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#‘my comb over!’
zuppizup · 7 months
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I’m absolutely willing to believe I’m reading too much into this, but I can’t stop focusing on the fact Aaravos is clutching his head in the statue at the entrance to The Sea of The Castout.
It haunts me.
Does it have to do with how muted he is in his current form, compared to the glowy version? The dark void in the middle of his chest is the most obvious difference, but his eyes, are dark too. They’ve lost their luminescence. His hair and hands no longer shine. His has less stars on his skin overall.
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There does seem to be emphasis on hearts in the show, so why is Aaravos holding his head? Again, am I clutching at straws? Yeah, probably.
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Obviously, the heart has been a symbol of love and life in numerous cultures, so is this tied in with the whole “tests of love” line?
The Star arcanum is associated with concepts like “intelligence and vision”, concepts more often associated with the head, with the idea of the cerebral, rather than the heart. Even reality-altering gives the impression of affecting the way in which we interact with the world, which is controlled by the mind.
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Did whatever happened to/was done to Aaravos result in an immediate reaction to clutch his mind, before he felt any of the other changes. Is this the loss of his connection to the Stars? To his arcanum?
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onlyancunin · 2 months
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Faerûn's most fabulous damsel in distress ----- Favourite moments of act I Astarion - 2/?
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vaniloqu3nce · 1 year
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This is honestly another one of my favorite scenes to hyperfixate on. There are very few instances in the show where we see Wednesday looking genuinely shocked/confused/disturbed and this is one of them.
This is probably just my headcanons running wild but…
While Wednesday did mislead Enid to get her there and put her in danger in the first place, you can tell when they’re being chased by the Hyde that she’s protecting Enid. From Wednesday’s point of view, this obviously means she cares in some capacity. The beginning scene of the show with the piranhas is how we know that’s how Wednessay shows she cares, not through words but actions.
As soon as she heard Tyler scream and Wednesday realized they were in danger she stuffs Enid in the dumbwaiter FIRST and then gets in and tries to protect them.
And then after all that and finding SOME clues Enid says this and she just looks dumbfounded.
Wednesday is really like, “I wear the snood, I take down the murder board, you’re not dead, what more could I do?”
I think starting here and throughout their fight, Wednesday realize Enid needs to be told and shown care in a different way than she’s normally used to. And THEN. The little affectionate speech Wednesday attempts to give to reassure Enid.
“The mark you left on me is indelible.” You can TELL our girl has learned something, look at her trying to show her girlfriend she cares after and is willing to put in effort for Enid’s needs the way Enid does her. WHAT OTHER person gets a speech like that from Wednesday. Nobody. They’re girlfriends case closed.
I know I’m probably reading too deeply into things, but I saw someone post this and my mind starting racing back to the scene and everything that followed. I wanted to share my thoughts because it’s honestly one of my favorite scenes because Wednesday is not going to outright say “I care” to Enid but she looked appalled that Enid even had to ask. I love it. This scene isn’t ran over with a queer magnifying glass enough.
Wednesday isn’t the type of person to verbalize she cares…until Enid wants to hear it. Smh our girl is whipped.
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starrysharks · 2 months
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remember that i'm ALIVE but minty isn't unfortunately
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druid-boy-punk · 1 month
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after starting this a year ago, i finally finished it :D
(all characters belong to erica wester)
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calamitydaze · 4 months
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me watching the entire internet realize what i figured out 14 months ago
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mystandthemoon · 5 months
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"Zewu-jun's hair is so smooth and soft."
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vinelark · 1 month
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no matter how many times i type “kon” my phone is always like did you mean jon? did you mean kim? did you mean con? did you mean job? did you mean lion? did y
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lexixxc · 1 month
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Magistrate Astarion (None of those shits happened version)
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how thrilling
i still absolutely hate her but i went off with her design tbh - hc that the royal Skywings are from a very high altitude subtype that evolved varying fur coverage to better deal with the cold temperatures
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starbiology · 3 months
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when shes back shes gonna terrorize that poor man lol
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oodlesodoodles · 1 year
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nemeyuko · 6 months
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I had to write a paper on Herbert West Reanimator publications vs 1985 Stuart Gordon Film, and I had to restrain myself from calling out the racism of the publications and the sexism/misogyny of the film.
