#{ Muse: Naomi } | Explore Tumblr Posts and Blogs

purplink8 · 3 months

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Naomi is one of my favorite characters so I decided to compile my thoughts on her in this post! :D

(Disclaimer: I do not particularly like the fanon version of Naomi & while I do dislike Raye, I still believe without a doubt that he cared for Naomi (enough to go along with Light when he threatened to kill his loved ones, and the first one to pop up in his head was Naomi) and had his (however misguided (by sexism ofc)) best interests at heart for her. That does not absolve him for being, frankly, really really rude + sexist to Naomi and I will forever be annoyed with him for that.

tl;dr I'm neither a fanon!Naomi stan nor a Raye apologist. Anywho-)

Before I talk about Naomi, I want you to take a look at this panel directly above the one in which she first appears.

Before Naomi's first appearance, Ryuk says "I guess women being tough in crisis goes for humans, too." This is said in reference to Yuri being unphased with the bus-hijacking and dragging our fave sexist murderer to Space Land haha.

But I think it's significant that the above quote was said by Ryuk for all women (maybe the real feminism was the Shinigami we found all along!) JUST BEFORE Naomi's first appearance.

Even before Naomi is introduced, the canon has (however jokingly (side-eyeing you Light-o)) established that women are tough in crisis. I do think that's saying something- especially when you'll see (which will be discussed in length in this post) that this statement holds true ESPECIALLY for Naomi.

But we'll come back to this later; let's move on to Naomi actual appearance in canon.

We're introduced to her as Raye's loving fiancé who is also attentive (receptive) towards him as she asks him why he's tired to which he mentions the bus-hijack.

She's quiet in noting down her observations in her head as she asks Raye for more info regarding the bus hijack:

Look at the '...' she has before asking Raye for details. We can read it as hesitation to voice her suspicions before they sound strong enough or as the pause to think it all through OR more likely as we'll see in the panels below, she perhaps hesitates due to the conditions she agreed to with Raye. The pause may also be due to her analytical mind starting to work, she has to mull over the details she's just been given before reaching to a conclusion.

She does speak out on her misgivings as she clearly cares about Raye and thinks (& correctly at that!) that he met Kira.

Only to get shut down by him. Raye is, obviously, sexist and rude here but we have to remember that Raye thinks he's doing the right thing (according to his sexist 'i have to protect her from danger' attitude anyway). He does admit that she was an excellent fbi agent but still, he's not respecting her opinions.

Now this is where my hate for Raye shines through like

"once you pop up some of my babies, that habit won't pop up anymore" ~Raye Penber, probably, i wish i was exaggerating

Raye is unbelievably dismissive of Naomi here. Not only does he not take her concerns seriously, he also follows it up with a 'joke' about directing her intelligence towards being his future wife. Now, I do believe that Naomi wanted to quit her job too but that doesn't make it okay for Raye to y'know treat Naomi like this. And Naomi (being genuinely apologetic) politely chuckles it off.

I think this brings us to an important aspect of her character: she has a sort of passive attitude. She is not that assertive imo instead preferring to be compliant and yielding. She values harmony in her relationships & avoids conflicts by being agreeable (at least with Raye).

Then Kira happens to Raye Penbar and other FBI agents. I find it interesting how these panels are placed next to each other:

These panels are juxtaposed to each other to perhaps show us that while killing the FBI agents may be like a game to Kira & L, there are real stakes involved for those related to Kira's victims- they become pawns in Kira & L's game-: Naomi being the prime example, who is shown grieving Raye's death.

She is intelligent enough to deduce that Raye was murdered by Kira.

Now instead of wallowing in her misery (remember what Ryuk said about women being tough in crisis? yeah this is what's happening here), the former FBI agent picks herself up, gathers her wits + composure, and gets ready to investigate.

We're then shown panels of Naomi travelling alone. I want you to remember that the emotional wound of losing her fiancé is still fresh & forefront in her mind (trying to catch Kira is a very close second). Even if her thoughts are not depicted (her ride to Shinjuku is deathly silent: with neither dialogue nor thoughts- meant to express how she deals with her grief- Naomi takes action and does so quietly), we get an idea of how she feels.

