halls of Bloom Edenbrook with his head held high. After two years of being gone, he felt a familiar feeling of pride at the sight of rooms and staff, no matter how many changes have taken place.

The news of a job opening in the Diagnostic Team flooded the medical community, reaching the doctors of Solomon Kenmore. In particular, Landry Olsen. It was like his dream came true once more, like he got a second chance at this.

Since his residency ended, he knew for sure that Claire’s residency was over too. For an opening in the team to happen now? It couldn’t have been a coincidence – she must have packed her bags and left, leaving a space for him to fill. Leaving him a chance to finally work by Ethan Ramsey’s side and prove to him that he was a better doctor between him and his former friend.

That’s what brought him to Edenbrook. He didn’t think to check, so blinded with his pride that he strutted to the nurse’s station, asked where the new DT office was and, as soon as he got the confirmation that the head of the team was in, walked towards the place that would grant him a new start for his career.

He straightened his shirt, shaking in anticipation to see his medical hero, sitting behind the desk, waiting for him to give him his resume – waiting for Landry to join the team, like he should have done two years ago.

A screeching sound of an alarm blared in his ears when he stepped through the door and casted his gaze onto the figure sitting behind the desk. They were hunched over a chart, drumming the pencil against the smooth surface under their palm. Their coat was draped over the back of the chair they were sitting on, completely in their element – like they owned the place.

At the sound of the steps, they spoke up. “Ethan, babe, you’re early, you said you’d be here in ten minutes- “ Claire lifted her gaze from the lines of patient information and moved it towards the person standing two meters from her. “Oh.”

They stared at each other in silence, neither sure what to do. Landry’s brain didn’t register the term of endearment she used in regards to Ethan Ramsey, too shocked by seeing her in the room to notice the additional information.

“I didn’t expect to see you here.” He managed to spit out, shaking himself off mentally. She raised an eyebrow.

“Who did you expect to see? You knew I was in the team, Landry.”

“I heard about an opening in the team, and since our residencies are over, I figured that… you’d leave.” He explained, shrugging as though his line of thought was the sanest thing in the world. Claire nodded slowly, sending him a strange look.

“I see. And, well, as you can see, that’s not the case. As a matter of fact-“

“That’s the last time I let you choose our lunch option, Claire. The traffic could not have been worse.” Ethan’s voice interrupted her as he walked into the room. At the sight of a faintly familiar face, he stopped in his tracks. Only for a moment, though, because he resumed his stride pretty much immediately, joining Claire behind her desk, their food in hand. He put the boxes down, then kissed her forehead warmly.

“That’s bullshit and you know it. Besides, why couldn’t you just order? They would have delivered it, no problem.” She grinned, leaning back in her seat.

“No problem, huh? I’ll remind you of how much it’s not a problem the next time you want those cookies that they do not deliver.” He nodded towards the smaller bag on the side. She gasped, touching her chest theatrically.

“Oh my god, I love you.”

“As I love you.” Ethan replied without missing a beat, his eyes softening as he smiled at his girlfriend.

At that moment, Landry Olsen cleared his throat. The couple looked at him at once, as though they only now remembered that they had company – neither embarrassed by the situation, though.

“Right.” Claire cleared her throat, turning in her seat to face him again. “As I was saying, I didn’t leave.”

“If you didn’t leave, then who did?” Landry asked, confused beyond measure. The next words wrecked his world and he felt ground slipping from under his perfect little vision of his future.

“I did.” Ethan spoke up, leaning against the desk. He nudged Claire’s arm with his knee, winking at her, both smiling.

“So… who’s the team leader now?” He stuttered, not for the first time in the past ten minutes, unable to understand what was happening.

“I am.” Claire raised her chin confidently, her posture straightening. “So, if you still want to discuss the opening in the team with its leader, that would be me.”

Olsen looked between the couple, the reality of their relationship suddenly catching up to him. The kiss, the love confession, their closeness – all like a slap to the face, all confirming what he already knew years ago.

“I… you two- but I- “

“I don’t think he’s a good fit, if I’m being honest.” Ethan shared his opinion, turning towards her. “You’re the boss here, so the decision is yours, but he doesn’t look like he’d be able to get much done. Well.” He gave the younger doctor a dirty look, well aware of what he’s done in the past. “Maybe except for sabotaging his coworkers.”

