astarion stans who refuse to try befriending or even romancing anyone else are the most annoying mfs. "I only romance astarion I just can't relate to the other stories" really? you can't relate to gales deep self loathing? his deep love and loyalty for those he cares about? you can't relate to wylls kind heart and desire to always do good, even if it means he's miserable? can't relate to shadowheart blindly following a god, only to learn the truth and reinvent herself? you can't relate to lae'zel or karlach who were lied to and used as weapons their whole lives, but continue to push on even when they're scared? you can't relate to the overarching theme of authority vs autonomy???
it's not difficult, it's just people refusing to appreciate and explore the game to its fullest bc their manipulative sexy vampire is all they need(something astarion actually loathes being seen as btw). but ok, you can be boring and do whatever you want, but don't lie and say the other stories are bad, because they're not. it's simply a lack of media literacy and critical thinking. because to you, if a character doesn't tell you point blank that they're aware of their situation, it's bad writing. missing the entire point that victims don't always realize the situation they're in. keep in mind astarion and karlach are the only ones who got away from their abusers, which is why they tell you clearly and confidently about what happened to them, fully aware that it was abuse. whereas the others give only their tunnel visioned perspective and speak highly of their deity(not caring about themselves, wish to appease them for something in return).
don't get me wrong (seriously, if I see one person misunderstand me I'm going to lose it) astarion is a good character, but people who only like him need to stop acting like he's the only complex and well written one. stop crying when people with brains call you out for being weird about his ascended ending. the game isn't about him. at least try and show some respect to those who worked hard on the game. make an oc and try new things, i promise the fictional vampire won't care if you don't romance him one run. have a drink with shadowheart, dance with wyll, go to a restaurant w karlach, maybe then you'll calm down.
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is this ooc for kya and hakoda? yes but HEAR ME OUT neglected sokka
sokka seeing katara waterbend for the first time. sokka dragging katara back into their igloo like "mum! dad! look at this look at this!!!" and being so excited because his little sister is a waterbender, that's so cool, and his parents are making a really big deal about it and hurrying katara out to see the elders and sokkas falling a little bit behind but that's ok, because katara's a waterbender and they need to tell the elders
and so they host this celebration - nothing big because they may still get traders but they don't want this to go out to the fire nation - and hakoda and kya are doting over katara and making sure she's had enough to eat and everything and sokka... feels a little weird. he knows its kataras special day but he just feels a little lonely, but when he goes up to his parents they tell him they're busy, so he tells himself that he'll talk to them tomorrow.
but then the next day, his dad is in meetings all day - that are about katara, he gleans from gilak and bato, who look a little confused as to why sokka's alone - and when he goes to find his mum, she's with katara and she's watching her shakily try to bend on command, instead of by accident. so he goes up to her to say hi but she tells him that she's busy and not to distract her. sokka frowns because it doesn't look like she's doing anything and can't he say hi? but then katara loses concentration to say hi to sokka, and though his mum smiles at katara, she doesn't spare another glance at sokka.
which. is fine. he thinks. obviously life is different now that his little sister is a waterbender and he had sooo many adults tell him as such when their village celebrated it, so... it's fine. maybe it's just because his parents look a little worried, he thinks, as they sit down to eat before bed. they do look worried.
and then katara says that she's tired, and his parents wish her good night and their mum goes to tell her a bedtime story and it's exactly as it should be. except that sokkas still eating and they usually wait til both of them are in their cots before the story happens. so he tells her to wait while he quickly shovels his food into his mouth, and he thinks it's fine but then once he's eaten and moving towards his cot, he hears the end of the story
he pouts, saying that he wanted to hear it too, but his mum tells him not now, sokka. she sounds tired. he doesn't care, he wanted to hear it too. she sounds a little angry when she tells him to be quiet, because kataras sleeping, but he doesn't care, he wanted to hear the story and why didn't she wait? it's his dad that scolds him this time, telling him that katara needs her rest. sokka goes to say that he was only a few extra minutes, but he's shut down. his parents tell him that they won't be speaking to him when he's being so rude, and sokka doesn't understand but hes too tired so he cries in his cot before falling asleep.
the next morning, his dad isn't there and neither are katara and his mum. and he learns. he learns through his parents ignoring him when he asks a question and scolding him when he wants something that he's selfish. what else could he be, trying to put himself above his sister, who could be targeted by the fire nation (which he didn't originally know, he finds that out when his dad yells at him one day and, oh ok maybe he is being a bit selfish) and katara needs her parents more anyway because shes the only waterbender, she needs guidance in connecting to her culture and her history. he wonders whether it's technically his history too, but he doesn't ask. he stopped asking a while ago, stopped talking a while ago.
he thinks he hates katara a little. bato tilts his head and asks him why, when he tentatively tells him after the man prods and prods because "I haven't heard you speak for ages kid, you ok?", and sokka doesn't have an answer for him because he doesn't know why he hates katara but he doesn't want to hate her, it's just that his parents like her more cause she's a waterbender. bato tells him thats silly, of course his parents like him, and he ducks his head and mumbles an apology and doesn't notice the way bato frowns and glances over to gilak, who sports an equally worried frown.