Alone. Torn between feeling lonely/helpless yet determined to catch the murderer who killed the man she loved. Still, she perseveres.

And she gets info from the bus conductor, that there were six passengers other than Raye during the bus-hijack. She figures that since Kira must've been someone out of those six people, Kira may be living somewhere near that bus route. It's a small lead but a lead nonetheless.

Naomi also infers that Kira is able to kill people by causes other than heart attacks too. More importantly, she is of utmost confidence that her finding IS a fact which means she wouldn't be shook off that belief any time soon. Which is really, really bad for Kira as it narrows down the list of Kira suspects considerably well.

I'm gonna focus on Naomi's POV (you'll know why later):

_____________________________________________________________

She enters the NPA building and the receptionists are being much help: saying that there's nobody on the task force here despite her appointment with them, which was made the previous day + asking her to just leave a message when she insists on meeting the task force personally.

This is important to her. Why are they being so difficult? She'd had an incredibly long day, her fiancé is dead and only she seems to have a clue of Kira's powers extend to killing people by causes other than heart attacks. She absolutely needs to tell this clue to the Task Force. If only somebody actually listened to her. (Even Raye, when he was alive, refused to do that).

Then a young guy, who introduces himself as the son of the task force Chief, comes in and talks with the receptionists about a case he had helped solve in the past. Whatever. That information does not help her in the slightest. She came here for one purpose and one purpose only: speak to the Task Force. Why are the receptionists so warm towards him while being so useless to her? And then the boy says something interesting:

He (if she heard correctly) may be able to beat L in solving the Kira case. He's definitely got her attention now. Either he's way too confident or there may be a degree of truth in his statement (well, they did just say how he helped them solve a case when he was a high schooler). Still, it's not like this guy can help her catch Kira when he's not even in the task force, right?

She's just about to mentally dismiss him when:

...he shares valuable information with her- something which the receptionists haven't (even if they had their reasons) and even better, offers to help her (he's the first person to do so ever since Raye died). He chooses to trust her (he had no reason to do that but does so anyway maybe due to the goodness of his heart? (she doesn't know- still he has helped her out a great deal already)).

It feels weird accepting his help but the boy is very polite + willing to help so she does. And offers him her sincerest thanks.

He also seems to think that Kira has greater powers than people think. That surprises her.

To think this young guy has deduced something which she had too...she chooses to confide in him a little (not so much, just a little without details, just as vague as his statement was) that that's why she's here.

The stranger tells his name. Light Yagami. And asks for hers. She's not taking any chances. Raye died because of giving his ID to someone in the bus (who, she's sure, was Kira) and while this kid seems relatively harmless, she's cautious. She has prepared for this. So she gives him an alias. Shoko Maki.

It seems she hadn't heard the end of his deductions. According to him, Kira can also control people's actions before they die- and she finally has someone intelligent enough, trustworthy enough (he trusts her AND has helped her out a lot) who is willing to listen that she cracks, offering him the final piece of the info she has puzzled out: that Kira can kill by causes other than heart attacks.

More information trickles out her (the kid, Light Yagami- she reminds herself- is surprisingly great at putting her at ease)...she tells him about her fiancé meeting Kira before his death. He's silent. When asked about it, he tells her it is due to the shock of hearing that.

Light is a patient listener, asking her details, offering his views on the matter so she doesn't mind telling him everything she has concluded thus far with utter conviction:

He's initially skeptical of course:

Still, he agrees that it's worth investigating into and that's what matters to her.

After thinking about it for a while, he informs her that he's convinced of her theory. Not only does he take her seriously, he also takes notes of the details of the incident.

Light has been as useful as a person in his position could have been and she's really grateful. She wishes to tell the task force herself so she heads back to the NPA.

He's still following her. Maybe he's doing this out of politeness? She tells him that she'll be fine on her own and thanks him for all his help. She turns. The kid approaches her again.

Only to tell her why the members of the task force were said to be absent.

Now she's suspicious. Why does this kid know so much about this investigation which ought to be kept secret from the general public? So she asks him. Only to get hit by this bombshell:

He is, if he's telling the truth, a member of the task force. Well, that explains a lot.

He tells us that all the members of the task force have been hand-picked by L.