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oasisofgalaxies · 3 months
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ok i got ultrakill and i have a secrets guide on the side ! i am so confused hello
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gffa · 1 year
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I was wondering if you could share your thoughts and feelings on Felonys takes over the years overall? I know a lot of people see him as this grand savior of star wars without much more to it so I wanted to hear your take on how he handles the pre-established world he writes for and the dissonance with what George Lucas established/said before
Honestly, I think a lot of Felony's appeal is that he writes a very polished story and that's appealing to audiences (no shade, I'm part of that audience!) and that he has at least given some thought to what the Force means. There are a lot of takes he has that I agree with, I still quote what he says about the characters at times, but I think he has a big central problem and that's characterization drift-slash-the inability to let go. Well, two big central problems: He also can't write/finish a narrative arc to a satisfying conclusion. I have such a hard time getting into the Mandalorian storyline because it's been told in snippets for like 10+ years now and it's never really coherently come together, it still has huge gaps in it, it doesn't have a strong narrative central theme that he sticks to, but instead told through cameos and mini-arcs in separate shows. And when you examine a lot of his work, it often doesn't hold up to scrutiny because I'm not sure he has a solid thematic throughline that's driving him--like, some of the choices he made in season 7 of TCW are baffling--Ahsoka walks right by people who need her help, then says, "In my life, when someone needs help, I help them."??? When she wants the Jedi to help Mandalore instead of Coruscant, she says the Jedi aren't helping the people who really need them, despite that Coruscant is under attack and that's where Trace and Rafa are, the characters we just spent an entire arc on?? Ahsoka and Bo-Katan want the Republic to literally invade Mandalore, this is brought up in the arc itself, and then never mentioned again because it's inconvenient and the author doesn't want to deal with the established worldbuilding?? I also don't think he knows how to end a story, like I love Ahsoka as a character, but he very much does favor her and a lot of her appearances are starting to feel like she's only there because Filoni can't resist. She just never ends, there's no conclusion to her, what's even her character arc over the course of her life after the Jedi genocide? She's obviously dealing with trauma about it and now she's looking for Ezra to find him again, but what's the character arc on a personal level? Is she still dealing with letting go of Anakin, ~30 years after it happened? Did she not put that to rest in Rebels finally? @david-talks-sw has a great post about the differences between George Lucas and Dave Filoni here, illustrating that I do think Dave misses some really key points about characters that he has personal biases against. And, you know, I'm not getting after him for that, I disagree with him and I think he's wrong about a lot of stuff that Lucas directly established, but I also think a lot of people dismiss criticism of him because, oh, he worked with George and therefore he's an extension of George! No, he's a different writer with his own strengths and weaknesses, one I think who makes very popular (often for a reason) Star Wars, but I think misses the heart a lot of times. But I also often think of that he doesn't try to see himself as the grand lord of Star Wars, either, even he himself says:
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He's not the ultimate authority on Star Wars, he's just as fallible as anyone else is, and always should be. I think he made Star Wars shows that a lot of people loved, he has a very polished style, and he has given thought to the characters he loves. He just also has biases and directly conflicts with George Lucas' established story and I think that's fair to point out. Maybe you like those better, I'm not trying to talk anyone out of that, but it's still fair game for me to point out that I think he's wrong about Star Wars just as often as he's right. (And that, as time goes on and The Mandalorian and The Book of Boba Fett became more and more of a hot mess, I grew less charitable. This is a major overview, I don't want to get too into the weeds on this, I've gone over a lot it in past meta, and it would be exhausting to dig it all up again, but basically this is why I'm on the fence about Felony. He has a lot of weaknesses as a writer and I don't find I like his strengths more than I dislike his weaknesses sometimes.)
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raayllum · 7 months
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so we both originally hate elves and are the siblings of a monarch of katolis who we lose, and we're devoted to protecting the border and humanity at all costs, even when it comes to sacrificing the personal safety of our young charges, and i'll lie to you and you'll lie right back to me and we both knew king harrow equally well and mourned queen sarai, we both interrogate restrained children who slip up and say "we" when we know they should be alone in their endeavours, when we both respond to loss by being closed off and isolationist and "stoic strong and lonely" only for you to get out earlier than i could even begin conceptualizing for myself, we're both snarky and sharp witted in ways other can find insensitive or callous, "i would've asked you to choose the egg over my own life if you had to" / "but amaya you won't survive [...] she said the rest of us will," we're both taken captive and submitted to the light trial by the sunfire elves, only i kill one sunfire queen and you protect a future one, and we ultimately advocate that "we gain nothing if we throw away the chance to learn and grow" and "no matter where you are on the path, every step forward is a choice" while refusing to prioritize our own personal futures over what we deem is more important in S5 (re: keeping the sun seed safe even if that means risking janai and not killing sir sparklepuff to guarantee your own existence). amaya and viren prequel when
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