the next day his dad takes him fishing. he's so excited but he's nervous too, he doesn't want to upset his dad and his dad is already looking at him weirdly that morning so he answers the questions his dad awkwardly pushes towards him and doesn't ask for help even when he can't get the bait on his hook, and eventually his dad takes the rod from him and does it for him, and he apologises but his dad looks at him weirdly again and so he doesn't speak again on the trip. but... it's nice. his dad claps him on the back everytime he catches a fish and he proudly displays his three fish to him at the end and gets a laugh for his efforts. so. it's nice.
the following week, there's a raid on their tribe. sokka runs towards their igloo, having lost katara in all the chaos. he pulls to a stop by the entrance, hearing his mum talking to some guy about the waterbender and... what is she doing?
he freezes. the man stomps out of their home, sees sokka and throws him aside. sokka doesn't feel the bruises til the next day, and when he does he doesn't care.
there's no point. he's got to take care of katara. that's his job now
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One of the reasons I have absolute goo-goo eyed swiss cheese brain over this movie is the side characters. Everyone is so much FUN! Even the characters with only one or two lines are memorable, because every single actor commits to the bit. In any other movie, the support group characters would basically operate as one bland, homogenous whole, but everyone in the group is uniquely characterised and they just pop, even weird Kevin! There's barely 500 fics on ao3 and every named character has at least one, as do some unnamed characters. Do you know what kind of writing it takes to get people excited about a character credited only as "ant kid"?
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The main reason I don't think Gregory dropped the elevator isn't because of the sudden tone shift, or the split in the captions, but rather like. It doesn't make any sense, for Gregory to reach Cassie, tell her he's been trying to call her all night (which we know is true, because of the easter egg where he talks through a staff bot), explain to her what's going on, and help her get to the elevator, only to drop it once she's there. Wouldn't it make more sense to just leave her to fend for herself instead of all of that. And in that scenario, he could still cut the elevator, but why lead Cassie to it first?
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when people first meet me and inquire about my studies im generally hit with two different responses, being 1) “wow, that’s an unusual combination”/“you don’t see that often”/etc. and 2) “you must be SO smart!” (or its evil twin, “you must hate yourself ha-ha”), and while the first is obviously a better response than the second, both are kinda…awkward to react to.
like? IS it an unusual combination of interests, or is it actually that most institutions make it exceptionally difficult for people to pursue stem and arts concurrently? and that we don’t often talk about the heavy crossover between stem and the arts because we’re so culturally obsessed with this notion that the world is split into Art People and Science People (also known as English People and Math People)?
and how would my interest in a science make me any smarter than someone in my program who chose to pursue a minor in history instead of physics? also, NO, i don’t hate myself. obviously taking stem classes after spending years believing im “not a math person” has lowered my gpa, but that’s not really something i care about, because at the end of the day i find the subject endlessly fascinating and i enjoy my classes very much, and i get better at math every semester because i have no choice. because it’s just…a method of communication. it’s a language. you practice, you improve - but you have to be consistent and intentional about it. the same way you have to be consistent and intentional about analyzing fictional texts and historical documents.
which is to say that like. you are using the same skills. i tutored a high school student last year who looked at me like i was crazy for saying that close reading a short story is functionally the same as solving an algebra problem. you collect like terms. then you compare and contrast them to make a statement about them - it’s human nature to seek refuge in what is familiar even if it is simultaneously traumatic, or x = 2 and y = -2. you can chart it, you can graph it, you can draw it. listen, isn’t there something so inherently beautiful about the word integral? it’s something intrinsic, baked into a person or a thing - the fundamental values formed within you by tiny, infinitesimal pieces: moments, experiences - they coalesce into something completely different, but still. you can go back. you can find the pieces. define them, pick them apart, put them together again in new ways. expand them, contract them, equate them to something else just to understand them.
half the study of mathematics is called analysis, for god’s sake. what is the study of art if not analysis? is it not the goal of the artist, the writer, to make sense of our place in the world? and is this not what we do in physics, too? look at the world and try to find reason in it? as the poet spends their life trying to make the intangible tangible, the particle physicist attempts to study dark matter. when we form a sentence, we utilize a complex system of equations that are so second-nature to us we don’t even register that’s what we’re doing - but there’s a reason this branch of linguistics is called syntactic calculus.
like…believe me. if you told my teenage self i’d be taking calculus-based courses in university, i wouldn’t have believed it. i teach high school students now who tell me they know they aren’t good at english, but it doesn’t matter to them because they do so well in math. and i get it. i do. but it’s disappointing, too, because i think my knowledge of math has made me a better reader and writer. and it feels like most people are missing out on that connection, because they feel like it’s impossible to make. but any experimentalist can tell you there’s an art to the scientific process. any musician or poet can tell you that great art is dictated by numbers - rhythm, rhyme and metre, all of it. the only group of people as interested in conceptual symmetry as physicists are artists.
anyway, all i’m saying is like - one is not more essential than the other, these things are inextricably linked, these things are as fundamental to human existence as breathing. there’s a reason why astronomers defer to shakespeare to name newly discovered bodies in space, you know? we've all gotta learn to love the math in our art and the artistry behind math.
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