Then she doesn't need to go back to the NPA, as she has already spoken to Light who, by his own admission, is a member of the task force which means her insights will be passed on to L.

Now that she knows that L selected Light himself, she allows herself to trust the kid enough (as she completely trusts L) to tell him that she worked with L on a case 2 years ago when she was in the FBI.

Naomi reveals that she'd been reluctant to trust the police and even the task force compared to L who has her complete trust (her plan was to ask them to let her speak to L directly, i.e., she didn't even want the task force to know her insights). Light asks her then why did she tell him something which should've been for L's ears only.

She gives him her reason.

She feels that Light & L are similar somehow (I think it's her gut feeling) and since she trusts L, she also, kind of, trusts this kid as he reminds him of L.

Then, something crazy happens. He asks her if she would like to join the investigation... She is flabbergasted, to say the least. She had come thinking that she'd be lucky if she got to talk to L directly but joining the task force herself?

Still, she has to admit the kid is nothing if not convincing. She feels indecisive. She doesn't know what to do; she's been feeling lost since Raye died. They were in Japan for a short while only. Hell, they were going to get married & get settled permanently in the USA. And now none of it was possible.

Raye was dead. She had to accept that.

What should she do?

But when the kid brings up how she's still a young beautiful woman for this dangerous investigation, she finds her doubts shattering and her resolve hardening. She realizes that she has gotten a new purpose now.

With her fiancé gone, she's got nothing left to lose anymore. Getting Kira (who was responsible for his death) is the only thing that matters to her anymore, as she says in her outburst. She'd do anything, regardless of risks to her life, to make sure that Kira is caught.

She's very determined now to join the investigation and requests Light for the same. He asks her some proof of her identification.

She hesitates, but feels this can't be helped: she reasons to herself, as she apologizes for giving out a fake name earlier. He praises her carefulness. And she gives him her driving license. He asks her some details about the time she was in the FBI. And keeps glancing at his watch strangely often enough to prompt her to ask him why:

He, once again, looks down at his watch as he replies.

He is Kira.

Light Yagami is Kira.

She is horrified, with realization dawning at her eyes that she has already given him her real name, and is filled with dread of what is to come.

And just an instant later, she turns sharply (not unlike clockwork) away from him. She feels as if she's in a trance. He is speaking something to her.

What's the matter?

An answer comes unbidden to her lips, as if that's what she's been supposed to say all along, like she has practiced this chat with him before,

"There's something I have to do."

The words feel foreign to her, and yet she feels that that's what she was destined to say anyway.

Didn't you want to talk to my father?

The words are a blur as she replies mindlessly.

"No. I have nothing to say to him."

_____________________________________________________________

...well, that. was. Dark.

No, really, it's so fucked up how Light taunts Naomi in her final moments that's why I hate him during this scene.

But anyway, I wrote those 1.4k words talking from only Naomi's POV so that we may understand why she allows herself to trust Light.

I think the argument of her trusting Light "that easily" is uh... debatable? If you pay attention to the plot, it's not that hard to believe that Naomi comes eventually to trust Light.

I think people take this panel at its face value...

...which is just Light self-congratulating himself AFTER he got Naomi's real name (only to think 'that was a close call...' in the next panel itself) like? You guys, don't fall into his trap thinking that Naomi trusted him way too easily.

This guy cognitive-restructures his way out of every setback. Just because Light wants to convince himself that it was that easy to overcome this setback of a woman, doesn't mean you have to be fooled into thinking the same as Light too. This is just his hindsight-bias talking.

We know how hard it was for him to figure out a way to get Naomi's real name after she gave him an alias (while being as cool as a cucumber too). Do not forget that before you chide Naomi for being too naive (yes she IS a little naive (y'know the trusting L a 100 percent? after working with him through a computer screen?) but we shouldn't blame her for giving Light her real name). She was being careful all along.

Until Light, with his genius social skills (remember he's exceedingly polite & helpful + just. a. Kid in Naomi's eyes), focused all his intelligence to achieve his goal of getting Naomi reveal her real name and succeeded as he's an excellent manipulator and got luck on his side while Naomi's degree of luck is exceedingly low.