Landry paled. He wanted to run but his body froze, and he couldn’t move a finger. Memories of the conversation he had with Claire when she realized what he’s been doing came back to him immediately. He still stood by his point – a resident leading a team? In what universe would that be happening? He opened his mouth to say something, but no sound came out.

Ethan smirked at the sight, shaking his head at the younger man. He turned towards Claire and dropped his voice to a mutter. “I’ll wait for you in my office.” With a kiss to her cheek, he gathered their food and moved towards the door.

“You gave her the team because you’re sleeping with her?” Landry finally spit out, his voice pitchy and cracked. Ethan stopped immediately, turning around to reveal the stone-cold look on his face.

“I invite you to say it again and make an even bigger idiot out of yourself.” If looks could kill, Landry Olsen would be a pile of ash from how fiery Ethan Ramsey’s gaze was. “Go on, say that again.” When no other words were said, he scoffed. “That’s what I thought. You have nothing going for yourself, so you resort to bringing others down to hide your own incompetence. Truly touching. Now do us both a favor and go back to the place you came from so I can enjoy my lunch break with my girlfriend in peace.”

He glanced at Claire, his expression melting into a tender smile. “Come to my office once you’re done here.” She nodded, a barely visible gesture. He turned around, leaving the room without sparing Landry another look.

She stared at her former friend for a long minute, waiting for him to say something. When he didn’t, she sighed, deciding to take the high road. “Would you like some water?”

Landry shook his head, taking a step back. He apologized after what felt like forever, then bid her goodbye and began to leave the office. He ran into Tobias and Harper, dropping his gaze to the ground when he passed them by to avoid embarrassing himself any further. The last thing he heard before he got too far away was Tobias’s taunting voice.

“Aw, man, Ramsey said it would get good. We always miss the fun, Harps.” He nudged Harper with his elbow, both of them laughing. Claire joined in, standing up and reaching for her sweater.

“We come here to spend out lunch break with the boss and the boss is leaving?” Harper teased her playfully, knowing damn well where Claire was going. The blonde shrugged innocently.

“Sorry, guys, my boyfriend just destroyed the guy that sabotaged me two years ago. He earned some kisses at the very least.” She walked backwards, grinning. “Not to mention that he has my food. See you in a bit!”

Harper giggled at their dynamic, her shoulders shaking as Tobias reached for a piece of paper, formed the ball and then threw it at Claire. “Lock the door when you get there!”

Notes

Claire: “Would you like some water?”

Perrie: “For your newly obtained burns?”

I’ve wanted to write some Landry-being-roasted fic again for a while now, and this just jumped at me today. A splitsecond decision was made and here we are.

Long story short, I have absolutely no time to write, but I write anyway. I’m probably gonna die because of this, so it’s been fun guys <3

Jk, but not really. I’m probably going to be gone for a while because of my finals. I’ll be back as soon as possible, and in the meantime, I’m going to be here, reading and praising our Queens for giving us the content we need after OH ended.

Thank you so much for being here with me for the entirety of the OH journey, having you here means more than I can express.

See you on the other side of the war. Literally.

Love you guys so much, thank you for reading <3

Tagging separately

#open heart #ethan ramsey #playchoices #ethan x mc

[luimagines]

He reacts to seeing you Sick/Wounded Part 3

Final part of the prompt below!

Masterlist

First Part Previous Part

Scenario under the cut!

Four

Four starts looking through Wind’s borrowed telescope at the monster below them and tries to search for weak points and guard trails. There’s a good number of them, at least two per person here but they’re closer to the town than anyone anywhere is comfortable with so they have to go.

“AHHHCHOOO!!”

Multiple monsters look in your direction.

“Will you keep it down?” Legend snapped. “Sneeze a little louder next time, I don’t the monsters in the back heard you.”

“I’m not trying to be loud.” You sniffle and furiously wipe your face. “There’s got be something in the air here. I’m not allergic period. This just isn’t like me.”

Four nods in agreement and takes his eyes away from the telescope. He hands it back to Wind, who eagerly takes his spot and makes his way toward you.

In all honesty, you look miserable. And have since that morning.

You’re constantly sneezing, your nose and eyes are red and blotchy and it goes out to cheeks. You’ve been blowing your nose on random leaves since you’ve run out of tissues earlier that day and it continuously seems to be plugged despite it all. You also seem to be shivering ever so slightly but you never made any mention of being cold.

Four frowns to himself and pokes your neck, only to startled into placing his whole hand there. You’re covered in a cold sweat but warm despite the temperature outside.

“What the heck Four?” You knock his hand away and take a step back.

“I think you’re sick.” He blurts with as much grace a bull in a china shop.

“I’m no-” You cut yourself off with a cough this time. It’s so strong that you bend over and fall to your butt on the ground with barely any time in between to catch your breath.

“Benched.” Time turns on his heel and points you back the way you came. “Go back to the town. You’re not fit to fight.”

You whimper after the cough attack and nod, getting to your feet. Four doesn’t like the idea of you going back alone but he knows his friends need the numbers to take the monsters down fast enough, so he doesn’t offer for a moment. He tries to come to a decision before they make any more moves without him but Time speaks again.

“Four. Go with them. Make sure they actually make it to the town.” Time commands and turns to the rest of the group. “We’re going to need fire power.”

Four catches Warrior and Wild grin manically. “Leave it to us!”

“You had to say something.” Four snickers at Twilight misfortune and jogs slightly to catch up with you.

You’re still trying to wipe at your face with your sleeve and it leaves a trail of snot and tears on the fabric.

It’s a bit disgusting....Ok, it’s super gross and it makes Four want to gag somewhat but he’ll let you have it.

Being sick is gross. He’s just got to make sure your clothes are washed when it passes.

“Four?” You call.

He perks up and speeds up to fall in line with your steps. “I’m here.”

You look at him for a moment and sniffle again. “ ’m sorry you got sent back with me. You looked excited to take some monsters down.” 

“I’m...” Four looked to the side and tried to find the right words to talk to you. “I mean, I’ll live with it. I’m not that disappointed to be honest. I was thinking of joining you anyway. It didn’t feel right for you head out on your own.”

“But you want to support the others.” You argue. “I could see it. You had to think about it.”

“Ok well-”

“There’s a lot of them out there, isn’t there?” You press and frown to yourself. “A lot of monsters that are going to take all their hands and then some to be taken down and I get sent back and you have to come with me-”

“Ok, hold up.” Four grabs your bicep and shakes it a little. “Slow that down. It’s not like you asked to get sick. I know just as much you do that we’d both rather be up there with them. That’s a given. But you need to take care of yourself as well and I don’t mind being with you anyway.”

You push your mouth to the side and don’t look at him. “I better not get you sick.”

Four snorts ever so slightly and moves his hand from you arm to your hand, lacing your fingers together and swinging them ever so slightly. He knows you don’t want him to see the smile on your face when he does so but it’s your reaction every time.

“While I doubt it’ll happen, you’ll take care of me if I do get sick, right?”

“Always.” 

Warrior

They were in a new area this time. Warrior can’t recognize the landscape or the town’s names as they pass so he’s content to let someone else take the lead for a change.

The town’s people had mentioned a sealed temple of sorts that hadn’t been used in ages. Bad things had been happening in the area so they were advised to steer clear.

Naturally they had to go check it out.

Don’t leave no stone unturned and all that jazz.

If anything, it sounds more like a dungeon at this point so he’s a bit excited to get some practice in. 

Warrior walks near the front of the group and lets outa whistle when the reach their goal.

It a large dark blue building with three spiraling towers in a triangle-fecta with multiple columns around the front of it, acting as a sort of imposing gate. The columns themselves are full of grotesque monstrous faces, which are realistic enough to cause some discomfort amongst the ranks. 

“Oh, we’re going to be here for hours.” Legend groans and tilts his head to the sky. “Maybe even days! Why are here again?”

“To eradicate evil before it grows beyond it’s borders.” Time take a breath and walks forward. “The people are afraid and it’s our job to put an end to it.”

Warrior can agree with that, it’s what the hero does after all. Fine print and all that.

But you make a small whimper from behind him and turns around to see you. You don’t pleased one bit with your arms crossed and your head down. “I don’t like this place.”

Right. Not a Link. This technically isn’t in your job description, unlike them.

“You could wait out here?” Wild offers. Warrior remembers that they’re alike in a  away with the lack of experience with dungeons and wonders if maybe either one of them can stay back as well. Surely, they don’t all have to go in, do they?

Sky grins good naturally and punches you gently on your shoulder. “You good?”

“This whole place feels wrong.” You reply. “Do we have to go through there?”

“It’s because it feels wrong that we have to go in.” Hyrule shrugs. “We have to make it better.”

“If we find loot inside, it’s just a bonus.” Wind bounces up to you with grin.

“What’s the problem? Are you scared?” Legend taunts. “Do you need someone to hold your hand?”