Also remember that Naomi is freshly grief-stricken and this polite kid is the first one to stop and listen to her (+ agree with her respectfully). And then too she gave him an alias. But was forced to give out her real name because the situation called for it.

(I don't put much stock in htr13 stats but I think we can safely conclude that it's correct about Naomi lack of good luck. Also, she dislikes stalkers and Raye stalked Light (yes he was just doing his job but still you have to admit it's a lil funny that she was gonna marry a stalker- ok I'm done now with the htr13 discussion)). Moving on!

After Naomi's death (she was only 28 at that time), L accepts the phone call from her parents reporting her as missing and comes to know that she's Raye Penber's fiancé. L finds her name familiar and has Watari look her up, to find that she arrested the preparator of the LABB case, which reminds him that he worked with her on that case.

When Aizawa & Matsuda suggest that she may have killed herself after hearing news about her fiancé, L disagrees with them saying that the Naomi Misora he knew had great inner strength and was an excellent FBI agent. He thinks that she's try to go after Kira (and he's not wrong).

And that's all the info about her that the manga canon offers us.

In conclusion, I think Naomi is very intelligent yet a little gullible/trusting of people (she chooses to believe in the good of the people methinks), polite, quiet, introverted, a tad passive, and tremendously emotionally tough (seriously tho, she's in grief sure, and that makes her vulnerable to Light's tactics to get her to trust him & all that but it takes guts to go after a killer who can kill just by knowing your name & face just after he killed your future husband).

Canon!Naomi is far more complex than the girlbossified fanon version of her and I love her <3

#death note #naomi misora #light yagami #l lawliet #raye penber #ryuk #yuri death note #musings #p #long post #meta #dn meta #my meta

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note-boom · 9 months

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Life and Death Parallels within the ADA

Someone in a tag said a while back to throw some of my tags of this post onto a post, and I meant to do it way back in February but kind of got lost to the timestream.

But I'm back and I really do have thoughts about the way the ADA is structured to really be, as Atsushi was told just before the Kamui revelation, a place where the members give the organisation unique strengths that cover each other's weaknesses. And I thought about how there's a sort of equal divide between the older generation (Ranpo, Yosano, Dazai, and Kunikida) and the younger generation (Kyouka, Kenji, Tanizaki, Atsushi) and how each of these characters have both a similar aged parallel to them in the agency as well as a minor-adult parallel.

I'll try to be as concise as possible (I failed), but hear me out...

We have Ranpo/Yosano, Dazai/Kunikida, Atsushi/Tanizaki, and Kyouka/Kenji as similar-aged parallel sets that pair a death-coded individual with a life-coded individual. On the the adult-minor side, you have Ranpo/Kenji, Yosano/Atsushi, Dazai/Kyouka, and Tanizaki/Kunikida as parallel sets in their story arcs rather than thematic ones.

So, to start with the first set.

Ranpo (life-coded) and Yosano (death-coded): I feel as if these two have sort of reached the most balanced level of thematic parallels than any of the other pairings. Ranpo's past was full of this enjoyment with life where his parents' occupations dealing with darker forces of the world were hidden from him. Meanwhile, Yosano's past was full of death and darkness that was not hidden from her. And in Yosano's backstory, she was called the angel of death; in Ranpo's Origins tale with Fukuzawa, he confronted an angel of death of a sort. Yosano was deteriorating into death while Ranpo was slowly thriving under Fukuzawa. And then they met...and Ranpo found someone to bring back to life, and a place in the ADA where he could use murders and death and the darkness of the world to spread light/life by literally shining light on the mysteries, while Yosano found a place where she could use death to bring life in the ADA.

Dazai (death-coded) and Kunikida (life-coded): I think this parallel of life/death manifests the most in their ideals...Dazai's ideal is sort of entrenched in death and trying to die a painless suicide while Kunikida is all about spreading life for himself and others no matter how much pain it brings him. What's so wrong with these two is that they also have inclinations towards their "opposite coding," so to speak. We constantly see people pointing out Kunikida's secret desire to die while we clearly see Dazai doing his uttermost to live a good life and carry on Oda's legacy. Life haunts Kunikida as much as death haunts Dazai, and yet death chases after Kunikida (all the people he's witnessed dying, RIP) as much as life comes after Dazai (all his failed suicide attempts, double RIP)

Atsushi (life-coded) and Tanizaki (death-coded): This is honestly pretty tricky because we barely know anything about Tanizaki. Even though Kunikida and Dazai's past-pasts are still pretty mysterious, we have a good grasp on their characters. But Tanizaki's personality dissonance and as-of-yet unknown past with his sister definitely contrasts with the way we're know Atsushi's past and values. Both, however, are incredibly protective, but the way Tanizaki and Atsushi approach it is pretty different; Tanizaki seems to have this mentality that he must kill the threat while Atsushi seems determined more to save the victim. (I also find that one throwaway about "wimp of the east (Tanizaki)/wimp of the west (Atsushi)" interesting because maybe it's just in western lit, but west denotes sunsets and death while east denotes sunrises and rising, except in Buddhism where the west is shown as a direction of enlightenment(info check?)...which provides another host of interesting parallels to Atsushi and his relation to the book but let's not go there). All in all, these two are a bit of a stretch, but it's interesting to see that Atsushi's mysteries lie more towards the future (usually associated with life) while Tanizaki's life more in the past.

Kenji (life-coded) and Kyouka (death-coded): This one's pretty straightforward, not just because they're the youngest members of the ADA. But you see their life philosophies and personalities lean towards what they're coded as, as well as their pasts (Kenji as a farmer, cultivating life, and Kyouka as an assassin, dealing death). And yet what drew each to the ADA....Kenji was drawn to the ADA after witnessing death after a lifetime of growing new life while Kyouka was drawn to the ADA after being given life after a long childhood of killing.

However, in the end, the Armed Detective Agency is a detective organisation devoted to saving people, and all of them end up choosing life for it. But the different ways they go about it just go to show that you can have any crazy skill and still spread some sort of life through it. All of them are haunted by death, anyway, and yet all of them choose to spread life regardless.

Now onto the second set, which I'll keep shorter by simply saying that the pairs - Ranpo/Kenji, Yosano/Atsushi, Dazai/Kyouka, and Tanizaki/Kunikida - just have similar story beats, in a sense.

Ranpo and Kenji raised fairly happy, rudely awakened by the world, and yet choosing to believe in continuing to keep up a positive attitude; I'd say, though, that Ranpo does it primarily through shutting his eyes to the world while unmasking it while Kenji does it through acknowledging its pain and refusing to let it bring him down.

Yosano and Atsushi both with honestly terrible childhoods spent witnessing some of the most cruel sides of human natures growing up to be champions of life, only Yosano has definitely developed more steel and walls while Atsushi's definitely softer and more open still (they're both crazy stubborn, though).

Then Dazai and Kyouka's past with the Port Mafia and a disillusionment in reality that was abruptly interrupted when they realised they had to do something about it as useless as it sounded; Dazai thanks to Oda dying and Kyouka thanks to Dazai telling her to save people anyway.

And again, Kunikida and Tanizaki's probably a stretch given we know nothing about their pasts, but I really really find it interesting that Kunikida was a former teacher and Atsushi first assumed Tanizaki and Naomi to be students; also, I've mentioned this in other posts but Kunikida and Tanizaki are paired together a lot and have...their moments. It's pretty interesting to perceive these two people with strong ideals that are almost the reversal of the other ("the world for one person" vs "myself (one person) for the world").

But yeah...that has been parallels within the ADA concerning themes of life and death and their character's narrative arcs.

Bonus? Fukuzawa and Naomi....a middle aged president and a teenaged clerk, both protective about the people they claim to be their own, smart in their own ways, with seemingly "support" roles.

#the bonus was mostly crack but i didnt want to leave fukuzawa and naomi out of it #anyway that has been a short look into character parallels with someone obsessed with character parallels...#...whether they exist or not #who knows maybe im just very much...#spitting nonsense #but also im onto something right??#anyway it means a lot to me that the ada is all about surviving despite what the world has thrown at you #and despite what i said about being coded more one way than the other...#...i also take it back #because what theyve all done is face the horrors of death AND life and choose to make things better...whatever that means #and i love them all for it #character analysis #armed detective agency #bsd musings #bsd #oh yeah but what about that thing about buddhism and atsushi's west?

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