“Are you offering?” You snap back.

“He may not be, but I am.” Warrior holds his hand out and smiles at you with as much charm as he can conjure up. He has no idea what possesses him to comment and he hopes that you don’t take offence to it. He wasn’t trying to mock you.

To his surprise, you look at his hand for a little moment longer than he think it’s worth and gently reach out to lace your fingers together.

Your hand is warm and you don’t look at him when he feels you give it a small squeeze. “Ok, let’s go.”

This is not a big deal. He’s not going to make it a big deal.

He just wanted to be a good friend is all. Yeah, that’s all it was.

As the group you all head into the cursed building and are immediately faced with choices.

Five hallways. No end in sight in any of them and no other options.

“Guess we split the party.” Twilight shrugged. “I’ll go with Wind.”

This was first pair off and others started to claim a partner for the journey ahead.

“I guess I already have my partner.” Warrior smiles and begins to walk away. “Should we take the far left?”

“Don’t you know, you never split the party.” You sing under your breath and tug on Warrior’s hand to the beat. “Clerics in the back, keep those fighter hale and hearty. The wizard in the middle where he can shed some light and you never let the damn thief out of sight.”

You’re not paying attention to him.

He chalks it up to your previous nervous energy and takes the lead instead.

The hallway you both travel through is dark and beginning to shrink. the two of you are now shoulder to shoulder and with more time, have to walk in a single file line.

You don’t let go of his hand.

Occasionally there is the lone torch to keep the path ahead illuminated but Warrior thinks that they’re more for decoration and peace of mind than any actual use. You know, considering the vast space of nothing in front of you.

The hallway comes to an abrupt stop and Warrior can feel you crash into his back. Before him a large room with torches on every other wall, eight walls in total, counting the one with the entryway. There’s nothing inside but a single glowing blue ball of light.

It reminds him faintly of Proxy and he steps inside the room to get a better look.

“Will o’ the wisp.” You mutter from behind and stop from entering the room any farther, stopping Warrior as well in the process.

“What?” He turns to you and can see how tense you are.

“Back home,” You begin. “They are known to be by swamps, bogs and the like. They’re supposed to mislead travelers and are used as a symbol of a goal that’s impossible to reach and are typically sinister in nature. What ever you do, don’t follow it.”

Warrior takes the warning to heart, takes a step and returns to your side.

Nothing like Proxy at all.

“What do we do then?” He asks, not taking his eyes off of it.

“I don’t know...” You gulp. “I didn’t even think they’d be here. They’re not known to be fighters... just mess with your head and lead you to your doom.”

On cue, the light shifts and begins to circle the room. Warrior makes a grab for his sword and you copy his movements. The two of you stand back to back and watch it closely.

It flies straight into a wall after a dizzying moment and a door appears where there wasn’t one before.

“That’s it?” Warrior stands down but his grip is tight, on both your hand and his weapon. “Guess that’s the way out.”

“No. What did I just say? Don’t follow it.”

“But it’s gone.”

“It went that way. Don’t go in the same direction.” You stress.

Warrior lets go of your hand and turns to stare at you head on, taking a step back and entering the rest of the room. He goes to open his mouth to reply- but his foot goes lower than he anticipates.

He’s activated something.

You jump as the entryway where you once were, shuts and the torches go out instantly, plunging the whole room into darkness.

“Link?” You call out and Warrior has no idea where you are all of a sudden.

He regrets letting go of your hand.

“Still here.” He chuckles nervous and finishes the sentence with an audible gulp.

The Will o’ wisp returns from a different direction and he hears you scream.

Warrior is quick to reach for Legend’s fire rod and he fires it into the air.

The ball of light leaves but the he’s taken gives just enough light to see what’s happened. You’ve ended up on the floor and somehow took a hit to your head that’s pouring blood all over your face, with a massive skeleton over you, poised to take another hit.

The fire from the rod dies out and the room goes black again.

But at least Warrior knows where you are.

And now he’s pissed.

He fires the rod again right at the monster and feels a vindictive sort of satisfaction when the creature catches aflame. He’s quick to launch the monster away from you and help you up. He passes you the rod, taking a full hold on his sword and stands in front of you.

“Light up the room and monsters, yeah? I’ll finish them off.” He says and drops into a defensive stance.

“Bad things happen with Wips.” You mutter and prepare to fire rod again and instead spin across the floor. Some of the torches relight but it’s clear they won’t last long.

More monsters start to appear from the doors the wisp activates now that the initial key has been set off.

“I’ll listen to you next time!” Warrior finishes the first beast and begin on the next.

“I think I’ll leave the dungeon stuff to the Links. Leave you, your puzzles and your monsters to each other.” You start talking to yourself. “This is no way to make a living.”

“Tell me about it. I didn’t even have these in my Hyrule.”

Hyrule

Hyrule has no clue what he’s was doing.

He could admit that.

He was used to having magic at his disposal and fixing the problem with it. But this? This was a little beyond his pay grade.

He wasn’t even being paid.

“ ‘Rule!” You cry from the bed. You hand is outstretched in an attempt to reach him but he’s too far away from your grasp.

He walks over to your side and grabs your hand. “I’m here. What do you need?”

“Can I have a glass of water?” You grip his hand and he’s hit with a wave of concern when he sees it’s not really that strong.

“Yeah, sure.” He says, getting up. “Give me a minute.”

You smile at him and close your eyes again. He hates how miserable you look. Flushed cheeks and forehead, raging fever, cold sweat running off you in a vain attempt to cool yourself down, you’re shaking and he catches you mumble every now and then but he can’t catch what you say.

Hyrule’s silver lining is that you’ve been mostly asleep through the day, making his job a little easier as nurse and doctor. The most he can complain about is that it’s a little boring.

He still doesn’t know what’s he’s doing.

He had thought that it was something he could handle but but was only within the first hour that he realized he was powerless to help you with anything.

He feels a little useless.

The others had gone out to survey the town they’re cooped up in and get details and equipment.

Hyrule knows himself well enough and has learned enough from the others that he’s pretty much... well, useless in a market. Money isn’t really a concept where he’s from or at least not with the bells and whistles and unwritten rules that everyone else seems to know at the drop of a hat.

On top of that, with Hyrule’s bleeding heart, he had offered to be the one to stay behind and look after you while they were gone most of the day. He figured that if he was the groups healer then he could help you with this too.

Wrong.

Again, he’s thankful you’ve mostly been sleeping.

When he’s retrieved your request and made it back to the room, he stops dead in his tracks at the door.

There’s... something over you. A shadow like blob with no discernable shape, figure or features. The revelation shocks Hyrule into stillness at the idea of you being in danger.

It’s not outwardly hurting you. Just watching.

Or so he thinks anyway.

You still look peacefully unaware of the conscious world and look to be in a deep sleep once more. Meaning, you have idea that this.. thing is here.

Hyrule doesn’t move but he looks around is immediate vicinity. His sword is barely within arms reach and he knows that the step he’s about to take is directly on a squeaky board. It would alert his presence and he doesn’t have anyway of currently fighting that thing.

He crouches down and places your cup by the door frame. He then places is hand just beyond the squeaky board and crawls those few inches to reach his sword.

As soon as it’s within his grasp, he calls on his magic and throws his astral sword in the thing’s direction.

It makes contact, but does no damage.

The shadow mass merely “stands” straighter and stills all movement.

This thing may not have a face but Hyrule is sure that it’s checking him out, assessing him, gauging what kind of threat he might be if he were to attack again.

Hyrule readies himself into a defensive stance and glares right back.

There are no words spoken.

Just as he’s about to charge, it dips down and disappears through the floor boards. The air in room ceases to be charged with unfathomable energy and he knows that it’s gone.

Hyrule is confused and on edge. He’s never seen something like before and he doubts that it’ll help your condition if he asks you or if you would know anything about it.

He straps his sword on his back, just in case, and picks up your cup.

“Link?” You call again, trying to push yourself up into a sitting position. You’re still very weak and very tired and you give up half way.

“I have your water.” He says instead, trying his best to smile for you. He holds it out to you and hopes that you don’t notice that his hands are shaking.

You grin in response and take it, seemingly none the wiser.

You sigh in relief as you sip. “You’re a good friend. Thanks for staying with me. I’m sure it’s been pretty boring when all the others are been productive.”

“I don’t mind one bit. I’ll be here for as long as you need me.” He sits on the bed.

Hyrule continuously has no idea what he’s doing.

But he certainly isn’t going to be bored from here on out. 

He has to protect you now, from whatever that was, so he will. 

#linked universe x reader #linked universe #linkeduniverse #I started working on this as soon as the previous part was posted #Warrior's got longer than I thought it would #and I'm not too pleased with how Four's came out #but I have no idea how I was going to make it work